{"id":6299,"date":"2016-11-02T01:08:07","date_gmt":"2016-11-01T23:08:07","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=6299"},"modified":"2017-06-07T02:51:24","modified_gmt":"2017-06-06T23:51:24","slug":"anna-meryem-ve-cocuk-isa","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/unlu-klasik-tablolar\/anna-meryem-ve-cocuk-isa.html","title":{"rendered":"Anna, Meryem ve \u00c7ocuk \u0130sa, Leonardo da Vinci"},"content":{"rendered":"

Anna, Meryem ve \u00c7ocuk \u0130sa<\/span><\/h2>\n

Anna, Meryem ve \u00c7ocuk \u0130sa; bu \u00fc\u00e7l\u00fc grup bir b\u00fct\u00fcnl\u00fck \u015feklindedir. B\u00f6yle dar bir mek\u00e2n i\u00e7ine \u00fc\u00e7 ki\u015fiyi s\u0131k\u0131\u015ft\u0131rmak zorunda kalan Leonardo garip bir vas\u0131taya ba\u015fvurmu\u015f, Meryem\u2019i anas\u0131n\u0131n dizleri \u00fcst\u00fcne oturtmu\u015ftur. Bu tuhaf durum onun, insan v\u00fccudunda g\u00f6sterdi\u011fi e\u015fsiz ustal\u0131k ve \u00fcst\u00fcnl\u00fck ile ancak tabii g\u00f6r\u00fclebilirdi. Anna, Meryem ve \u00c7ocuk \u0130sa<\/em><\/p>\n

Anna\u2019n\u0131n ba\u015f\u0131 grubun \u00fczerindeki mek\u00e2n i\u00e7inde yaln\u0131z durmaktad\u0131r; ba\u015f \u00fczerindeki t\u00fcl sivri bir tepe, ehram\u0131n tepesini v\u00fccuda getiriyor. Matematik\u00e7i Leonardo hi\u00e7bir noktay\u0131 unutmam\u0131\u015ft\u0131r. Bir diyagonal, tablonun sol k\u00f6\u015fesinden sa\u011f alt k\u00f6\u015fesine do\u011fru sol kolu takip ederek, \u00e7ocu\u011fun ba\u015f\u0131ndan ve kuzunun s\u0131r-t\u0131ndan ge\u00e7erek \u00fc\u00e7genin taban\u0131na kadar inmektedir, \u00f6b\u00fcr tarafla beriki kadar belirgin ba\u015fka bir diyagonal, Anna\u2019n\u0131n omuzundan, Meryem\u2019in mantosundan ve kal\u00e7alar\u0131 etraf\u0131nda toplanan b\u00fckl\u00fcmlerden ge\u00e7erek te\u015fekk\u00fcl ediyor.<\/p>\n

Meryem\u2019 in \u00e7abalayan \u00e7ocu\u011fa e\u011filmek i\u00e7in ans\u0131z\u0131n yapt\u0131\u011f\u0131 hareket, tabloda diyagonallerin \u00e7apraz d\u00fc\u015ft\u00fc\u011f\u00fc noktaya rastl\u0131yor, uzanan kollar\u0131n geni\u015f hareketini ba\u015f\u0131n e\u011fili\u015fi kar\u015f\u0131l\u0131yor. Bacaklar\u0131n paralel olu\u015fu, k\u00fc\u00e7\u00fck \u0130sa\u2019n\u0131n kolu, hatta kuzunun k\u0131vr\u0131lan kuyru\u011fu ile beliren hareket, tablonun ritmini v\u00fccuda getirmektedir. Bu tabloda rastgele konulmu\u015f hi\u00e7bir \u015fey yoktur. Soldan sa\u011fa do\u011fru olan \u015fiddetli hareket, kar\u015f\u0131l\u0131\u011f\u0131n\u0131 sa\u011fdan sola do\u011fru giden harekette, Anna\u2019n\u0131n dirse\u011findi bulmaktad\u0131r. Van Gogh<\/p>\n

\"Anna,<\/a>

Anna, Meryem ve \u00e7ocuk \u0130sa. Bu \u00fc\u00e7l\u00fc grup bir b\u00fct\u00fcnl\u00fck \u015feklindedir. B\u00f6yle dar bir mek\u00e2n i\u00e7ine \u00fc\u00e7 ki\u015fiyi s\u0131k\u0131\u015ft\u0131rmak zorunda kalan Leonardo da Vinci garip bir vas\u0131taya ba\u015fvurmu\u015f, Meryem\u2019i anas\u0131n\u0131n dizleri \u00fcst\u00fcne oturtmu\u015ftur.<\/p><\/div>\n

 <\/p>\n

Anna, Meryem ve \u00c7ocuk \u0130sa Tablosu Manzaradaki Sanatsal Ayr\u0131nt\u0131lar<\/span><\/h3>\n

Manzaran\u0131n cans\u0131z bir dekor olmaktan \u00e7\u0131kt\u0131\u011f\u0131n\u0131, i\u00e7 hayat\u0131n bir yank\u0131s\u0131, hare-ketlerdeki ritmin bir devam\u0131 oldu\u011funu bu tabloda b\u00fct\u00fcn derinli\u011fiyle g\u00f6r\u00fcr\u00fcz. Gerideki tepeler dalgal\u0131 vadinin \u00fczerinde, \u00f6ndeki ehram\u0131n tekrarlan\u0131\u015f\u0131 olarak beliriyor. Tablonun \u00fcst sa\u011f k\u00f6\u015fesindeki a\u011fa\u00e7, dikkati gerideki belli belirsiz manzaralardan \u00fc\u00e7l\u00fc gruba \u00e7eken, ayn\u0131 zamanda Meryem\u2019in g\u00f6\u011fs\u00fcndeki beyaz lekeyi de\u011ferlendiren gerekli bir denge unsurudu! Bu suretle a\u011fac\u0131n tablo i\u00e7inde nas\u0131l canl\u0131 bir g\u00f6revi oldu\u011fu anla\u015f\u0131l\u0131yor.<\/p>\n

Leonardo\u2019nun eserleri aras\u0131nda en’ \u00f6l\u00e7\u00fcl\u00fc, en tart\u0131l\u0131, en d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015f olanlar\u0131ndan biri bulunan bu kompozisyon, ba\u015fka herhangi bir ressam\u0131n ellerinde, kuru bir \u015fema, cans\u0131z, hendesi bir plan olmaktan ileriye gidemezdi. Oysa burada kendimizi bizim gibi ya\u015fayan varl\u0131klar, hayatla ta\u015fan, \u00fczerlerinden hayat nefesin iri bir r\u00fczg\u00e2r gibi ge\u00e7ti\u011fi, kadife omuzlu, dolgun gerdanl\u0131 kad\u0131nlar kar\u015f\u0131s\u0131nda buluyoruz. Madonna\u2019n\u0131n uzun ve nemli g\u00f6zleri sevgiyle doludur, tebess\u00fcm\u00fcnde ana \u015fefkatinin sonsuzlu\u011fu titriyor. Onun \u00fcst\u00fcnde, g\u00f6z kapaklan aras\u0131ndan, g\u00f6r\u00fcnmeyen bir \u0131\u015f\u0131k gibi s\u0131zan bak\u0131\u015flar\u0131yla Anna\u2019y\u0131, Meryem\u2019in anas\u0131n\u0131 g\u00f6r\u00fcyoruz.<\/p>\n

\"Anna,<\/a>

Anna’dan Bir Detay<\/p><\/div>\n

Anna, Meryem ve \u00c7ocuk \u0130sa Tablosu Neyi Anlat\u0131yor<\/span><\/h4>\n

Tablonun hendesi d\u00fczeni bizi Anna\u2019n\u0131n \u015fefkat, merhamet duygular\u0131na b\u00fcr\u00fcnen o esrarl\u0131 tebess\u00fcm\u00fcne g\u00f6t\u00fcrmek i\u00e7in v\u00fccuda getirilmi\u015f gibidir.<\/p>\n

Leonardo, matematik bir kesinlik i\u00e7inde fig\u00fcrlerine verebildi\u011fi bu ruh derinli\u011fini, ke\u015ffetti\u011fi ve hi\u00e7bir ressam\u0131n kendisi kadar sahip olmad\u0131\u011f\u0131 erimi\u015f bir modle\u2019ye bor\u00e7ludur. Bunu koyu renkler ve gittik\u00e7e azalan hafif ayd\u0131nl\u0131k i\u00e7inde yapmaktad\u0131r. Bu tarz, ince, yumu\u015fak ruhuna da uygundur. Onun ruhu, adalelere t\u00fcmseklik vermekten korkmayan, \u00e7\u0131plak v\u00fccutlar\u0131 ceviz \u00e7uvallar\u0131na d\u00f6nd\u00fcren Pollaiolo gibi te\u015fhirci ressamlar\u0131n zevk ald\u0131klar\u0131 o \u00e7\u0131k\u0131nt\u0131lardan, o sertliklerden ho\u015flanamazd\u0131.<\/p>\n

\"Anna,<\/a>

Meryem ve kedi ile \u00c7ocuk \u0130sa i\u00e7in \u00e7al\u0131\u015fmalar, 1478-80 civar\u0131, m\u00fcrekkep kalem, Musee Bonnat, Bayonne, Fransa, 22,8 x 16,5 cm. Bu \u00e7izim, Azize Meryem ve kediyle oynayan ya da kediyi tutan \u00e7ocuk \u0130sa \u00fczerine yapt\u0131\u011f\u0131 alt\u0131 \u00e7al\u0131\u015fmadan biridir.<\/p><\/div>\n

Da Vinci’nin Anna, Meryem ve \u00c7ocuk \u0130sa Tablosunda Kulland\u0131\u011f\u0131 Resim Teknikleri<\/span><\/h3>\n

Leonardo<\/a>, tatl\u0131 ve sevimli manzaralar\u0131n, ak\u0131c\u0131 ve rahat konturlar\u0131n \u00e2\u015f\u0131\u011f\u0131yd\u0131. Bir \u015feye \u00e7arpmaktan ho\u015flanmayan duygunlu\u011fu yaln\u0131z ok\u015fanmaktan ho\u015flan\u0131rd\u0131. \u0130\u015fte bu do\u011fu\u015ftan inceliktir ki ona kendisinden \u00f6nce hi\u00e7bir ressam\u0131n g\u00f6rmedi\u011fi \u015feyi, birbirine en yak\u0131n e\u015fya aras\u0131nda bile bir hava tabakas\u0131n\u0131n bulundu\u011funu, bu hava tabakas\u0131n\u0131n, g\u00f6zlerimizle en uzak e\u015fya aras\u0131na girince, o e\u015fyaya mavimt\u0131rak bir renk verdi\u011fini g\u00f6stermi\u015ftir, \u00f6n, orta ve arka planlan birinden di\u011ferine fark olunmayacak derecede ge\u00e7i\u015fi g\u00f6stermek i\u00e7in tonlar\u0131n devaml\u0131 surette hafiflemesi gerekir. Bu ise koyu k\u0131s\u0131mlar\u0131 \u00e7ok karartmakla, tam gece ile tam g\u00fcnd\u00fcz aras\u0131na \u0131\u015f\u0131k-g\u00f6lgenin y\u00fczlerce n\u00fcans\u0131n\u0131 koymakla ancak m\u00fcmk\u00fcnd\u00fcr.<\/p>\n

O gittik\u00e7e azalan g\u00f6lgeler, o g\u00f6lgeler i\u00e7indeki sonsuz de\u011fi\u015fmeler, e\u015fyaya sertliklerini kaybettiren, onlar\u0131 yuvarlakla\u015ft\u0131ran, eriten, o \u0131slak renkler kar\u015f\u0131s\u0131nda ruhu bir h\u00fclya kaplamaya ba\u015flar. Veli Yohanna\u2019ya bak\u0131n\u0131z; tamam\u0131yla g\u00f6lgededir. Yaln\u0131z \u0131\u015f\u0131ktan ince bir \u00e7izgi elinden koluna gitmektedir. \u00dc\u00e7l\u00fc gruptaki k\u00fc\u00e7\u00fck \u0130sa\u2019n\u0131n yaln\u0131z bir omuzu, bir yana\u011f\u0131, bir \u015faka\u011f\u0131 ak\u0131c\u0131 siyahl\u0131ktan meydana \u00e7\u0131kmaktad\u0131r.<\/p>\n

Leonardo da Vinci<\/a>‘nin Dehas\u0131<\/span><\/h3>\n

Leonardo b\u00fcy\u00fck, bir m\u00fczisyendi. Belki de rengin bu ustaca hafifletilmesinde ve \u015fiddetlenmesinde, ayd\u0131n-g\u00f6lgenin insan\u0131 hayal i\u00e7inde b\u0131rakan cazibeli, belirsiz b\u00fcy\u00fcs\u00fcnde, y\u00fcksek musiki eserlerine benzeyen bir \u015fey vard\u0131r.<\/p>\n

Leonardo\u2019nun eserlerindeki fig\u00fcrlere b\u00fcy\u00fck bir ruh zenginli\u011fi veren \u015fey, o fig\u00fcrlerin pek az etli olu\u015fudur. Onun fig\u00fcrlerinde, hayvani hayata i\u015faret eden bir beden geli\u015fimi g\u00f6r\u00fclmez. Bedenler incedir, hele \u00e7ehrenin s\u0131rf hayvani hareketlerle ilgili olan k\u0131s\u0131mlar\u0131 m\u00fcmk\u00fcn oldu\u011fu kadar hafifletilmi\u015ftir. Dudaklar \u00e7ok ince, \u00fcst dudaklar \u00e7ok dard\u0131r, \u00e7ene ufakt\u0131r, \u00e7o\u011fu zaman da ince uzundur. Bu \u00e7ene, Yunan heykellerinin rahat\u0131 ve g\u00fcc\u00fc g\u00f6steren geni\u015f \u00e7enelerinden \u00e7ok farkl\u0131d\u0131r. Ruhu aksettiren g\u00f6zler, m\u00fcmk\u00fcn oldu\u011fu kadar iridir.<\/p>\n

Leonardo\u2019nun eserlerinde renkler pek parlak de\u011fildir; beden tutkular\u0131n\u0131n i\u015faretleri olan k\u0131rm\u0131z\u0131 ve pembe renkler hemen hemen yok gibidir.<\/h5>\n

B\u00fct\u00fcn fig\u00fcrler, adeta cismi eriten, ruhanile\u015ftiren g\u00f6lgeler i\u00e7indedir. Ressam g\u00f6lgeye, alaca karanl\u0131\u011fa olan sonsuz sevgisini \u015fu s\u00f6zlerle ne g\u00fczel belirtir: Ak\u015fam\u00fcst\u00fc, kapal\u0131 havalarda, sokaklardan ge\u00e7en erkeklerin ve kad\u0131nlar\u0131n y\u00fczlerine iyi bak! Bu y\u00fczlerde nas\u0131l bir \u00e7ekicilik ve tatl\u0131l\u0131k vard\u0131r, o zaman anlars\u0131n.<\/p>\n

Leonardo<\/a>\u2019ya g\u00f6re en tatl\u0131 g\u00fczellik ak\u015famdan gelir; \u00e7\u00fcnk\u00fc \u015fiddetli \u0131\u015f\u0131k tats\u0131zd\u0131r, \u00e7ok g\u00f6lge g\u00f6rmeye engel olur; her ikisinin ortas\u0131 iyidir.<\/p>\n

G\u00f6lgeye olan bu sevginin canl\u0131 akislerini, \u00f6zellikle \u00fc\u00e7l\u00fc Grupta, Ma\u011faradaki Meryem\u2019de<\/a>, Veli Yohann\u2019da, Gioconda\u2019da g\u00f6rm\u00fcyor muyuz? Bir duman\u0131n havada eriyi\u015fini and\u0131ran \u0131\u015f\u0131k – g\u00f6lge oyunlar\u0131yla b\u00fct\u00fcn bi\u00e7imler model edilmi\u015ftir.<\/p>\n

Leonardo\u2019nun eserlerindeki g\u00f6lgeleri b\u00fct\u00fcn hayat\u0131nda da g\u00f6r\u00fcr\u00fcz. G\u00f6lgeler hayat\u0131na akm\u0131\u015f gibidir. Ya\u015fay\u0131\u015f\u0131ndaki \u00f6zellikleri herkesten k\u0131skan\u00e7l\u0131kla saklamas\u0131 belki de g\u00f6lgeye olan bu sevgisinden ileri geliyordu.<\/h5>\n

Baudelaire\u2019in, say\u0131l\u0131 me\u015falelerden biri olarak g\u00f6rd\u00fc\u011f\u00fc Leonardo, e\u015fsiz sanat\u0131 ile karanl\u0131klar\u0131 a\u015farak zaman\u0131m\u0131za kadar gelmektedir. B\u00fcy\u00fckl\u00fc\u011f\u00fc eserin say\u0131s\u0131nda de\u011fil, tesirin derili\u011finde arayanlar i\u00e7in Leonardo\u2019nun sanat\u0131ndan daha b\u00fcy\u00fck sanat olamaz. Ger\u00e7ek sanat hayat\u0131n\u0131, yat\u0131\u015fmak bilmeyen bir tecess\u00fcs, yorulmayan bir sab\u0131r ve \u0131srar, s\u00fcrekli bir uyan\u0131kl\u0131k ve engin bir ilim sentezi sayanlar i\u00e7in de gene Leonardo\u2019nun hayat\u0131ndan daha \u00f6rnek bir hayat d\u00fc\u015f\u00fcn\u00fclemez.<\/p>\n","protected":false},"excerpt":{"rendered":"

Anna, Meryem ve \u00c7ocuk \u0130sa Anna, Meryem ve \u00c7ocuk \u0130sa; bu \u00fc\u00e7l\u00fc grup bir b\u00fct\u00fcnl\u00fck \u015feklindedir. B\u00f6yle dar bir mek\u00e2n i\u00e7ine \u00fc\u00e7 ki\u015fiyi s\u0131k\u0131\u015ft\u0131rmak zorunda kalan Leonardo garip bir vas\u0131taya ba\u015fvurmu\u015f, Meryem\u2019i anas\u0131n\u0131n dizleri \u00fcst\u00fcne oturtmu\u015ftur. Bu tuhaf durum onun, insan v\u00fccudunda g\u00f6sterdi\u011fi e\u015fsiz ustal\u0131k ve \u00fcst\u00fcnl\u00fck ile ancak tabii g\u00f6r\u00fclebilirdi. Anna, Meryem ve \u00c7ocuk […]<\/p>\n","protected":false},"author":1,"featured_media":6314,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[248],"tags":[155],"class_list":["post-6299","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-unlu-klasik-tablolar","tag-leonardo-da-vinci"],"yoast_head":"\nAnna, Meryem ve \u00c7ocuk \u0130sa, Leonardo da Vinci - Arthipo<\/title>\n<meta name=\"description\" content=\"Anna, Meryem ve \u00c7ocuk \u0130sa; bu \u00fc\u00e7l\u00fc grup bir b\u00fct\u00fcnl\u00fck \u015feklindedir. 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