{"id":6290,"date":"2016-11-02T00:22:32","date_gmt":"2016-11-01T22:22:32","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=6290"},"modified":"2017-06-07T03:58:34","modified_gmt":"2017-06-07T00:58:34","slug":"rokoko-sanat-akimi","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/rokoko-sanat-akimi.html","title":{"rendered":"Rokoko Sanat Ak\u0131m\u0131"},"content":{"rendered":"

Rokoko Ak\u0131m\u0131\u00a0<\/span><\/h2>\n

Rokoko ak\u0131m\u0131 konusunu i\u015flemeden \u00f6nce Barok d\u00f6nemini ,barok mimari ve resimleri incelemek gerekir dersek yanl\u0131\u015f olmayacakt\u0131r. Rokoko ,kendisinden hemen \u00f6nce gelen , ya da di\u011fer de\u011fi\u015fle do\u011fu\u015funa ortam haz\u0131rlayan ”Barok” tan\u0131nmadan \u00fczerinde pek de fikir y\u00fcr\u00fct\u00fclmemesi gereken bir sanatsal ak\u0131md\u0131r .\u00a0<\/span><\/p>\n

Rokoko ak\u0131m\u0131 nedir ?<\/span><\/h3>\n

Barokun son a\u015famas\u0131 olarak de\u011ferlendirilen rokoko ile Roman sanat\u0131ndan bu yana olan \u00fcslupsal geli\u015fim, yani arkaik, klasik ve barok \u00fcslup a\u015famalar\u0131 biter ve b\u00f6ylece t\u00fcm monar\u015fik d\u00f6nemlerin tar\u0131m ekonomili sanatlar\u0131 son bulur. \u00c7\u00fcnk\u00fc 1789 Frans\u0131z \u0130htil\u00e2li yaln\u0131z Avrupa barok saray saltanat\u0131n\u0131 sona erdirmez, ayn\u0131 zamanda parlamenter, end\u00fcstriyel ekonomili bir yeni\u00a0<\/span><\/p>\n

Rokoko ak\u0131m\u0131 mimarisi<\/span><\/h3>\n

Barokun son d\u00f6nemini i\u00e7eren Rokoko’da, duvarlar ve tavanlar “ROCAILLE” denen midye kabu\u011fu bi\u00e7iminden esinlenmi\u015f bir s\u00fcsleme \u00f6rgesi yan\u0131nda, kabartma olarak bi\u00e7imlenmi\u015f meyveler, \u00e7i\u00e7ekler ve salk\u0131mlarla s\u00fcsleniyordu. Ayr\u0131ca asimetrik bir duvar d\u00fczeni de benimsenme\u011fe ba\u015flanm\u0131\u015ft\u0131. Duvarlara bol yaprakl\u0131 a\u011fa\u00e7lar aras\u0131ndan bakan hayvan resimleri yapmak da moda haline gelmi\u015ftir. Rokoko d\u00f6neminde yap\u0131lan k\u00fc\u00e7\u00fck kas\u0131rlara EREMITAGE ya da SANSSOUCI gibi adlar verilmi\u015f ve \u00e7ok sevilmi\u015ftir.<\/span><\/p>\n

Rokoko ak\u0131m\u0131 nas\u0131l do\u011fdu ?\u00a0<\/span><\/h3>\n

XVII. y\u00fczy\u0131l\u0131n sonuna do\u011fru, Hollanda’n\u0131n denizlere olan egemenli\u011fi sona erince, resimde g\u00f6r\u00fclen bu b\u00fcy\u00fck hamle de birden donup kal\u0131r. Buna kar\u015f\u0131l\u0131k Fransa’da ROKOKO<\/strong> denen ve saray ile soylular\u0131n ya\u015fam\u0131m yans\u0131tan bir resim sanat\u0131 ve dekorasyon t\u00fcr\u00fc ortaya \u00e7\u0131kar. ANTOINE VVATTEAU<\/strong>, gen\u00e7 kad\u0131n ve erkek \u00e7apk\u0131nl\u0131\u011f\u0131n\u0131n, sevgiliye s\u00f6ylenen serenadlar\u0131n zarif, sahte dam-kavalye inceli\u011fi ve z\u00fcppeli\u011finin, k\u0131rsal atmosferde ve saray bah\u00e7elerinde, fakat daha \u00e7ok kuytu yerlerde ge\u00e7en gizli, mahrem davran\u0131\u015flar\u0131n ve zarif elbiseli kad\u0131n ve erkeklerin kat\u0131ld\u0131\u011f\u0131 bayramlar\u0131n, balolar\u0131n ressam\u0131 olmu\u015ftur.<\/span><\/p>\n

Rokoko resimlerinin konular\u0131, soylular taraf\u0131ndan ressamlara bizzat verilmi\u015ftir. Rokoko resmi, genel olarak aristokratiktir ve bu \u00f6zelli\u011fi ile t\u00fcm Avrupa saraylar\u0131nda b\u00fcy\u00fck ilgi g\u00f6rm\u00fc\u015ft\u00fcr, \u00f6yleki, YVatteau ad\u0131na, \u00f6ld\u00fckten sonra bayramlar bile d\u00fczenlenmi\u015ftir.<\/span><\/p>\n

Rokoko ak\u0131m\u0131 ve \u0130ngiltere<\/span><\/h3>\n

\u0130ngiltere’de de Van Dyck’\u0131n yapt\u0131\u011f\u0131 resimlerin yaratt\u0131\u011f\u0131 okul, ilk kez bu d\u00f6nemde, yerli oldu\u011fu halde \u00fcn yapan ressamlar\u0131n ortaya \u00e7\u0131kmas\u0131n\u0131 sa\u011flar. REYNOLD ve THOMAS GAINSBOROUGH<\/strong>, Van Dyck<\/strong>‘\u0131n resimlerinden \u00e7ok \u015fey \u00f6\u011frenmi\u015flerdir. Bu iki ressam da, Van Dyck gibi \u0130ngiliz sosyetesinin ki\u015filerini resmetmi\u015flerdir ve rokoko resminin \u0130ngiltere’deki \u00f6rneklerini vermi\u015flerdir.<\/span><\/p>\n

\"rokoko<\/a>

Rokoko ak\u0131m\u0131n\u0131n \u0130ngiltere’deki temsilcilerinden Thomas Gainsborough’un Harvest vagon adl\u0131 eseri<\/p><\/div>\n

Rokoko ak\u0131m\u0131 ve \u0130talya<\/span><\/h3>\n

Rokoko resminin di\u011fer ressamlar\u0131 aras\u0131nda \u0130talyanlar da yer al\u0131r. Ancak onlar art\u0131k \u00f6nc\u00fc de\u011fildirler, \u00f6zellikle politik y\u00f6nden g\u00fcc\u00fcn\u00fc yitiren Venedik Cumhuriyeti’nin hen\u00fcz zengin ki\u015filerinin kanal e\u011flencelerini ve bu kentin resmi bayramlar\u0131n\u0131 resmeden CANALETTO<\/strong> ve GUARDI<\/strong>, gene bu kentten genel g\u00f6r\u00fcn\u00fcmler de resmetmi\u015flerdir. Bu kente gelen \u00f6zellikle b\u00fcy\u00fck el\u00e7iler, Tiepolo adl\u0131 bir ressam\u0131n yap\u0131tlar\u0131na b\u00fcy\u00fck ilgi g\u00f6stermi\u015flerdir.<\/span><\/p>\n

\"rokoko<\/a>

Tiepolo’ya ait bir eser\u00a0. ”apollo in his sun chariot driving beatrice”<\/p><\/div>\n

 <\/p>\n

B\u00f6ylece Avrupa’n\u0131n hemen bir\u00e7ok saray\u0131nda g\u00f6revlendirilen bu ressam, inan\u0131lmaz bir s\u00fcratle duvar ve tavanlar\u0131 say\u0131s\u0131z fig\u00fcrlerden olu\u015fan kompozisyonlarla doldurur durur, \u00f6yle ki, Almanya’ dan Madrit’e de\u011fin bir\u00e7ok saray ve kilise i\u00e7in sipari\u015fleri \u00fcstlenir. S\u00fcratli, y\u00fczeysel, s\u00fcsl\u00fc, dolayl\u0131 olarak \u00e7ok dekoratif, ezbere bir fig\u00fcr resmini, t\u00fcm Avrupa’ya bir Venedik an\u0131s\u0131 gibi yayar durur. Ve Tiepolo ile barok-rokoko resmi s\u00f6ner. O, t\u00fcm kilise ve saraylar\u0131n tavan ve duvarlar\u0131n\u0131, g\u00f6klerde u\u00e7an, bulutlar aras\u0131nda dola\u015fan fig\u00fcrlerin yer ald\u0131\u011f\u0131 kompozisyonlar\u0131yla \u00e2deta d\u0131\u015f d\u00fcnyaya a\u00e7ar ve mek\u00e2nlar\u0131n\u0131 s\u0131n\u0131rs\u0131zla\u015ft\u0131r\u0131r. Bu nedenle onun kompozisyonlar\u0131, tavanlar\u0131 g\u00f6\u011fe a\u00e7\u0131k bir pencere haline getirmi\u015ftir.<\/span><\/p>\n

Rokoko ak\u0131m\u0131 ve ispanya<\/span><\/h3>\n

Rokokonun ispanya’daki temsilcisi olarak, ancak ilk resimleriyle Francisco GOYA<\/strong> g\u00f6sterilir. Goya, yapt\u0131\u011f\u0131 \u0130spanyol saray\u0131n\u0131n ve soylular\u0131n\u0131n portrelerinde, \u00e2deta onlar\u0131 ele\u015ftiren, hicveden bir tutumunu da resmetmi\u015ftir. Hatta onlarla alay eden bir hava sezilir kral ailesinin t\u00fcm ki\u015filerini yans\u0131tt\u0131\u011f\u0131 bir kompozisyonunda. Yapt\u0131\u011f\u0131 ilk d\u00f6nem resimlerinde hafif, y\u00fczeysel biraz hoppa, z\u00fcppe bir hava bile sezilir.<\/span><\/p>\n

\"rokoko

Rokoko ak\u0131m\u0131 temsilcilerinden \u0130spanyol ressam Francisco Goya’ya ait olan bu eserde Frans\u0131zlar\u2019\u0131n 1808 y\u0131l\u0131nda \u0130spanyol sivillerini katletti\u011fi May\u0131s g\u00fcnlerinden birini anlat\u0131r, Goya’n\u0131n bu eseri sanat tarihi i\u00e7in bir devrim niteli\u011fi ta\u015f\u0131r<\/p><\/div>\n

Ancak Goya, giderek Rembrandt’ta g\u00f6zlemlenen bir boya anlay\u0131\u015f\u0131na var\u0131r. Adeta d\u0131\u015favurucu, renk\u00e7i, fakat trajik bir anlat\u0131m\u0131 benimser, \u00f6rne\u011fin “KUR\u015eUNA D\u0130Z\u0130LENLER\u201d, sava\u015f\u0131n felaketlerini resimsel bir dil ile anlat\u0131r. O, boyasal anlat\u0131m\u0131, basit bir do\u011fa deseninden, k\u0131sacas\u0131 \u00e7izgisel anlat\u0131mdan farkl\u0131 bir boya olay\u0131 olarak anlar. Hatt\u00e2 bu husustaki kan\u0131s\u0131n\u0131 Jacques Louis David\u2019e anlat\u0131r, \u00f6zellikle portrelerinde bu boyasal anlat\u0131m\u0131 son derece cesur f\u0131r\u00e7a darbeleri ile g\u00f6sterir. \u00c7oya’n\u0131n rokoko hafifli\u011finden, do\u011fac\u0131, erkek\u00e7e, g\u00fc\u00e7l\u00fc bir boya resmine var\u0131\u015f\u0131, 1789 Frans\u0131z \u0130htilali’nin a\u00e7t\u0131\u011f\u0131 \u00a0yeni d\u00f6neme tamamen uyan bir geli\u015fim gibidir. Ancak onun Tenlerinde \u0130spanyol havasr, \u0130spanyol karakteri, bu boya olay\u0131 ile birlikte yans\u0131maktan geri kalmaz.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Rokoko Ak\u0131m\u0131\u00a0 Rokoko ak\u0131m\u0131 konusunu i\u015flemeden \u00f6nce Barok d\u00f6nemini ,barok mimari ve resimleri incelemek gerekir dersek yanl\u0131\u015f olmayacakt\u0131r. Rokoko ,kendisinden hemen \u00f6nce gelen , ya da di\u011fer de\u011fi\u015fle do\u011fu\u015funa ortam haz\u0131rlayan ”Barok” tan\u0131nmadan \u00fczerinde pek de fikir y\u00fcr\u00fct\u00fclmemesi gereken bir sanatsal ak\u0131md\u0131r .\u00a0 Rokoko ak\u0131m\u0131 nedir ? Barokun son a\u015famas\u0131 olarak de\u011ferlendirilen rokoko ile Roman […]<\/p>\n","protected":false},"author":1,"featured_media":6298,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[124],"tags":[],"class_list":["post-6290","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-tarihi"],"yoast_head":"\nRokoko Sanat Ak\u0131m\u0131 - Arthipo<\/title>\n<meta name=\"description\" content=\"Rokoko ak\u0131m\u0131 nedir. Rokoko ak\u0131m\u0131 sanat\u00e7\u0131lar\u0131 ve eserleri. Rokoko ve barok ili\u015fkisi. Rokoko nas\u0131l ve nerede do\u011fdu. 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