{"id":6504,"date":"2016-11-12T22:52:32","date_gmt":"2016-11-12T20:52:32","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=6504"},"modified":"2017-06-07T03:02:14","modified_gmt":"2017-06-07T00:02:14","slug":"ekspresyonizm-sanat-akimi-disavurumculuk","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/ekspresyonizm-sanat-akimi-disavurumculuk.html","title":{"rendered":"Ekspresyonizm Sanat Ak\u0131m\u0131 (D\u0131\u015favurumculuk)"},"content":{"rendered":"

Ekspresyonizm Sanat Ak\u0131m\u0131 (D\u0131\u015favurumculuk)<\/span><\/h3>\n

D\u0131\u015favurumculuk (Ekspresyonizm Sanat Ak\u0131m\u0131) metafizik resim yapanlar ve \u00f6zellikle dadac\u0131\u00adlar, \u00e7a\u011fda\u015f end\u00fcstriyel ya\u015fam\u0131n yaratt\u0131\u011f\u0131 hayal k\u0131r\u0131kl\u0131\u011f\u0131na tepki g\u00f6sterdiler. Sanat, onlar i\u00e7in g\u00fczel, ince, zarif, s\u00fcsleyici i\u015flevi olan bir \u015fey de\u011fildi. Onlar\u0131n tutumu, protestocu, isyan edici, reddedici idi. Ancak bu ak\u0131m temsilcilerinden yaln\u0131z d\u0131\u015favurum\u00adcular ile metafizik resim yanl\u0131lar\u0131, kendi i\u00e7 d\u00fcnyalar\u0131n\u0131n resmine \u00f6nem veriyorlard\u0131. Bu iki ak\u0131m\u0131n anlay\u0131\u015f\u0131na paralel bir di\u011fer g\u00f6r\u00fc\u015f\u00fc de ger\u00e7ek\u00fcst\u00fcc\u00fcler ortaya att\u0131lar. Ancak bu ak\u0131m\u0131n tem\u00adsilcileri olan ressamlar, konu olarak insanlar\u0131n bilinmeyen bir ev\u00adre olan bilin\u00e7alt\u0131n\u0131 resimlemeye y\u00f6neldiler. Onlar r\u00fcyalar\u0131n, bilin\u00e7siz davran\u0131\u015flar\u0131n bilin\u00e7alt\u0131 ya\u015fant\u0131ya dayand\u0131\u011f\u0131n\u0131 ortaya \u00e7\u0131karmak istediler ve bunun i\u00e7in de kontrols\u00fcz i\u00e7g\u00fcd\u00fcsel bir bi\u00ad\u00e7imlemeye y\u00f6neldiler.<\/p>\n

\"Franz<\/a>

Franz Marc, Sar\u0131 \u0130nek, Arthipo, Ekspresyonizm Sanat Ak\u0131m\u0131<\/p><\/div>\n

Bu resimlemede, otomatik yani kendili\u00ad\u011finden (Spontaneit), hi\u00e7bir estetik kayg\u0131ya kap\u0131lmadan yap\u0131lan anlat\u0131m \u00f6nem kazan\u0131yordu. Ger\u00e7ek\u00fcst\u00fcc\u00fc ak\u0131m\u0131n program\u0131n\u0131 da ger\u00e7ek\u00e7ilerde oldu\u011fu gibi gene bir \u015fair olan Andre Breton yazd\u0131. Ancak buna paralel olarak bir\u00e7ok yazar da, bilincin, bi\u00adlin\u00e7alt\u0131 bask\u0131lara boyun e\u011fdi\u011fini g\u00f6steren romanlar kaleme ald\u0131\u00adlar. Bu ak\u0131m\u0131n temsilcileri de Salvadore Dal\u0131, Yves TanGuy, Man Ray, Joan M\u0131ro, Hans Arp ve Max Ernst gibi ressamlar oldular. Viyana\u2019daki Fantastik Ger\u00e7ek\u00e7ilik’de asl\u0131nda ger\u00e7ek\u00fcst\u00fc bir g\u00f6r\u00fc\u015fe dayanmakta idi. (Ekspresyonizm Sanat Ak\u0131m\u0131, D\u0131\u015favurumculuk)<\/em><\/p>\n

 <\/p>\n

D\u0131\u015favurumculuk Sanat Ak\u0131m\u0131nda (Ekspresyonizm) Ressam\u0131n Ruhsal Durumu<\/h3>\n

D\u0131\u015favurumcu ressam ise, kendi i\u00e7ine d\u00f6n\u00fck, d\u0131\u015f d\u00fcnyan\u0131n de\u00ad\u011fil, kendi i\u00e7inin yani psikolojik durumunun resmini yapmaktad\u0131r. D\u0131\u015f d\u00fcnyaya kar\u015f\u0131 tavr\u0131n\u0131, isyan\u0131n\u0131 resimlemektedir. Sehpas\u0131\u00adn\u0131 da bu nedenle d\u0131\u015f d\u00fcnyan\u0131n, bir modelin kar\u015f\u0131s\u0131na dikmemekledir. Zaten o, bir manzara ya da model kar\u015f\u0131s\u0131nda resim yapma\u00ads\u0131 da, gene de kendi i\u00e7inin resmini yapmaktad\u0131r.<\/p>\n

D\u0131\u015favurumcular\u0131n bir grubu olan Die Brucke ressamlar\u0131 da kentten uzak ya\u015famay\u0131 ye\u011flemi\u015flerdir. Der Blauere \u0130ter grubu da yer yer kentten uzak da\u011f k\u00f6ylerinde ya\u015famlar\u0131n\u0131 s\u00fcrd\u00fcrm\u00fc\u015flerdir. Hatta zaman zaman kuzey Afrika’ya gidenleri bile olmu\u015ftur. Kandinsky ise, Bavyera Alplerinde bir da\u011f k\u00f6y\u00fc olan Mumau’da 2 y\u0131l\u0131n\u0131 ge\u00e7irmi\u015f\u00adtir. (Ekspresyonizm Sanat Ak\u0131m\u0131, D\u0131\u015favurumculuk)<\/em><\/p>\n

\"August<\/a>

August Macke, Zooloji Bah\u00e7esi, 1912, Arthipo, Sanat Ak\u0131mlar\u0131<\/p><\/div>\n

D\u0131\u015favurumculu\u011fun (Ekspresyonizm Sanat Ak\u0131m\u0131)<\/em> bir grubu olan Der Blatie Reiter ressamlar\u0131n\u0131n resimlerinde dinsel bir e\u011filim yans\u0131mamaktad\u0131r. Oysa Dtc Brucke ressamlar\u0131nda, bu d\u00fcnyadan ka\u00e7\u0131\u015fla ilgili kimi duygular onlar\u0131 dinsel konulara yakla\u015ft\u0131rm\u0131\u015ft\u0131r. Emil Nolde’de de ilkel kavimlerin basit ya\u015fam\u0131n\u0131 tercih etti\u011fi g\u00f6r\u00fclmektedir, \u00f6yle ki. Nolde bu \u00f6zlemini B\u00fcy\u00fck Okyanus adalar\u0131nda bilimsel bir sefer yapan ilim adamlar\u0131na kat\u0131larak gidermi\u015f ve ilkel kavimlerin sa\u00adnatlar\u0131 ile ilgilenmi\u015ftir. Ancak o, \u0130ncil\u2019le ilgili konular\u0131 da resim\u00adlemi\u015ftir. Dinsel konu e\u011filimi, Dic Brucke\u2019nin bir di\u011fer ressam\u0131 olan Kari Schmiedt-Rottluff’ta da g\u00f6r\u00fclmektedir.<\/p>\n

Fovizm olanlar aras\u0131nda ad\u0131 ge\u00e7mekle birlikte d\u0131\u015favurumcu \u00f6zellikler g\u00f6steren Frans\u0131z Georges Rouault’da da ayn\u0131 dinsel konu anlay\u0131\u015f\u0131, yap\u0131tlar\u0131nda bir Tanr\u0131ya s\u0131\u011f\u0131n\u0131\u015f duygusu bi\u00e7iminde yan\u00ads\u0131r. D\u0131\u015favurumcu ressam bir d\u00fc\u015f\u00fcnce d\u00fcnyas\u0131 i\u00e7indedir ve yap\u0131t\u0131 da bu kaynaktan do\u011far. Avusturya’l\u0131 ressam Oscar Kokoschka’da nesne ve fig\u00fcr resmi bir anlamla kayna\u015f\u0131r. Onun kulland\u0131\u00ad\u011f\u0131 renkler, \u00e7evresinde g\u00f6r\u00fclen bi\u00e7imleri tamamen de\u011fi\u015ftirmekte\u00addir. Portreleri de, kar\u015f\u0131s\u0131na ald\u0131\u011f\u0131 insanlar\u0131n i\u00e7 d\u00fcnyalar\u0131n\u0131n res\u00admi olmaktad\u0131r. (Ekspresyonizm Sanat Ak\u0131m\u0131)<\/em><\/p>\n

\"Michael<\/a>

Michael Cavio Krogh Caspersen, D\u0131\u015favurumculuk, Ekspresyonizm, Sanat Ak\u0131m\u0131<\/p><\/div>\n

D\u0131\u015favurumculukta (Ekspresyonizm Sanat Ak\u0131m\u0131)<\/em> C\u00e9zanne ya da Gauguin \u2018deki renkli modle hi\u00e7 dikkate al\u0131nmam\u0131\u015ft\u0131r. D\u0131\u015favurumcularda renk, bir z\u0131tl\u0131k ola\u00adrak g\u00f6r\u00fclmekte ve b\u00fcy\u00fck y\u00fczeyler halinde s\u00fcr\u00fclmektedir. Bu uy\u00adgulama, hem Die Brucke, hem Der Blaue Reiter Grubunda ayn\u0131\u00add\u0131r. Ancak renkler fovizm ressamlarda oldu\u011fu gibi s\u0131rf bir renk z\u0131tl\u0131\u011f\u0131 olarak kullan\u0131lmam\u0131\u015ft\u0131r. Aksine, d\u0131\u015favurumcular\u0131n renk\u00adleri simgeseldir, \u00f6rne\u011fin Der Blaue Reiter, Kandisky’nin bir res\u00adminin ad\u0131d\u0131r. Franz Marc’\u0131n “Mavi Atlar” ya da “K\u0131r\u00adm\u0131z\u0131 Atlar” adl\u0131 yap\u0131tlar\u0131ndaki renkler de simgeseldir. Saf, kar\u0131\u015ft\u0131r\u0131lmam\u0131\u015f, yani ba\u011f\u0131nc\u0131 renklerle boyanm\u0131\u015f olan do\u011fa bi\u00ad\u00e7imlerinin \u00e7evreleri, koyu siyah \u00e7izgilerle \u00e7evrilerek daha da kuvvetli bir bi\u00e7imde renkli g\u00f6sterilmesi sa\u011flanm\u0131\u015ft\u0131r. Renklerin kar\u015f\u0131tl\u0131\u011f\u0131 da b\u00fcy\u00fck bir ruhsal gerilimi g\u00f6stermektedir.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Ekspresyonizm Sanat Ak\u0131m\u0131 (D\u0131\u015favurumculuk) D\u0131\u015favurumculuk (Ekspresyonizm Sanat Ak\u0131m\u0131) metafizik resim yapanlar ve \u00f6zellikle dadac\u0131\u00adlar, \u00e7a\u011fda\u015f end\u00fcstriyel ya\u015fam\u0131n yaratt\u0131\u011f\u0131 hayal k\u0131r\u0131kl\u0131\u011f\u0131na tepki g\u00f6sterdiler. Sanat, onlar i\u00e7in g\u00fczel, ince, zarif, s\u00fcsleyici i\u015flevi olan bir \u015fey de\u011fildi. Onlar\u0131n tutumu, protestocu, isyan edici, reddedici idi. Ancak bu ak\u0131m temsilcilerinden yaln\u0131z d\u0131\u015favurum\u00adcular ile metafizik resim yanl\u0131lar\u0131, kendi i\u00e7 d\u00fcnyalar\u0131n\u0131n resmine […]<\/p>\n","protected":false},"author":1,"featured_media":6803,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[124],"tags":[],"class_list":["post-6504","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-tarihi"],"yoast_head":"\nEkspresyonizm Sanat Ak\u0131m\u0131 (D\u0131\u015favurumculuk) - Arthipo<\/title>\n<meta name=\"description\" content=\"ekspresyonizm sanat ak\u0131m\u0131, D\u0131\u015favurumculuk 'ta ressam ise, kendi i\u00e7ine d\u00f6n\u00fck, d\u0131\u015f d\u00fcnyan\u0131n de\u00ad\u011fil, kendi i\u00e7inin yani psikolojik durumunun resmini yapmaktad\u0131r\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/ekspresyonizm-sanat-akimi-disavurumculuk.html\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ekspresyonizm Sanat Ak\u0131m\u0131 (D\u0131\u015favurumculuk) - 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