Ya\u011fl\u0131boya Sonbahar A\u011fa\u00e7 Nas\u0131l Yap\u0131l\u0131r, A\u011fa\u00e7 G\u00f6vdesi Nas\u0131l Yap\u0131l\u0131r? Sonbaharda A\u011fa\u00e7lar Co\u011frafya durumu ve iklim \u015fartlar\u0131na g\u00f6re ekim ay\u0131n\u0131n ba\u015f\u0131nda veya ortas\u0131nda, manzara ressamlar\u0131 i\u00e7in en g\u00fczel mevsim ba\u015flar. Bilhassa \u00e7amlarla birlikte me\u015fe, kay\u0131n, hu\u015f, kiraz ve saire gibi geni\u015f yaprakl\u0131 a\u011fa\u00e7lar\u0131 bulunan ormanlarda bu mevsimde rastlanan manzara pek ho\u015f ve pek g\u00f6z al\u0131c\u0131d\u0131r. Yapraklanan d\u00f6ken a\u011fa\u00e7lar bu mevsimde san, k\u0131rm\u0131z\u0131 ve kahverenginin t\u00fcrl\u00fc t\u00fcrl\u00fc tonlamayla parlarlar. Bunlar\u0131n aras\u0131nda bulunan-t\u00fcrl\u00fc cinste \u00e7am a\u011fa\u00e7lar\u0131 ise koyu ye\u015fil renkleriyle bu parlakl\u0131\u011f\u0131 b\u00fcsb\u00fct\u00fcn artt\u0131r\u0131rlar. Sonbahar\u0131n bu renk denizi \u00fczerine g\u00fcne\u015f \u0131\u015f\u0131\u011f\u0131 da vurdu mu, insan kendini adeta bir masal alemi i\u00e7inde san\u0131r. Bu renk bollu\u011funun verdi\u011fi zevk ve heyecanla f\u0131r\u00e7am\u0131za sar\u0131l\u0131p resim yaparken zevksizli\u011fe d\u00fc\u015fmekten ve ka\u011f\u0131d\u0131m\u0131z\u0131 baya\u011f\u0131 bir alacal\u0131 bulacal\u0131 hale koymaktan sak\u0131nmal\u0131y\u0131z. Bunun i\u00e7in en iyi \u00e7are, her rengi vururken, kuvvetini ve tonunu yan\u0131ndaki renklerle \u00f6l\u00e7erek vurmakt\u0131r.<\/p>\n
Manzara resimlerinin esas renginde ye\u015fil yerine mavi, kur\u015funi, san veya kahverengi hakim olmal\u0131d\u0131r. \u00c7\u00fcnk\u00fc resme ye\u015filin hakim olmas\u0131 umumiyetle naho\u015f bir tesir b\u0131rak\u0131r. Fakat bunu s\u00f6ylerken, resimde daima sonbahar renklerinin uygun d\u00fc\u015fece\u011fini anlatmak istemiyoruz. A\u011fa\u00e7larda yapraklar, dallar ve bunlar\u0131n aras\u0131nda da kar\u015f\u0131 taraftan g\u00f6\u011f\u00fcn g\u00f6r\u00fclmesine imkan veren bo\u015fluklar gibi bir\u00e7ok teferruat vard\u0131r. Resim yaparken b\u00fct\u00fcn bunlar\u0131n hepsini noktas\u0131 noktas\u0131na belirtmeye kalk\u0131\u015fmak hem imkans\u0131z, hem de l\u00fczumsuzdur. Ger\u00e7ek tabiatla bizim, i\u00e7ine her \u015feyi s\u0131k\u0131\u015ft\u0131rd\u0131\u011f\u0131m\u0131z k\u00fc\u00e7\u00fcc\u00fck resmimiz aras\u0131nda, gayet tabii olarak, b\u00fcy\u00fck ayr\u0131l\u0131klar vard\u0131r.<\/p>\n
Bir \u00e7am a\u011fac\u0131 uzaktan sivri bir piramidi and\u0131r\u0131r. Bununla beraber yanlar\u0131nda baz\u0131 girinti ve \u00e7\u0131k\u0131nt\u0131lar vard\u0131r. Fakat g\u00f6zlerimizi yar\u0131 kapayarak veya sadece bir tek g\u00f6z\u00fcm\u00fcz\u00fc a\u00e7arak bakarsak \u00e7am\u0131n d\u0131\u015f yanlar\u0131ndaki \u00e7\u0131k\u0131nt\u0131lar\u0131n bizim tasavvur etti\u011fimiz kadar \u00e7ok olmad\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcr\u00fcz. Bu \u015fekilde a\u011fa\u00e7 bize daha d\u00fczg\u00fcn g\u00f6r\u00fcn\u00fcr. Yabani \u00e7am da \u00f6yle. Hatta upuzun y\u00fckselen kavaklar\u0131n yanlar\u0131 da nispeten p\u00fcr\u00fczs\u00fcz ve d\u00fczd\u00fcr. Serviler ise kavaklardan daha d\u00fcz g\u00f6r\u00fcn\u00fcrler. Bu a\u011fa\u00e7lar havada keskin bir siluet gibi y\u00fckselirler. Yapraklar a\u011fac\u0131n iskeleti, yani g\u00f6vdesi ve dallar\u0131 etraf\u0131nda planl\u0131 bir \u015fekilde toplan\u0131rlar. G\u00fcne\u015f kar\u015f\u0131s\u0131ndaki \u0131\u015f\u0131k ve g\u00f6lge, durumlar\u0131na g\u00f6re biz bunlar\u0131 tek tek de\u011fil, birbiriyle ilgili toplu k\u00fcmeler halinde g\u00f6r\u00fcr\u00fcz. Gerek k\u0131rlarda, gerekse a\u011fa\u00e7lardaki ye\u015fil renk bir\u00e7ok de\u011fi\u015fik tonlar ta\u015f\u0131r. Hepsini sadece mavi ile sar\u0131n\u0131n kar\u0131\u015fmas\u0131ndan \u00e7\u0131kan bir ye\u015file boyamak do\u011fru de\u011fildir. Bu fark bilhassa ilkbahardan yaza ge\u00e7i\u015f s\u0131ras\u0131nda \u00e7ok a\u00e7\u0131k bir \u015fekilde g\u00f6r\u00fcn\u00fcr. Taze iken yapraklar ba\u015fka bir ye\u015fille g\u00f6r\u00fcn\u00fcr, b\u00fcy\u00fcy\u00fcp geli\u015ftik\u00e7e daha ba\u015fka tonlar al\u0131r.<\/p>\n