{"id":6545,"date":"2016-11-13T15:54:20","date_gmt":"2016-11-13T13:54:20","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=6545"},"modified":"2017-06-07T03:14:05","modified_gmt":"2017-06-07T00:14:05","slug":"kubizm-sanat-akimi-kubistler","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/kubizm-sanat-akimi-kubistler.html","title":{"rendered":"K\u00fcbizm Sanat Ak\u0131m\u0131, K\u00fcbistler"},"content":{"rendered":"

K\u00fcbizm Sanat Ak\u0131m\u0131, K\u00fcbistler<\/span><\/h2>\n

1908’de nesne-fig\u00fcr bi\u00e7imlerini geometrik bir yap\u0131ya indirgeyen bir ak\u0131m, yani k\u00fcbizm belir\u00addi. K\u00fcbizm Sanat Ak\u0131m\u0131, K\u00fcbistler bi\u00e7imlemede, bu kez nesne-fi\u00adg\u00fcr bi\u00e7imlemelerinin par\u00e7alanmas\u0131, bizzat do\u011fa kar\u015f\u0131s\u0131nda yap\u0131lmaya ba\u015fland\u0131. Hatta bu par\u00e7alama i\u015fleminde renk, \u00f6zellikle bir yana b\u0131rak\u0131ld\u0131. Nesnelerin optik bi\u00e7imlerini resimde par\u00e7alaya\u00adrak yok etmeyi, materyalist g\u00f6r\u00fc\u015fe bir tepki olarak kabul eden\u00adler g\u00f6r\u00fcld\u00fc. Ancak k\u00fcbist g\u00f6r\u00fc\u015f\u00fcn, \u00e7a\u011f\u0131n toplumsal sorunlar\u0131 sonucu maddeyi par\u00e7alamay\u0131 hedef ald\u0131\u011f\u0131n\u0131 belirtenler yan\u0131nda, buna inanmayanlar\u0131n oldu\u011fu dikkati \u00e7ekti. Bu ak\u0131m\u0131n yarat\u0131c\u0131\u00adlar\u0131 olan Picasso Ve Braque, 1907’de a\u00e7\u0131lan Cezanne sergi\u00adsinden sonra (1907), kendi aralar\u0131nda yapt\u0131klar\u0131 konu\u015fmalar so\u00adnucu, resimden perspektifi almak ve bunun i\u00e7in de nesnenin do\u00ad\u011fal g\u00f6r\u00fcnt\u00fcs\u00fcnden uzakla\u015fmak, gereklili\u011fine inand\u0131klar\u0131n\u0131 belirt\u00admi\u015flerdir. B\u00f6ylece de, nesne g\u00f6r\u00fcnt\u00fcs\u00fc ile ilgili bir resimden \u00e7ok, resme uygun bir nesne-fig\u00fcr g\u00f6r\u00fcnt\u00fcs\u00fc yaratmay\u0131 ama\u00e7lam\u0131\u015flar\u00add\u0131. Bu bulu\u015flar\u0131n yap\u0131ld\u0131\u011f\u0131 s\u0131ralarda, maddenin en k\u00fc\u00e7\u00fck par\u00e7as\u0131 olan atomun da par\u00e7alanmas\u0131na \u00e7al\u0131\u015f\u0131lmas\u0131 ilgi \u00e7ekicidir. (K\u00fcbizm Sanat Ak\u0131m\u0131, K\u00fcbistler)<\/em><\/span><\/span><\/p>\n

\"K\u00fcbizm,<\/a>

K\u00fcbizm, Sanat Ak\u0131mlar\u0131, K\u00fcbistler, Pablo Picasso, Matador ve Bo\u011fa, Arthipo Tablo Sat\u0131\u015f Sitesi,<\/p><\/div>\n

Bu yeni bi\u00e7imleme anlay\u0131\u015f\u0131nda nesnelerin mek\u00e2n i\u00e7indeki optik g\u00f6\u00adr\u00fcnt\u00fcs\u00fcn\u00fcn dikkate al\u0131nmamas\u0131, zaten perspektif biliminin resim i\u00e7in gereksiz oldu\u011funu ortaya koyuyordu. Bu nedenle k\u00fcbik resimde, nesnelerin mek\u00e2n i\u00e7indeki s\u0131ras\u0131, yerle\u015ftirme mant\u0131\u011f\u0131 da terkediliyordu. Nesnelerin tan\u0131nabilirli\u011fini sa\u011flayan optik g\u00f6r\u00fcnt\u00fc bi\u00e7imlerini par\u00e7alama, bu bi\u00e7imleme ile ilgili ge\u00e7mi\u015fin t\u00fcm deneylerini de bir kalemde bir tarafa b\u0131rakt\u0131r\u0131yordu. Dolayl\u0131 olarak optik mek\u00e2n anlay\u0131\u015f\u0131 da gereksiz bir resim zemini oluyordu. B\u00f6ylece de tan\u0131nabilir nesne-fig\u00fcr d\u00fczenlemesi verine, resimsel geometrik y\u00fczeyler ve yeni bir \u00e7izgi mant\u0131\u011f\u0131 ortaya \u00e7\u0131k\u0131yor\u00addu. Ayr\u0131ca k\u00fcbist resimde nesnelere \u00f6zg\u00fc bi\u00e7im kalkt\u0131\u011f\u0131 gibi, rengin de dikkate al\u0131nmamas\u0131, do\u011fan\u0131n bilinen durumunu olduk\u00e7a sarsm\u0131\u015ft\u0131. <\/span><\/p>\n

Ancak b\u00fct\u00fcn bunlara ra\u011fmen k\u00fcbistler, do\u011fa\u00adda g\u00f6r\u00fclen bi\u00e7imlerin kimi tan\u0131nabilir \u015fematik bi\u00e7imlerini ta\u00admamen terk etmediler. Bu nedenledir ki, bu resimsel bi\u00e7imlerde ortadan kalkan, yaln\u0131z nesne ve fig\u00fcrlerin optik g\u00f6r\u00fcnt\u00fc mant\u0131\u011f\u0131 idi. Daha do\u011frusu nesne ve fig\u00fcrlerin \u00fc\u00e7 boyutlu g\u00f6r\u00fcnt\u00fcs\u00fc, bu anlat\u0131mda \u00f6nemini yitirmi\u015f oldu. Bir di\u011fer husus da, k\u00fcbist bi\u00ad\u00e7imlemede, do\u011fa g\u00f6r\u00fcnt\u00fcs\u00fcne dayanan ayr\u0131nt\u0131lar\u0131n ortadan kalk\u00admas\u0131 idi. Dolayl\u0131 olarak bu anlay\u0131\u015ftaki \u00e7al\u0131\u015fmalarda, resimsel par\u00e7alamaya dayanan geometrik \u00e7izimli k\u00fc\u00e7\u00fck y\u00fczeylerden olu\u00ad\u015fan bir ayr\u0131nt\u0131lar toplulu\u011fu ortaya \u00e7\u0131k\u0131yordu.\u00a0(K\u00fcbizm Sanat Ak\u0131m\u0131, K\u00fcbistler)<\/em><\/span><\/span><\/p>\n

\"K\u00fcbizm<\/a>

K\u00fcbizm Sanat Ak\u0131m\u0131, K\u00fcbistler, Pablo Picasso, Bir Kad\u0131n\u0131n Portresi, Arthipo Tablo Sat\u0131\u015f Sitesi,<\/p><\/div>\n

K\u00fcbizm Sanat Ak\u0131m\u0131, K\u00fcbist Resim <\/span>Usl\u00fcbu<\/span><\/span>
\n<\/span><\/em><\/span><\/h3>\n

Yaln\u0131z k\u00fcbist anlat\u0131mda a\u00e7\u0131k-koyu de\u011ferler kar\u015f\u0131tl\u0131\u011f\u0131na da\u00adyanan bir bi\u00e7imlemeye y\u00f6nelik \u00e7izgisel s\u0131n\u0131rl\u0131 y\u00fczeyler d\u00fczeni, bir \u00f6zellik olarak ortaya \u00e7\u0131k\u0131yordu. Ayr\u0131ca, bu y\u00fczeyler \u00fcst \u00fcste getirilerek saydam y\u00fczey g\u00f6r\u00fcn\u00fcmleri de bi\u00e7imlendiriliyordu. Bu da, bir modle resmi yerine bir hacim resminin olu\u015fmas\u0131n\u0131 sa\u011fl\u0131\u00adyordu. Ancak sonunda, k\u00fcbist anlat\u0131m, bir \u00e7e\u015fit yan yana y\u00fczeyler anlat\u0131m\u0131 olarak son buluyordu.<\/p>\n

K\u00fcbist bi\u00e7imlemenin geli\u015fmesi ile ortaya \u00e7\u0131kan, ger\u00e7ek do\u00ad\u011fa g\u00f6r\u00fcnt\u00fcs\u00fcn\u00fc de\u011fil, ger\u00e7e\u011fini yakalamak oldu\u011fu idi. \u00c7\u00fcnk\u00fc ger\u00e7ek, yani do\u011fan\u0131n ger\u00e7e\u011fi, asl\u0131nda do\u011fan\u0131n g\u00f6r\u00fcnt\u00fcs\u00fc de\u011fildi. Bunu bilim de kan\u0131tl\u0131yordu. Bir kere, bir insan\u0131n yandan g\u00f6r\u00fcn\u00adt\u00fcs\u00fcnde insan\u0131n bir g\u00f6z\u00fc g\u00f6r\u00fcl\u00fcyordu. Bir kula\u011f\u0131 dikkate al\u0131na\u00adbiliyordu. Ya da bir nesnenin mikroskop alt\u0131nda g\u00f6r\u00fcn\u00fc\u015f\u00fc, onun do\u011fal olarak g\u00f6r\u00fclebilen bi\u00e7iminden farkl\u0131 bi\u00e7imler ortaya \u00e7\u0131kar\u0131yordu. Bir masa, tam yandan bak\u0131l\u0131nca \u00fcst y\u00fczeyi g\u00f6r\u00fcl\u00admedi\u011fi gibi, d\u00f6rt aya\u011f\u0131ndan yaln\u0131z ikisi kendi g\u00f6r\u00fcnt\u00fclerini verebiliyordu. Bu nedenlerle k\u00fcbist, optik g\u00f6r\u00fcnt\u00fc yerine do\u011fa ger\u00e7e\u011finin resimlenmesinin daha do\u011fru olaca\u011f\u0131na inan\u0131yor\u00adlard\u0131. K\u0131sacas\u0131 k\u00fcbist, nesne ve fig\u00fcrleri g\u00f6r\u00fcnd\u00fckleri gibi de\u00ad\u011fil, olduklar\u0131 gibi bi\u00e7imlemeyi ama\u00e7l\u0131yorlard\u0131. Bu y\u00fczdendir ki, bu ak\u0131m\u0131n sanat\u00e7\u0131lar\u0131 bir nesneyi ya da fig\u00fcr\u00fc hem yandan, hem \u00f6nden ya da arkadan g\u00f6stermeyi yap\u0131tlar\u0131nda denediler. Ve eski \u00e7a\u011flardan bu yana olan resimsel bi\u00e7imlemeleri, g\u00f6reli bir bi\u00e7im\u00adleme al\u0131\u015fkanl\u0131\u011f\u0131na ba\u011flad\u0131lar. (K\u00fcbizm Sanat Ak\u0131m\u0131, K\u00fcbistler)<\/span><\/em><\/span><\/p>\n

\"K\u00fcbizm,<\/a>

K\u00fcbizm, Sanat Ak\u0131mlar\u0131, K\u00fcbistler, Pablo Picasso, Masada Oturan Adam, Arthipo Tablo Sat\u0131\u015f Sitesi,<\/p><\/div>\n

K\u0131sa bir zaman i\u00e7inde k\u00fcbizm anlat\u0131m\u0131n yeni ve sonsuz bir bi\u00ad\u00e7imleme olana\u011f\u0131na sahip oldu\u011fu sanat\u00e7\u0131larca g\u00f6r\u00fcld\u00fc. Hatta nesne ve fig\u00fcr gereksiniminin bile resimde pek zorunlu\u011fu olma\u00add\u0131\u011f\u0131 g\u00f6r\u00fc\u015f\u00fc, buradan kaynaklanmaya ba\u015flad\u0131. Ancak k\u00fcbistler, resimde, nesne ve fig\u00fcr tan\u0131n\u0131rl\u0131\u011f\u0131n\u0131 kesin olarak reddetmediler ve bu anlay\u0131\u015f\u0131 benimseyenlerden hi\u00e7biri de, bu yolda herhangi bir \u00e7al\u0131\u015fma yapmad\u0131. (K\u00fcbizm Sanat Ak\u0131m\u0131, K\u00fcbistler)<\/span><\/em><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

K\u00fcbizm Sanat Ak\u0131m\u0131, K\u00fcbistler 1908’de nesne-fig\u00fcr bi\u00e7imlerini geometrik bir yap\u0131ya indirgeyen bir ak\u0131m, yani k\u00fcbizm belir\u00addi. K\u00fcbizm Sanat Ak\u0131m\u0131, K\u00fcbistler bi\u00e7imlemede, bu kez nesne-fi\u00adg\u00fcr bi\u00e7imlemelerinin par\u00e7alanmas\u0131, bizzat do\u011fa kar\u015f\u0131s\u0131nda yap\u0131lmaya ba\u015fland\u0131. Hatta bu par\u00e7alama i\u015fleminde renk, \u00f6zellikle bir yana b\u0131rak\u0131ld\u0131. Nesnelerin optik bi\u00e7imlerini resimde par\u00e7alaya\u00adrak yok etmeyi, materyalist g\u00f6r\u00fc\u015fe bir tepki olarak kabul eden\u00adler g\u00f6r\u00fcld\u00fc. […]<\/p>\n","protected":false},"author":1,"featured_media":6874,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[124],"tags":[],"class_list":["post-6545","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-tarihi"],"yoast_head":"\nK\u00fcbizm Sanat Ak\u0131m\u0131, K\u00fcbistler - Arthipo<\/title>\n<meta name=\"description\" content=\"K\u00fcbizm Sanat Ak\u0131m\u0131, K\u00fcbistler bi\u00e7imlemede, bu kez nesne-fi\u00adg\u00fcr bi\u00e7imlemelerinin par\u00e7alanmas\u0131, bizzat do\u011fa kar\u015f\u0131s\u0131nda yap\u0131lmaya ba\u015fland\u0131.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/kubizm-sanat-akimi-kubistler.html\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"K\u00fcbizm Sanat Ak\u0131m\u0131, K\u00fcbistler - 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