{"id":6257,"date":"2016-11-04T00:59:50","date_gmt":"2016-11-03T22:59:50","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=6257"},"modified":"2017-06-07T04:10:57","modified_gmt":"2017-06-07T01:10:57","slug":"romantizm-sanat-akimi","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/romantizm-sanat-akimi.html","title":{"rendered":"Romantizm Sanat Ak\u0131m\u0131"},"content":{"rendered":"
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Romantizm<\/span><\/h2>\n

Romantizm ak\u0131m\u0131, <\/span><\/h3>\n

Fransa\u2019da, \u0130mparatorlu\u011fun sonu ile 1848 aras\u0131nda geli\u015fen, Avrupal\u0131lar\u0131n duygu ve d\u00fc\u015f\u00fcncelerini de\u011fi\u015ftiren manevi bir ihtilaldir. Siyasette, edebiyatta oldu\u011fu gibi m\u00fczikte ve plastik sanatlarda da g\u00f6r\u00fcnm\u00fc\u015ft\u00fcr. Onu ilk \u00f6nce resimde ele almak laz\u0131md\u0131r.<\/span><\/p>\n

Romantizm ak\u0131m\u0131n\u0131n \u00f6nc\u00fcs\u00fc kimdi ?\u00a0<\/span><\/h3>\n
\"romantizm

Delacroix’ e ait , Frans\u0131z devrimini anlatan Halk’a yol g\u00f6steren \u00f6zg\u00fcrl\u00fck isimli tablo (1830)<\/p><\/div>\n

Romantiklerin ba\u015f\u0131 olmak \u015ferefi Delacroix<\/strong>\u2019ya nasip olmu\u015ftur. Romantizm, \u015fah\u0131slara g\u00f6re t\u00fcrl\u00fc manzaralarla g\u00f6r\u00fcn\u00fcr. Zira romantizmin esas\u0131 \u015fahsi\u00a0orijinaliteleri daha ziyade belirtmektedir.<\/span><\/p>\n

\"Eugene<\/a>

Eugene Delacroix’in otoportresi<\/p><\/div>\n

Romantizm ile klasizm kar\u015f\u0131la\u015ft\u0131rmas\u0131<\/span><\/h3>\n

Klasikler; ideal, herkes i\u00e7in do\u011fru, mekteplere ve \u015fah\u0131slara ha kim bir g\u00fczelli\u011fe inan\u0131yorlard\u0131. Oysa ki romantizm, esteti\u011fini \u015fahsi duygulara dayat\u0131yordu. O; bir eserin samimi, orijinal oldu\u011fu ve onu yaratan\u0131n \u00f6zel varl\u0131\u011f\u0131na yara\u015ft\u0131\u011f\u0131 nispette g\u00fczel say\u0131laca\u011f\u0131na inanm\u0131\u015ft\u0131r. Bu prensipten bir\u00e7ok neticeler \u00e7\u0131kar. <\/span><\/p>\n

Klasizm bir mukallittir. Halbuki romantik, modele esirli\u011fi asla kabul etmez Klasik sanat\u00e7\u0131lar ; sanat\u0131 akla ba\u011flar, duygunun heveslerinden ka\u00e7\u0131n\u0131r. Romantik aksine duygular\u0131na teslim olur. Akl\u0131n, heyecan\u0131, at\u0131l\u0131\u015f\u0131 \u00f6ld\u00fcrme sinden korkar. Klasik sanat\u00e7\u0131, Eski devre a\u015f\u0131kt\u0131r. Orta \u00c7a\u011f\u0131 k\u00fc\u00e7\u00fck g\u00f6r\u00fcr.<\/span><\/p>\n

Romantik sanat\u00e7\u0131lar<\/strong> ise Yunan ve Latin k\u00fclt\u00fcr\u00fcn\u00fcn uzun bask\u0131s\u0131ndan bezgindir. Onun h\u00fclyas\u0131 sevin\u00e7le Gotik y\u00fczy\u0131llar\u0131n karanl\u0131k \u00e7a\u011flar\u0131na d\u00f6ner. Nihayet \u0130ngres ile Delacroix<\/strong> aras\u0131ndaki z\u0131tl\u0131k b\u00fct\u00fcn \u015fiddetiyle burada meydana \u00e7\u0131kar. Klasik, kusursuz \u00e7izgiyi, kompozisyonun ahengini arar. Romantik, ifadeli \u015fekil bozukluklar\u0131m sever. Fakat sanat\u00e7\u0131, Delacroix \u00a0gibi b\u00fcy\u00fck bir ressam olmay\u0131nca, o zaman, kompozisyon alaca bulaca, muvazenesiz bir \u015fekil al\u0131r.<\/span><\/p>\n

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Romantizm Ak\u0131m\u0131n\u0131n Etkileri<\/span><\/h3>\n
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Romantizm ak\u0131m\u0131n\u0131n en dikkat \u00e7ekici zaferlerinden biri de tabiat dini idi. Bu dinden, hem 1830 peyzajc\u0131lar\u0131, hem Fontainebleau mektebi<\/strong> denilen gurup do\u011fmu\u015ftur. Bu ressamlar\u0131n bir\u00e7oklar\u0131 ormanlarda, k\u0131rlarda, Paris\u2019in getirdi\u011fi \u015f\u00f6hrete arka \u00e7evirmi\u015fler, k\u00f6yl\u00fcler gibi ya\u015fam\u0131\u015flar, hayatlar\u0131n\u0131 b\u00fcy\u00fck a\u011fa\u00e7lar\u0131n resimlerini yapma\u011fa ba\u011f\u0131\u015flam\u0131\u015flard\u0131. Fakat resmin en b\u00fcy\u00fcklerinden olan Corot bu gruptan yeti\u015fmi\u015f de\u011fildir. O, Fransa\u2019y\u0131 ve \u0130talya\u2019y\u0131 ba\u015ftanba\u015fa dola\u015fm\u0131\u015ft\u0131. Nerede olursa olsun o her \u015feyden \u00f6nce \u0131\u015f\u0131\u011f\u0131n \u015fairidir. \u0130nce olan bu \u0131\u015f\u0131k, sabah\u0131n veya ak\u015fam\u0131n alaca karanl\u0131klar\u0131yla hafifler. Eserlerinde bir Frans\u0131z k\u00f6yl\u00fcs\u00fcne, bir Romal\u0131 \u00e7obana yahut danseden perilere rast gelince hayret etmemelidir. Zira Corot\u2019 nun g\u00f6r\u00fc\u015f\u00fc, realiteyi h\u00fclyaya \u00e7evirir.<\/span><\/p>\n

Almanya’da Romantizm Ak\u0131m\u0131<\/span><\/strong><\/h3>\n

Alman romantikleri i\u00e7inde “Nazarener\u201d denilen bir okuldan olan Overbeck ve Cornelius gibi ressamlar da yer al\u0131r. Bunlar, Orta\u00e7a\u011f dinsel anlay\u0131\u015f\u0131na, bir sanat ele\u015ftirmeni olan Friedrich Schlegel’in \u00f6nerisi ile \u00f6nem vermi\u015f bir grupturlar. A\u015f\u0131\u00adr\u0131 dindarl\u0131klar\u0131 nedeniyle, bulunduklar\u0131 d\u00fcnyadan yani \u00e7a\u011fda\u015f Almanya’dan uzakla\u015farak “Lukas Karde\u015fler” ad\u0131 alt\u0131nda Roma’<\/span>
\n daki San \u0130sidaro Manast\u0131r\u0131’na giderler ve bu kentte \u00f6zellikle Raffaello’nun gen\u00e7lik resimlerine \u00f6zenerek yeni- bir dinsel resmi ihya etmeye \u00e7al\u0131\u015f\u0131rlar. Ayn\u0131 resim anlay\u0131\u015f\u0131n\u0131, \u0130ngiltere’de de Preraffaelit’ler denen bir grup ressam benimser. \u0130ngiltere’ deki bu grup i\u00e7inde de Rosetti ve Millais gibi ressamlar yer al\u0131r ve dinsel inanc\u0131n insan\u0131 y\u00fcceltti\u011fini ima eden yap\u0131tlar yapar\u00adlar.<\/span><\/p>\n

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\u0130ngiltere’deki Romantik Ak\u0131m<\/span><\/strong><\/h3>\n

Ancak, \u0130ngiltere’deki romantik ak\u0131m\u0131n esas temsilcileri \u015fuas\u0131n\u00adda Constable ve Turner gibi sanat\u00e7\u0131lar yer al\u0131r. Hatta bu sanat\u00e7\u0131lar Frans\u0131z romantik resminden farkl\u0131 yenilikler de geti\u00adrirler. Bu iki ressam\u0131n \u00f6nce farkl\u0131 bir manzara resmi anlay\u0131\u015f\u0131n\u0131 getirdikleri saptan\u0131r. Bu ressamlar\u0131n manzaralar\u0131nda, Alman ro\u00admantiklerindeki gibi i\u00e7e kapan\u0131k bir insan\u0131n ruhsal durumu yan\u00ads\u0131maz. Bunlar, do\u011fa kar\u015f\u0131s\u0131nda edindikleri canl\u0131 izlenimlere, do\u00ad\u011fan\u0131n \u0131\u015f\u0131k ve canl\u0131 ger\u00e7ek renklerine, yani g\u00f6r\u00fcnt\u00fc renklerine b\u00fc\u00ady\u00fck \u00f6nem verirler. B\u00f6ylece \u0130ngiliz resminde ilk kez Avrupa’da da ad\u0131 ge\u00e7en ressamlar ortaya \u00e7\u0131kmaya ba\u015flar. Bunlardan Constable, do\u011fa kar\u015f\u0131s\u0131na sehpas\u0131n\u0131 kurar ve do\u011fadan ger\u00e7ek\u00e7i bir tu\u00adtumla ve renkli f\u0131r\u00e7a tu\u015flar\u0131 ile dolays\u0131z bir g\u00f6zleme dayanan notlar al\u0131r.B\u00f6ylece, ancak do\u011fa kar\u015f\u0131s\u0131nda var\u0131lan bir ger\u00e7ek\u00e7ili\u00ad\u011fin ve hayalin yer almad\u0131\u011f\u0131 do\u011fac\u0131l\u0131\u011f\u0131n \u00f6nc\u00fcs\u00fc olur. Constable’e de\u011fin Avrupa’da yap\u0131lan ve birtak\u0131m kurallara dayand\u0131r\u0131lm\u0131\u015f ide\u00adal manzara resmi anlay\u0131\u015f\u0131, b\u00f6ylece ilk kez yenilenme olana\u011f\u0131 bu\u00adlur. <\/span><\/p>\n

Constable’in g\u00f6r\u00fc\u015f\u00fc, yani do\u011fa g\u00f6zlemi, barok anlat\u0131ml\u0131 man\u00adzaradaki, her \u015feyi kahve renkleri i\u00e7inde b\u00fct\u00fcnle\u015ftiren, g\u00f6zlemden uzak, ak\u0131ldan manzara d\u00fczenlemesine de tamamen terstir. Onun yapt\u0131\u011f\u0131 k\u0131r resimlerinde, \u00e7imenler ilk kez ye\u015fil olarak, g\u00f6r\u00fcnd\u00fck\u00adleri gibi boyanm\u0131\u015flard\u0131r. Bu durumu, onun 1824 de Paris’te a\u00e7\u0131\u00adlan sergisinde ilk fark eden Delacroix olmu\u015f ve “Ger\u00e7ekten \u00c7imenler Ye\u015fil” demi\u015ftir. K\u0131sacas\u0131 izlenimcilerden \u00f6nce do\u011fa renklerinin ger\u00e7ekli\u011fini ilk anlayanlardan biri Constable olmu\u015ftur. \u00c7\u00fcnk\u00fc o, sehpas\u0131n\u0131 k\u0131ra ta\u015f\u0131yor, resmini, do\u011fa kar\u015f\u0131\u00ads\u0131nda alg\u0131lad\u0131\u011f\u0131 notlarla yap\u0131yordu. B\u00f6ylece de g\u00fcne\u015f \u0131\u015f\u0131\u011f\u0131n\u0131n nesne ve canl\u0131lar \u00fczerindeki etkisini dolays\u0131z olarak saptamay\u0131 ama\u00e7lad\u0131\u011f\u0131n\u0131 g\u00f6steriyordu. Bu tutum izlenimcilerden \u00f6nce yap\u0131\u00adlan en \u00f6nemli bir resimleme bi\u00e7imini yaratm\u0131\u015ft\u0131r. O, bu neden\u00adlerle hem Oelacroix\u2019ya hem de izlenimcilerin “A\u00e7\u0131k Hava Resmi* ‘nin g\u00fc\u00e7 kazanmas\u0131na \u00f6nemli bir \u00f6nc\u00fc olmu\u015ftur.<\/span><\/p>\n

Turner’in Resimleri<\/span><\/strong><\/h3>\n

Turner de, gene bir \u00e7e\u015fit a\u00e7\u0131k hava resmini getirmi\u015ftir. Ancak o, Constable’de oldu\u011fu gibi resimlerini dolays\u0131z olarak do\u011fa kar\u00ad\u015f\u0131s\u0131nda yapmam\u0131\u015ft\u0131r. Tam tersine, Turner, at\u00f6lyesine kapanm\u0131\u015f ve sezgilerine, akl\u0131nda kalan kimi g\u00f6zlemlere a\u011f\u0131rl\u0131k tan\u0131yarak \u00e7al\u0131\u015fmalar\u0131n\u0131 yapm\u0131\u015ft\u0131r. Turner’in resimlerinde yeni olan hava\u00adn\u0131n yo\u011fun g\u00f6r\u00fcnt\u00fcs\u00fcd\u00fcr. Yani o da, izlenimcilerden \u00f6nce, hava yo\u011funlu\u011funun bi\u00e7imleri eriten g\u00f6r\u00fcnt\u00fcs\u00fcn\u00fc saptamay\u0131 ba\u015farm\u0131\u015f\u00adt\u0131r. Bu nedenle, sonradan \u0130ngiltere’ye gelecek olan ilk izlenimci\u00adler, Constable \u0130le onun resimlerine bakarak izlenimci anlay\u0131\u015f\u0131n esaslar\u0131n\u0131 ortaya koyacaklard\u0131r. Turner, yo\u011fun hava tabakas\u0131 i\u00e7inde \u0131\u015f\u0131\u011f\u0131 g\u00f6stermeyi de ama\u00e7 edinmi\u015ftir. B\u00f6ylece onun resim\u00adlerinde yo\u011fun hava tabakas\u0131 i\u00e7inde nesnelerin kesin \u00e7izgileri eri- mi\u015ftir. \u00d6rne\u011fin “\u0130ngiliz Parlemento Binas\u0131” adl\u0131 yap\u0131- t\u0131nda, bu durum a\u00e7\u0131k olarak g\u00f6r\u00fcn\u00fcr. Turner\u2019in resimlerinde, f\u0131r\u00adt\u0131nada batan ya da bat\u0131r\u0131lan gemi konular\u0131, hep yo\u011fun atmosfe\u00adrin ve \u0131\u015f\u0131\u011f\u0131n durumuna g\u00f6re i\u015flenmi\u015flerdir. Turner\u2019in resmi, bir bak\u0131ma nesne-fig\u00fcr anlat\u0131m\u0131na ters d\u00fc\u015fen, onlar\u0131 dikkate alma\u00admay\u0131 g\u00f6z \u00f6n\u00fcnde tutan bir anlay\u0131\u015fa g\u00f6re yap\u0131lm\u0131\u015ft\u0131r, denebilir. Bu nedenle, Constable ile Turner’in barok nesne-fig\u00fcr bi\u00e7imlemecili\u011finin tasfiyesinde \u00f6nemli rol ald\u0131klar\u0131 kabul edilmektedir.<\/span><\/p>\n

Romantizm Ak\u0131m\u0131n\u0131n \u00d6nde Gelen Ressam, Heykeltra\u015f ve Sanat\u00e7\u0131lar\u0131<\/span><\/h4>\n

Eug\u00e8ne Delacroix, Ingres, Th\u00e9odore G\u00e9ricault, Joseph Anton Koch, James Ward, Gordale Scar, John Constable, J. C. Dahl, William Blake, J. M. W. Turner, Ivan Aivazovsky, William Blake, Karl Bryullov, Hans Gude, John Martin,<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Romantizm Romantizm ak\u0131m\u0131, Fransa\u2019da, \u0130mparatorlu\u011fun sonu ile 1848 aras\u0131nda geli\u015fen, Avrupal\u0131lar\u0131n duygu ve d\u00fc\u015f\u00fcncelerini de\u011fi\u015ftiren manevi bir ihtilaldir. Siyasette, edebiyatta oldu\u011fu gibi m\u00fczikte ve plastik sanatlarda da g\u00f6r\u00fcnm\u00fc\u015ft\u00fcr. Onu ilk \u00f6nce resimde ele almak laz\u0131md\u0131r. Romantizm ak\u0131m\u0131n\u0131n \u00f6nc\u00fcs\u00fc kimdi ?\u00a0 Romantiklerin ba\u015f\u0131 olmak \u015ferefi Delacroix\u2019ya nasip olmu\u015ftur. Romantizm, \u015fah\u0131slara g\u00f6re t\u00fcrl\u00fc manzaralarla g\u00f6r\u00fcn\u00fcr. Zira romantizmin […]<\/p>\n","protected":false},"author":1,"featured_media":6464,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[124],"tags":[],"class_list":["post-6257","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-tarihi"],"yoast_head":"\nRomantizm Sanat Ak\u0131m\u0131 - Arthipo<\/title>\n<meta name=\"description\" content=\"Romantizm sanat ak\u0131m\u0131 sanat\u00e7\u0131lar\u0131. Romantizm ak\u0131m\u0131n\u0131n \u00f6nc\u00fcleri. Romantik sanat\u00e7\u0131lar ve eserleri. Delacroix ve Frans\u0131z devrimi tablosu. 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