{"id":7549,"date":"2016-11-28T15:41:34","date_gmt":"2016-11-28T13:41:34","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=7549"},"modified":"2017-06-07T02:44:53","modified_gmt":"2017-06-06T23:44:53","slug":"italyada-gotik-heykel-resim-sanati","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/italyada-gotik-heykel-resim-sanati.html","title":{"rendered":"\u0130talya’da Gotik Heykel ve Resim Sanat\u0131"},"content":{"rendered":"

\u0130talya’da Gotik Heykel ve Resim Sanat\u0131<\/h2>\n

Gotik heykel ve resim denilince , Gotik sanat\u0131 resme heykelden daha az du\u0308s\u0327ku\u0308ndu\u0308r. Karanl\u0131k katedrallerde renkli camlara c\u0327ekilen go\u0308zler duvarlar\u0131 go\u0308rmez. Fakat I\u0307talya\u2019da Gotik u\u0308slu\u0302p, klasik s\u0327ekillerden ayr\u0131lmam\u0131s\u0327t\u0131r. Duvarlar ressama genis\u0327 yerler b\u0131rak\u0131yordu. Burada sanatc\u0327\u0131lar eski al\u0131s\u0327kanl\u0131klarla ilgilerini kesmis\u0327 deg\u0306illerdir. Mermerde c\u0327al\u0131s\u0327maya devam ederler. Her vakit yanlar\u0131nda kendilerine modellik eden bu\u0308stler ve lahitler vard\u0131r. Piza ekolu\u0308nu\u0308n Nic- coio ( XIII. yu\u0308zy\u0131l) gibi Gotik heykeltras\u0327lar\u0131 Greko – Romen heykelin gec\u0327 kalm\u0131s\u0327 talebeleridir. Piza vaftiz- hanesinin ku\u0308rsu\u0308su\u0308ndeki mes\u0327hur tahtadan heykeller Roma lahitlerindeki heykellerin taklididir. I\u0307htiyar go\u0308vdedeki yeni filizlerdir.<\/p>\n

\"nicola<\/a>

Nicola Pisano imana gelenler \/ \u00a0pisa vaftizhanesi (13.yy)<\/p><\/div>\n

Giotto (Cotto)<\/h3>\n

I\u0307talya Orta C\u0327ag\u0306\u0131n en gu\u0308zel ifadesini resimde vermis\u0327tir. Bizans ku\u0308ltu\u0308ru\u0308ne bag\u0306l\u0131 bulunan I\u0307talya H\u0131ristiyanl\u0131g\u0306\u0131, fresk usulu\u0308nu\u0308 (detrem pe \u00abdetramp\u00bb usulu\u0308 tabloyu) b\u0131rakmad\u0131. Bazan hic\u0327 gu\u0308zellig\u0306i olmayan yap\u0131larda bile c\u0327ok k\u0131ymetli resimler bulunmakta idi. Gelenek, resmin bu yeni uyan\u0131s\u0327\u0131n\u0131 XIII. yu\u0308zy\u0131l\u0131n sonunda Floransa\u2019da Cimabue ( C\u0327imabue) ve Siena ( Siyena ) da Duccio ( Duc\u0327c\u0327o ) ile bas\u0327latmaktad\u0131r. Fakat resmin yenilig\u0306ini isbat eden XIV. asr\u0131n ilk y\u0131l lar\u0131nda Floransal\u0131 Giotto ( Cotto ) dur. Floransa\u2019da Assisi ( Assizi) de San Francesco ( San Franc\u0327esko) nun hayat\u0131na ait kompozisyonlar\u0131, bas\u0327ta Pa- dova\u2019daki Meryem\u2019in ve i\u0302sa\u0302\u2019n\u0131n hayatlar\u0131n\u0131 anlatan tablolar\u0131, zaman\u0131n tahrip etmedig\u0306i bu eserler Bizans uykusundan sonra resmin nas\u0131l duygu yu k\u0131rbac\u0327layarak heyecana getireceg\u0306ini go\u0308stermektedirler. Padova\u2019daki\u0302 eserlerinde resmin bize on as\u0131rdan beri anlatt\u0131g\u0306\u0131 bu kutlu efsanelerde o kadar gerc\u0327ek, tazelik vard\u0131r ki bunlar\u0131 ilk defa dinliyoruz san\u0131r\u0131z. Giotto (Cotto) yeni resmin babas\u0131d\u0131r. Zira mekanik bir ha\u0302le gelmis\u0327 olan formu\u0308lleri yeniden du\u0308s\u0327u\u0308nmu\u0308s\u0327 ve cans\u0131z s\u0327ekillerde uyuyan hayat\u0131 tekrar bulmus\u0327tur.<\/p>\n

O \u00a0yenilerin birincisidir. C\u0327u\u0308nku\u0308 uzun as\u0131rlardan beri sadece su\u0308su\u0308 ve ikonografiyi hedef tutan sanattan sonra resim du\u0308nyas\u0131na yas\u0327ayan realitenin duygusunu sokmay\u0131 bas\u0327arm\u0131s\u0327t\u0131r. O\u0308nu\u0308mu\u0308ze koydug\u0306u figu\u0308rlere hers\u0327eyden o\u0308nce gerc\u0327ek varl\u0131klar\u0131n o\u0308zelliklerini, hac\u0131mlar\u0131n\u0131, ve ag\u0306\u0131rl\u0131klar\u0131n\u0131n duygusunu verir. Bunun ic\u0327in onun figu\u0308rleri Bizans resminin du\u0308z siluetle rinin mahrum oldug\u0306u realite k\u0131ymetini belirtirler. Onlar\u0131n varl\u0131klar\u0131n* inan\u0131r\u0131z ve onlar\u0131n anlatt\u0131klar\u0131 duygular bizi heyecana getirebilir.<\/p>\n

 <\/p>\n

Siena’l\u0131 Ressamlar ve Gotik Sanat
\n<\/span><\/h3>\n

Yine o gu\u0308nlerde s\u0327irin Siena kasabas\u0131nda bu\u0308tu\u0308n bir mektep Ba\u0302kirenin hayalini ve belki mezhebini de genc\u0327les\u0327tiriyordu. Duccio ( Duc\u0327c\u0327o) , Simone de Martino, Amiens ve Chartres heykeltras\u0327lar\u0131n\u0131n Meryem ic\u0327in heykelde yapt\u0131klar\u0131n\u0131 resim alan\u0131nda gerc\u0327ekles\u0327tirmis\u0327ler, Meryemi insan ve gu\u0308zel olarak go\u0308s termis\u0327lerdir. Bu sanatka\u0302rlar, ic\u0327inde bulunduklar\u0131 sert mimari\u0302 ile bir tezat tes\u0327kil eden ve c\u0327izgileri oynak bir zarafet go\u0308ste ren, renkleri saf ve c\u0327ekici resimler b\u0131rakm\u0131s\u0327lard\u0131r. Bu Floransa ve Siena ( Siyena ) u\u0308stadlar\u0131 bol eser veren bir mektep kur dular. I\u0307 t a l y a \u2019n\u0131n XIV. yu\u0308zy\u0131l freskc\u0327ileri bir kilise veya manast\u0131r duvar\u0131 o\u0308nu\u0308nde bulunduklar\u0131 zaman, oras\u0131n\u0131 seyrek olarak bos\u0327 b\u0131rakm\u0131s\u0327lar, her zaman, gu\u0308zel ve dini\u0302 bir eserle doldurmus\u0327lard\u0131r. Kuzey Fransa katedralleri ile heykelleri ve Floransa, Siena (Siyena) freskleri Gotik c\u0327ag\u0306\u0131n en gu\u0308zel ifadeleridir.<\/p>\n

\"Gotik<\/a>

Cimabue (13.yy) Bakire \/ Floransa<\/p><\/div>\n

Bir su\u0308re gec\u0327ince m im arlar daha usta olacaklar ve heykelcilerle ressamlar da tabiati taklidi amac\u0327 edineceklerdir. S\u0327imdilik gerc\u0327ek onlar\u0131n tek ihtiraslar\u0131 deg\u0306ildir. Onlar\u0131n go\u0308zu\u0308nde hakikat, imanlar\u0131n\u0131 anlatmak ve ideallerini gerc\u0327ekles\u0327tirmektir.<\/p>\n

\u00a0Gotik Sanat\u0131n\u00a0Geli\u015fimi<\/h3>\n

Fakat Gotik sanat, Avrupan\u0131n kuzeyinde, XVI. yu\u0308zy\u0131l\u0131n bas\u0327lang\u0131c\u0131na kadar devam etmis\u0327tir. Gec\u0327mis\u0327teki binalar kadar muhtes\u0327em an\u0131tlar yaratmam\u0131s\u0327 ise de gene c\u0327ok canl\u0131d\u0131r. Biteviye deg\u0306is\u0327mesi ve olgunlas\u0327mas\u0131 da buna bir delildir. Her memleket kendisine has fanteziyle bir sinir s\u0327ebekesi olan Gotik ins\u0327a bic\u0327imi ile oynar.<\/p>\n

\"gotik<\/a>

Duccio ( Duc\u0327c\u0327o ) \u2014 ( Ortalama 1255 – 1319 ) Zeytin dag\u0306\u0131nda sabahlama Siena ( Siyena ) katedralinin ku\u0308nbedi – Fresk<\/p><\/div>\n

I\u0307ngiltere dikey tas\u0327lar\u0131 c\u0327og\u0306altan ve kubbenin alt\u0131nda onlar\u0131 yelpaze gibi ac\u0327an \u00ab dikey u\u0308slu\u0302ba\u00bb bag\u0306lanm\u0131s\u0327 t\u0131r. I\u0307spanya, Gotik\u2019in Arap motiflerile birles\u0327mesinden do\u011fan \u00a0mu\u0308deccer denilen u\u0308slu\u0302ba kayar. Fransa gu\u0308ller le su\u0308slu\u0308, genis\u0327 pence reli \u00abrayonnant (s\u0327ua gibi) u\u0308slu\u0302b \u00a0ile bu\u0308tu\u0308n c\u0327izgileri alevin yu\u0308kselen k\u0131vr\u0131mlar\u0131 na bag\u0306layan \u00ab Flam- boyant\u00bb u\u0308slu\u0302bu icad eder. XIII. yu\u0308zy\u0131lda kubbeler gu\u0308rbu\u0308z fil ayaklar\u0131n\u0131n u\u0308zerinde yu\u0308kseliyordu. X V .yu\u0308zy\u0131lda baz\u0131 s\u0327apeller bu\u0308ku\u0308lmu\u0308s\u0327 go\u0308vdeli fundalar gibidirler.<\/p>\n

\"gotik<\/a>

G*\u00b0*t\u00b0- ( Ortalama 1266 – 1336) \u2014 San Francesco ku\u0308c\u0327u\u0308k kus\u0327lara va\u2019zediyor. Fresk Assisi (Assizi) . I\u0307talya<\/p><\/div>\n

Zira gerc\u0327ek yaratma durmus\u0327tur.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u0130talya’da Gotik Heykel ve Resim Sanat\u0131 Gotik heykel ve resim denilince , Gotik sanat\u0131 resme heykelden daha az du\u0308s\u0327ku\u0308ndu\u0308r. Karanl\u0131k katedrallerde renkli camlara c\u0327ekilen go\u0308zler duvarlar\u0131 go\u0308rmez. Fakat I\u0307talya\u2019da Gotik u\u0308slu\u0302p, klasik s\u0327ekillerden ayr\u0131lmam\u0131s\u0327t\u0131r. Duvarlar ressama genis\u0327 yerler b\u0131rak\u0131yordu. Burada sanatc\u0327\u0131lar eski al\u0131s\u0327kanl\u0131klarla ilgilerini kesmis\u0327 deg\u0306illerdir. Mermerde c\u0327al\u0131s\u0327maya devam ederler. Her vakit yanlar\u0131nda kendilerine modellik […]<\/p>\n","protected":false},"author":1,"featured_media":7558,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[124],"tags":[],"class_list":["post-7549","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-tarihi"],"yoast_head":"\n\u0130talya'da Gotik Heykel ve Resim Sanat\u0131 - Arthipo<\/title>\n<meta name=\"description\" content=\"\u0130talyada Gotik heykel ve resim sanat\u0131. Gotik resim ve heykel. Gotik sanat eserleri. Giotto. Gotik \u00fcslubun geli\u015fmesi. 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