{"id":6551,"date":"2016-11-13T01:22:05","date_gmt":"2016-11-12T23:22:05","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=6551"},"modified":"2017-06-07T02:43:03","modified_gmt":"2017-06-06T23:43:03","slug":"futurizm-sanat-akimi-gelecekcilik","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/futurizm-sanat-akimi-gelecekcilik.html","title":{"rendered":"F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik)"},"content":{"rendered":"

F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik)<\/span><\/h2>\n

F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik), 1908’de Picasso ve Braque’\u0131n do\u011fan\u0131n ger\u00e7e\u011fine y\u00f6nelik \u00e7al\u0131\u015fmalar\u0131 XX. y\u00fczy\u0131l sanat\u0131nda \u00f6nemli bir devrim yaratt\u0131. Fa\u00adkat bu ak\u0131m, sanat\u00e7\u0131n\u0131n \u00e7evresine kar\u015f\u0131 g\u00f6sterebilece\u011fi bir pro\u00adtesto ile olu\u015fmam\u0131\u015ft\u0131. Fransa’daki bundan \u00f6nce ortaya \u00e7\u0131kan fovizm ak\u0131m\u0131 da ayn\u0131 gerek\u00e7eye dayanm\u0131yordu. Yani bu iki ak\u0131m\u00adda da toplumsal de\u011fi\u015fimlerin yaratt\u0131\u011f\u0131 etkiler s\u00f6z konusu de\u011fil\u00addi. Buna kar\u015f\u0131l\u0131k \u0130talya’da \u00e7a\u011fda\u015f end\u00fcstriyel olumsuzluklar Al\u00admanya’daki gibi de\u011ferlendirilmedi. Yani bir bunal\u0131m nedeni ola\u00adrak sanat\u00e7\u0131larca ele al\u0131nmad\u0131. Aksine, bu Akdeniz yar\u0131madas\u0131nda, \u00e7a\u011fda\u015f end\u00fcstriyel giri\u015fimleri destekleyen bir sanat ak\u0131m\u0131 ortaya \u00e7\u0131kt\u0131, \u00f6rne\u011fin 1909’da \u0130talya\u2019da bir F\u00fct\u00fcrizm (futurisme) ak\u0131m\u0131, makinenin hareketlili\u011fini benimseyen bir g\u00f6r\u00fc\u015fle insanl\u0131\u011fa yararl\u0131 olmay\u0131 ama\u00e7lad\u0131. Bu ak\u0131m\u0131n temsilcileri makinay\u0131 ve onun hareketlili\u011fini resimlerine konu olarak ald\u0131lar. F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik)<\/em><\/span><\/p>\n

\"Tullio<\/a>

Tullio Crali
Kuvvet E\u011frileri, F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131<\/p><\/div>\n

 <\/p>\n

F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik) Gelece\u011fe Kar\u015f\u0131 \u0130yimser Bir Bak\u0131\u015f Sergiler<\/h3>\n

Gelece\u011fe bu a\u00e7\u0131dan bakarak iyimser bir tav\u0131r tak\u0131nd\u0131lar. B\u00f6ylece end\u00fcstri\u00adnin hareketli ya\u015fam\u0131n\u0131 renk ve \u00e7izgi ile yans\u0131tan yap\u0131tlar ortaya koydular. K\u0131sacas\u0131 gelecek\u00e7ilikte dinamizm, resme verilmesi gereken bir \u00f6zd\u00fck oluyordu. Yani hareket, bu \u00e7a\u011fa \u00f6zg\u00fc yeni bir boyut idi. Bu g\u00f6r\u00fc\u015fe paralel olarak gelecek\u00e7i ressam, yap\u0131t\u0131nda bir hareketin olu\u015fumunu resimsel olarak bi\u00e7imlemek istedi. Bu\u00adnun i\u00e7in resminde yer alan bir hareketin, bir sinema filmi ile \u00e7e\u00adkili\u015finde g\u00f6r\u00fclen birbirlerinden az farkl\u0131 g\u00f6r\u00fcn\u00fcm ayr\u0131l\u0131klar\u0131n\u0131 B\u00f6ylece ko\u015fan bir at\u0131n, gelecek\u00e7i ressama g\u00f6re bir de\u011fil yirmi aya\u011f\u0131 oluyordu. Bir merdiveni \u00e7\u0131kan, ya da dans eden bir insan\u0131n hareketlerinin t\u00fcm\u00fc, bir ritim i\u00e7inde, yan yana ve \u00fcst \u00fcste saydam bir bi\u00e7imleme ile resmediliyordu. K\u0131sacas\u0131, gelecek\u00e7i resim, zamana ba\u011f\u0131ml\u0131 bir hareketler dizisini saptamay\u0131 ama\u00e7l\u0131yordu. F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik)<\/em><\/span><\/p>\n

\"Carlo<\/a>

Carlo Carra, Bat\u0131 Y\u00fczmek, F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131,<\/p><\/div>\n

\u0130talyan \u015fairi Marinetti’nin ortaya att\u0131\u011f\u0131 bu sanat ak\u0131m\u0131n\u0131n (1909), Balla, Severini, Boccioni, Carra ve Russolo gibi ressamlar taraf\u0131ndan desteklendi\u011fi g\u00f6r\u00fcld\u00fc. Marcel Duchamp ve Picabia gibi sonradan ba\u015fka anlay\u0131\u015flara y\u00f6ne\u00adlen sanat\u00e7\u0131lar da bu ak\u0131m\u0131 \u00f6nceleri desteklediler. Ancak o za\u00admanki \u0130talyan h\u00fck\u00fcmetinin bu ak\u0131m\u0131 toplumu etkileyebilecek bir anlay\u0131\u015f olarak, daha do\u011frusu bir parti politikas\u0131 olarak be\u00adnimsemesi, F\u00fct\u00fcrizme olan ilgiyi k\u0131sa zamanda ortadan kald\u0131r\u00add\u0131.<\/p>\n

F\u00fct\u00fcrizm’in benimsedikleri \u00e7a\u011fda\u015f end\u00fcstri hareketinin nedeni olan maddeci g\u00f6r\u00fc\u015fler. Birinci D\u00fcnya Sava\u015f\u0131’n\u0131n yarat\u00adt\u0131\u011f\u0131 b\u00fcy\u00fck y\u0131k\u0131mla b\u00fcy\u00fck oranda zay\u0131flad\u0131. Hatta end\u00fcstriye, tek\u00adni\u011fe kar\u015f\u0131 olan g\u00f6r\u00fc\u015fle t\u00fcm d\u00fcnyada b\u00fcy\u00fck yank\u0131lar bile yarat\u00adt\u0131.<\/p>\n

F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik)\u00a0 \u00d6nde Gelen Ressam, Heykeltra\u015f ve Sanat\u00e7\u0131lar\u0131<\/h4>\n

Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carr\u00e0, Gino Severini, Giacomo Balla, Antonio Sant’Elia, Bruno Munari, Benedetta Cappa, Luigi Russolo, Natalia Goncharova, Velimir Khlebnikov, Igor Severyanin, David Burliuk, Aleksei Kruchenykh, Vladimir Mayakovsky, Jules Schmalzigaug,\u00a0 Almada Negreiros F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik)<\/em><\/span><\/p>\n

\"Carlo<\/a>

Carlo Carra, Bat\u0131 Ruhunun \u015e\u00f6valyesi, F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131, Arthipo Tablo Sat\u0131\u015f Sitesi<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik) F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik), 1908’de Picasso ve Braque’\u0131n do\u011fan\u0131n ger\u00e7e\u011fine y\u00f6nelik \u00e7al\u0131\u015fmalar\u0131 XX. y\u00fczy\u0131l sanat\u0131nda \u00f6nemli bir devrim yaratt\u0131. Fa\u00adkat bu ak\u0131m, sanat\u00e7\u0131n\u0131n \u00e7evresine kar\u015f\u0131 g\u00f6sterebilece\u011fi bir pro\u00adtesto ile olu\u015fmam\u0131\u015ft\u0131. Fransa’daki bundan \u00f6nce ortaya \u00e7\u0131kan fovizm ak\u0131m\u0131 da ayn\u0131 gerek\u00e7eye dayanm\u0131yordu. Yani bu iki ak\u0131m\u00adda da toplumsal de\u011fi\u015fimlerin yaratt\u0131\u011f\u0131 etkiler s\u00f6z […]<\/p>\n","protected":false},"author":1,"featured_media":6841,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[124],"tags":[],"class_list":["post-6551","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-tarihi"],"yoast_head":"\nF\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik) - Arthipo<\/title>\n<meta name=\"description\" content=\"F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik), 1908'de Picasso ve Braque'\u0131n do\u011fan\u0131n ger\u00e7e\u011fine y\u00f6nelik \u00e7al\u0131\u015fmalar\u0131 XX. y\u00fczy\u0131l sanat\u0131nda \u00f6nemli bir devrim yaratt\u0131.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/futurizm-sanat-akimi-gelecekcilik.html\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik) - Arthipo\" \/>\n<meta property=\"og:description\" content=\"F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik), 1908'de Picasso ve Braque'\u0131n do\u011fan\u0131n ger\u00e7e\u011fine y\u00f6nelik \u00e7al\u0131\u015fmalar\u0131 XX. y\u00fczy\u0131l sanat\u0131nda \u00f6nemli bir devrim yaratt\u0131.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/futurizm-sanat-akimi-gelecekcilik.html\" \/>\n<meta property=\"og:site_name\" content=\"Arthipo\" \/>\n<meta property=\"article:published_time\" content=\"2016-11-12T23:22:05+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-06-06T23:43:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Filippo-Tommaso-Marinetti-manifesto-futurizm-sanat-akimi.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"700\" \/>\n\t<meta property=\"og:image:height\" content=\"345\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Arthipo\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Yazan:\" \/>\n\t<meta name=\"twitter:data1\" content=\"Arthipo\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tahmini okuma s\u00fcresi\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 dakika\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/futurizm-sanat-akimi-gelecekcilik.html#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/futurizm-sanat-akimi-gelecekcilik.html\"},\"author\":{\"name\":\"Arthipo\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/#\\\/schema\\\/person\\\/6e6d44de4da80cf3bf805d0e1c9d7ed8\"},\"headline\":\"F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik)\",\"datePublished\":\"2016-11-12T23:22:05+00:00\",\"dateModified\":\"2017-06-06T23:43:03+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/futurizm-sanat-akimi-gelecekcilik.html\"},\"wordCount\":650,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/futurizm-sanat-akimi-gelecekcilik.html#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/wp-content\\\/uploads\\\/2016\\\/11\\\/Filippo-Tommaso-Marinetti-manifesto-futurizm-sanat-akimi.jpg\",\"articleSection\":[\"Sanat Tarihi\"],\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/futurizm-sanat-akimi-gelecekcilik.html#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/futurizm-sanat-akimi-gelecekcilik.html\",\"url\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/futurizm-sanat-akimi-gelecekcilik.html\",\"name\":\"F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik) - Arthipo\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/futurizm-sanat-akimi-gelecekcilik.html#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/futurizm-sanat-akimi-gelecekcilik.html#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/wp-content\\\/uploads\\\/2016\\\/11\\\/Filippo-Tommaso-Marinetti-manifesto-futurizm-sanat-akimi.jpg\",\"datePublished\":\"2016-11-12T23:22:05+00:00\",\"dateModified\":\"2017-06-06T23:43:03+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/#\\\/schema\\\/person\\\/6e6d44de4da80cf3bf805d0e1c9d7ed8\"},\"description\":\"F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik), 1908'de Picasso ve Braque'\u0131n do\u011fan\u0131n ger\u00e7e\u011fine y\u00f6nelik \u00e7al\u0131\u015fmalar\u0131 XX. y\u00fczy\u0131l sanat\u0131nda \u00f6nemli bir devrim yaratt\u0131.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/futurizm-sanat-akimi-gelecekcilik.html#breadcrumb\"},\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/futurizm-sanat-akimi-gelecekcilik.html\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/futurizm-sanat-akimi-gelecekcilik.html#primaryimage\",\"url\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/wp-content\\\/uploads\\\/2016\\\/11\\\/Filippo-Tommaso-Marinetti-manifesto-futurizm-sanat-akimi.jpg\",\"contentUrl\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/wp-content\\\/uploads\\\/2016\\\/11\\\/Filippo-Tommaso-Marinetti-manifesto-futurizm-sanat-akimi.jpg\",\"width\":700,\"height\":345,\"caption\":\"Filippo Tommaso Marinetti, Manifesto\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/futurizm-sanat-akimi-gelecekcilik.html#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Anasayfa\",\"item\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/#website\",\"url\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/\",\"name\":\"Arthipo\",\"description\":\"Arthipo modern sanat resim galerisi ya\u011fl\u0131 boya tablo reprod\u00fcksiyon satmak klasik soyut eser kanvas bask\u0131 yapt\u0131rma poster sat\u0131\u015f\u0131 sat\u0131n almak\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"tr\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/#\\\/schema\\\/person\\\/6e6d44de4da80cf3bf805d0e1c9d7ed8\",\"name\":\"Arthipo\",\"url\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik) - Arthipo","description":"F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik), 1908'de Picasso ve Braque'\u0131n do\u011fan\u0131n ger\u00e7e\u011fine y\u00f6nelik \u00e7al\u0131\u015fmalar\u0131 XX. y\u00fczy\u0131l sanat\u0131nda \u00f6nemli bir devrim yaratt\u0131.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/futurizm-sanat-akimi-gelecekcilik.html","og_locale":"tr_TR","og_type":"article","og_title":"F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik) - Arthipo","og_description":"F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik), 1908'de Picasso ve Braque'\u0131n do\u011fan\u0131n ger\u00e7e\u011fine y\u00f6nelik \u00e7al\u0131\u015fmalar\u0131 XX. y\u00fczy\u0131l sanat\u0131nda \u00f6nemli bir devrim yaratt\u0131.","og_url":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/futurizm-sanat-akimi-gelecekcilik.html","og_site_name":"Arthipo","article_published_time":"2016-11-12T23:22:05+00:00","article_modified_time":"2017-06-06T23:43:03+00:00","og_image":[{"width":700,"height":345,"url":"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Filippo-Tommaso-Marinetti-manifesto-futurizm-sanat-akimi.jpg","type":"image\/jpeg"}],"author":"Arthipo","twitter_card":"summary_large_image","twitter_misc":{"Yazan:":"Arthipo","Tahmini okuma s\u00fcresi":"3 dakika"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/futurizm-sanat-akimi-gelecekcilik.html#article","isPartOf":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/futurizm-sanat-akimi-gelecekcilik.html"},"author":{"name":"Arthipo","@id":"https:\/\/www.arthipo.com\/artblog\/#\/schema\/person\/6e6d44de4da80cf3bf805d0e1c9d7ed8"},"headline":"F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik)","datePublished":"2016-11-12T23:22:05+00:00","dateModified":"2017-06-06T23:43:03+00:00","mainEntityOfPage":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/futurizm-sanat-akimi-gelecekcilik.html"},"wordCount":650,"commentCount":0,"image":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/futurizm-sanat-akimi-gelecekcilik.html#primaryimage"},"thumbnailUrl":"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Filippo-Tommaso-Marinetti-manifesto-futurizm-sanat-akimi.jpg","articleSection":["Sanat Tarihi"],"inLanguage":"tr","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/futurizm-sanat-akimi-gelecekcilik.html#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/futurizm-sanat-akimi-gelecekcilik.html","url":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/futurizm-sanat-akimi-gelecekcilik.html","name":"F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik) - Arthipo","isPartOf":{"@id":"https:\/\/www.arthipo.com\/artblog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/futurizm-sanat-akimi-gelecekcilik.html#primaryimage"},"image":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/futurizm-sanat-akimi-gelecekcilik.html#primaryimage"},"thumbnailUrl":"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Filippo-Tommaso-Marinetti-manifesto-futurizm-sanat-akimi.jpg","datePublished":"2016-11-12T23:22:05+00:00","dateModified":"2017-06-06T23:43:03+00:00","author":{"@id":"https:\/\/www.arthipo.com\/artblog\/#\/schema\/person\/6e6d44de4da80cf3bf805d0e1c9d7ed8"},"description":"F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik), 1908'de Picasso ve Braque'\u0131n do\u011fan\u0131n ger\u00e7e\u011fine y\u00f6nelik \u00e7al\u0131\u015fmalar\u0131 XX. y\u00fczy\u0131l sanat\u0131nda \u00f6nemli bir devrim yaratt\u0131.","breadcrumb":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/futurizm-sanat-akimi-gelecekcilik.html#breadcrumb"},"inLanguage":"tr","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/futurizm-sanat-akimi-gelecekcilik.html"]}]},{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/futurizm-sanat-akimi-gelecekcilik.html#primaryimage","url":"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Filippo-Tommaso-Marinetti-manifesto-futurizm-sanat-akimi.jpg","contentUrl":"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Filippo-Tommaso-Marinetti-manifesto-futurizm-sanat-akimi.jpg","width":700,"height":345,"caption":"Filippo Tommaso Marinetti, Manifesto"},{"@type":"BreadcrumbList","@id":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/futurizm-sanat-akimi-gelecekcilik.html#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Anasayfa","item":"https:\/\/www.arthipo.com\/artblog\/"},{"@type":"ListItem","position":2,"name":"F\u00fct\u00fcrizm Sanat Ak\u0131m\u0131 (Gelecek\u00e7ilik)"}]},{"@type":"WebSite","@id":"https:\/\/www.arthipo.com\/artblog\/#website","url":"https:\/\/www.arthipo.com\/artblog\/","name":"Arthipo","description":"Arthipo modern sanat resim galerisi ya\u011fl\u0131 boya tablo reprod\u00fcksiyon satmak klasik soyut eser kanvas bask\u0131 yapt\u0131rma poster sat\u0131\u015f\u0131 sat\u0131n almak","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.arthipo.com\/artblog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"tr"},{"@type":"Person","@id":"https:\/\/www.arthipo.com\/artblog\/#\/schema\/person\/6e6d44de4da80cf3bf805d0e1c9d7ed8","name":"Arthipo","url":"https:\/\/www.arthipo.com\/artblog\/author\/admin"}]}},"_links":{"self":[{"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/posts\/6551","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/comments?post=6551"}],"version-history":[{"count":0,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/posts\/6551\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/media\/6841"}],"wp:attachment":[{"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/media?parent=6551"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/categories?post=6551"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/tags?post=6551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}