{"id":5818,"date":"2016-10-23T11:11:12","date_gmt":"2016-10-23T08:11:12","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=5818"},"modified":"2017-06-07T03:25:25","modified_gmt":"2017-06-07T00:25:25","slug":"georges-seurat-la-seine-a-la-grande-jatte","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/unlu-klasik-tablolar\/georges-seurat-la-seine-a-la-grande-jatte.html","title":{"rendered":"Georges Seurat \u201cLa Seine A La Grande Jatte\u201d"},"content":{"rendered":"

Georges Seurat \u201cLa Seine A La Grande Jatte\u201d<\/h2>\n

Georges Seurat<\/strong><\/a>, bir Frans\u0131z ressam\u0131d\u0131r. Art \u0130zlenimclik dedi\u011fimiz ak\u0131ma \u2018Noktac\u0131l\u0131k<\/em><\/strong>\u2018, yani Puantilizm<\/em> <\/strong><\/a>tekni\u011fini getiren bu ressam, yaln\u0131zca 31 y\u0131l ya\u015fad\u0131. \u0130lk sergisini 24\u2019\u00fcndeyken Salon<\/em>\u2018da a\u00e7an Seurat<\/strong>\u2018\u0131n \u201cLa\u00a0Seine\u00a0A La Grande Jatte<\/strong>\u201d eserinden s\u00f6z etmeye \u00e7al\u0131\u015faca\u011f\u0131m. Yukar\u0131da s\u00f6yledi\u011fimPuantilizm<\/em> tekni\u011fi i\u015fte bu eserle ortaya \u00e7\u0131kt\u0131.<\/span><\/span><\/p>\n

1859 y\u0131l\u0131nda Fransa\u2019da do\u011fan ve 1891\u2019de memleketinde son nefesini veren\u00a0Georges Seurat<\/strong>, sanat ya\u015fam\u0131na heykel ve resim e\u011fitimi alarak ba\u015flad\u0131. Yani o, okulunu b\u0131rak\u0131p kendini resme veren Frans\u0131z \u0130zlenimciler\u2019den de\u011fildi. Resme ba\u015flad\u0131\u011f\u0131nda en \u00e7ok u\u011fra\u015ft\u0131\u011f\u0131 \u015fey, \u0131\u015f\u0131k bilimi diye tabir edebilece\u011fimiz optik ile renkler aras\u0131ndaki ili\u015fkiydi. Zaten Puantilizm<\/em> <\/a>de y\u0131llarca kafa patlatt\u0131\u011f\u0131 bu meseleden do\u011fdu.<\/span><\/p>\n

\"georges<\/a><\/p>\n

Orijinal ismi \u201cLa Seine \u00e0 La Grande Jatte<\/strong>\u201d (La Grande Jatte<\/em>) olan ve T\u00fcrk\u00e7e\u2019ye \u201cGrande Jatte\u2019ten Seine Nehri<\/strong>\u201d olarak \u00e7evrilen 207.6 x 308 cm\u00a0<\/strong>gibi dev boyutlara sahip bu esere dair s\u00f6ylenecek \u00e7ok fazla bir \u015fey yok. Eserin g\u00fczelli\u011fi, y\u00fcksek \u00e7\u00f6z\u00fcn\u00fcrl\u00fckl\u00fc bir versiyonuna yak\u0131ndan bak\u0131ld\u0131\u011f\u0131 takdirde ya da yerinde, yani Chicago Sanat Enstit\u00fcs\u00fc<\/a>\u2019nde g\u00f6r\u00fclerek anla\u015f\u0131labilir.<\/span><\/p>\n

Kabaca bahsetmem gerekirse, buras\u0131 Seine Nehri \u00fczerindeki Jatte Adas\u0131\u2018ndan bir mesire yeri. Bize g\u00f6re sa\u011f tarafta \u00e7ok say\u0131da uzun g\u00f6vdeli a\u011fa\u00e7 var. Ada oldu\u011fu i\u00e7in her yan\u0131 Seine Nehri\u2018yle\u00a0\u00e7evrili alanda k\u00fc\u00e7\u00fck yelkenli ve yelkensiz kay\u0131klar geziyor. Hemen \u00f6n\u00fcm\u00fczde iki k\u00fc\u00e7\u00fck su birikintisi var bu birikintilerin \u00fczerine dev bir a\u011fa\u00e7 g\u00f6lgesi d\u00fc\u015fm\u00fc\u015f. \u00d6n\u00fcm\u00fczde, di\u011ferine oranla daha geni\u015f g\u00f6r\u00fcnen birikintiye g\u00fcne\u015f vuruyor ve bu hayranl\u0131k uyand\u0131r\u0131c\u0131 bir par\u0131lt\u0131ya sebep olmu\u015f. Georges\u00a0Seurat<\/strong><\/a>\u2018\u0131n su birikintilerini g\u00fcne\u015f \u0131\u015f\u0131n\u0131n\u0131n g\u00fczelli\u011fini vurgulamak i\u00e7in yapt\u0131\u011f\u0131 belli.<\/span><\/p>\n

\"Georges<\/a>

Georges Seurat A Sunday Afternoon On The Island of La Grande Jatte Bir Pazar \u00d6\u011fleden Sonras\u0131<\/p><\/div>\n

Bug\u00fcn evlerin kaplad\u0131\u011f\u0131 bir semt haline gelen bu alan, Seurat<\/strong>\u2018\u0131n elinden noktalar halinde yap\u0131ld\u0131. \u0130nsana dinginlik veren, sanki cennetten al\u0131nm\u0131\u015f bir g\u00f6r\u00fcnt\u00fcym\u00fc\u015f\u00e7esine kalabal\u0131\u011f\u0131n kaosundan uzak g\u00f6r\u00fcnen bu manzara, \u0131\u015f\u0131k tekni\u011fini vurgulamak ve renkleri daha parlak g\u00f6stermek amac\u0131yla beyaz bir \u00e7er\u00e7eve<\/em>yle sergileniyor.<\/span>
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