{"id":6554,"date":"2016-11-13T11:11:14","date_gmt":"2016-11-13T09:11:14","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=6554"},"modified":"2017-06-07T03:15:36","modified_gmt":"2017-06-07T00:15:36","slug":"konstruktivizm-sanat-akimi-yapilandirmacilik-insacilik","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/konstruktivizm-sanat-akimi-yapilandirmacilik-insacilik.html","title":{"rendered":"Konstr\u00fcktivizm Sanat Ak\u0131m\u0131, Yap\u0131land\u0131rmac\u0131l\u0131k, \u0130n\u015fac\u0131l\u0131k"},"content":{"rendered":"

Konstr\u00fcktivizm Sanat Ak\u0131m\u0131, Yap\u0131land\u0131rmac\u0131l\u0131k (\u0130n\u015fac\u0131l\u0131k)<\/span><\/span><\/h2>\n

Konstr\u00fcktivizm Sanat Ak\u0131m\u0131 (Yap\u0131land\u0131rmac\u0131l\u0131k, \u0130n\u015fac\u0131l\u0131k) soyut resimde, lekeci bir esteti\u011fe dayanmayan, rastlant\u0131 bir bi\u00e7imlemeye yer vermeyen, geometrik in\u015fac\u0131 bir ak\u0131m da ortaya \u00e7\u0131kt\u0131. Asl\u0131nda k\u00fcbist ak\u0131mda da geometrik bir in\u015fa s\u00f6z konusu idi. Ancak bu geometrizm nesne ve fig\u00fcrleri geometrik y\u00fczeyler halinde bir par\u00e7alamaya ve ortaya \u00e7\u0131kan y\u00fczeyleri ise kesin \u00e7iz\u00adgilerle s\u0131n\u0131rlamaya dayan\u0131yordu. Ortaya \u00e7\u0131kan yeni geometrik \u00f6\u011felere dayanan ak\u0131m ise, yaln\u0131z salt geometrik bi\u00e7imlerin re\u00adsimsel etkisini ama\u00e7l\u0131yordu. K\u0131sacas\u0131 bi\u00e7imlerin safl\u0131\u011f\u0131n\u0131, yal\u0131n\u00adl\u0131\u011f\u0131n\u0131 hedef al\u0131yordu. Konstr\u00fcktivizm (\u0130n\u015fac\u0131l\u0131k, Constructivisme) denen bu soyut ak\u0131m\u0131n ilk yarat\u0131c\u0131s\u0131 (Malevi\u00e7) Malewitsch idi. Resmi m\u00fcmk\u00fcn oldu\u011fu oranda en az \u00f6\u011feden olu\u015fturmak isteyen bu sanat\u00e7\u0131, beyaz bir zemin \u00fczerine boyanan siyah bir dikd\u00f6rtgenin p\u00fcr kat\u0131l\u0131\u011f\u0131n\u0131 bir yap\u0131t i\u00e7in yeterli g\u00f6r\u00fcyordu. (Konstr\u00fcktivizm Sanat Ak\u0131m\u0131, Yap\u0131land\u0131rmac\u0131l\u0131k, \u0130n\u015fac\u0131l\u0131k)<\/em><\/span><\/p>\n

\"Konstr\u00fcktivizm<\/a>

Konstr\u00fcktivizm Sanat Ak\u0131m\u0131, Varvara Stepanova, Giysi Tasar\u0131mlar\u0131<\/p><\/div>\n

 <\/p>\n

Bu kat\u0131 siyah dik\u00add\u00f6rtgen, Malewitch’e g\u00f6re salt resimsel bir \u00f6\u011fe idi ve bir yap\u0131t i\u00e7in de yeterli idi. K\u0131sacas\u0131 bu ressam, salt bi\u00e7imi sapt\u0131yordu. B\u00f6yle olunca, onun resminde oylum-nesne ili\u015fkisi gibi sorunlar. \u00d6nemini yitiriyordu. Hollandal\u0131 Mondrian da, Malewitsch gibi salt geometrik bi\u00e7imlerle, daha do\u011frusu bir \u015feyin g\u00f6r\u00fcnt\u00fcs\u00fc ol\u00admayan bi\u00e7imlerle \u00e7al\u0131\u015f\u0131yordu. Ancak o, t\u00fcm kare ve dikd\u00f6rtgen\u00adleri yatay-dikey d\u00fczende bir araya getiriyor ve t\u00fcm y\u00fczeyleri dc k\u0131rm\u0131z\u0131, mavi, sar\u0131, gri, beyaz ve siyah gibi salt renklerle boyu- yordu. Bu renklere griyi eklemesi, n\u00f6tr bir renge gereksinme duymas\u0131ndand\u0131. T\u00fcm resim y\u00fczeyi, dengeli, hesapl\u0131, cetvelle \u00e7izilmi\u015f, kesin bir ritmi ortaya \u00e7\u0131kar\u0131yordu. (Konstr\u00fcktivizm Sanat Ak\u0131m\u0131, Yap\u0131land\u0131rmac\u0131l\u0131k, \u0130n\u015fac\u0131l\u0131k)<\/em><\/span><\/p>\n

Yatay ve dikey d\u00fczende de Mondrian, do\u011fada yakalad\u0131\u011f\u0131 insana huzur veren ufuk \u00e7izgisi ile onu kesen dikey hatlar\u0131n an\u0131tsall\u0131\u011f\u0131n\u0131 salt olarak sapta\u00admak istiyordu. Mondrian’\u0131n resimleri, k\u0131sa s\u00fcrede \u00e7a\u011fda\u015f mimar\u00adl\u0131k ile ev e\u015fyalar\u0131n\u0131n bi\u00e7imlerini etkilemekte gecikmedi. Ayr\u0131ca afi\u015f sanat\u0131 ile tipografi de bu anlay\u0131\u015ftan etkilendi. Bu anlay\u0131\u015fta, di\u011fer ak\u0131mlarda g\u00f6r\u00fclmeyen bir kontrol etme, ak\u0131lc\u0131 olma, rast\u00adlant\u0131ya yer b\u0131rakmama ve adeta ideal bir geometrik yap\u0131 ama\u00e7\u00adlanm\u0131\u015ft\u0131r. \u0130zlenimci ya da lekeci anlay\u0131\u015flardaki rastlant\u0131ya dayal\u0131 tu\u015f resmi ise, Mondrian’\u0131n resimlerinde hi\u00e7 dikkate al\u0131nmam\u0131\u015f\u00adt\u0131r. \u0130lgin\u00e7 olan, bu sonuca sanat\u00e7\u0131n\u0131n giderek do\u011fadan uzakla\u015fan bir manzara resmi ile varmas\u0131d\u0131r. (Konstr\u00fcktivizm Sanat Ak\u0131m\u0131, Yap\u0131land\u0131rmac\u0131l\u0131k, \u0130n\u015fac\u0131l\u0131k)<\/em><\/span><\/p>\n

(Konstr\u00fcktivizm Sanat Ak\u0131m\u0131, Yap\u0131land\u0131rmac\u0131l\u0131k, \u0130n\u015fac\u0131l\u0131k)<\/em><\/span><\/p>\n

Konstr\u00fcktivizm Temel Ald\u0131\u011f\u0131 Metodlar<\/h3>\n

\u0130n\u015fac\u0131l\u0131k (Constructivisme) denen bu soyut ak\u0131m\u0131n ilk yarat\u0131c\u0131s\u0131 (Malevi\u00e7) Malewitsch idi. Resmi m\u00fcmk\u00fcn oldu\u011fu oranda en az \u00f6\u011feden olu\u015fturmak isteyen bu sanat\u00e7\u0131, beyaz bir zemin \u00fczerine boyanan siyah bir dikd\u00f6rtgenin p\u00fcr kat\u0131l\u0131\u011f\u0131n\u0131 bir yap\u0131t i\u00e7in yeterli g\u00f6r\u00fcyordu. Bu kat\u0131 siyah dik\u00add\u00f6rtgen, Malewitch’e g\u00f6re salt resimsel bir \u00f6\u011fe idi ve bir yap\u0131t i\u00e7in de yeterli idi. K\u0131sacas\u0131 bu ressam, salt bi\u00e7imi sapt\u0131yordu. B\u00f6yle olunca, onun resminde oylum-nesne ili\u015fkisi gibi sorunlar \u00f6nemini yitiriyordu. (Konstr\u00fcktivizm Sanat Ak\u0131m\u0131, Yap\u0131land\u0131rmac\u0131l\u0131k, \u0130n\u015fac\u0131l\u0131k)<\/em><\/span><\/p>\n

\"Konstr\u00fcktivizm<\/a>

Konstr\u00fcktivizm Sanat-Ak\u0131m\u0131, Varvara-Stepanova, Kuma\u015f Tasar\u0131m<\/p><\/div>\n

Hollandal\u0131 Mondrian da, Malewitsch gibi salt geometrik bi\u00e7imlerle, daha do\u011frusu bir \u015feyin g\u00f6r\u00fcnt\u00fcs\u00fc ol\u00admayan bi\u00e7imlerle \u00e7al\u0131\u015f\u0131yordu. Ancak o, t\u00fcm kare ve dikd\u00f6rtgen\u00adleri yatay-dikey d\u00fczende bir araya getiriyor ve t\u00fcm y\u00fczeyleri dc k\u0131rm\u0131z\u0131, mavi, sar\u0131, gri, beyaz ve siyah gibi salt renklerle boyu- yordu. Bu renklere griyi eklemesi, n\u00f6tr bir renge gereksinme duymas\u0131ndand\u0131. T\u00fcm resim y\u00fczeyi, dengeli, hesapl\u0131, cetvelle \u00e7izilmi\u015f, kesin bir ritmi ortaya \u00e7\u0131kar\u0131yordu. Yatay ve dikey d\u00fc\u00adzende de Mondrian, do\u011fada yakalad\u0131\u011f\u0131 insana huzur veren ufuk \u00e7izgisi ile onu kesen dikey hatlar\u0131n an\u0131tsall\u0131\u011f\u0131n\u0131 salt olarak sapta\u00admak istiyordu. Mondrian’\u0131n resimleri, k\u0131sa s\u00fcrede \u00e7a\u011fda\u015f mimar\u00adl\u0131k ile ev e\u015fyalar\u0131n\u0131n bi\u00e7imlerini etkilemekte gecikmedi. Ayr\u0131ca afi\u015f sanat\u0131 ile tipografi de bu anlay\u0131\u015ftan etkilendi. Bu anlay\u0131\u015fta, di\u011fer ak\u0131mlarda g\u00f6r\u00fclmeyen bir kontrol etme, ak\u0131lc\u0131 olma, rast\u00adlant\u0131ya yer yoktur.<\/p>\n

\"Konstr\u00fcktivizm,<\/a>

Konstr\u00fcktivizm, Moisei Ginzburg, Yekaterinburg Foksiyonel Ortak Konut, Sanat Ak\u0131mlar\u0131<\/p><\/div>\n

 <\/p>\n

Konstr\u00fcktivizm Sanat Ak\u0131m\u0131, Yap\u0131land\u0131rmac\u0131l\u0131k, \u0130n\u015fac\u0131l\u0131k<\/span> \u00d6nde Gelen Ressam, Heykeltra\u015f ve Sanat\u00e7\u0131lar\u0131<\/h4>\n

Alexander Rodchenko, Liubov Popova, Alexander Vesnin, Rodchenko, Varvara Stepanova, Aleksei Gan, Boris Arvatov, Osip Brik, Alexander Vesnin, Moisei Ginzburg<\/p>\n","protected":false},"excerpt":{"rendered":"

Konstr\u00fcktivizm Sanat Ak\u0131m\u0131, Yap\u0131land\u0131rmac\u0131l\u0131k (\u0130n\u015fac\u0131l\u0131k) Konstr\u00fcktivizm Sanat Ak\u0131m\u0131 (Yap\u0131land\u0131rmac\u0131l\u0131k, \u0130n\u015fac\u0131l\u0131k) soyut resimde, lekeci bir esteti\u011fe dayanmayan, rastlant\u0131 bir bi\u00e7imlemeye yer vermeyen, geometrik in\u015fac\u0131 bir ak\u0131m da ortaya \u00e7\u0131kt\u0131. Asl\u0131nda k\u00fcbist ak\u0131mda da geometrik bir in\u015fa s\u00f6z konusu idi. Ancak bu geometrizm nesne ve fig\u00fcrleri geometrik y\u00fczeyler halinde bir par\u00e7alamaya ve ortaya \u00e7\u0131kan y\u00fczeyleri ise kesin […]<\/p>\n","protected":false},"author":1,"featured_media":6868,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[124],"tags":[],"class_list":["post-6554","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-tarihi"],"yoast_head":"\nKonstr\u00fcktivizm Sanat Ak\u0131m\u0131, Yap\u0131land\u0131rmac\u0131l\u0131k, \u0130n\u015fac\u0131l\u0131k - Arthipo<\/title>\n<meta name=\"description\" content=\"Konstr\u00fcktivizm Sanat Ak\u0131m\u0131, Yap\u0131land\u0131rmac\u0131l\u0131k, \u0130n\u015fac\u0131l\u0131k, soyut resimde, lekeci bir esteti\u011fe dayanmayan, rastlant\u0131 bir bi\u00e7imlemeye yer vermeyen, geometrik\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/konstruktivizm-sanat-akimi-yapilandirmacilik-insacilik.html\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Konstr\u00fcktivizm Sanat Ak\u0131m\u0131, Yap\u0131land\u0131rmac\u0131l\u0131k, \u0130n\u015fac\u0131l\u0131k - 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