{"id":6340,"date":"2016-11-02T23:50:36","date_gmt":"2016-11-02T20:50:36","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=6340"},"modified":"2017-06-07T02:24:11","modified_gmt":"2017-06-06T23:24:11","slug":"barok-heykel-sanati","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/barok-heykel-sanati.html","title":{"rendered":"Barok Heykel Sanat\u0131"},"content":{"rendered":"

Barok Heykel Sanat\u0131<\/span><\/h2>\n

R\u00f6nesans heykellerindeki fig\u00fcr\u00adlerde ba\u015f, g\u00f6vde ye kollar ile bacaklar ve elbiseler son derece dengeli, heyecans\u0131z bir bi\u00e7imlemededir. Maniyerist heykel fi\u00adg\u00fcrlerinde, duygusal bir y\u00fcz anlat\u0131m\u0131 g\u00f6r\u00fcl\u00fcyorsa da, fig\u00fcr hen\u00fcz dengeli bir davran\u0131\u015ftad\u0131r, \u00f6rne\u011fin, Giovanni da Bologna’n\u0131n “Sabinli Kad\u0131n\u0131n Ka\u00e7\u0131r\u0131l\u0131\u015f\u0131” adl\u0131 \u00fc\u00e7 fig\u00fcrl\u00fc yap\u0131t\u0131, bir “Figura Serpentinata” yani y\u0131lan gibi k\u0131vranan bir (S) bi\u00e7iminde olmas\u0131na ra\u011fmen, hen\u00fcz titiz bir anatomiyi ve kapal\u0131 , v\u00fccut duru\u015funu korumaktad\u0131r. Oysa, Lorenzo Bernini’nin “Ev\u00adliya Teresa’n\u0131n Vahyi” adl\u0131 iki fig\u00fcrl\u00fc kompozisyonun\u00adda, elbise k\u0131vr\u0131mlar\u0131 do\u011fal g\u00f6r\u00fcnt\u00fcde olmad\u0131\u011f\u0131 gibi, \u00e2deta bir alev etkisinde u\u00e7u\u015fmaktad\u0131rlar. Kollar ve ayaklar da g\u00f6vdeden ayr\u0131 bir etkidedirler ve \u00e2deta u\u00e7uyor izlenimini b\u0131rakmaktad\u0131r\u00adlar. Bu nedenle barok heykelde v\u00fccut par\u00e7alar\u0131 mek\u00e2n i\u00e7inde da\u00ad\u011f\u0131n\u0131k bir etki yaratmaktad\u0131rlar. Barok Heykel Sanat\u0131.<\/em><\/p>\n

\"Saint<\/a>

Saint Terasa, Ermi\u015f Terasa’n\u0131n Vahiyi, Lorenzo Bernini<\/p><\/div>\n

Kutsal ki\u015filer, art\u0131k altarlar\u0131n i\u00e7inde sakin bir duru\u015fta kalmamakta, \u00e2deta g\u00f6\u011fe u\u00e7ar gibi bir hareket i\u00e7indedirler. Bu do\u011fa\u00fcst\u00fc duru\u015flara kar\u015f\u0131n, heykel modleleri son derece do\u011fac\u0131 (nat\u00fcralist) bir bi\u00e7imlemededir. Yani \u00e2deta madde olmu\u015f bir bi\u00e7imlemeye \u00f6nem verilmi\u015ftir. Hatta \u0130spanyol heykelcileri, yonttuklar\u0131 heykellere ger\u00e7ek sa\u00e7 takmak\u00adta, g\u00f6zleri ise camdan yaparak yerine yerle\u015ftirmekteydiler.<\/p>\n

\"Abduction<\/a>

Abduction Sabin Woman, Sabinli Kad\u0131n\u0131n Ka\u00e7\u0131r\u0131l\u0131\u015f\u0131, Giovanni da Bologna<\/p><\/div>\n

B\u00f6ylece \u00f6zellikle \u0130sa ve Meryem fig\u00fcrlerini boyayarak, dindar\u00adlar\u0131n merhametlerini uyand\u0131rmay\u0131 ama\u00e7l\u0131yorlard\u0131.<\/h5>\n

 <\/p>\n

Barok Heyke Sanat\u0131 B\u00fcstler<\/h3>\n

Barok heykel alan\u0131nda yap\u0131lan b\u00fcstlerde, ki\u015finin karakteri do\u00ad\u011fac\u0131 bir anlat\u0131mda veriliyordu. Kral ya da kilisenin \u00f6nemli ki\u015fi\u00adlerine ait olsa da, bu do\u011fac\u0131 g\u00f6zleme dayal\u0131 heykel yap\u0131m\u0131 fikri de\u011fi\u015fmiyordu. Bu \u00f6zellik gerek Bernini’nin, gerekse Puget’nin b\u00fcstlerinde de de\u011fi\u015fmemi\u015ftir. Coyzevox’un ba\u015f heykelleri ise, maniyere olmu\u015f yapmac\u0131kl\u0131 bir do\u011fac\u0131l\u0131\u011f\u0131 yans\u0131tm\u0131\u015ft\u0131r.<\/p>\n

\"Coyzevox,<\/a>

Coyzevox, Neptune, Nept\u00fcn, Louvre M\u00fczesi, Barok Heykel<\/p><\/div>\n

Frans\u0131z saray\u0131nda, ba\u015f heykelleri XVIII. y\u00fczy\u0131l\u0131n ortalar\u0131na de\u011fin \u00f6nemini korumu\u015ftur. Houdon, bu y\u00fczy\u0131l\u0131n do\u011fac\u0131 anla\u00adt\u0131ml\u0131, psikolojik i\u00e7 duygu durumunu yans\u0131tan heykel portreleri\u00adni yapm\u0131\u015f\u0131n, \u00f6rne\u011fin Voltaire’in oturan fig\u00fcr\u00fc gibi. R\u00f6nesans m atl\u0131 heykel an\u0131t\u0131 da, bu d\u00f6nemde \u00f6nce Fransa’da uygulanm\u0131\u015ft\u0131r, \u00f6rne\u011fin Girardon’un XIV. Louis\u2019e ait heykeli gibi. Falconet de Rus \u00c7ar\u0131 B\u00fcy\u00fck Petro’nun atl\u0131 heykelim ger\u00e7ekle\u015ftir\u00admi\u015ftir. Andreas Schl\u00fcter adl\u0131 Alman heykelci de, bu d\u00f6\u00adnemin bu t\u00fcr atl\u0131 heykelleri yapan sanat\u00e7\u0131lar\u0131 aras\u0131nda yer al\u0131r.<\/p>\n

\"Rus<\/a>

Rus \u00c7ar\u0131 B\u00fcy\u00fck Petro, Falconet, Barok Mimari<\/p><\/div>\n

 <\/p>\n

Barok Kabartma ve D\u0131\u015f S\u00fcslemeler<\/h3>\n

Ayr\u0131ca barok sanatta yap\u0131lar\u0131n i\u00e7 duvarlar\u0131nda ve yap\u0131 d\u0131\u015f y\u00fc\u00adzeylerinde heykel ve kabartmaya b\u00fcy\u00fck yer verilmi\u015ftir. Bunun yan\u0131nda, tutkall\u0131 al\u00e7\u0131dan yap\u0131lan ve stuk denen teknikle kabart\u00adma s\u00fcslemeler de, b\u00fcy\u00fck uygulama alan\u0131 bulmu\u015ftur. Rokoko’nun heykel fig\u00fcrleri, Barok’a oranla son derece yapmac\u0131kl\u0131 bir zarafettedir. K\u00fc\u00e7\u00fck heykeller ve biblolar da sevilen uygulamalar\u00add\u0131r. A\u015fk sahneleri, zarif hareketli \u00e7iftler, sevimli \u00e7\u0131plaklar, zarif, bol d\u00f6k\u00fcml\u00fc giysili kad\u0131n fig\u00fcrleri,” k\u00fc\u00e7\u00fck heykeller haline getirilerek \u00e7o\u011falt\u0131lm\u0131\u015f ve bir end\u00fcstri meydana getirilmi\u015ftir.<\/p>\n","protected":false},"excerpt":{"rendered":"

Barok Heykel Sanat\u0131 R\u00f6nesans heykellerindeki fig\u00fcr\u00adlerde ba\u015f, g\u00f6vde ye kollar ile bacaklar ve elbiseler son derece dengeli, heyecans\u0131z bir bi\u00e7imlemededir. Maniyerist heykel fi\u00adg\u00fcrlerinde, duygusal bir y\u00fcz anlat\u0131m\u0131 g\u00f6r\u00fcl\u00fcyorsa da, fig\u00fcr hen\u00fcz dengeli bir davran\u0131\u015ftad\u0131r, \u00f6rne\u011fin, Giovanni da Bologna’n\u0131n “Sabinli Kad\u0131n\u0131n Ka\u00e7\u0131r\u0131l\u0131\u015f\u0131” adl\u0131 \u00fc\u00e7 fig\u00fcrl\u00fc yap\u0131t\u0131, bir “Figura Serpentinata” yani y\u0131lan gibi k\u0131vranan bir (S) bi\u00e7iminde […]<\/p>\n","protected":false},"author":1,"featured_media":6380,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[124],"tags":[],"class_list":["post-6340","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-tarihi"],"yoast_head":"\nBarok Heykel Sanat\u0131 - Arthipo<\/title>\n<meta name=\"description\" content=\"Barok Heykel Sanat\u0131nda kutsal ki\u015filer, art\u0131k altarlar\u0131n i\u00e7inde sakin bir duru\u015fta kalmamakta, \u00e2deta g\u00f6\u011fe u\u00e7ar gibi bir hareket i\u00e7indedirler. 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