{"id":7613,"date":"2016-11-30T23:48:35","date_gmt":"2016-11-30T21:48:35","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=7613"},"modified":"2017-06-07T03:23:00","modified_gmt":"2017-06-07T00:23:00","slug":"henri-matisse-hayati-eserleri-sozleri-fovizm-tablolari","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/unlu-ressamlarin-hayat-hikayeleri\/henri-matisse-hayati-eserleri-sozleri-fovizm-tablolari.html","title":{"rendered":"Henri Matisse Hayat\u0131, Eserleri, S\u00f6zleri, Fovizm, Tablolar\u0131"},"content":{"rendered":"

Henri Matisse Hayat\u0131, Eserleri, S\u00f6zleri, Fovizm, Tablolar\u0131<\/h2>\n

Henri Matisse<\/strong> “El sadece duygululu\u011fun ve zek\u00e2\u00adn\u0131n s\u00fcrd\u00fcr\u00fclmesi, uzamas\u0131d\u0131r.” Henri Matisse Hayat\u0131, Henri Matisse Eserleri, Henri Matisse Tablolar\u0131 Henri Matisse Fovizm, Henri Matisse S\u00f6zleri ilgili bu makalededen faydalanabilirsiniz.<\/p>\n

Henri Matisse Kimdir?<\/h3>\n

Henri Matisse<\/strong> \u2019in tablolar\u0131ndan birinin ad\u0131: \u201cL\u00fcks, Sakinlik ve \u015eehvet\u2019tir. Baudelaire\u2019in bir m\u0131sra\u0131d\u0131r bu… Matisse’in tablolar\u0131n\u0131n reprod\u00fcksiyonlar\u0131na bakt\u0131\u011f\u0131m ya da bunlar\u0131 d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm zaman elimde olmadan kendimi bu duygu d\u00fcnyas\u0131nda bulurum I\u015f\u0131\u011f\u0131n a\u015f\u0131\u011f\u0131yd\u0131 Matisse. Uzun \u00f6mr\u00fc boyunca her zaman aral\u0131ks\u0131z \u00e7al\u0131\u015ft\u0131. Ya\u015f\u0131 ilerledik\u00e7e gen\u00e7li\u011fe do\u011fru yapt\u0131\u011f\u0131 korkusuz a\u015famalarla bir defa yapt\u0131\u011f\u0131n\u0131 tekrarlamaktan ka\u00e7arak yepyeni ara\u015ft\u0131r\u00admalara at\u0131ld\u0131 her zaman. \u0130\u015fte Matisse\u2019in d\u0131\u015f davran\u0131\u015f\u0131nda en \u00fcst\u00fcn \u00e7izgilerin \u00f6zeti budur. Henri Matisse kimdir?<\/em><\/p>\n

\"Henri<\/a>

Henri Matisse kimdir?<\/p><\/div>\n

Guillaume Apollinaire, Matisse\u2019in yaratt\u0131\u011f\u0131 d\u00fcnyay\u0131 “parlak \u0131\u015f\u0131kl\u0131 meyvelere\u201d benzetmi\u015fti. Ressam bizlere bu d\u00fcnyay\u0131 kuramlar\u0131n\u0131 say\u0131p d\u00f6kmeden vermekle yetinmi\u015ftir. Henri Matisse kimdir?<\/em><\/p>\n

Henri Matisse Hayat\u0131<\/h3>\n

Henri Matisse 31 Aral\u0131k 1869 tarihinde Fransa\u2019n\u0131n kuzeyindeki Cateau\u2019da do\u011fdu. 1881-1889 y\u0131llar\u0131 aras\u0131nda Saint – Quintin lisesine gitti. Sonra noter k\u00e2tibi oldu. 1890-92 y\u0131llar\u0131nda, bir s\u00fcre hukuk e\u011fitimi g\u00f6rd\u00fc. Yeniden Saint-Quintin\u2019e d\u00f6nd\u00fc- Orada \u00f6zellikle horoz resimleri yanan Couturier ad\u0131nda bir ressamdan ilk resim derslerini ald\u0131. Ressam olma\u011fa karar vermi\u015fti ama babas\u0131 hi\u00e7 istemiyordu bunu. Bir\u00e7ok tart\u0131\u015fmadan sonra Matisse resim yapmas\u0131n\u0131 \u00f6\u011frenmek i\u00e7in babas\u0131ndan izin koparabildi ve Paris\u2019e gitti. \u00d6nceleri Bouguereau ile \u00e7al\u0131\u015ft\u0131. Ama akademik \u00e7al\u0131\u015fma onu s\u0131kt\u0131. Bouguereau\u2019nun at\u00f6lyesinde bo\u011fulacak gibi oluyordu. Henri Matisse kimdir? Henri Matisse Hayat\u0131
\n<\/em><\/p>\n

\"Henri<\/a>

Henri Matisse Hayat\u0131<\/p><\/div>\n

Bunun \u00fczerine Gustave Moreau\u2019nun at\u00f6lyesine ge\u00e7ti. Orada Dufy ve Rouault ile tan\u0131\u015ft\u0131. Matisse\u2019in ki\u015fili\u011fini bulmas\u0131nda Mo\u00adreau\u2019nun b\u00fcy\u00fck etkisi olmu\u015ftur. 1893 y\u0131l\u0131nda Amelie Parayre ile evlendi. 1894-96 y\u0131llar\u0131 aras\u0131nda Louvre\u2019da bir\u00e7ok tablo kopya etti. Poussin\u2019in \u201cNarcisse\u201di ve Raphael\u2019in “Baldassare Castiglione\u2019nin Portresi\u201d bunlar aras\u0131ndad\u0131r. Henri Matisse Hayat\u0131<\/em><\/p>\n

Bir yaz\u0131n\u0131 Matisse, ressam Wery ile beraber Britanya\u2019da ge\u00ad\u00e7irdi. Ressam ya\u015fant\u0131s\u0131n\u0131n bu d\u00f6nemi i\u00e7in \u015f\u00f6yle der: \u201cWery ile be\u00adraber \u00e7al\u0131\u015ft\u0131k\u00e7a onun en basit renklerle benim eski ustalar\u0131n pa\u00adletlerinden kapt\u0131\u011f\u0131mdan \u00e7ok daha fazla parlakl\u0131k elde etti\u011fini g\u00f6rd\u00fcm. Geli\u015fmem bak\u0131m\u0131ndan \u00e7ok \u00f6nemli oldu bu. Paris\u2019e Louvre\u2019un etkisinden kurtulmu\u015f olarak d\u00f6nd\u00fcm. Ve renklerle oynama\u00ad\u011fa ba\u015flad\u0131m. Renk ara\u015ft\u0131rmalar\u0131na giri\u015fmek d\u00fc\u015f\u00fcncesi bana resim sanat\u0131n\u0131 \u00f6\u011frenirken de\u011fil de, d\u0131\u015far\u0131dan, do\u011fan\u0131n kendisinden, do\u00ad\u011fan\u0131n \u0131\u015f\u0131\u011f\u0131ndan geldi. Henri Matisse Hayat\u0131<\/em><\/p>\n

Henri Matisse Fovizm<\/h3>\n

Matisse 1898 y\u0131l\u0131nda Londra\u2019ya, Korsika\u2019ya, Saint-Tropez\u2019ye gitti. Bu arada Japon sanat\u0131yla de ilgilendi. 1904 y\u0131l\u0131nda Saint – Tropez\u2019de Signac ve Cross ile tan\u0131\u015ft\u0131. Bu iki ressam \u201cpuantilizm (divisionisme)\u201d ak\u0131m\u0131n\u0131n kuramc\u0131lar\u0131yd\u0131. Matisse \u201cDivisionisme\u201di k\u0131saca \u015f\u00f6yle anlat\u0131r: \u201cBu okulun b\u00fct\u00fcn resimleri hep ayn\u0131 etki\u00adyi ta\u015f\u0131rlar: Biraz pembe, biraz mavi, biraz ye\u015fil. S\u0131n\u0131rl\u0131 ola\u00adnaklara ba\u011fl\u0131 bir \u00e7al\u0131\u015fma alan\u0131 oldu\u011fundan kendimi rahat\u00e7a veremedim buna. Bana nedenini a\u00e7\u0131klamadan Cross kendi kuram\u0131na benim uyamayaca\u011f\u0131m\u0131 s\u00f6yledi. Sonradan bunun nedenini anlad\u0131m. Kar\u015f\u0131tlarla g\u00fc\u00e7lendirdi\u011fimi sand\u0131\u011f\u0131m \u00fcst\u00fcn renklerim t\u0131pk\u0131 bu renkler gibi \u00f6nemsedi\u011fim ayn\u0131 kar\u015f\u0131tlar taraf\u0131ndan bozuluyordu. Beni basit tonlarla resim yapma\u011fa y\u00f6neltti bu. Sonralar\u0131 buna \u201cfovizm (fauvisme)\u201d dediler.<\/p>\n

\"Henri<\/a>

Henri Matisse Fovizm<\/p><\/div>\n

Vah\u015fi hayvan anlam\u0131na gelen \u201cfauve\u201d deyimi Fauve ressam\u00adlar taraf\u0131ndan hi\u00e7 bir zaman benimsenmedi. \u00c7\u00fcnk\u00fc bu s\u00f6z ele\u015ftir\u00admecilerin uydurmas\u0131yd\u0131. Derain, Manguin, Marquet, Matisse, Puy, Camoin ve daha bir ka\u00e7 ressam \u201cSalon d’Automne\u201dun b\u00fcy\u00fck ga\u00adlerilerinden birinde resimlerini sergilemi\u015flerdi. Heykelci Marquet galerinin tan\u0131 orta yerinde \u0130talyan \u00dcsl\u00fbbunda bir \u00e7ocuk b\u00fcst\u00fc yerle\u015ftirmi\u015fti. Resim ele\u015ftirmecilerinden Vauxcelles salona girince:<\/p>\n

\u201cVay!\u201d diye hayk\u0131rm\u0131\u015f. \u201cVah\u015fi hayvanlar aras\u0131nda bir Donatello!\u201d (Tiens, Donatello au mille\u0131\u0131 des fauves!)<\/p>\n

Henri Matisse Eserleri Hakk\u0131nda Bilgi<\/h3>\n

1914 – 18 sava\u015f\u0131 Matisse\u2019in \u00fczerinde b\u00fcy\u00fck bir etki yaratma\u00add\u0131. \u201cDerenin Yan\u0131ndaki Gen\u00e7 K\u0131zlar\u201d ve Piyano Dersi\u2019\u2019 tablolar\u0131 bu y\u0131llar\u0131n yap\u0131tlar\u0131d\u0131r.<\/p>\n

1918\u2019den sonra Matisse bir ka\u00e7 gezinin d\u0131\u015f\u0131nda ya\u015fant\u0131s\u0131n\u0131n, b\u00fcy\u00fck bir b\u00f6l\u00fcm\u00fcn\u00fc Nice’de ge\u00e7irdi. Ressam bu s\u00fcre boyunca iz\u00adlenimlerini \u015fu s\u00f6zlerle \u00f6zetlemi\u015ftir: \u201c\u00c7al\u0131\u015fma bak\u0131m\u0131ndan Nice\u2019in ola\u011fan\u00fcst\u00fc bir y\u00f6n\u00fc yoktur benim i\u00e7in. Odal\u0131klar gibi pencereler de beni her zaman ilgilendirmi\u015ftir. \u00c7\u00fcnk\u00fc pencereler i\u00e7eri d\u00fcnya ile d\u0131\u015f d\u00fcnya aras\u0131ndaki ge\u00e7itlerdir.\u201d Henri Matisse Eserleri<\/em><\/p>\n

1936 y\u0131l\u0131nda parlak renklere d\u00f6nen Matisse\u2019in sanat\u0131nda bir yenilik oldu. Renklerindeki yumu\u015fakl\u0131k \u201cfauve\u201d d\u00f6neminin \u00e7\u0131p\u00adlakl\u0131k ve tazelikle dolu keskinli\u011fine b\u0131rakt\u0131. Buna bir \u00e7e\u015fit \u201cneo- fauvisme\u201d (yeni-fauvisme) de denebilir. Henri Matisse Eserleri<\/em><\/p>\n

\"Henri<\/a>

Henri Matisse Eserleri Hakk\u0131nda Bilgi<\/p><\/div>\n

Matisse daha sonra \u0130talya\u2019ya, \u0130spanyaya gitti. Sevilya\u2019da bir k\u0131\u015f ge\u00e7irdi, Tahiti’deki \u0131\u015f\u0131k \u00f6nce onu \u00e7ok b\u00fcy\u00fcledi. Ama bundan \u00e7abuk b\u0131kt\u0131: \u201cTahiti\u2019de hava g\u00fcn batarken g\u00fczeldir. Karanl\u0131k olana kadar hi\u00e7 de\u011fi\u015fmez. De\u011fi\u015fikli\u011fi olmayan bu mutluluk insa\u00adn\u0131 yoruyor. \u201d Henri Matisse Eserleri<\/em><\/p>\n

Tahiti’den Amerika\u2019ya ge\u00e7en ressam bu kentle ilgili izlenimi\u00adni \u015f\u00f6yle a\u00e7\u0131klar: \u201cNew York\u2019u ilk defa sabah\u0131n yedisinde siyah ve alt\u0131n rengi halinde sulara yans\u0131m\u0131\u015f g\u00f6rd\u00fc\u011f\u00fcm zaman pek \u00e7ok ho\u015fuma gitmi\u015fti. Yan\u0131mda duran birisi \u201cpullarla s\u00fcslenmi\u015f bir en\u00adtariye benziyor\u201d diyordu. Bu beni ki\u015fisel bir \u00e7a\u011fr\u0131\u015f\u0131ma g\u00f6t\u00fcrd\u00fc: New York benim i\u00e7in bir alt\u0131n k\u00fcl\u00e7esiydi.\u201d Henri Matisse Eserleri<\/em><\/p>\n

Henri Matisse Tablolar\u0131<\/h3>\n

1911 y\u0131l\u0131n\u0131n Ocak ay\u0131nda Matisse Lyon’da b\u00fcy\u00fck bir ameli\u00adyat ge\u00e7irdi. Uzun s\u00fcre yatt\u0131. Ressam\u0131n dinsel duygular\u0131 da bu d\u00f6\u00adnemde kesinlikle y\u00fczeye \u00e7\u0131km\u0131\u015ft\u0131r. Matisse bu e\u011filiminin b\u00fct\u00fcn parlakl\u0131\u011f\u0131n\u0131 k\u00fc\u00e7\u00fck Vence kilisesinde g\u00f6sterecektir. Bu t\u00fcrdeki yap\u0131t\u0131n\u0131 ger\u00e7ekle\u015ftirmek iste\u011fiyle 1947 y\u0131l\u0131n\u0131n yaz aylar\u0131nda Vence\u2019daki \u201cR\u00fcya\u201d ad\u0131n\u0131 verdi\u011fi villas\u0131na yerle\u015fti.<\/p>\n

Matisse k\u00fc\u00e7\u00fck kilisenin maketini haz\u0131rlam\u0131\u015ft\u0131. Bir g\u00fcn Fran\u00ads\u0131z ozan\u0131 Aragon gelmi\u015fti at\u00f6lyesine. Makete \u015f\u00f6yle bir g\u00f6z atan Aragon ba\u015f\u0131n\u0131 ba\u015fka yana \u00e7evirdi. Ozan\u0131n kom\u00fcnist oldu\u011funu bi\u00adlen Henri Matisse kurnazca: Kilisem i\u00e7in bir \u015fey s\u00f6ylemediniz\u201d dedi, \u201cSevdiniz mi onu?\u201d Henri Matisse Tablolar\u0131<\/em><\/p>\n

\u00d6teki ac\u0131 bir g\u00fcl\u00fcmsemeyle kar\u015f\u0131l\u0131k verdi:<\/p>\n

\u201c\u00c7ok g\u00fczel! \u00c7ok bo\u015f! \u0130ktidara geldi\u011fimiz zaman bunu dans salonu yapar\u0131z art\u0131k…\u201d<\/p>\n

Bunu duyan ressam patlay\u0131verdi:<\/p>\n

\"Henri<\/a>

Henri Matisse Tablolar\u0131<\/p><\/div>\n

\u201cHi\u00e7 bir zaman! Vence belediyesi yetkilileri bana s\u00f6z ver\u00addi, bir g\u00fcn rahibeler buradan al\u0131nsalar bile kilisem m\u00fcze olacak!\u201d Aragon kendi d\u00fc\u015f\u00fcncesine ressam\u0131 yakla\u015ft\u0131rmak i\u00e7in tart\u0131\u015f\u00admay\u0131 s\u00fcrd\u00fcrd\u00fc. Ama \u00e7ok \u00f6fkelenen Matisse:<\/p>\n

“<\/sup>Ben istedi\u011fimi yapar\u0131m! Hem siz bunu anlayamazs\u0131n\u0131z!\u201d diyerek ozan\u0131 evinden uzakla\u015ft\u0131rd\u0131.<\/p>\n

Vence kilisesi Matisse\u2019in son yap\u0131t\u0131d\u0131r. Vitray\u0131ndan mihrap\u00adtaki \u0130sa\u2019ya kadar Henri Matisse\u2019in imzas\u0131 vard\u0131r. Matisse\u2019in en ol\u00adgun yap\u0131t\u0131d\u0131r Vence kilisesi. Papazlar\u0131n dinsel t\u00f6ren s\u0131ras\u0131nda giydikleri g\u00f6\u011f\u00fcsl\u00fckler, her seramik par\u00e7as\u0131, \u00e7e\u015fitli ha\u00e7lar, en ufak noktas\u0131na kadar her \u015fey ressam taraf\u0131ndan d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015ft\u00fcr. Henri Matisse Tablolar\u0131<\/em><\/p>\n

Ama ge\u00e7irdi\u011fi ameliyattan sonra t\u00fcm olarak d\u00fczelemeyen ressam ya yatakta uzan\u0131yor ya da tekerlekli bir koltukta oturu\u00adyordu. Lidya Delektorskaya ad\u0131nda Rus as\u0131ll\u0131 \u00e7ok g\u00fczel bir kad\u0131n hem sekreterli\u011fini yap\u0131yor hem de ressama bak\u0131yordu. Uzun s\u00fcre olmu\u015ftu kar\u0131s\u0131ndan ayr\u0131lal\u0131.<\/p>\n

3 Kas\u0131m 1954 tarihinde her zamanki gibi \u00f6\u011fle uykusuna ya\u00adtan Matisse do\u011frulma\u011fa \u00e7al\u0131\u015f\u0131rken kalp krizinden \u00f6ld\u00fc. 14 Ekim\u00adde Venee\u2019dan d\u00f6nm\u00fc\u015ft\u00fc. Bir ay sonra Paris\u2019te a\u00e7\u0131lacak serginin b\u00fcy\u00fck \u00e7a\u011fda\u015f ressamlara ayr\u0131lan b\u00f6l\u00fcm\u00fc i\u00e7in bir vitray tasar\u0131s\u0131 haz\u0131rlamaktayd\u0131. \u00d6nce ressam\u0131 Vence kilisesinin yanma g\u00f6mme\u00ad\u011fi d\u00fc\u015f\u00fcnd\u00fcler ama sonra Cimiez mezarl\u0131\u011f\u0131na g\u00f6md\u00fcler. Matisse \u015fimdi en sevdi\u011fi arkada\u015flar\u0131ndan Dufy\u2019n\u0131n biraz \u00f6tesinde yat\u0131yor. Henri Matisse Tablolar\u0131<\/em><\/p>\n

Henri Matisse Dans (Dance)<\/h4>\n
\"Henri<\/a>

Henri Matisse, Dans, Dance<\/p><\/div>\n

 <\/p>\n

Henri Matisse \u015eapkal\u0131 Kad\u0131n<\/h4>\n
\"Henri<\/a>

Henri Matisse \u015eapkal\u0131 Kad\u0131n<\/p><\/div>\n

\u015eapkal\u0131 Kad\u0131n resmi (La femme au chapeau) ressam\u0131n \u00f6nemli bir tablosudur. Tablo<\/span> Matisse’nin kar\u0131s\u0131 Amelie’yi tasvir ediyor. <\/span>1905 y\u0131l\u0131nda boyal\u0131 ve Andr\u00e9 Derain, Maurice de Vlaminck ve “Fauves” olarak bilinen birka\u00e7 sanat\u00e7\u0131n\u0131n eserleri ile birlikte ayn\u0131 y\u0131l\u0131n sonbahar\u0131nda Salon d’Automne’da sergilendi.
\n<\/span><\/span><\/p>\n

Ele\u015ftirmen Louis Vauxcelles, Matisse ve arkada\u015flar\u0131n\u0131n resimlerini onlarla payla\u015fan bir R\u00f6nesans tipi heykelle kar\u015f\u0131la\u015ft\u0131r\u0131rken, “Donatello chez les fauves …” (Donatello, vah\u015fi canavarlar aras\u0131nda) ile birlikte kulland\u0131. <\/span>Yorumu 17 Ekim 1905’te Gil Blas’da bas\u0131ld\u0131, g\u00fcnl\u00fck bir gazete \u00e7\u0131kt\u0131 ve pop\u00fcler kullan\u0131ma ge\u00e7ti. <\/span>\u015eapkanl\u0131 bir kad\u0131n, Fauvism terimine yol a\u00e7an tart\u0131\u015fmalar\u0131n merkezindeydi. <\/span>Ayr\u0131ca, Matisse’nin daha \u00f6nceki eserlerinin b\u00f6l\u00fcc\u00fc f\u0131r\u00e7a darbelerinden daha etkileyici bir \u00fcsluba yapt\u0131\u011f\u0131 tarzsal bir kaymay\u0131 i\u015faretleyen bir tabloyd\u0131. <\/span>Gev\u015fek f\u0131r\u00e7a i\u015fi ve “tamamlanmam\u0131\u015f” kalite \u015fa\u015fk\u0131n g\u00f6r\u00fcnt\u00fcleyicileri, canl\u0131, do\u011fal olmayan renkleri kadar.
\n<\/span><\/p>\n

Fauve eserlerinin sergilenmesine ra\u011fmen bir\u00e7ok ki\u015fi taraf\u0131ndan k\u0131nanmas\u0131na kar\u015f\u0131n “ele\u015ftirmen Camille Mauclair” in de a\u00e7\u0131klad\u0131\u011f\u0131 gibi “halk\u0131n kar\u015f\u0131s\u0131nda bir bardak boya at\u0131ld\u0131”; ayr\u0131ca baz\u0131 olumlu dikkat \u00e7ekti. <\/span>Sald\u0131r\u0131lar i\u00e7in se\u00e7ilen tablo, Gertrude ve Leo Stein taraf\u0131ndan sat\u0131n al\u0131nan\u00a0 \u015eapkal\u0131 Kad\u0131n’t\u0131: Matisse’nin moralinde i\u015finin k\u00f6t\u00fc resepsiyonu ile olumsuz etkilenen bu.<\/span><\/p>\n

Gertrude ve Leo’nun a\u011fabeyi Michael’\u0131n kar\u0131s\u0131 Sarah Stein, Gertrude’nin de\u011fil, bu resmin orijinal al\u0131c\u0131s\u0131 oldu\u011funu iddia etti (Leo ilk ba\u015fta resimden ho\u015flanmad\u0131). <\/span>Bunu Rue Madame’deki Sarah ve Michael’\u0131n evindeki foto\u011fraflarda g\u00f6rebilirsiniz. <\/span>Kaliforniya Palo Alto’daki Sarah’n\u0131n evinde uzun y\u0131llar bir merkez olu\u015fturuyordu. <\/span>1950’lerde San Francisco’da Haas ailesi taraf\u0131ndan sat\u0131n al\u0131nd\u0131. <\/span>1990’da Elise S. Haas otuz yedi resim, heykel ve ka\u011f\u0131da eserlerini San Francisco Modern Sanatlar M\u00fczesi’ne, aralar\u0131nda Femme au chapeau’ya miras b\u0131rakm\u0131\u015ft\u0131.
\n<\/span><\/p>\n

Henri Matisse S\u00f6zleri<\/h3>\n

\u201cArad\u0131\u011f\u0131m \u015fey i\u00e7ten do\u011fma bir \u015fey de\u011fildir. \u00d6rne\u011fin; \u201cUyu\u00adyan Romen Bluzlu Kad\u0131n\u201d tablosu alt\u0131 ay\u0131m\u0131 ald\u0131. \u0130nsan \u015f\u00fcphesiz kendini zorlamadan, \u015fark\u0131 s\u00f6yler gibi resim yapmal\u0131. Akrobat numaras\u0131n\u0131 belli bir kolayl\u0131kla \u00e7ok rahat yapar. Bu sonucu elde etmek i\u00e7in kim bilir ne kadar \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. Bunu unutmamak gerek* Resimde de b\u00f6yledir. Henri Matisse S\u00f6zleri<\/em><\/p>\n

\u201c\u00d6teki sanat kollar\u0131nda oldu\u011fu gibi resimde de \u00e7ok bilin\u00e7li, kararl\u0131 ara\u00e7larla ortaya \u00e7\u0131kacak bir \u00f6rg\u00fct gereklidir. M\u00fczikte tiz seslerin olu\u015fmas\u0131 gibi g\u00fc\u00e7leri \u00f6rg\u00fctlemek gerekir; Bu g\u00fc\u00e7ler renklerdir. Ama resimle m\u00fczi\u011fi bu kadar kolayl\u0131kla birbirine kar\u0131\u015ft\u0131r\u00admayal\u0131m. Ancak eylemleri birbirine ko\u015futtur Beethoven\u2019in sen\u00adfonileri resimle anlat\u0131lamaz. Henri Matisse S\u00f6zleri<\/em><\/p>\n

\u201cBen duygular\u0131mla \u00e7al\u0131\u015f\u0131r\u0131m. Kafamda tasarlar, bunu uygu\u00adlamak isterim. \u00c7ok zaman ayn\u0131 tasar\u0131 \u00fczerinde bir\u00e7ok defalar \u00e7a\u00adl\u0131\u015f\u0131r\u0131m Ama varmak istedi\u011fim sonucu bilirim.<\/p>\n

\"Henri<\/a>

Henri Matisse S\u00f6zleri<\/p><\/div>\n

\u201cBu arama tekni\u011finin esini (ilham\u0131) ka\u00e7\u0131rmas\u0131ndan korkmam. Bende plastik ara\u00e7larla anlat\u0131lacak bir \u015feyler var. Bu ortaya \u00e7\u0131\u00adkana kadar \u00e7al\u0131\u015fmam\u0131 s\u00fcrd\u00fcr\u00fcr\u00fcm. He zaman b\u00fcy\u00fck bir i\u00e7tenlik i\u00e7inde bulunmak isterim \u00e7\u00fcnk\u00fc esini bo\u011fmak imk\u00e2ns\u0131zd\u0131r. Bunun i\u00e7in her \u015feyden \u00f6nce insan ba\u015fkas\u0131na da kendine de yalan s\u00f6yle\u00admek al\u0131\u015fk\u0131s\u0131n\u0131 b\u0131rakmal\u0131d\u0131r. Bug\u00fcn\u00fcn bir\u00e7ok sanat\u00e7\u0131s\u0131 ne yaz\u0131k ki bu durumda. Onlar: \u201cBen \u015fimdilik balk\u0131n seviyesine inerim, da\u00adha sonralar\u0131 para kazand\u0131\u011f\u0131m zaman kendim i\u00e7in \u00e7al\u0131\u015f\u0131r\u0131m\u201d di\u00adyorlar. \u0130\u015fte o andan sonra kendilerini yok ediyorlar. T\u0131pk\u0131 sonra\u00addan evlenmek amac\u0131yla biraz para i\u00e7in kald\u0131r\u0131mlarda s\u00fcrten ka\u00add\u0131nlar gibi davranm\u0131\u015f oluyorlar. Fagnol \u201cMarius\u201d te: \u201cErdem kibrit gibidir: Ancak bir defa i\u015fe yarar\u201d diye yazm\u0131\u015ft\u0131. Henri Matisse S\u00f6zleri<\/em><\/p>\n

Henri Matisse Resim Tekni\u011fi<\/h4>\n

\u201cResimdeki sentetik ba\u011fda\u015fma nedenlerini bulabilmem i\u00e7in elli y\u0131l \u00e7al\u0131\u015fmam gerekti. Ama ben bu ba\u011fda\u015fmay\u0131 ba\u015flang\u0131\u00e7tan beri i\u00e7g\u00fcd\u00fcmle arama\u011fa koyulmu\u015ftum. \u00c7izgi, renk, kompozisyon bire\u015fimi, benim b\u00fct\u00fcn ya\u015fant\u0131m\u0131 yans\u0131tan, ne yapmak istedi\u011fimi anlatan bire\u015fimdir. Belki bu baz\u0131lar\u0131n\u0131n dedi\u011fi gibi Tanr\u0131dan ge\u00adlen esindir. Yaratma s\u0131ras\u0131nda \u201cefkarlanma\u201d ve \u201ckabullenme\u201d gibi iki \u015fey daha var ki bunlar da ayn\u0131 g\u00fc\u00e7le kendilerini g\u00f6stermekte gecikmiyor. Efkarlanmay\u0131 her ger\u00e7ek ressam beyaz tualinin \u00f6n\u00fcn\u00adde duyar. Kabullenme, sonradan ortaya \u00e7\u0131kan \u015feyi benimsemek zorunlu\u011fundan ba\u015fka bir \u015fey de\u011fildir. Henri Matisse Hayat\u0131<\/em><\/p>\n

\u201cKayg\u0131lardan \u00f6nce insan hatalar\u0131n\u0131 k\u00f6k\u00fcnden d\u00fczeltmek amac\u0131yla iyimser y\u00f6nlerini y\u0131k\u0131yor. Onun i\u00e7in \u00f6nce ger\u00e7e\u011fi ele almak gerek. Ger\u00e7ek bir k\u00f6kt\u00fcr. Bunu insan kendi \u00e7evresinde, ki\u015fili\u011finin \u00f6tesinde aramal\u0131d\u0131r. Sanat do\u011fan\u0131n esirli\u011finden kurtulan ki\u015fisel ara\u015ft\u0131rmalarla ba\u015flar. Rastlant\u0131n\u0131n getirdi\u011fi bulu\u015flar herkese nasip olmaz. Bunlar\u0131 hak etmek gereklidir. Deha pay\u0131 denilen o tan\u00adr\u0131sal \u015fey ancak ona l\u00e2y\u0131k olan\u0131nd\u0131r.<\/p>\n

Henri Matisse Usl\u00fcp<\/h4>\n

\u201cEfkarlanma, d\u00fczene sokulmam\u0131\u015f d\u00fc\u015f\u00fcnceyle ara\u00e7lar aras\u0131ndaki sava\u015fmad\u0131r. \u0130\u015fe ba\u015flamak, tembelli\u011fi yenmek, olduk\u00e7a zor… Bir cigara, bir cigara daha. Tuval bozulur, resim bozulur. Neden sonra yap\u0131lmas\u0131 gereken \u015fey ortaya \u00e7\u0131kar. Temel kendini g\u00f6steri- verir. \u0130\u015fte o zaman \u00e7al\u0131\u015fman\u0131n buna uymas\u0131 gereklidir. D\u00fc\u015f\u00fcnd\u00fc\u00ad\u011f\u00fcm\u00fcz\u00fcn olana\u011f\u0131n\u0131 o zaman benimseme\u011fe ba\u015flar\u0131z. Efkarlanma bitmi\u015ftir. Yapt\u0131\u011f\u0131n\u0131z\u0131 bilirsiniz. \u0130stedi\u011finizi bilirsiniz. Ama insan her zaman bunu ba\u015faramaz. \u201c\u00d6l\u00fcm\u00fcnden az \u00f6nce Andre Gide evime geldi. Kendi olanak\u00adlar\u0131n\u0131 hi\u00e7 bir zaman kabul etmedi\u011fini ve h\u00e2l\u00e2 da kabule yana\u015fma\u00add\u0131\u011f\u0131n\u0131 g\u00f6rd\u00fcm. Ve buna \u015fa\u015ft\u0131m. Oysa bu olanaklar\u0131 kabul etme\u00addik\u00e7e insan ortaya b\u00fcy\u00fck bir \u015fey \u00e7\u0131karamaz. Ba\u015fkalar\u0131 umurumda de\u011fil. Herkes bir g\u00fcn benim d\u00fc\u015f\u00fcncemi benimseyip beni izle\u00adyecektir. Henri Matisse Hayat\u0131<\/em><\/p>\n

Evime \u00f6yle ele\u015ftirmeciler geldi ki resimlerimi de al\u0131p g\u00f6t\u00fcrd\u00fckleri halde beni yerlerden yerlere vurdular. Ayn\u0131 ele\u015ftir\u00admeciler \u015fimdi her yerde beni \u00f6v\u00fcp duruyorlar. Gide bana bunu ha\u00adt\u0131rlatarak \u00f6fkeleniyordu. \u201cSava\u015fmak gerek” diyordu. Sava\u015fmak m\u0131? Neden? Kendi kendinizi kabul etmi\u015fsiniz olanaklar\u0131n\u0131z\u0131 bul\u00admu\u015f olman\u0131z\u0131 ba\u015fkalar\u0131n\u0131n zamanla bulmas\u0131 sizi ilgilendirir mi? Gide bu belirsiz duygularla d\u00fcnyadan ayr\u0131l\u0131rken kim bilir ne ka\u00addar ac\u0131 \u00e7ekmi\u015ftir. Ben t\u00fcm mutluyum. Buna kar\u015f\u0131n ya\u015fama\u011f\u0131 seviyorum. B\u00fct\u00fcn yap\u0131t\u0131m bunu g\u00f6sterir. Ama ya\u015fant\u0131m son an\u0131na \u201ckadar g\u00fcne\u015flidir. Bu d\u00fcnyadan huzur i\u00e7inde ayr\u0131labilirim. Huzur i\u00e7indeyim.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

Henri Matisse Hayat\u0131, Eserleri, S\u00f6zleri, Fovizm, Tablolar\u0131 Henri Matisse “El sadece duygululu\u011fun ve zek\u00e2\u00adn\u0131n s\u00fcrd\u00fcr\u00fclmesi, uzamas\u0131d\u0131r.” Henri Matisse Hayat\u0131, Henri Matisse Eserleri, Henri Matisse Tablolar\u0131 Henri Matisse Fovizm, Henri Matisse S\u00f6zleri ilgili bu makalededen faydalanabilirsiniz. Henri Matisse Kimdir? Henri Matisse \u2019in tablolar\u0131ndan birinin ad\u0131: \u201cL\u00fcks, Sakinlik ve \u015eehvet\u2019tir. Baudelaire\u2019in bir m\u0131sra\u0131d\u0131r bu… Matisse’in tablolar\u0131n\u0131n reprod\u00fcksiyonlar\u0131na […]<\/p>\n","protected":false},"author":1,"featured_media":7647,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[250],"tags":[],"class_list":["post-7613","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-unlu-ressamlarin-hayat-hikayeleri"],"yoast_head":"\nHenri Matisse Hayat\u0131, Eserleri, S\u00f6zleri, Fovizm, Tablolar\u0131 - Arthipo<\/title>\n<meta name=\"description\" content=\"Henri Matisse Hayat\u0131, S\u00f6zleri, Tablolar\u0131, Dance, \u015eapkal\u0131 Kad\u0131n, K\u0131rm\u0131z\u0131 Oda, Henri Matisse Kimdir? 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