Sandro Botticelli, Primavera

Sandro Botticelli, Primavera

Sandro Botticelli, Primavera, meaning "spring", is one of the greatest works of the Uffizi Museum in Florence It is not known exactly why painting was drawn. It was probably created in May 1482 for the marriage of Lorenzo di Pierfrancesco (Lorenzo the Magnificent Medici's cousin). Sandro Botecelli was working under the protection of the powerful aristocratic family of the time. Dimensions 2.03 m x 3.14 m and location is Uffizi Gallery. Arthipo offers you only artistic prints, the printed works are similar to the original works, and the paintings are carefully prepared by considering the aesthetic criteria, then they are examined from as artistic by professional painters.

Sandro Botticelli, Primavera, meaning "spring", is one of the greatest works of the Uffizi Museum in Florence. It is not known exactly why Resmin was drawn. It was probably created in May 1482 for the marriage of Lorenzo di Pierfrancesco (Lorenzo the Magnificent Medici's cousin). Sandro Botecelli was working under the protection of the powerful aristocratic family of the time.

Sandro Botticelli, La Primavera Paintings Story, Review and Analysis 

In the picture, there is a group of figures in an orange corridor. The first point perspective is used when attention is required. The application of perspective until the general pre-Renaissance period is small. In general, the picture was drawn around the focal point. Most of the figures seem to be long, thin, and quite elegant.

Sandro Botticelli, in the center of the spring painting canvas, is the Roman goddess Venus. His presence is a reflection of the humanist interest in the classical world that was popular at the time in Florence. Her head is depicted as an idealized woman, pointing slightly to the right. On top of it, a godless love god and behind him, the tree branches on top of it, framed Venus, created a belt. The belt from the tree shows that Venus is a privileged position.
On the far left, the god of May, Mercury, removes the winter clouds. Mercury is easily identifiable by elite padded sandals.
To the right of Mercury there is an important group called Three Authors. These women, who seem to have been involved in some kind of dance, were modeled after Botticelli after an old depiction of Three Graces. Dancing female figures are important because they all give information about the ideology and the cycle in the picture. Three women; Chastity, Beauty represent the feminine virtues of Love. The Roman writer Seneca tells them, "In the eyes of everybody is pure, perfect and sacred, and at the beginning of the women we can see the pearls symbolizing this kind of purity.The clothes are very light and transparent like lace.The Three Women are at the end of Cupid's love arrows.
On the right side there is a group of figures containing the western wind of Zephyrus. They're getting a nymph named Chloris. They get married after they have managed to get it on their own. Then Chloris turns into Flora, the goddess of spring. Flora is portrayed by throwing flowers gathered in her dress. This is a metaphor for both spring and fertility.
It would be useful to consider the scene as a whole. Alliances from spring to May, the Three Women point to a wedding held in spring. An orange garden attracts attention. The Mediciler has adopted the orange tree as a family symbol. The picture will be placed in the bedroom of Lorenzo di Pierfrancesco. After the wedding his wife will see for the first time the official first time.

It is one of the famous paintings of his artist. It reflects the perspective of the artist in terms of technique used. The same color and formality are encountered in different works. The colors, the perspective and depth leave the artist's footsteps to our imagination world.