{"id":6558,"date":"2016-11-17T21:47:32","date_gmt":"2016-11-17T18:47:32","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=6558"},"modified":"2017-06-07T03:41:31","modified_gmt":"2017-06-07T00:41:31","slug":"modernizm-sanat-akimi","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/modernizm-sanat-akimi.html","title":{"rendered":"Modernizm Sanat Ak\u0131m\u0131"},"content":{"rendered":"<h2><span style=\"color: #333333;\">Modernizm Sanat Ak\u0131m\u0131<\/span><\/h2>\n<div id=\"gt-res-content\">\n<div dir=\"ltr\">\n<p><span id=\"result_box\" class=\"\" lang=\"tr\"><span title=\"Modernism is a philosophical movement that, along with cultural trends and changes, arose from wide-scale and far-reaching transformations in Western society during the late 19th and early 20th centuries.\">Modernizm Sanat Ak\u0131m\u0131 k\u00fclt\u00fcrel e\u011filimleri ve de\u011fi\u015fikliklerle birlikte, 19. ve erken 20. y\u00fczy\u0131llarda\u00a0 Bat\u0131 toplumunda geni\u015f kapsaml\u0131 d\u00f6n\u00fc\u015f\u00fcmler ortaya \u00e7\u0131kt\u0131, bir felsefi bir de\u011fi\u015fimdi. M<\/span><span title=\"Among the factors that shaped modernism were the development of modern industrial societies and the rapid growth of cities, followed then by the horror of World War I. Modernism also rejected the certainty of Enlightenment thinking, and many modernists rejected religious belief.[2][\">odern end\u00fcstriyel toplumlar\u0131n geli\u015fimin neticesinde \u015fehirler h\u0131zl\u0131 b\u00fcy\u00fcd\u00fc. Birinci D\u00fcnya Sava\u015f\u0131 korkular Ayd\u0131nlanma d\u00fc\u015f\u00fcncelerinin reddedilmesine neden oldu ve bir\u00e7ok modernist dini inanc\u0131 reddetti.<\/span><\/span><\/p>\n<p><span id=\"result_box\" class=\"\" lang=\"tr\"><span title=\"Modernism was set in motion, in one sense, through a series of cultural shocks.\">Modernizm bir dizi k\u00fclt\u00fcrel \u015foklar\u0131n etkisiyle kuruldu. <\/span><span title=\"The first of these great shocks was the Great War, which ravaged Europe from 1914 through 1918, known now as World War One.\">Bu b\u00fcy\u00fck \u015foklar\u0131n ilki 1. D\u00fcnya Sava\u015f\u0131&#8217;d\u0131r, 1914 ile 1918 Avrupa&#8217;y\u0131 kas\u0131p kavurmu\u015ftur. Bilimin ve teknolojinin vaat etti\u011fi, Ayd\u0131nlanma&#8217;n\u0131n besledi\u011fi evrensel insan fikri yerle bir olmu\u015f, k\u0131ta Avrupas\u0131 \u00fczerinde b\u00fcy\u00fck katliamlar meydana gelmi\u015ftir. Elbette bu vah\u015fetin sonunda derin bir korku ve endi\u015fe kalm\u0131\u015f insanlar gelece\u011fe umutsuzlukla bakmaya ba\u015flam\u0131\u015flard\u0131r.\u00a0<\/span><\/span><\/p>\n<p><a href=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/modernizm-sanat-akimi-Egon_Schiele-otoportre-arthipo-tablo-satis-sitesi.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-6957\" src=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/modernizm-sanat-akimi-Egon_Schiele-otoportre-arthipo-tablo-satis-sitesi.jpg\" alt=\"modernizm-sanat-akimi-egon_schiele-otoportre-arthipo-tablo-satis-sitesi\" width=\"2048\" height=\"1659\" srcset=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/modernizm-sanat-akimi-Egon_Schiele-otoportre-arthipo-tablo-satis-sitesi.jpg 2048w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/modernizm-sanat-akimi-Egon_Schiele-otoportre-arthipo-tablo-satis-sitesi-300x243.jpg 300w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/modernizm-sanat-akimi-Egon_Schiele-otoportre-arthipo-tablo-satis-sitesi-768x622.jpg 768w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/modernizm-sanat-akimi-Egon_Schiele-otoportre-arthipo-tablo-satis-sitesi-1024x829.jpg 1024w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/modernizm-sanat-akimi-Egon_Schiele-otoportre-arthipo-tablo-satis-sitesi-1080x875.jpg 1080w\" sizes=\"(max-width: 2048px) 100vw, 2048px\" \/><\/a><\/p>\n<p><span id=\"result_box\" class=\"\" lang=\"tr\"><span title=\"Indeed, a central preoccupation of Modernism is with the inner self and consciousness.\">Modernizm merkezi me\u015fgalesi insan\u0131n bilin\u00e7 ve bilin\u00e7alt\u0131d\u0131r. <\/span><span title=\"In contrast to the Romantic world view, the Modernist cares rather little for Nature, Being, or the overarching structures of history.\">Romantik d\u00fcnya g\u00f6r\u00fc\u015f\u00fcn\u00fcn aksine, <\/span><span title=\"Instead of progress and growth, the Modernist intelligentsia sees decay and a growing alienation of the individual.\">ilerleme ve b\u00fcy\u00fcme yerine modernist ayd\u0131nlar \u00e7\u00fcr\u00fcme ve bireyin b\u00fcy\u00fcyen yabanc\u0131la\u015fmas\u0131n\u0131 koyar. <\/span><span title=\"The machinery of modern society is perceived as impersonal, capitalist, and antagonistic to the artistic impulse.\">Modern toplumun makinesel yap\u0131s\u0131, sanatsal d\u00fcrt\u00fcye ki\u015filiksiz kapitalist ve kar\u015f\u0131t olarak alg\u0131lanmaktad\u0131r.<\/span><\/span><\/p>\n<p><span title=\"Modernism, in general, includes the activities and creations of those who felt the traditional forms of art, architecture, literature, religious faith, philosophy, social organization, activities of daily life, and even the sciences, were becoming ill-fitted to their tasks\">Modernizm, genel olarak, geleneksel formlar b\u00fcy\u00fcyen \u015fehirlere pratik bir \u015fekilde uygulanmaya \u00e7al\u0131\u015f\u0131lmas\u0131d\u0131r<\/span><span title=\"and outdated in the new economic, social, and political environment of an emerging fully industrialized world.\">. \u015e<\/span><span title=\"The poet Ezra Pound's 1934 injunction to &quot;Make it new!&quot;\">air Ezra Pound\u00a0 &#8220;yeni yap\u0131&#8221; i\u00e7in <\/span><span title=\"was the touchstone of the movement's approach towards what it saw as the now obsolete culture of the past.\">ge\u00e7mi\u015fin art\u0131k kullan\u0131lmayan k\u00fclt\u00fcr\u00fc olarak g\u00f6rmesi hareketin mihenk ta\u015f\u0131 oldu.<\/span><\/p>\n<p><a href=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/sanat-akimlari-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-6959\" src=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/sanat-akimlari-1.jpg\" alt=\"sanat-akimlari\" width=\"1024\" height=\"738\" \/><\/a><\/p>\n<p><span title=\"A notable characteristic of modernism is self-consciousness and irony concerning literary and social traditions, which often led to experiments with form, along with the use of techniques that drew attention to the processes and materials used in creating a painting, poem, building, etc\">Modernizmin \u00f6nemli bir \u00f6zelli\u011fi,\u00a0 resim, \u015fiir, bina, vb olu\u015ftururken kullan\u0131lan s\u00fcre\u00e7ler ve malzemelerle ilgilidir: Tekniklerin kullan\u0131m\u0131 s\u0131ras\u0131nda geleneksel \u00f6z bilin\u00e7le ironilere ba\u015fvurulmu\u015ftur.<\/span> <span title=\"Modernism explicitly rejected the ideology of realism[5][6][7] and makes use of the works of the past by the employment of reprise, incorporation, rewriting, recapitulation, revision and parody.[8][9][10] \">Modernizm a\u00e7\u0131k\u00e7a ger\u00e7ek\u00e7ilik ideolojisini reddetti. Kurulu\u015f, yeniden, tekrarlama, revizyon ve parodi ile ge\u00e7mi\u015fin \u00f6z-bilincini kullan\u0131ld\u0131.<br \/>\n<\/span><\/p>\n<\/div>\n<\/div>\n<h3>Modernizm Felsefi Yap\u0131s\u0131<\/h3>\n<div id=\"gt-res-content\">\n<div dir=\"ltr\">\n<p><span title=\"Some commentators define modernism as a mode of thinking\u2014one or more philosophically defined characteristics, like self-consciousness or self-reference, that run across all the novelties in the arts and the disciplines.[11]\">Baz\u0131 d\u00fc\u015f\u00fcn\u00fcrler sanat ve di\u011fer disiplinlerde modernizmi, \u00f6z bilince dayanma ve kendi kendini referans olarak g\u00f6stermeyi bir mod olarak tan\u0131mlar. <\/span><span title=\"More common, especially in the West, are those who see it as a socially progressive trend of thought that affirms the power of human beings to create, improve and reshape their environment with the aid of practical experimentation, scientific knowledge, or technology.[12\">Bat\u0131&#8217;da bilim ve teknoloji ile do\u011fay\u0131 yeniden \u015fekillendirme olarak g\u00f6renler de vard\u0131r.<\/span> <span title=\"From this perspective, modernism encouraged the re-examination of every aspect of existence, from commerce to philosophy, with the goal of finding that which was 'holding back' progress, and replacing it with new ways of reaching the same end.\">Bu a\u00e7\u0131dan bak\u0131ld\u0131\u011f\u0131nda, modernizmde ilerleme geri \u00e7ekilir. Sanattan ticarette, felsefeye, varolu\u015fun her y\u00f6n\u00fcyle yeniden incelenmesini te\u015fvik eder. E<\/span><span title=\"Others focus on modernism as an aesthetic introspection.\">stetik bir i\u00e7 g\u00f6zlem olarak modernizme odaklan\u0131r. <\/span><span title=\"This facilitates consideration of specific reactions to the use of technology in the First World War, and anti-technological and nihilistic aspects of the works of diverse thinkers and artists spanning the period from Friedrich Nietzsche (1844\u20131900) to Samuel Beckett (1906\u20131989\">Bu Birinci D\u00fcnya Sava\u015f\u0131 teknolojinin kullan\u0131m\u0131na \u00f6zg\u00fc reaksiyonlarda; Samuel Beckett, Friedrich Nietzsche gibi (1844-1900) d\u00f6nemini kapsayan sanat\u00e7\u0131lar\u0131n eserlerinden anti-teknolojik ve nihilist y\u00f6nler dikkat \u00e7eker.<\/span><\/p>\n<div id=\"attachment_6958\" style=\"width: 740px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/modernizm-sanat-akimlari-andre-masson-calisma-masasi-arthipo-tablo-satis-sitesi-1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-6958\" class=\"size-full wp-image-6958\" src=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/modernizm-sanat-akimlari-andre-masson-calisma-masasi-arthipo-tablo-satis-sitesi-1.jpg\" alt=\"Pedestal Table in the Studio 1922 Andr? Masson 1896-1987 Bequeathed by Elly Kahnweiler 1991 to form part of the gift of Gustav and Elly Kahnweiler, accessioned 1994 http:\/\/www.tate.org.uk\/art\/work\/T06819\" width=\"730\" height=\"601\" srcset=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/modernizm-sanat-akimlari-andre-masson-calisma-masasi-arthipo-tablo-satis-sitesi-1.jpg 730w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/modernizm-sanat-akimlari-andre-masson-calisma-masasi-arthipo-tablo-satis-sitesi-1-300x247.jpg 300w\" sizes=\"(max-width: 730px) 100vw, 730px\" \/><\/a><p id=\"caption-attachment-6958\" class=\"wp-caption-text\">Pedestal Table in the Studio 1922 Andr? Masson 1896-1987 Bequeathed by Elly Kahnweiler 1991 to form part of the gift of Gustav and Elly Kahnweiler, accessioned 1994 http:\/\/www.tate.org.uk\/art\/work\/T06819<\/p><\/div>\n<p>Victoria D\u00f6nemi \u0130ngiltere&#8217;si h\u0131zl\u0131 geli\u015fen ve kentle\u015fen bir \u00fclkedir. \u0130nsan Haklar\u0131n\u0131n \u00e7ok d\u00fc\u015f\u00fck oldu\u011fu, i\u015f\u00e7ilern k\u00f6le olarak g\u00f6r\u00fcld\u00fc\u011f\u00fc ve bir kesimin h\u0131zl\u0131 zenginle\u015fti\u011fi bir d\u00f6nemdir. Toplumun t\u00fcm dinamiklerin toplu bir \u015fekilde de\u011fi\u015fti\u011fi ve adalet kavram\u0131n\u0131n yitirilidi\u011fi bir ortamda Modernizm k<span id=\"result_box\" class=\"\" lang=\"tr\"><span title=\"writings of the art critic John Ruskin (1819\u20131900), who had strong feelings about the role of art in helping to improve the lives of the urban working classes, in the rapidly expanding industrial cities of Britain.[19]:816 Art critic\">ent emek\u00e7i s\u0131n\u0131flar\u0131n ya\u015famlar\u0131n\u0131 iyile\u015ftirmek i\u00e7in sanat\u0131n yard\u0131mc\u0131 bir rol alabilece\u011fine dair\u00a0 g\u00fc\u00e7l\u00fc duygular vard\u0131.<\/span><\/span><\/p>\n<p><span id=\"result_box\" class=\"\" lang=\"tr\"><span title=\"Raphaelites actually foreshadowed Manet (1832\u201383), with whom Modernist painting most definitely begins. They acted on a dissatisfaction with painting as practiced in their time, holding that its realism wasn't truthful enough.&quot;[20] Rationalism has also had opponents\"> Manet Modernizmin resimdeki (1832-1883), habercisiydi. Kendi ger\u00e7ek\u00e7iliklerinin yeterince d\u00fcr\u00fcst olmad\u0131\u011f\u0131n\u0131 varsay\u0131m\u0131na dayanarak resimle bir memnuniyetsizlik belirtmek i\u00e7in harekete ge\u00e7ti. Ak\u0131lc\u0131l\u0131k da rakiplerini etti <\/span><span title=\"in the philosophers S\u00f8ren Kierkegaard (1813\u201355)[21] and later Friedrich Nietzsche (1844\u20131900), both of whom had significant influence on existentialism.[22]:120\">.<br \/>\n<\/span><\/span><\/p>\n<h3>Modernizm Sanat Ak\u0131m\u0131 \u00dcnl\u00fc Ressamlar, Yazarlar, Heykeltra\u015flar<\/h3>\n<p>Piet Mondrian, Egon Schiele, Ludwig Mies van der Rohe&#8217;s, Reina Sof\u00eda, Pablo Picasso, Jean Metzinger, Andr\u00e9 Masson, Edward Johnston, Marjorie FitzGibbon,\u00a0 Marcel Proust, Virginia Woolf, Robert Musil, Dorothy Richardson, Ezra Pound<\/p>\n<p><a href=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/modernizm-sanat-akimi-andre-masson-ikonik-adam-arthipo-tablo-satis-sitesi-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-6955\" src=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/modernizm-sanat-akimi-andre-masson-ikonik-adam-arthipo-tablo-satis-sitesi-1.jpg\" alt=\"modernizm-sanat-akimi-andre-masson-ikonik-adam-arthipo-tablo-satis-sitesi\" width=\"1200\" height=\"967\" srcset=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/modernizm-sanat-akimi-andre-masson-ikonik-adam-arthipo-tablo-satis-sitesi-1.jpg 1200w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/modernizm-sanat-akimi-andre-masson-ikonik-adam-arthipo-tablo-satis-sitesi-1-300x242.jpg 300w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/modernizm-sanat-akimi-andre-masson-ikonik-adam-arthipo-tablo-satis-sitesi-1-768x619.jpg 768w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/modernizm-sanat-akimi-andre-masson-ikonik-adam-arthipo-tablo-satis-sitesi-1-1024x825.jpg 1024w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/modernizm-sanat-akimi-andre-masson-ikonik-adam-arthipo-tablo-satis-sitesi-1-1080x870.jpg 1080w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Modernizm Sanat Ak\u0131m\u0131 Modernizm Sanat Ak\u0131m\u0131 k\u00fclt\u00fcrel e\u011filimleri ve de\u011fi\u015fikliklerle birlikte, 19. ve erken 20. y\u00fczy\u0131llarda\u00a0 Bat\u0131 toplumunda geni\u015f kapsaml\u0131 d\u00f6n\u00fc\u015f\u00fcmler ortaya \u00e7\u0131kt\u0131, bir felsefi bir de\u011fi\u015fimdi. Modern end\u00fcstriyel toplumlar\u0131n geli\u015fimin neticesinde \u015fehirler h\u0131zl\u0131 b\u00fcy\u00fcd\u00fc. Birinci D\u00fcnya Sava\u015f\u0131 korkular Ayd\u0131nlanma d\u00fc\u015f\u00fcncelerinin reddedilmesine neden oldu ve bir\u00e7ok modernist dini inanc\u0131 reddetti. Modernizm bir dizi k\u00fclt\u00fcrel \u015foklar\u0131n [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6956,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[124],"tags":[],"class_list":["post-6558","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-tarihi"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Modernizm Sanat Ak\u0131m\u0131 - Arthipo<\/title>\n<meta name=\"description\" content=\"Modernizm Sanat Ak\u0131m\u0131 k\u00fclt\u00fcrel e\u011filimleri ve de\u011fi\u015fikliklerle birlikte, 19. ve erken 20. y\u00fczy\u0131llarda Bat\u0131 toplumunda geni\u015f kapsaml\u0131 d\u00f6n\u00fc\u015f\u00fcmler ortaya \u00e7\u0131kt\u0131,\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/modernizm-sanat-akimi.html\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Modernizm Sanat Ak\u0131m\u0131 - 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