Akvarel resmi boyalar\u0131n \u015feffaf etkilerine dayan\u0131r. Bunun i\u00e7in ince yani kapat\u0131c\u0131 olarak s\u00fcr\u00fclmemesi icap eder. \u015eeffaf olarak s\u00fcrmek i\u00e7in d\u00fczeyin a\u00e7\u0131k bir renkte olmas\u0131 gerekir. Akvarel resimde \u0131\u015f\u0131k etkisi, kullan\u0131lan beyaz k\u00e2\u011f\u0131ttan do\u011far. Bu k\u00e2\u011f\u0131t bazan okullarda da g\u00f6rd\u00fc\u011f\u00fcm\u00fcz resim k\u00e2\u011f\u0131ttan, yahut bildi\u011fimiz desen-resim k\u00e2\u011f\u0131d\u0131 de\u011fildir. Bu k\u00e2\u011f\u0131t keten nebat\u0131ndan elde edilmi\u015f bir k\u00e2\u011f\u0131tt\u0131r. Suluboya resim i\u00e7in pamuk ve odundan elde edilen k\u00e2\u011f\u0131tlar iyi bir sonu\u00e7 vermez. Bu k\u00e2\u011f\u0131tlar, elde yap\u0131lm\u0131\u015f olup grenleri d\u00fczenli olmad\u0131\u011f\u0131 gibi kenarlan da b\u0131\u00e7akla kesilmi\u015f de\u011fildir. Bu k\u00e2\u011f\u0131t, b\u00fcnyesine suluboya alabildi\u011fi gibi y\u0131kaymca da \u00e7\u0131kar. Bundan ba\u015fka, k\u00e2\u011f\u0131tlar\u0131n ya\u011f lekelerine bulanmam\u0131\u015f olmas\u0131 gerekir. K\u00e2\u011f\u0131t ya\u011flanm\u0131\u015f olursa boyay\u0131 b\u00fcnyesine almaz<\/p>\n
Ayr\u0131ca, bu k\u00e2\u011f\u0131tlar\u0131n sararm\u0131yan cinsten olmas\u0131 gerekir. \u00c7\u00fcnk\u00fc sarard\u0131\u011f\u0131 takdirde \u00fczerlerindeki boyan\u0131n, da saydaml\u0131\u011f\u0131 ile, renk de\u011ferleri tamamen de\u011fi\u015fir. K\u00e2\u011f\u0131d\u0131n 15 g\u00fcn kar dar g\u00fcne\u015f \u0131\u015f\u0131\u011f\u0131na maruz b\u0131rak\u0131ld\u0131ktan sonra saranp sa- rarm\u0131yaca\u011f\u0131n\u0131 anlamak m\u00fcmk\u00fcnd\u00fcr. Suluboya k\u00e2\u011f\u0131tlar rm en iyilerine burada temas ediyoruz; Sch\u00f6llersham- mer Papiere, Zanders, Whatman, Fabriano, Crewigpa- piere, Joynson ve Cartridge. Akvarel k\u00e2\u011f\u0131d\u0131 bir sat\u0131h \u00fczerine raptiye ile tutturulur. E\u011fer k\u00e2\u011f\u0131d\u0131n satha iyice intibak etmesi icap ediyorsa resim yap\u0131lacak k\u00e2\u011f\u0131d\u0131n arkas\u0131n\u0131 \u0131slatmal\u0131 ve ondan sonra bir altl\u0131k \u00fczerine rapti- yelemelidir.<\/p>\n
Boyan\u0131n haz\u0131rlanmas\u0131: Akvarel toz boyalar\u0131n\u0131n \u00e7ok az yap\u0131\u015ft\u0131r\u0131c\u0131 madde ile kar\u0131\u015fmas\u0131, daima kolayca su ile eritilebilecek bir halde olmas\u0131 l\u00e2z\u0131md\u0131r.<\/p>\n
Yap\u0131\u015ft\u0131r\u0131c\u0131 madde olarak: arap zamk\u0131, dextrin, kitre % 4, bal\u0131k tutkal\u0131, bunlara \u00fc\u00e2ve olarak da gliserin, n\u00f6bet \u015fekeri, yahut \u015furup veya bal kullan\u0131l\u0131r.<\/p>\n
Arap zamk\u0131: 1\/2 nisbetinde kayn\u0131yan su i\u00e7inde kar\u0131\u015ft\u0131r\u0131l\u0131r. Fakat arap zamk\u0131n\u0131n zarar\u0131, boyay\u0131 parlat\u0131r, kabuk ba\u011flat\u0131r ve iplik iplik yapar. Gliserin ve n\u00f6bet \u015fekeri su ile boyamn \u00e7abucak erimesini m\u00fcmk\u00fcn k\u0131lar. Bu unsurlar, bu teknik i\u00e7in en az zararl\u0131 olan\u0131d\u0131r. Gliserin 1\/15 oran\u0131nda yap\u0131\u015ft\u0131r\u0131c\u0131 madde \u00fce kar\u0131\u015ft\u0131r\u0131l\u0131r, i\u00e7inde \u00e7ok ince, bir \u015fekilde yay\u0131l\u0131r ve nisbeten zarars\u0131z olur.<\/p>\n
Koyu akvarel renklerinde pek k\u00fc\u00e7\u00fcmsenmiyecek miktarda arsenik bulunmu\u015ftur. Bundan dolay\u0131 suluboya f\u0131r\u00e7as\u0131n\u0131 a\u011fza almamak gerekir.<\/p>\n
Akvarel boyas\u0131n\u0131 imal etmek \u00e7ok zordur. Bu bak\u0131mdan bizzat imal etmek iyi sonu\u00e7 vermez. Akvarel i\u00e7in boyay\u0131 \u00e7ok ince ezmek l\u00e2z\u0131md\u0131r. Yoksa kar\u0131\u015f\u0131mlarda boyalar de\u011fi\u015fik kuvvetlerde erir. Boya da topak topak ve kirli olur. Bilhassa zamk kar\u0131\u015ft\u0131r\u0131lm\u0131\u015f boyalar bu hali g\u00f6sterir. Ayr\u0131ca, boyalar\u0131n iyice y\u0131kanmas\u0131 gerekir ki, boya p\u0131ht\u0131la\u015fmas\u0131n. Bunun i\u00e7in de boyan\u0131n i\u00e7indeki tuzlar\u0131n at\u0131lmas\u0131 gereklidir.<\/p>\n
Suluboyan\u0131n yap\u0131lmas\u0131nda dam\u0131t\u0131k su kullan\u0131lmal\u0131d\u0131r. Suluboyalar\u0131 t\u00fcplere doldurmadan \u00f6nce (ayn\u0131 temperada oldu\u011fu gibi) t\u00fcpleri zaponlack ile doldurup bo\u015faltmal\u0131d\u0131r. B\u00f6ylece t\u00fcpteki boya t\u00fcp madeninin etkisinden “korunur. Hint sar\u0131s\u0131, krapplack, paris mavisi ve chrome- oxyd feurigden ekseri tonlar elde edilebilir. Suluboyada, kur\u015fun beyaz\u0131m atmak do\u011fru olur. Zaruret halinde, litopon \u00fcst\u00fcbeci \u00a0kullan\u0131labilir. Ya da \u00e7inko \u00fcst\u00fcbecini ya ball\u0131 suda yahut arap zamk\u0131 ile kar\u0131\u015ft\u0131rarak \u00f6rt\u00fcc\u00fc beyaz temin edilebilir. Fakat bunu her defas\u0131nda taze yapmal\u0131d\u0131r.<\/p>\n
Bu\u00e7ada ayr\u0131ca suluboya yaparken ele al\u0131nmas\u0131 gereken renkleri zikretmek iyi olur. Sa\u011flam olan renklerin adlar\u0131 a\u015fa\u011f\u0131dad\u0131r:<\/p>\n
Sar\u0131lar: OcreTar, terr\u00e9 de sienn’ler, jaune de cad- mium (cadmium\u2019un cironn rengi bundan hari\u00e7tir), ult- ramarib sar\u0131s\u0131, jaune indien. Bunlar\u0131n yan\u0131nda jaune mtanthrend \u0131\u015f\u0131\u011fa kar\u015f\u0131 sa\u011flaml\u0131k bak\u0131m\u0131ndan hint sar\u0131s\u0131 ile boy \u00f6l\u00e7\u00fc\u015febilir. Napoli sar\u0131s\u0131 kapat\u0131c\u0131 boya oldu\u011fundan sulu boyada kullan\u0131lmamal\u0131d\u0131r.<\/p>\n
K\u0131rm\u0131z\u0131lar: OcreTardan yap\u0131lan k\u0131rm\u0131z\u0131lar, demir- oksitlerden yap\u0131lan k\u0131rm\u0131z\u0131lar, garanceTar, rose helio- genler \u0131\u015f\u0131k bak\u0131m\u0131ndan gayet sa\u011flamd\u0131rlar. Cinabre\u2019lar \u015f\u00fcphelidir. Bunun yerine toprak k\u0131rm\u0131z\u0131lar\u0131 ve rouge heliogen, kullan\u0131l\u0131r.<\/p>\n
Maviler : Ultramarin, kobalt mavileri, c\u00f6lin mavileri, heliogen mavileri ve bilhassa \u00e7ok l\u00fczumlu olan prusya <\/span>mavileri sa\u011flamd\u0131rlar.<\/p>\n Ye\u015filler: Emaraude ye\u015filleri, heliofen ye\u015filleri*<\/p>\n permanent ye\u015filleri, kobalt ye\u015filleri ve toprak ye\u015filleri.<\/p>\n Kahverengiler: Terre de sienne br\u00fbl\u00e9, terre vert br\u00fbl\u00e9, umbra ve tabi\u00ee sepia akvarel renkleri olarak kullan\u0131lmaya l\u00fczum yoktur. \u00c7\u00fcnk\u00fc di\u011fer renklerin kar\u0131\u015f\u0131m lar\u0131 ile. kahverenginin en g\u00fczel tonaliteleri elde edilir..<\/p>\n","protected":false},"excerpt":{"rendered":" Evde Suluboya \u0130mal etme Akvarel resmi boyalar\u0131n \u015feffaf etkilerine dayan\u0131r. Bunun i\u00e7in ince yani kapat\u0131c\u0131 olarak s\u00fcr\u00fclmemesi icap eder. \u015eeffaf olarak s\u00fcrmek i\u00e7in d\u00fczeyin a\u00e7\u0131k bir renkte olmas\u0131 gerekir. Akvarel resimde \u0131\u015f\u0131k etkisi, kullan\u0131lan beyaz k\u00e2\u011f\u0131ttan do\u011far. Bu k\u00e2\u011f\u0131t bazan okullarda da g\u00f6rd\u00fc\u011f\u00fcm\u00fcz resim k\u00e2\u011f\u0131ttan, yahut bildi\u011fimiz desen-resim k\u00e2\u011f\u0131d\u0131 de\u011fildir. Bu k\u00e2\u011f\u0131t keten nebat\u0131ndan elde […]<\/p>\n","protected":false},"author":1,"featured_media":8617,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[258],"tags":[],"class_list":["post-8616","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-resim-malzemeleri"],"yoast_head":"\n