{"id":6564,"date":"2016-11-17T20:22:19","date_gmt":"2016-11-17T17:22:19","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=6564"},"modified":"2017-06-07T17:03:19","modified_gmt":"2017-06-07T14:03:19","slug":"suprematizm-sanat-akimi","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/suprematizm-sanat-akimi.html","title":{"rendered":"Suprematizm Sanat Ak\u0131m\u0131"},"content":{"rendered":"<h2><span style=\"color: #ff00ff;\">Suprematizm Sanat Ak\u0131m\u0131<\/span><\/h2>\n<p><span id=\"result_box\" class=\"\" lang=\"tr\">Suprematizm Sanat Ak\u0131m\u0131 (Rus\u00e7a: \u0421\u0443\u043f\u0440\u0435\u043c\u0430\u0442\u0438\u0437\u043c) s\u0131n\u0131rl\u0131 say\u0131da renk kullanarak\u00a0 daire, kare, \u00e7izgiler ve dikd\u00f6rtgenler gibi temel geometrik formlara odaklanm\u0131\u015f bir sanat hareketidir. 1913 civar\u0131nda, Rusya&#8217;da Kazimir Malevi\u00e7 taraf\u0131ndan kurulan ve Malevi\u00e7&#8217;in 1915 sergisi F\u00fct\u00fcrist Fuar\u0131nda ilan edildi. Malevi\u00e7 d\u0131\u015f\u0131nda on \u00fc\u00e7 ressaam\u0131n <span class=\"\">benzer tarzda<\/span> <span class=\"\">36<\/span> <span class=\"\">eser<\/span> <span class=\"\">sergilendi.<\/span> S\u00fcprematizm; <span class=\"\">nesnelerin<\/span> g\u00f6rsel tasviri \u00fczerinde <span class=\"\">&#8220;<\/span><span class=\"\">saf<\/span> sanatsal duygu \u00fcst\u00fcnl\u00fc\u011f\u00fc&#8221; dayanan bir soyut sanat <span class=\"\">anlam\u0131na gelir<\/span>.<\/span><\/p>\n<p><span id=\"result_box\" class=\"\" lang=\"tr\"><span title=\"Kazimir Malevich developed the concept of Suprematism when he was already an established painter, having exhibited in the Donkey's Tail and the Der Blaue Reiter (The Blue Rider) exhibitions of 1912 with cubo-futurist works.\">E\u015fek Tail ve Der Blaue Reiter (Mavi Rider) k\u00fcbik-f\u00fct\u00fcrist \u00e7al\u0131\u015fmalar\u0131 ile 1912 y\u0131l\u0131nda sergilerde yer alan Kazimir Malevi\u00e7 Suprematizm kavram\u0131n\u0131 geli\u015ftirmi\u015ftir. B<\/span><span title=\"The proliferation of new artistic forms in painting, poetry and theatre as well as a revival of interest in the traditional folk art of Russia provided a rich environment in which a Modernist culture was born. \">oyama, \u015fiir ve tiyatro yeni sanatsal bi\u00e7imlerin \u00e7o\u011falmas\u0131 Rusya&#8217;n\u0131n yan\u0131 s\u0131ra geleneksel halk sanat\u0131n\u0131n canlanmas\u0131na zengin bir ortam sa\u011flad\u0131.<\/span><\/span><\/p>\n<p><a href=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/suprematizm-sanat-akimi-malevich-kazimir-sothebys-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-6930\" src=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/suprematizm-sanat-akimi-malevich-kazimir-sothebys-1.jpg\" alt=\"suprematizm-sanat-akimi-malevich-kazimir-sothebys\" width=\"2000\" height=\"2000\" srcset=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/suprematizm-sanat-akimi-malevich-kazimir-sothebys-1.jpg 2000w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/suprematizm-sanat-akimi-malevich-kazimir-sothebys-1-150x150.jpg 150w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/suprematizm-sanat-akimi-malevich-kazimir-sothebys-1-300x300.jpg 300w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/suprematizm-sanat-akimi-malevich-kazimir-sothebys-1-768x768.jpg 768w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/suprematizm-sanat-akimi-malevich-kazimir-sothebys-1-1024x1024.jpg 1024w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/suprematizm-sanat-akimi-malevich-kazimir-sothebys-1-1080x1080.jpg 1080w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/><\/a><\/p>\n<p><span title=\"Kazimir Malevich, Suprematist Composition- White on White, 1918, Museum of Modern Art, New York[3] \u00a0\u00a0\u00a0\u00a0\">Malevi\u00e7 a\u00e7\u0131k\u00e7a Suprematizm \u00e7ekirdek kavram\u0131n\u0131 \u015f\u00f6yle a\u00e7\u0131klad\u0131: &#8220;Suprematizm Sanat Ak\u0131m\u0131 alt\u0131nda ben yarat\u0131c\u0131 sanat\u0131n saf duygu \u00f6nceli\u011fini anl\u0131yorum. <\/span><span title=\"To the Suprematist, the visual phenomena of the objective world are, in themselves, meaningless;\">Suprematist i\u00e7in, nesnel d\u00fcnyan\u0131n g\u00f6rsel olaylar\u0131 vard\u0131r, kendisi anlams\u0131z; <\/span><span title=\"the significant thing is feeling, as such, quite apart from the environment in which it is called forth. \">\u00f6nemli olan \u015fey ortam\u0131n olduk\u00e7a d\u0131\u015f\u0131nda kald\u0131\u011f\u0131n\u0131n hissedilmesidir.&#8221;<br \/>\n<\/span><\/p>\n<p><span title=\"He created a suprematist &quot;grammar&quot; based on fundamental geometric forms;\">Malevi\u00e7 temel geometrik formlara dayal\u0131 bir Suprematist &#8220;dilbilgisi&#8221; yaratt\u0131: <\/span><span title=\"in particular, the square and the circle.\">\u00d6zellikle, kare ve daire. <\/span><span title=\"In the 0.10 Exhibition in 1915, Malevich exhibited his early experiments in suprematist painting.\">1915 y\u0131l\u0131nda suprematist resminde erken deneyler sergilendi.<\/span><span title=\"The centerpiece of his show was the Black Square, placed in what is called the red\/beautiful corner in Russian Orthodox tradition;\"> Rus Ortodoks gelene\u011finde k\u0131rm\u0131z\u0131 \/ g\u00fczel k\u00f6\u015fe olarak adland\u0131r\u0131lan\u00a0 Siyah Kare vard\u0131.<\/span> <span title=\"&quot;Black Square&quot; was painted in 1915 and was presented as a breakthrough in his career and in art in general.\">&#8220;Siyah Kare&#8221; 1915 y\u0131l\u0131nda kariyerinde bir at\u0131l\u0131m olarak sunuldu. <span title=\"&quot;White on White&quot; marked a shift from polychrome to monochrome Suprematism\">&#8220;Beyaz Beyaz \u00fczerinde&#8221; monokrom Suprematizm i\u00e7in polychrome ge\u00e7i\u015fi, <\/span><\/span><span title=\"Malevich also painted White on White which was also heralded as a milestone.\">Malevi\u00e7 ayn\u0131 zamanda bir d\u00f6n\u00fcm noktas\u0131 olarak lanse edildi.<br \/>\n<\/span><\/p>\n<h3><span class=\"\">S\u00fcprematizm<\/span> <span class=\"\">Konstr\u00fcktivizm<\/span> ve Materyalizme Kar\u015f\u0131<\/h3>\n<p>Malevi\u00e7&#8217;in\u00a0Suprematizm Sanat Ak\u0131m\u0131 <span class=\"\">Konstr\u00fcktivizm<\/span> ve Materyalizmin devrim sonras\u0131 pozisyonlar\u0131na <span class=\"\">temelden<\/span> <span class=\"\">kar\u015f\u0131d\u0131r<\/span>. <span class=\"\">Konstr\u00fcktivizm<\/span>, nesnenin kendi k\u00fclt\u00fc ile, fonksiyonel \u00f6rg\u00fctlenme ilkeleri sanat\u0131 <span class=\"\">uyarlanmas\u0131<\/span> faydac\u0131 <span class=\"\">stratejileri ile<\/span> ilgilidir. Yap\u0131land\u0131rmac\u0131l\u0131k alt\u0131nda, geleneksel \u015f\u00f6vale ressam t\u00fcm y\u00f6nleriyle <span class=\"\">hayat\u0131<\/span> organize sorumlu sanat\u00e7\u0131 m\u00fchendise d\u00f6n\u00fc\u015f\u00fcr. S\u00fcprematizm, Konstr\u00fcktivizm tezat, bir derece <span class=\"\">anti-materyalist<\/span><span class=\"\">,<\/span> anti-faydac\u0131 felsefesini i\u00e7ermektedir.<\/p>\n<p><a href=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/suprematizm-sanat-akimlari-Kazimir-Malevich-suprematizm-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-6931\" src=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/suprematizm-sanat-akimlari-Kazimir-Malevich-suprematizm-1.jpg\" alt=\"suprematizm-sanat-akimlari-kazimir-malevich-suprematizm\" width=\"817\" height=\"809\" srcset=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/suprematizm-sanat-akimlari-Kazimir-Malevich-suprematizm-1.jpg 817w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/suprematizm-sanat-akimlari-Kazimir-Malevich-suprematizm-1-150x150.jpg 150w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/suprematizm-sanat-akimlari-Kazimir-Malevich-suprematizm-1-300x297.jpg 300w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/suprematizm-sanat-akimlari-Kazimir-Malevich-suprematizm-1-768x760.jpg 768w\" sizes=\"(max-width: 817px) 100vw, 817px\" \/><\/a><\/p>\n<p><span id=\"result_box\" class=\"\" lang=\"tr\">Malevich ayr\u0131ca Sun \u00dczerinde Zafer s\u00fcprematizmi do\u011fumunu alacakt\u0131r. 1913 sergisine dahil sanat\u00e7\u0131lar\u0131n amac\u0131 i\u00e7inde setleri ve kost\u00fcmlerini tasarlad\u0131. Kruchenykh en F\u00fct\u00fcrist opera \u00fcretim bi\u00e7imini k\u0131rmak i\u00e7in &#8220;a\u00e7\u0131k kullanmak olmu\u015ftur saf, mant\u0131ksal Rus <span class=\"\">dilinin saf ve mant\u0131ksal dilini kullanm\u0131\u015ft\u0131r. <\/span><span class=\"\">Malevi\u00e7<\/span> basit malzemelerden kost\u00fcm olu\u015fturarak uygulamaya koymak i\u00e7in <span class=\"\">geometrik \u015fekillerden<\/span> yararland\u0131. Yan\u0131p s\u00f6nen farlar, alternatif eller, bacaklar veya kafalar\u0131 <span class=\"\">karanl\u0131kta kaybolacak <\/span><\/span><span id=\"result_box\" class=\"\" lang=\"tr\">\u015fekilde rakamlarla ayd\u0131nlatt\u0131. Sahne perdesi siyah bir kare oldu. Backcloth i\u00e7in <span class=\"\">\u00e7izimleri<\/span> biri siyah ve beyaz \u00fc\u00e7gen i\u00e7ine \u00e7apraz b\u00f6l\u00fcnm\u00fc\u015f bir siyah kare <span class=\"\">g\u00f6sterir<\/span>. <span class=\"\">\u00c7\u00fcnk\u00fc<\/span> bu temel formlar\u0131n basitli\u011fi onlar i\u00e7in yeni bir ba\u015flang\u0131\u00e7 anlam\u0131na <span class=\"\">yaratt\u0131.<\/span><\/span><\/p>\n<h4>Suprematizm Ak\u0131m\u0131n\u0131n \u00d6nde Gelen Ressam, Heykeltra\u015f ve Sanat\u00e7\u0131lar\u0131<\/h4>\n<p>Kazimir Malevich, Ilya Chashnik\u00a0\u00a0 \u00a0Ilya Chashnik, El Lissitzky, Alexander Rodchenko, Olga Rozanova,\u00a0\u00a0 \u00a0Nikolai Suetin, Vera Yermolayeva.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Suprematizm Sanat Ak\u0131m\u0131 Suprematizm Sanat Ak\u0131m\u0131 (Rus\u00e7a: \u0421\u0443\u043f\u0440\u0435\u043c\u0430\u0442\u0438\u0437\u043c) s\u0131n\u0131rl\u0131 say\u0131da renk kullanarak\u00a0 daire, kare, \u00e7izgiler ve dikd\u00f6rtgenler gibi temel geometrik formlara odaklanm\u0131\u015f bir sanat hareketidir. 1913 civar\u0131nda, Rusya&#8217;da Kazimir Malevi\u00e7 taraf\u0131ndan kurulan ve Malevi\u00e7&#8217;in 1915 sergisi F\u00fct\u00fcrist Fuar\u0131nda ilan edildi. Malevi\u00e7 d\u0131\u015f\u0131nda on \u00fc\u00e7 ressaam\u0131n benzer tarzda 36 eser sergilendi. S\u00fcprematizm; nesnelerin g\u00f6rsel tasviri \u00fczerinde [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6929,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[124],"tags":[],"class_list":["post-6564","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-tarihi"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Suprematizm Sanat Ak\u0131m\u0131 - Arthipo<\/title>\n<meta name=\"description\" content=\"Suprematizm Sanat Ak\u0131m\u0131 s\u0131n\u0131rl\u0131 say\u0131da renk kullanarak daire, kare, \u00e7izgiler ve dikd\u00f6rtgenler gibi temel geometrik formlara odaklanm\u0131\u015f bir sanat\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/suprematizm-sanat-akimi.html\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Suprematizm Sanat Ak\u0131m\u0131 - 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