{"id":6287,"date":"2016-11-03T10:27:16","date_gmt":"2016-11-03T07:27:16","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=6287"},"modified":"2017-06-07T02:23:00","modified_gmt":"2017-06-06T23:23:00","slug":"barok-sanat-akimi","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/barok-sanat-akimi.html","title":{"rendered":"Barok Sanat Ak\u0131m\u0131"},"content":{"rendered":"

Barok Sanat Ak\u0131m\u0131
\n<\/span><\/h2>\n

Barok sanat ak\u0131m\u0131 d\u00f6nemin, h\u00fcmanist d\u00fcnya g\u00f6r\u00fc\u015f\u00fcn\u00fc, burjuvan\u0131n eko\u00adnomik giri\u015fimlerini, \u0130talya ve Fransa gibi \u00fclkelerin b\u00fcy\u00fck \u00f6l\u00e7\u00fcde frenledi\u011fine de\u011finilmi\u015fti. Ancak, R\u00f6nesans\u2019ta, insan akl\u0131n\u0131n son\u00adsuz olanaklar\u0131na olan inan\u00e7 tamamen \u00f6lm\u00fc\u015f de\u011fildi. Hatta \u00e7a\u011f\u0131n politik g\u00fc\u00e7lerine ters d\u00fc\u015fen ak\u0131lc\u0131 d\u00fcnya g\u00f6r\u00fc\u015f\u00fc, giderek bilimsel kimi ger\u00e7eklerin ortaya \u00e7\u0131kmas\u0131na bile neden oldu. Descartes, Leibniz ve Hobbes \u2018in felsefe sistemleri, Newton\u2019un do\u011fa bilim\u00adlerine ili\u015fkin yeni g\u00f6zlemleri, matematik, fizik ve astronomi alanlar\u0131nda yeni ger\u00e7eklerin ortaya \u00e7\u0131kmas\u0131na yol a\u00e7t\u0131. XVIII. y\u00fczy\u0131l\u0131n bu akla dayal\u0131 yeni g\u00f6r\u00fc\u015fleri, Barok sanatl\u0131 \u00e7a\u011f\u0131n var\u00adolu\u015f nedenlerine ters d\u00fc\u015f\u00fcyordu.<\/p>\n

\"The<\/a>

The Church of Sant Andrea al Quirinale, Gian Lorenzo Bernini<\/p><\/div>\n

Fransa’da felsefe, edebiyat, es\u00adtetik, politika, ekonomi, din, k\u0131sacas\u0131 sanat, bilim ve teknik t\u00fcm alanlar\u0131 i\u00e7ine alan 28 ciltlik g\u00f6rkemli bir ansiklopedi yay\u0131m\u0131na da ba\u015fland\u0131. Voltaire \u2018in \u00f6nc\u00fcl\u00fc\u011f\u00fcn\u00fc yapt\u0131\u011f\u0131 bu giri\u015fim, \u00f6zellikle ayd\u0131n kesim \u00fczerinde b\u00fcy\u00fck etki yapt\u0131. B\u00f6ylece ayd\u0131nlar aras\u0131n\u00adda politik ve dinsel alanlarda ele\u015ftirici bir ku\u015fkuculuk \u00f6nemli \u00f6l\u00e7\u00fcde yay\u0131ld\u0131.<\/p>\n

\"Peterhof<\/a>

Peterhof Saray\u0131, Saint Petersburg, Barok Sanat Ak\u0131m\u0131<\/p><\/div>\n

Barok \u2018un son a\u015famas\u0131 olarak de\u011ferlendirilen rokoko d\u00f6ne\u00adminde, saray\u0131n e\u011flenmesi \u00f6l\u00e7\u00fcs\u00fcz bir hal ald\u0131 ve uyananlar\u0131n, bu duruma kar\u015f\u0131 bir cephe olu\u015fturduklar\u0131 bile fark edilmedi. Metres ya\u015fam\u0131, serenatlar, \u015fark\u0131lar, k\u0131r a\u015fklar\u0131, av partileri t\u00fcm saray\u0131n sarho\u015flu\u011fu i\u00e7inde s\u00fcrd\u00fc gitti. Bu tatl\u0131 r\u00fcya ya\u015fam\u0131n\u0131, \u00fcnl\u00fc Fran\u00ads\u0131z ba\u015fbakan\u0131 Talleyrand, “\u0130htilal \u00f6ncesini ya\u015famayan bu d\u00fcnya\u00adda ya\u015fam\u0131\u015f say\u0131lmaz” diye anlat\u0131yordu, i\u015fte Barok sanat, b\u00f6yle bir ortamda geli\u015fti. Ancak bu ortam\u0131n durumuna ters d\u00fc\u015fen ki\u00ad\u015filerin portreleri de ortaya \u00e7\u0131kt\u0131.<\/p>\n

\"Turin<\/a>

Turin Krall\u0131k Tiyatrosu, Pietro Domenico Oliviero<\/p><\/div>\n

Barok Sanat Ak\u0131m\u0131n\u0131n Mimariye Yans\u0131malar\u0131<\/span><\/h3>\n

Barok mimarinin, mutlak monar\u015finin egemen oldu\u011fu bir y\u00f6netimin temsilinde de\u011ferlendi\u011fine de\u011finilmi\u015fti. Dolayl\u0131 olarak bu sanat\u0131n mimarl\u0131kta b\u00fcy\u00fckl\u00fc\u011fe, s\u00fcse, g\u00f6steri\u015fe yer verdi\u011fi anla\u00ad\u015f\u0131lm\u0131\u015ft\u0131. Katolik kilisesi de, Reform hareketine kar\u015f\u0131 yapt\u0131\u00ad\u011f\u0131 din sava\u015flar\u0131 ile bir g\u00fc\u00e7 ve birlik yaratm\u0131\u015ft\u0131r. Aynen krallar gibi g\u00f6rkemli, temsil edici kiliseler yaparak, b\u00fcy\u00fckl\u00fc\u011f\u00fcn\u00fc taraftarlar\u0131\u00adna g\u00f6stermeye \u00e7al\u0131\u015fm\u0131\u015ft\u0131. Ancak Barok resimde, Hollanda, Fele\u00admenk ve \u0130spanya (\u0130talya’da yaln\u0131z Caravaggio do\u011fac\u0131 bir g\u00f6zlem\u00adle nesne, fig\u00fcr ve portre anlay\u0131\u015f\u0131nda kalm\u0131\u015ft\u0131) g\u00f6zlemci ve do\u011fac\u0131 bir anlat\u0131m\u0131 benimsemi\u015flerdi. Oysa Fransa ve \u0130talya’daki ressam\u00adlar, klasisist bir anlat\u0131m \u00e7er\u00e7evesinde \u00e7al\u0131\u015fmalar\u0131n\u0131 s\u00fcrd\u00fcrm\u00fc\u015fler\u00addi. Bu nedenle, Barok resimde, ideal ile nat\u00fcralizminin de\u011fi\u015fik de\u011ferlendirili\u015fleri de yer alabilmi\u015ftir.<\/p>\n

\"Victoria,<\/a>

Victoria, Albert M\u00fczesi<\/p><\/div>\n

Barok Sanat Ak\u0131m\u0131 Rokoko Sanat Ak\u0131m\u0131na D\u00f6n\u00fc\u015f\u00fcyor<\/span><\/h3>\n

Rokokonun, resmi, heyke\u00adli ve dekorasyonu ile hizmetinde bulundu\u011fu saray, 1789 \u0130htil\u00e2li ile \u00f6nce Fransa’da, yava\u015f yava\u015f da di\u011fer Avrupa \u00fclkelerinde g\u00fc\u00adc\u00fcn\u00fc yitirmi\u015ftir. Eski ilk b\u00fcy\u00fck uygarl\u0131klardan bu yana s\u00fc\u00adren monar\u015fi y\u00f6netimli, tar\u0131m ekonomili toplumlar\u0131n sanatlar\u0131 da ortadan kalk\u0131yordu. Tar\u0131m ekonomisinin egemen oldu\u011fu \u0130.0.5000 y\u0131llar\u0131ndan \u0130.S. 1800 y\u0131llar\u0131na de\u011fin, mutlak y\u00f6netimli krallar\u0131n etkisi sanatta s\u00f6z konusudur. \u0130\u015fte bu uzun s\u00fcrede eski M\u0131s\u0131r, Mezopotamya, Grek, Roma ve Avrupa\u2019da ortaya konan sanatlarda, arkaik, klasik ve barok \u00fcsl\u00fbp d\u00f6nemleri ya\u015fand\u0131. Ya\u00adni mutlak monar\u015fi y\u00f6netimlerle ilgili \u00fcsl\u00fbplara t\u00fcm sanat\u00e7\u0131lar uydu. Bu nedenle monar\u015fi y\u00f6netimlerin \u00fcsl\u00fbp a\u015famalar\u0131, uzun y\u00fczy\u0131llar boyunca s\u00fcren bir geli\u015fme ve birlik g\u00f6sterebildi.<\/p>\n

\"Michelangelo<\/a>

Michelangelo Merisi, Called Caravaggio The Crowning With Thorns<\/p><\/div>\n

Barok resminde, f\u0131r\u00e7a tu\u015funun bir boya lekesi ve olay\u0131 olarak de\u011ferlendirilmesi ve yans\u0131mas\u0131, \u00f6nemli bir \u00f6zelliktir. B\u00f6ylece, nesne g\u00f6r\u00fcnt\u00fcs\u00fcne ve rengine dayal\u0131 bir anlat\u0131mdan, yani bi\u00e7im\u00adlemeden, resme \u00f6zg\u00fc yeni bir bulu\u015f olan tu\u015f anlat\u0131m\u0131na ge\u00e7ilecektedir. Bunun yan\u0131nda, bir di\u011fer yenilik de, barok desende yani \u00e7izimde g\u00f6r\u00fclmektedir. \u00d6rne\u011fin R\u00f6nesans’\u0131n fig\u00fcr ve me\u00adk\u00e2n desenini olu\u015fturan ve onlar\u0131n t\u00fcm \u00e7evresini dolanan \u00e7izgi anlay\u0131\u015f\u0131, yerini, optik g\u00f6zlemin \u0131\u015f\u0131k-g\u00f6lgeyi de i\u00e7eren bir \u00e7e\u015fit karalamas\u0131na dayamaktad\u0131r. B\u00f6ylece yaln\u0131z nesne ve fig\u00fcr\u00fc s\u0131n\u0131rlayan bir \u00e7izgi anlay\u0131\u015f\u0131 yerine, onlar\u0131n genel optik g\u00f6r\u00fcnt\u00fc etkisini yans\u0131tan ve ger\u00e7ek olarak kesin nesne ve fig\u00fcr bi\u00e7imini vermeyen bir karalama \u00e7izgiye varmaktad\u0131r. Bu yenilik, boyasal tu\u015f lekesi anlat\u0131ma tamamen paralel ve hatta onun gere\u011fi olarak ortaya \u00e7\u0131km\u0131\u015ft\u0131r.<\/p>\n

\"Aeneas<\/a>

Aeneas Truva’dan Ka\u00e7\u0131\u015f\u0131 , Federico<\/p><\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Barok Sanat Ak\u0131m\u0131 Barok sanat ak\u0131m\u0131 d\u00f6nemin, h\u00fcmanist d\u00fcnya g\u00f6r\u00fc\u015f\u00fcn\u00fc, burjuvan\u0131n eko\u00adnomik giri\u015fimlerini, \u0130talya ve Fransa gibi \u00fclkelerin b\u00fcy\u00fck \u00f6l\u00e7\u00fcde frenledi\u011fine de\u011finilmi\u015fti. Ancak, R\u00f6nesans\u2019ta, insan akl\u0131n\u0131n son\u00adsuz olanaklar\u0131na olan inan\u00e7 tamamen \u00f6lm\u00fc\u015f de\u011fildi. Hatta \u00e7a\u011f\u0131n politik g\u00fc\u00e7lerine ters d\u00fc\u015fen ak\u0131lc\u0131 d\u00fcnya g\u00f6r\u00fc\u015f\u00fc, giderek bilimsel kimi ger\u00e7eklerin ortaya \u00e7\u0131kmas\u0131na bile neden oldu. Descartes, Leibniz ve Hobbes […]<\/p>\n","protected":false},"author":1,"featured_media":6403,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[124],"tags":[],"class_list":["post-6287","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-tarihi"],"yoast_head":"\nBarok Sanat Ak\u0131m\u0131 - Arthipo<\/title>\n<meta name=\"description\" content=\"Barok sanat ak\u0131m\u0131 d\u00f6nemin, h\u00fcmanist d\u00fcnya g\u00f6r\u00fc\u015f\u00fcn\u00fc, burjuvan\u0131n eko\u00adnomik giri\u015fimlerini, \u0130talya ve Fransa gibi \u00fclkelerin b\u00fcy\u00fck \u00f6l\u00e7\u00fcde frenledi\u011fine...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/barok-sanat-akimi.html\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Barok Sanat Ak\u0131m\u0131 - 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