{"id":6447,"date":"2016-11-03T23:31:17","date_gmt":"2016-11-03T20:31:17","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=6447"},"modified":"2017-06-07T13:30:14","modified_gmt":"2017-06-07T10:30:14","slug":"turklerin-sanata-katkilari","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/turklerin-sanata-katkilari.html","title":{"rendered":"T\u00fcrklerin Sanata Katk\u0131lar\u0131"},"content":{"rendered":"

T\u00fcrklerin sanata katk\u0131lar\u0131<\/span><\/h2>\n

\u0130slam \u00f6ncesi d\u00f6nem T\u00fcrklerin sanata katk\u0131lar\u0131 hakk\u0131nda bilimsel incelemeler pek yenidir. Bu konu ile u\u011fra\u015fan Avrupal\u0131lar T\u00fcrkleri \u0130sl\u00e2m toplulu\u011funa sokup bir \u00e7\u0131rp\u0131da b\u00fct\u00fcn m\u00fcsl\u00fcman milletlerin sanat\u0131 ile T\u00fcrk k\u00fclt\u00fcr\u00fcn\u00fc a\u00e7\u0131klamaya kalk\u0131\u015fm\u0131\u015flard\u0131r. Tasar\u0131, iman, icra bak\u0131m\u0131ndan ortakla\u015fa teknik ve ifade unsurlar\u0131 olan hi\u00e7 \u015f\u00fcphesiz bir \u0130sl\u00e2m sanat\u0131 vard\u0131r. Fakat gene bir T\u00fcrk, bir \u0130ran, bir M\u00fcsl\u00fcman Hint sanat\u0131 mevcut oldu\u011fu da ink\u00e2r edilemez. Mesel\u00e2 bir\u00a0T\u00fcrk minaresiyle bir Arap ve \u0130ran minaresi aras\u0131nda o kadar b\u00fcy\u00fck \u015fekil ve karakter fark\u0131 vard\u0131r ki, hepsini bir toplulu\u011fa ba\u011flaman\u0131n imk\u00e2n\u0131 yoktur. B\u00fct\u00fcn \u0130sl\u00e2m milletlerini bir tek konu olarak ele almay\u0131 ancak H\u0131ristiyan taassubu ile ve nihayet uzak \u00fclkelerde incelemelerin zorlu\u011fu ile izah etmek m\u00fcmk\u00fcnd\u00fcr.\u00a0<\/span><\/p>\n

\u0130slam \u00f6ncesi\u00a0d\u00f6nem T\u00fcrklerin sanata katk\u0131lar\u0131<\/span><\/h3>\n

T\u00fcrklerin \u0130sl\u00e2mdan \u00f6nce de b\u00fcy\u00fck bir sanat ge\u00e7mi\u015fleri vard\u0131r.T\u00fcrklerin ilk sanat eserlerini Aitay ve Yenisey – Yeni\u00e7a\u011f dolaylar\u0131nda aramak l\u00e2z\u0131md\u0131r. Altay – Ural b\u00f6lgelerinde tarihten \u00f6nceki zamanlar\u0131n Tun\u00e7 devrine ait bir\u00e7ok sil\u00e2h, balta ve s\u00fcs e\u015fyas\u0131 T\u00fcrk sanat\u0131n\u0131n en eski kayna\u011f\u0131 hakk\u0131nda ilk vesikalard\u0131r. O \u00e7a\u011flardaki mezarlar i\u00e7inde bulunan silahlarla e\u015fya \u00fczerinde g\u00f6r\u00fclen s\u00fcsleme konular\u0131 ile bug\u00fcn h\u00e2l\u00e2 Anadoluda kullan\u0131lmakta olan e\u015fyada konu benzerli\u011fi asl\u0131n devam\u0131m g\u00f6stermektedir. Yenisey\u2019de <\/span>Tun\u00e7 devrine ait olan bir kama \u00a0\u015feklinin bug\u00fcn \u0130zmir zeybeklerinin kulland\u0131\u011f\u0131 yata\u011fan \u015fekli ile benzerli\u011fi buna bir misaldir. Bu benzerlikler daha derin incelemeye vurulursa \u0130ran hal\u0131lar\u0131nda, minyat\u00fcrlerinde, hatta Bizans ve Roman eserlerinde tesad\u00fcf edilen hayvan sava\u015flar\u0131n\u0131n kompozisyonlar\u0131n\u0131 Altay – Ural eserlerinde g\u00f6rmek m\u00fcmk\u00fcn olur.<\/span><\/p>\n

\"T\u00fcrk<\/a><\/p>\n

Orta asyadaki T\u00fcrklerin sanata katk\u0131lar\u0131\u00a0<\/span><\/h3>\n

En eski T\u00fcrk pl\u00e2sti\u011fi olan Orhon an\u0131tlar\u0131, Baykai g\u00f6l\u00fc civar\u0131nda \u015eark T\u00fcrkleri Tokyu\u2019lar taraf\u0131ndan, yap\u0131lm\u0131\u015ft\u0131r. Bunlar sanat eseri olmaktan ziyade (h\u00e2t\u0131ra – an\u0131t) d\u0131rlar Eski\u00a0T\u00fcrk<\/span> harfleriyle yaz\u0131lm\u0131\u015flard\u0131r. Bunlardan biri H \u00e2 k a n \u0131 n karde\u015fi olup Mil\u00e2d\u0131n<\/span> 731 y\u0131l\u0131nda \u00f6len G\u00fcltekin, \u00f6- teki de 734 de \u00f6len h\u00fck\u00fcmdar Bilge H\u00e2kan adlar\u0131na dikilmi\u015ftir. G\u00fcltekin \u00f6l\u00fcnce \u00c7in\u2019den sanat\u00e7\u0131lar tedarik edilerek bu eserler meydana getirilmi\u015ftir.<\/span><\/p>\n

Yaz\u0131 hem \u00c7ince hemT\u00fcrk\u00e7edir. Eski T\u00fcrk yaz\u0131s\u0131n\u0131n okunmas\u0131 ancak bu \u00c7ince metnin yard\u0131m\u0131 ile m\u00fcmk\u00fcn olmu\u015ftur. Bu kitabelere bitik ta\u015f\u0131 denirdi. Bu h\u00e2t\u0131ra – ta\u015flar\u0131n yan\u0131nda bina y\u0131k\u0131nt\u0131lar\u0131 da bulunmu\u015ftur. Kitabelerin ifadesinden anla\u015f\u0131ld\u0131\u011f\u0131na g\u00f6re T\u00fcrkler eski M\u0131s\u0131rl\u0131larda oldu\u011fu gibi mezarlar\u0131n yanma Bark denilen binalar yapar ve duvarlar\u0131n\u0131 kahraman\u0131n zaferle dolu hayatlar\u0131na ait kompozisyonlarla doldururlard\u0131.\u00a0<\/span><\/p>\n

\"T\u00fcrklerin<\/a>

Tanr\u0131\u00e7a<\/p><\/div>\n

T\u00fcrklerin sanata katk\u0131lar\u0131nda Uygur T\u00fcrklerinin etkisi\u00a0<\/span><\/h3>\n

Uygurlar\u0131n ilk \u00e7a\u011flar\u0131ndaki eserler tabiativle bir sanat \u00a0m\u00fczesinden ziyade etnografya m\u00fczelerini ilgilendirir. Zaten T\u00fcrklerin g\u00f6\u00e7ebe hayat\u0131ndan kurtularak bir \u015fehir kurup yerle\u015fmeleri meden\u00ee m\u00e2nas\u0131nda Uygur diye vas\u0131fland\u0131r\u0131lm\u0131\u015ft\u0131. Uygurlar yerle\u015fip medenile\u015ftik\u00e7e sanat da geli\u015fmeye ba\u015flam\u0131\u015ft\u0131. O zaman\u0131n eserleri incelenince \u00c7in ile eski \u00eeran tesirleri g\u00f6r\u00fcl\u00fcr. Fakat hi\u00e7 \u015f\u00fcphe yok ki sanat\u0131n be\u015fi\u011fi olan \u00c7in\u2019den eski \u0130ran\u2019a ge\u00e7mesi yine T\u00fcrkler va- s\u0131tasiyle olmu\u015ftur. T\u00fcrklerin do\u011fuya ve bat\u0131ya s\u00fcrekli at\u0131l\u0131\u015flar\u0131, t\u00fcrl\u00fc milletlerin birbirlerinden ilham alarak yeni kanla ileri hamlelere sebep olmu\u015ftur.<\/span><\/p>\n

VI. y\u00fczy\u0131lda Hi- yung Nu\u2019larm bir k\u0131sm\u0131 T\u00fcrkistan ile Mo\u011fol \u00fclkelerini zapt ederek Turfan \u015fehrini ba\u015fkent<\/span> yapt\u0131lar. T\u00fcrk k\u00fclt\u00fcr\u00fcn\u00fc Asya\u2019da temelli olarak geli\u015ftiren bunlar olmu\u015ftur. Krallar\u0131n kabul salonlar\u0131n\u0131n son derece k\u0131ymetli hal\u0131larla ve g\u00fcm\u00fc\u015f heykellerle s\u00fcslenmi\u015f oldu\u011fu Bizans vesikalar\u0131yla bilinmektedir. Nitekim ba\u015fkentleri olan Turfan \u015fehrinin Asyan\u0131n bir sanat merkezi oldu\u011fu XX. y\u00fczy\u0131l\u0131n ba\u015flang\u0131c\u0131nda Orta Asya\u2019daki kaz\u0131larla meydana \u00e7\u0131kar\u0131lm\u0131\u015f bulunmaktad\u0131r.<\/span><\/p>\n

T\u00fcrklerin sanata katk\u0131lar\u0131 Avrupa’ya kadar uzand\u0131 m\u0131 ?\u00a0<\/span><\/p>\n

Avrupa m\u00fczelerinde ba\u015fta Leningrad ve \u0130stokholm m\u00fczelerinde Orta Asya Uygurlar\u0131na ait bir\u00e7ok eser vard\u0131r. Heinrich Gluck Macaristan\u2019da Atill\u00e2 h\u00e2zinesi ad\u0131n\u0131 ta\u015f\u0131yan 23 adet alt\u0131ndan vazo, ve biblo ele ge\u00e7irmi\u015ftir. Bunlar\u0131n \u00fczerindeki yaz\u0131n\u0131n da sonradan T\u00fcrk yaz\u0131s\u0131 oldu\u011fu belli olmu\u015ftur.<\/span><\/p>\n

Toprak alt\u0131ndan \u00e7\u0131kan bu hazineler bilimsel ara\u015ft\u0131rmalara sebep olmu\u015f\u00a0<\/span>ve bu arada Von Lecoq bir\u00e7ok k\u0131ymetli eserleri, Buda\u2019n\u0131n hayat\u0131na ait ince duvar resimlerini meydana \u00e7\u0131karm\u0131\u015f ve Berlin m\u00fczesine mal etmi\u015ftir. Bu fresklerdeki renklerin tazeli\u011fi, \u015fah\u0131slar\u0131n duru\u015flar\u0131 ve \u00e7ehrelerindeki ifade \u00f6zellikleri \u00e7a\u011fda\u015f milletlerin pl\u00e2sti\u011fi ile \u00f6l\u00e7\u00fclemiyecek kadar bir \u00fcst\u00fcnl\u00fck g\u00f6sterir.<\/span><\/p>\n

\"T\u00fcrkler<\/a><\/p>\n

M\u00e2bedlerin duvarlar\u0131ndaki k\u0131rm\u0131z\u0131 zemin \u00fczerine tabi\u00ee \u00f6l\u00e7\u00fcden b\u00fcy\u00fck olarak i\u015flenmi\u015f insan fig\u00fcrleri, Buda\u2019nm tasvirleri e\u015fsizdir. El ve ayaklar\u0131n desenleri, elbiselerin k\u0131vr\u0131mlar\u0131, ressam\u0131n bunlar\u0131 tabiattan yapt\u0131\u011f\u0131n\u0131 belli edecek kadar dikkatli ve realisttir. Bu duvar resimlerinin yan\u0131nda bir tak\u0131m heykellerle pi\u015fmi\u015f topraktan heykelcikler de bulunmu\u015ftur. Bunlarda hem Buda sanat\u0131n\u0131n hem de Yunan \u00fcsl\u00fbbunun tesirleri g\u00f6r\u00fcn\u00fcr. Frans\u0131z bilgini Pelliot\u2019nun kaz\u0131larda meydana \u00e7\u0131kard\u0131\u011f\u0131 bu eserlerin pek \u00e7o\u011fu \u015fimdi Paris\u2019tedir. <\/span><\/p>\n

Duvar resimleri Mil\u00e2d\u0131n VI. y\u00fczy\u0131l\u0131na, Buda\u2019nm hayat\u0131na ait resimler ise IX. y\u00fczy\u0131la aittir. Bu resimlerle Bat\u0131 sanat\u0131 aras\u0131ndaki ili\u015fikler Uygur sanat\u0131n\u0131n Avrupa\u2019ya <\/span>kadar tesirini yaym\u0131\u015f oldu\u011funu belli eder.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

T\u00fcrklerin sanata katk\u0131lar\u0131 \u0130slam \u00f6ncesi d\u00f6nem T\u00fcrklerin sanata katk\u0131lar\u0131 hakk\u0131nda bilimsel incelemeler pek yenidir. Bu konu ile u\u011fra\u015fan Avrupal\u0131lar T\u00fcrkleri \u0130sl\u00e2m toplulu\u011funa sokup bir \u00e7\u0131rp\u0131da b\u00fct\u00fcn m\u00fcsl\u00fcman milletlerin sanat\u0131 ile T\u00fcrk k\u00fclt\u00fcr\u00fcn\u00fc a\u00e7\u0131klamaya kalk\u0131\u015fm\u0131\u015flard\u0131r. Tasar\u0131, iman, icra bak\u0131m\u0131ndan ortakla\u015fa teknik ve ifade unsurlar\u0131 olan hi\u00e7 \u015f\u00fcphesiz bir \u0130sl\u00e2m sanat\u0131 vard\u0131r. Fakat gene bir T\u00fcrk, bir […]<\/p>\n","protected":false},"author":1,"featured_media":6451,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[124],"tags":[],"class_list":["post-6447","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-tarihi"],"yoast_head":"\nT\u00fcrklerin Sanata Katk\u0131lar\u0131 - Arthipo<\/title>\n<meta name=\"description\" content=\"\u0130slam \u00f6ncesi d\u00f6nem T\u00fcrklerin sanata katk\u0131lar\u0131. Orta asya T\u00fcrklerinde sanat. Sanat tarihi ve T\u00fcrkler. T\u00fcrk sanat eserleri. 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