{"id":6547,"date":"2016-11-12T21:51:04","date_gmt":"2016-11-12T18:51:04","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=6547"},"modified":"2017-06-07T02:08:05","modified_gmt":"2017-06-06T23:08:05","slug":"alman-disavurumculugu-sanat-akimi-neoekspresyonizm","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/alman-disavurumculugu-sanat-akimi-neoekspresyonizm.html","title":{"rendered":"Alman D\u0131\u015favurumculu\u011fu Sanat Ak\u0131m\u0131, Neoekspresyonizm"},"content":{"rendered":"<h2><span style=\"color: #333333;\">Alman D\u0131\u015favurumculu\u011fu Sanat Ak\u0131m\u0131 (Neoekspresyonizm)<\/span><\/h2>\n<p>Do\u011fan\u0131n renk ve bi\u00e7im durumuna bu derece ters d\u00fc\u015fen bir bi\u00e7imlemeyi, Alman D\u0131\u015favurumculu\u011fu ile ayn\u0131 anlay\u0131\u015fta g\u00f6rmek ilk bak\u0131\u015fta olanaks\u0131z de\u00ad\u011fildir. Ancak yaban\u0131l ak\u0131m\u0131n do\u011fu\u015f nedeni farkl\u0131d\u0131r. Y\u00fczy\u0131l\u0131\u00adm\u0131z\u0131n ba\u015f\u0131ndaki end\u00fcstriyel ortam\u0131n yaratt\u0131\u011f\u0131 bunal\u0131ma, Alman, kendi i\u00e7ine d\u00f6nerek bir \u00e7are aram\u0131\u015f, Frans\u0131z ise, renkli, ya\u015fama sevinci yaratan bir resim ile yan\u0131t verme\u011fi, kendi karakterine daha uygun bulmu\u015ftur. B\u00f6ylece, yaban\u0131l ak\u0131m\u0131n temsilcileri olan ressamlar, taze, \u0131\u015f\u0131kl\u0131 renklerin ne\u015feli havas\u0131n\u0131 resimlerine sok\u00admu\u015flard\u0131r. Onlar, ak\u015fam evine d\u00f6nen yorgun ki\u015fiye, huzur veri\u00adci bir hava sa\u011flamak istemektedirler. <span style=\"color: #808080;\"><em>Neoekspresyonizm.<\/em><\/span><\/p>\n<div id=\"attachment_6787\" style=\"width: 410px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Alexej-von-Jawlensky-almandisavurucumlugu-neoekspresyonizm-ispanyol-kadin.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-6787\" class=\"size-full wp-image-6787\" src=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Alexej-von-Jawlensky-almandisavurucumlugu-neoekspresyonizm-ispanyol-kadin.jpg\" alt=\"Alexej von Jawlensky, \u0130spanyol Kad\u0131n, Alman D\u0131\u015favurumculu\u011fu Sanat Ak\u0131mlar\u0131,\" width=\"400\" height=\"545\" srcset=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Alexej-von-Jawlensky-almandisavurucumlugu-neoekspresyonizm-ispanyol-kadin.jpg 400w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Alexej-von-Jawlensky-almandisavurucumlugu-neoekspresyonizm-ispanyol-kadin-220x300.jpg 220w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><p id=\"caption-attachment-6787\" class=\"wp-caption-text\">Alexej von Jawlensky, \u0130spanyol Kad\u0131n, Alman D\u0131\u015favurumculu\u011fu Sanat Ak\u0131mlar\u0131,<\/p><\/div>\n<p>Alman d\u0131\u015favurumculu\u011fu, \u0130talyan ger\u00e7ek\u00e7ili\u011fi, bir \u0130svi\u00e7re Dadac\u0131l\u0131\u011f\u0131, Avrupa k\u0131tas\u0131nda\u00a0 bir \u00f6zenti ya da ilerici sanatlar olarak benimsenip uy\u00adguland\u0131. Yani Avrupa&#8217;da makirta ve savaya bir ba\u015fkald\u0131rma ne\u00addeniyle ortaya \u00e7\u0131km\u0131yan bu ak\u0131mlar\u0131n eserlerine ait estetik be\u011feni g\u00f6rd\u00fc. Hatta devlet otoritesi de bu ak\u0131mlara engel olmad\u0131. Ancak Demir Perde \u00fclkeleri bu ak\u0131mlar\u0131 reddetti.<\/p>\n<p><span title=\"Besides the films' popularity within Germany, by 1922 the international audience had begun to appreciate German cinema, in part due to a decreasing anti-German sentiment following the end of World War I. By the time the 1916 ban on imports was lifted, Germany\"><span title=\"The German Expressionist movement was initially confined to Germany due to the isolation the country experienced during World War I. In 1916, the government had banned foreign films.\">Alman d\u0131\u015favurumcu hareketi ba\u015flang\u0131\u00e7ta\u00a0 I. D\u00fcnya Sava\u015f\u0131 s\u0131ras\u0131nda ya\u015fanan izolasyon nedeniyle sadece Almanya&#8217;ya s\u0131n\u0131rl\u0131yd. H\u00fck\u00fcmet yabanc\u0131 filmleri yasaklam\u0131\u015ft\u0131.\u00a0<\/span>Dolas\u0131yla tiyatro ve filme gelen i\u00e7 talebi kar\u015f\u0131layacak bir \u00fcretim dinama\u011fine ihtiya\u00e7 vard\u0131.\u00a0 I. D\u00fcnya Sava\u015f\u0131 sona ermesinden sonra Alman kar\u015f\u0131tl\u0131\u011f\u0131 azald\u0131. \u0130\u00e7 dinamiklerin olu\u015fturdu\u011fu Alman sinemas\u0131, takdir kazanm\u0131\u015f ve <\/span><span title=\"had become a part of the international film industry.[2] \">uluslararas\u0131 film end\u00fcstrisinin bir par\u00e7as\u0131 haline gelmi\u015fti. <em>Alman D\u0131\u015favurumculu\u011fu.<\/em><br \/>\n<\/span><\/p>\n<div id=\"attachment_6789\" style=\"width: 369px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/dresden-bir-sokak-ernst-ludwig-kirchner-arthipo-tablo-satis-siteleri-neoekspresyonizm-sanat-akimi.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-6789\" class=\"size-full wp-image-6789\" src=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/dresden-bir-sokak-ernst-ludwig-kirchner-arthipo-tablo-satis-siteleri-neoekspresyonizm-sanat-akimi.jpg\" alt=\"Sanat Ak\u0131m\u0131, Alman D\u0131\u015favurumculugu, Ernst Ludwig Kirchner, Dresden'de Bir Sokak\" width=\"359\" height=\"374\" srcset=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/dresden-bir-sokak-ernst-ludwig-kirchner-arthipo-tablo-satis-siteleri-neoekspresyonizm-sanat-akimi.jpg 359w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/dresden-bir-sokak-ernst-ludwig-kirchner-arthipo-tablo-satis-siteleri-neoekspresyonizm-sanat-akimi-288x300.jpg 288w\" sizes=\"(max-width: 359px) 100vw, 359px\" \/><\/a><p id=\"caption-attachment-6789\" class=\"wp-caption-text\">Sanat Ak\u0131m\u0131, Alman D\u0131\u015favurumculugu, Ernst Ludwig Kirchner, Dresden&#8217;de Bir Sokak<\/p><\/div>\n<p>&nbsp;<\/p>\n<h3>Sava\u015f Sonras\u0131 Almanya<\/h3>\n<p><span title=\"Various European cultures of the 1920s embraced an ethic of change and a willingness to look to the future by experimenting with bold, new ideas and artistic styles.\">1920&#8217;lerden sonra olu\u015fan bar\u0131\u015f iklimi\u00a0 Avrupa k\u00fclt\u00fcrleri i\u00e7in yeni bir de\u011fi\u015fim ve ilerleme f\u0131rsat\u0131 sa\u011flad\u0131. Cesur, yeni fikirler ve sanatsal stilleri ile deneyerek gelece\u011fe bakmak i\u00e7in f\u0131rsatlar do\u011furdu. <\/span><span title=\"The first Expressionist films made up for a lack of lavish budgets by using set designs with wildly non-realistic, geometrically absurd angles, along with designs painted on walls and floors to represent lights, shadows, and objects.\">\u0130lk Ekspresyonist eserler \u0131\u015f\u0131klar, g\u00f6lgeler, nesneler, duvarlar, tasar\u0131mlar, \u00e7\u0131lg\u0131nca olmayan ger\u00e7ek\u00e7i, geometrik sa\u00e7ma a\u00e7\u0131lar\u0131 ile set tasar\u0131m\u0131 kullanarak l\u00fcks b\u00fct\u00e7elerinin bir eksikli\u011fi gidermek i\u00e7in yap\u0131lm\u0131\u015ft\u0131. <\/span><\/p>\n<div id=\"attachment_6790\" style=\"width: 960px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Ernst-Toller-1-dunya-savasi-sonrasi-almanya-neoekspresyonizm-alman-sanat-akimlari.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-6790\" class=\"size-full wp-image-6790\" src=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Ernst-Toller-1-dunya-savasi-sonrasi-almanya-neoekspresyonizm-alman-sanat-akimlari.jpg\" alt=\"Ernst Toller, 1. D\u00fcnya Sava\u015f\u0131 Sonras\u0131 Almanya\" width=\"950\" height=\"553\" srcset=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Ernst-Toller-1-dunya-savasi-sonrasi-almanya-neoekspresyonizm-alman-sanat-akimlari.jpg 950w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Ernst-Toller-1-dunya-savasi-sonrasi-almanya-neoekspresyonizm-alman-sanat-akimlari-300x175.jpg 300w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Ernst-Toller-1-dunya-savasi-sonrasi-almanya-neoekspresyonizm-alman-sanat-akimlari-768x447.jpg 768w\" sizes=\"(max-width: 950px) 100vw, 950px\" \/><\/a><p id=\"caption-attachment-6790\" class=\"wp-caption-text\">Ernst Toller, 1. D\u00fcnya Sava\u015f\u0131 Sonras\u0131 Almanya<\/p><\/div>\n<p><span title=\"The plots and stories of the Expressionist films often dealt with madness, insanity, betrayal and other &quot;intellectual&quot; topics triggered by the experiences of WWI (as opposed to standard action-adventure and romantic films).\">Ekspresyonist eserlerin araziler ve hikayeler genellikle delilik, ihanet ve (standart aksiyon macera ve romantik filmler aksine) Birinci D\u00fcnya Sava\u015f\u0131 deneyimleri taraf\u0131ndan tetiklenen di\u011fer &#8220;entelekt\u00fcel&#8221; konular\u0131 ele ald\u0131. \u00d6rne\u011fin <\/span><span title=\"Later films often categorized as part of the brief history of German Expressionism include Metropolis (1927) and M (1931), both directed by Fritz Lang.\">s\u0131k s\u0131k Alman D\u0131\u015favurumculuk k\u0131sa tarihinin bir par\u00e7as\u0131 olarak kategorize edilen Metropolis (1927) ve M (1931), Fritz Lang taraf\u0131ndan y\u00f6netilen film bu \u00f6zellikleri bar\u0131nd\u0131r\u0131r. <\/span><span title=\"This trend was a direct reaction against realism.\">Bu e\u011filim ger\u00e7ek\u00e7ili\u011fe kar\u015f\u0131 do\u011frudan bir tepkiydi. U<\/span><span title=\"Its practitioners used extreme distortions in expression to show an inner emotional reality rather than what is on the surface.[3] \">ygulay\u0131c\u0131lar\u0131ndan ziyade y\u00fczeyde olanda bir i\u00e7 duygusal ger\u00e7e\u011fi g\u00f6stermek i\u00e7in ifadede a\u015f\u0131r\u0131 bozulmalara ba\u015fvurdular. <span title=\"had become a part of the international film industry.[2] \"><em>Alman D\u0131\u015favurumculu\u011fu. <span style=\"color: #808080;\">Neoekspresyonizm<\/span><\/em><\/span><br \/>\n<\/span><\/p>\n<p><span title=\"The extreme anti-realism of Expressionism was short-lived, fading away after only a few years.\">Ekspresyonizmdeki a\u015f\u0131r\u0131 anti-ger\u00e7ek\u00e7ilik sadece bir ka\u00e7 y\u0131l s\u00fcrd\u00fc. <\/span><\/p>\n<div id=\"attachment_6792\" style=\"width: 707px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Hans-Henny-Jahn-Medeadan-Lore-Bermach-bir-sahne-alman-disavurucumlugu-sanat-akimi.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-6792\" class=\"size-full wp-image-6792\" src=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Hans-Henny-Jahn-Medeadan-Lore-Bermach-bir-sahne-alman-disavurucumlugu-sanat-akimi.jpg\" alt=\"Hans Henny Jahn, Medea, Lore Bermach, Bir Sahne, Alman D\u0131\u015favurumculu\u011fu Sanat Ak\u0131m\u0131\" width=\"697\" height=\"471\" srcset=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Hans-Henny-Jahn-Medeadan-Lore-Bermach-bir-sahne-alman-disavurucumlugu-sanat-akimi.jpg 697w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Hans-Henny-Jahn-Medeadan-Lore-Bermach-bir-sahne-alman-disavurucumlugu-sanat-akimi-300x203.jpg 300w\" sizes=\"(max-width: 697px) 100vw, 697px\" \/><\/a><p id=\"caption-attachment-6792\" class=\"wp-caption-text\">Hans Henny Jahn, Medea, Lore Bermach, Bir Sahne, Alman D\u0131\u015favurumculu\u011fu Sanat Ak\u0131m\u0131<\/p><\/div>\n<h4>Alman D\u0131\u015favurumculu\u011fu Ak\u0131m\u0131n\u0131n \u00d6nde Gelen Ressam, Heykeltra\u015f ve Sanat\u00e7\u0131lar\u0131<\/h4>\n<p>Georg Kaiser, Ernst Toller (1893\u20131939), Hans Henny Jahnn (1894\u20131959), Reinhard Sorge (1892\u20131916), Bertolt Brecht (1898\u20131956), <span class=\"irc_su\" dir=\"ltr\">Ernst Ludwig Kirchner<\/span>, Alexej von Jawlensky<\/p>\n<div id=\"attachment_6791\" style=\"width: 816px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Georg-Kaiser-Berezil-film-sanat-akimlari-alman-disavurucumculugu.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-6791\" class=\"size-full wp-image-6791\" src=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Georg-Kaiser-Berezil-film-sanat-akimlari-alman-disavurucumculugu.jpg\" alt=\"Georg Kaiser, Berezil Filminden Bir Sahne, Alman D\u0131\u015favurumculu\u011fu Sanat Ak\u0131m\u0131\" width=\"806\" height=\"504\" srcset=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Georg-Kaiser-Berezil-film-sanat-akimlari-alman-disavurucumculugu.jpg 806w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Georg-Kaiser-Berezil-film-sanat-akimlari-alman-disavurucumculugu-300x188.jpg 300w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Georg-Kaiser-Berezil-film-sanat-akimlari-alman-disavurucumculugu-768x480.jpg 768w, https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/11\/Georg-Kaiser-Berezil-film-sanat-akimlari-alman-disavurucumculugu-400x250.jpg 400w\" sizes=\"(max-width: 806px) 100vw, 806px\" \/><\/a><p id=\"caption-attachment-6791\" class=\"wp-caption-text\">Georg Kaiser, Berezil Filminden Bir Sahne, Alman D\u0131\u015favurumculu\u011fu Sanat Ak\u0131m\u0131<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Alman D\u0131\u015favurumculu\u011fu Sanat Ak\u0131m\u0131 (Neoekspresyonizm) Do\u011fan\u0131n renk ve bi\u00e7im durumuna bu derece ters d\u00fc\u015fen bir bi\u00e7imlemeyi, Alman D\u0131\u015favurumculu\u011fu ile ayn\u0131 anlay\u0131\u015fta g\u00f6rmek ilk bak\u0131\u015fta olanaks\u0131z de\u00ad\u011fildir. Ancak yaban\u0131l ak\u0131m\u0131n do\u011fu\u015f nedeni farkl\u0131d\u0131r. Y\u00fczy\u0131l\u0131\u00adm\u0131z\u0131n ba\u015f\u0131ndaki end\u00fcstriyel ortam\u0131n yaratt\u0131\u011f\u0131 bunal\u0131ma, Alman, kendi i\u00e7ine d\u00f6nerek bir \u00e7are aram\u0131\u015f, Frans\u0131z ise, renkli, ya\u015fama sevinci yaratan bir resim ile yan\u0131t [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6788,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[124],"tags":[],"class_list":["post-6547","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-tarihi"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Alman D\u0131\u015favurumculu\u011fu Sanat Ak\u0131m\u0131, Neoekspresyonizm - Arthipo<\/title>\n<meta name=\"description\" content=\"Alman D\u0131\u015favurumculu\u011fu ile ayn\u0131 anlay\u0131\u015fta g\u00f6rmek ilk bak\u0131\u015fta olanaks\u0131z de\u00ad\u011fildir. 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