{"id":5415,"date":"2016-10-17T15:29:21","date_gmt":"2016-10-17T12:29:21","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=5415"},"modified":"2017-06-07T02:25:09","modified_gmt":"2017-06-06T23:25:09","slug":"modernlik-muphemlik-ve-belirsizlik","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernlik-muphemlik-ve-belirsizlik.html","title":{"rendered":"Modernlik, M\u00fcphemlik ve Belirsizlik"},"content":{"rendered":"

Modernlik ve Belirsizlik<\/h2>\n

Modernlik, m\u00fcphemlik ve belirsizlik nedir<\/strong>? \u0130nsan nerede durdu\u011funu nas\u0131l anlar? Modernlik, ak\u0131l ve bilim \u0131\u015f\u0131\u011f\u0131nda \u00f6ncelikle do\u011fay\u0131 sonra toplu\u00admu (insan\u0131) \u2018nesne\u2019le\u015ftirerek tan\u0131mlama ve s\u0131n\u0131fland\u0131rma giri\u015fimi\u00addir. Bu anlamda modernlik bir d\u00fczenlemedir. D\u00fczenleme: Bir tasnif etme \u015fekli ve bilimsel, rasyonel dolay\u0131s\u0131yla \u00f6ncelikle epistemolojik bir faaliyettir. D\u00fczenlemenin as\u0131l amac\u0131, belirlenen ve s\u0131n\u0131rlar\u0131 \u00e7izi\u00adlen alan\u0131, yap\u0131y\u0131 veya konuyu istenen \u015fekilde tutma arzusudur. D\u00fc\u00adzenleme arzusunun sonucunda yap\u0131lan, d\u00fczenlemeye ba\u011fl\u0131 olu\u015fan s\u0131n\u0131r\u0131n d\u0131\u015f\u0131nda kalan\u0131, \u2018\u00f6tekiyi yok saymak ya da yok etmektir. \u00d6teki burada \u201ctan\u0131mlanmazl\u0131k, tutars\u0131zl\u0131k, uyumsuzluk, ba\u011fda\u015fmazl\u0131k, mant\u0131ks\u0131zl\u0131k, irrasyonellik, ikircim, karma\u015fa, kararla\u015ft\u0131r\u0131lamazl\u0131k, belirsizliktir. \u015eayet d\u00fczenleme olumsall\u0131k ta\u015f\u0131yorsa, bu \u00f6teki\u00adlere y\u00fcklenen kaotik durumun yaratt\u0131\u011f\u0131 olumsuzlamaya ba\u011fl\u0131d\u0131r. M\u00fcphemlik-belirsizlik, mu\u011flakl\u0131k-, modernli\u011fin bitmez t\u00fckenmez olu\u015fma iste\u011fini hep s\u0131cak tutan bir aland\u0131r.<\/p>\n

M\u00fcphemlik bilhassa dil ba\u011flam\u0131nda ortaya \u00e7\u0131kar. Her dilsel ifadeye e\u015flik eden bir belirsiz\u00adlikten bahsetmek m\u00fcmk\u00fcnd\u00fcr, \u00e7\u00fcnk\u00fc her dilsel ifade asl\u0131nda bir ay\u0131klamad\u0131r ki bu dilsel pratikte var olan ve dilin adland\u0131rma-s\u0131n\u0131fland\u0131rma i\u015fleminde bizatihi bulunan bo\u015fluktur ya da dilde tutuna- mayand\u0131r. \u0130\u015fte bu nedenle Bauman, m\u00fcphemli\u011fi \u201cdilin alter ego\u2019su, daimi yolda\u015f\u0131, d\u00fcped\u00fcz normal hali\u201d olarak g\u00f6r\u00fcr.<\/p>\n

Bo\u015fluk<\/h4>\n

Dilsel her tan\u0131mlama ve adland\u0131rma giri\u015fimiyle olu\u015fan belir\u00adsizlik durumu, anlam\u0131n \u00f6n\u00fcndeki en b\u00fcy\u00fck engeldir. \u00c7\u00fcnk\u00fc d\u00fc\u00adzensizli\u011fin varl\u0131\u011f\u0131ndaki bir olguyu ya da olay\u0131 \u2018do\u011fru\u2019 bir bi\u00e7imde okumak\/yorumlamak m\u00fcmk\u00fcn de\u011fildir. Bu nedenle s\u00f6z konusu anlam alan\u0131nda ortaya \u00e7\u0131kan bo\u015fluk, yarg\u0131da bulunma esnas\u0131nda, karar verilemezlik sorunsal\u0131n\u0131 do\u011furdu\u011fu kadar, ayn\u0131 ba\u011flamda eylemsel alanda da se\u00e7im yap\u0131lamazl\u0131k sorununun duruma h\u00e2kim olmas\u0131na yol a\u00e7ar. \u00d6yleyse dilsel ve eylemsel ba\u011flamda m\u00fcphem\u00adlik, modernli\u011fin kendi i\u00e7inde bitiremedi\u011fi bir kanserojen yap\u0131d\u0131r.<\/p>\n

Diyebiliriz ki bu yap\u0131, dilsel anlamda kendini g\u00f6steren kar\u015f\u0131tl\u0131klar\u00adda daha a\u00e7\u0131k bir \u015fekilde g\u00f6r\u00fclebilir. Herhangi bir \u015feyi tan\u0131mlamak i\u00e7in ayn\u0131 ba\u011flamda bir \u015feyleri d\u0131\u015far\u0131da b\u0131rakarak tan\u0131mlaman\u0131n yap\u0131ld\u0131\u011f\u0131n\u0131 (o \u015feyle do\u011frudan ilgili veya de\u011fil)d\u00fc\u015f\u00fcn\u00fcrsek, d\u0131\u015fa\u00adr\u0131da kalanlar\u0131n\/b\u0131rak\u0131lanlar\u0131n, tan\u0131m\u0131 yap\u0131lanlar \u00fczerine b\u0131rakt\u0131\u011f\u0131 mu\u011flakl\u0131k, dilin d\u00fczen kurmadaki eksikli\u011fidir. Bu ba\u011flamda m\u00fcp\u00adhemlik, modernlik i\u00e7in a\u015f\u0131lmas\u0131 gereken bir sorun olarak g\u00f6r\u00fclse de Bauman i\u00e7in m\u00fcphemlik bir sorun de\u011fildir, aksine m\u00fcphemlik pozitif bir durumdur ve yoruma izin verir.<\/p>\n

 <\/p>\n

\"belirsizlik\"<\/a>

belirsizlik<\/p><\/div>\n

Modernli\u011fin S\u0131n\u0131fland\u0131rma Giri\u015fimi<\/h3>\n

Modernli\u011fin s\u0131n\u0131fland\u0131rma giri\u015fimi, d\u00fcnyay\u0131, do\u011fay\u0131, toplumu par\u00e7alayarak ay\u0131r\u0131r ve bu ay\u0131rd\u0131\u011f\u0131, tan\u0131mlad\u0131\u011f\u0131 her par\u00e7ay\u0131 ken\u00addi s\u0131n\u0131rlar\u0131 i\u00e7inde tutmay\u0131 ama\u00e7lar. Modernlik, birbirinden farkl\u0131 oldu\u011funu g\u00f6sterdi\u011fi varl\u0131klar\u0131, bir grup alt\u0131nda toplay\u0131p kar\u015f\u0131tl\u0131k konumland\u0131rmas\u0131yla onlara kategorik roller y\u00fckler. Bu a\u00e7\u0131dan d\u00fcn\u00adyay\u0131 ve toplumu bir yap\u0131ya oturtan, oturtmak isteyen modernite- nin s\u0131n\u0131fland\u0131rma giri\u015fimi, “dahil etme ve d\u0131\u015flama eylemlerinden olu\u015fur. Her bir adland\u0131rma eylemi d\u00fcnyay\u0131 ikiye ay\u0131r\u0131r: Verilen isme uyan ve uymayan varl\u0131klar. Belli varl\u0131klar, yaln\u0131zca \u00f6teki varl\u0131klar d\u0131\u015fland\u0131\u011f\u0131, d\u0131\u015far\u0131da b\u0131rak\u0131ld\u0131\u011f\u0131 takdirde bir kategoriye dahil edile\u00adbilir – bir kategori olu\u015fturabilirler. B\u00f6ylece bir dahil etme\/d\u0131\u015flama operasyonu, her hal\u00fck\u00e2rda, d\u00fcnyaya uygulanan bir \u015fiddet eylemi\u00addir.\u201d\u00a0<\/sup> \u0130\u015fte bu noktada modernli\u011fin akli ve dilsel anlamda kar\u015f\u0131la\u015f\u00adt\u0131\u011f\u0131 k\u0131s\u0131rd\u00f6ng\u00fc m\u00fcphemlik krizi olarak kendini g\u00f6sterir. Ba\u015fka bir deyi\u015fle dil ve ak\u0131l ba\u011flam\u0131nda yarat\u0131lmaya ba\u015flanan modern d\u00fcze\u00adnin kendi do\u011fas\u0131 i\u00e7inde d\u00fczensizli\u011fi do\u011furmas\u0131 olarak g\u00f6r\u00fclebilir.<\/p>\n

Keskin Rahats\u0131zl\u0131k<\/h4>\n

Bauman’a g\u00f6re d\u00fczensizli\u011fi, m\u00fcphemli\u011fi g\u00f6steren en temel i\u015fareti, herhangi bir \u015feyin-olay, nesne- tek bir kategoriye s\u0131\u011fmamas\u0131ndan, yani kategorile\u015ftirmeyi y\u0131kmas\u0131ndan dolay\u0131 \u201cbelli bir durumu do\u011fru bi\u00e7imde okuyamad\u0131\u011f\u0131m\u0131z ve alternatif eylemler aras\u0131nda se\u00ad\u00e7im yapmad\u0131\u011f\u0131m\u0131z zaman hissetti\u011fimiz keskin rahats\u0131zl\u0131kt\u0131r.\u201d49 <\/sup>Bu ba\u011flamda modernli\u011fin d\u00fcnyay\u0131 tan\u0131mlama ve onu verilen tan\u0131m i\u00e7inde tutma iste\u011fi m\u00fcphemli\u011fi do\u011furdu\u011fu kadar, onu daha da sorunsalla\u015ft\u0131r\u0131ld\u0131\u011f\u0131 da a\u015fik\u00e2rd\u0131r. Bunun yan\u0131nda modernli\u011fin, her do\u011furdu\u011fu m\u00fcphemlik durumuyla ba\u015f etmek i\u00e7in giri\u015fti\u011fi yeni\u00adden bir adland\u0131rma veya s\u0131n\u0131fland\u0131rma uygulamas\u0131 s\u00f6z konusudur. B\u00f6ylelikle modernlik ne kadar \u00e7ok tan\u0131mlama yaparsa ayn\u0131 oranda da belirsizli\u011fe neden olmu\u015ftur diyebiliriz.<\/p>\n

S\u00f6zgelimi \u2018normarik kavram\u0131 etraf\u0131nda de\u011ferlendirildi\u011finde modernite i\u00e7in ‘normal’ in\u00adsan, rasyonel d\u00fc\u015f\u00fcnen, \u00e7al\u0131\u015fan, yasalara uyan ki\u015fi diye belirlendi\u00ad\u011finde, bu tan\u0131m\u0131n d\u0131\u015far\u0131da b\u0131rakt\u0131\u011f\u0131 pek \u00e7ok ki\u015fi anormal kavram\u0131 i\u00e7ine girer. Halbuki insan d\u00fcnyas\u0131 i\u00e7in olu\u015fturulacak tan\u0131mlamalar, do\u011fa-nesne d\u00fcnyas\u0131 kadar de\u011fi\u015fmez bir kesinli\u011fe i\u015faret etmez. Bu y\u00fczden bir tan\u0131m\u0131n eksik kalan yanlar\u0131 varsa ya da o tan\u0131m\u0131 yetersiz k\u0131lacak yeni geli\u015fmeler do\u011farsa tabiat\u0131yla belirsizlik ba\u015f g\u00f6sterir.<\/p>\n

Modernlik insanlar\u0131n, toplumlar\u0131n, k\u00fclt\u00fcrlerin yani ya\u015fam alan\u0131n\u0131n kendi i\u00e7inde ta\u015f\u0131d\u0131\u011f\u0131 anlamsal birliktelikleri\/i\u00e7 i\u00e7elikleri, birer kar\u015f\u0131tl\u0131k \u015feklinde konumland\u0131rarak kesin bir \u00e7izgiyle i\u00e7-d\u0131\u015f, s\u0131n\u0131r-s\u0131n\u0131r \u00f6tesi, yerli-yabanc\u0131, yararl\u0131-zararl\u0131, buras\u0131-oras\u0131, yak\u0131n-uzak ve benzeri gibi ayr\u0131labilece\u011fini ya da bu ayr\u0131mlar\u0131n yap\u0131lmas\u0131 gereklili\u011fini varsayar.51<\/sup> Bu noktada olu\u015fturulacak her kar\u015f\u0131tl\u0131k, Bauman\u2019\u0131n deyi\u015fiyle: dikotomik yap\u0131, \u201cm\u00fcphemlik \u00fcretir; her d\u00fczen aray\u0131\u015f\u0131nda zorunlu olarak boy g\u00f6steren dikotomik g\u00f6r\u00fc\u015f olmasayd\u0131, m\u00fcphemlik de olmazd\u0131.\u201d<\/p>\n

Modern Biat<\/h3>\n

Bu ikilikler ba\u011flam\u0131nda d\u00fcnyay\u0131, ya\u015fa\u00adm\u0131 okuma giri\u015fimi, kendi i\u00e7inde tek bir do\u011frulu\u011fun varl\u0131\u011f\u0131na dair modern biati g\u00f6sterir ki bizatihi bu durum yanl\u0131\u015ft\u0131r. \u00c7\u00fcnk\u00fc ya\u015fam, tek bi\u00e7imli ya da tek nedenli okumalar\u0131 a\u015fan bir karma\u015faya ve be\u00adlirsizli\u011fe sahiptir. \u0130nsano\u011flu ya\u015fam\u0131 s\u00fcresince bir \u015fekilde belirsiz\u00adli\u011fe d\u00fc\u015fer ya da sonucunu kestiremedi\u011fi, dolay\u0131s\u0131yla neyi yapmas\u0131 konusunda karar veremedi\u011fi, bir anla kar\u015f\u0131la\u015f\u0131r. Bu y\u00fczden d\u00fczen iste\u011fi gibi m\u00fcphemlik de insan ya\u015fam\u0131nda olan bir \u015feydir. Birinin oldu\u011fu yerde mutlaka di\u011feri de vard\u0131r, ama burada kastetti\u011fimiz sorun kendili\u011finden olan bu birliktelik de\u011fildir. Sorun, modernli\u00ad\u011fin d\u00fczeni ve kaosu-belirsizli\u011fi tamamen rasyonel olarak \u00fcretti\u011fi bir durum olmas\u0131d\u0131r.<\/p>\n

\"Modernlik,<\/a>

Modernlik, belirsizlik<\/p><\/div>\n

Ta\u015fk\u0131n Hayal G\u00fcc\u00fc<\/h4>\n

Modernli\u011fin geli\u015fiminde \u00f6n plana \u00e7\u0131kan do\u011fa-fen-teknik bi\u00adlimlerdeki geli\u015fmeleri d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm\u00fczde, asl\u0131nda modern d\u00fczen aray\u0131\u015f\u0131n\u0131n -sosyal m\u00fchendisli\u011fin- da kayna\u011f\u0131 oldu\u011funu g\u00f6r\u00fcr\u00fcz. Nitekim toplumsal alana m\u00fcdahale iste\u011fi, bu alanlarda elde edilen ba\u015far\u0131lar\u0131n \u0131\u015f\u0131\u011f\u0131nda \u015fekillenmektedir. Modern d\u00fc\u015f\u00fcncenin erken \u00f6rneklerinden olan \u00fctopyalar (ki Bauman\u2019a g\u00f6re birer fanteziden, ta\u015fk\u0131n hayal g\u00fcc\u00fcn\u00fcn at\u0131klar\u0131ndan ibarettir), modernitenin proje\u00adsine d\u00f6n\u00fc\u015ferek insana, elde etti\u011fi teknik ve bilimsel geli\u015fmelerle birlikte, d\u00fcnyay\u0131 denetim alt\u0131na alabilece\u011fi ve b\u00f6ylece gelece\u011fi be\u00adlirleyebilece\u011fi d\u00fc\u015f\u00fcncesini verir.54<\/sup><\/p>\n

Her ne kadar modern d\u00f6nemle beraber insan\u0131n bu d\u00fcnyaya sek\u00fcler bir anlam verme ve form bi\u00e7me s\u00fcreci ba\u015flam\u0131\u015fsa da s\u00fcrecin zaman\u0131m\u0131za yakla\u015fan b\u00f6l\u00fcmlerinde, modernli\u011fin bu arzusu \u00e7\u0131kmaza girmi\u015ftir. 20. y\u00fczy\u0131l, modernli\u00ad\u011fin kaosu, belirsizli\u011fi bitirme \u00e7abalar\u0131n\u0131n olumsuz sonu\u00e7lar\u0131na tan\u0131kl\u0131k etmi\u015ftir. Modernlik, ak\u0131l-bilim mabedinden gelen kutsal emirler \u00e7er\u00e7evesinde insanlar\u0131 homojen k\u0131lmak ister. Modernlik uygulamalar\u0131, ya\u015famdaki \u00e7e\u015fitlili\u011fi, farkl\u0131l\u0131\u011f\u0131, kategori d\u0131\u015f\u0131 kalan ve tan\u0131ms\u0131z olan\u0131, kendisinden olmayan\u0131, yani k\u0131saca heterojenli\u011fi birer tehlike olarak alg\u0131lar ve onlar\u0131 d\u00f6n\u00fc\u015ft\u00fcr\u00fcp ayn\u0131la\u015ft\u0131rmaya \u00e7al\u0131\u015f\u0131r, \u00f6zellikle modern kurumlar bunu sa\u011flamaya \u00e7al\u0131\u015fan, giri\u00ad\u015fimde bulunan sistemliliktedir. Bu nedenle modern d\u00f6nem ayn\u0131 zamanda \u201ce\u011fitmenin ve talimin, terbiyenin, \u2018uygarla\u015fman\u0131n, ye\u00adti\u015ftirmenin ve d\u00f6n\u00fc\u015ft\u00fcrmenin \u00e7a\u011f\u0131\u201d olarak da tan\u0131mlan\u0131r.<\/p>\n

D\u00fczen Kaos<\/h3>\n

Bu \u00e7a\u011f\u0131n kendisinin, d\u00fczen zorbal\u0131\u011f\u0131yla kaos \u00fcretti\u011fini s\u00f6ylemek yanl\u0131\u015f olmaz. Zira \u015fekle sokulmak istenen insan\u0131n ya\u015fam alan\u0131 olan toplumsal, k\u00fclt\u00fcrel alan\u0131 i\u00e7in \u00fcretilen \u015fablonlar\u0131n, yeni sorunlar \u00fcretmek d\u0131\u015f\u0131nda bir etkilerinin olmad\u0131\u011f\u0131 tecr\u00fcbeyle sabitlenmi\u015ftir. Bizatihi m\u00fcphem olan insan tercihleri ya da ya\u015fam\u0131, modernli\u011fin netle\u015ftirme giri\u015fimine ra\u011fmen flu g\u00f6r\u00fcnt\u00fcs\u00fcn\u00fc korur. Dolay\u0131s\u0131yla insan\u0131n ya\u015fama d\u00fcnyas\u0131nda kendisini g\u00f6steren ve tek tek her in\u00adsan i\u00e7in de\u011fi\u015febilecek olan m\u00fcphemlik veya kaos hali, ak\u0131l ve bilim \u0131\u015f\u0131\u011f\u0131nda atlat\u0131labilecek bir durum de\u011fildir. Bu noktada Bauman\u2019a bakt\u0131\u011f\u0131m\u0131zda insan d\u00fcnyas\u0131ndaki d\u00fczenin kaosla ili\u015fkisi daha net g\u00f6r\u00fclebilir:<\/p>\n

Kaos Yerine D\u00fczen Getirme<\/h4>\n

Kaos yerine d\u00fczen getirme, yak\u0131n \u00e7evremizdeki d\u00fcnya par\u00e7as\u0131n\u0131 kural tan\u0131r, kestirilebilir ve denetlenebilir k\u0131l\u00adma m\u00fccadelesi sonu\u00e7suz kalmaya mahk\u00fbmdur \u00e7\u00fcnk\u00fc bu m\u00fccadelenin kendisi kendi ba\u015far\u0131s\u0131na en \u00f6nemli engeli olu\u015fturur: Kaos, d\u00fczensiz (kural\u0131 \u00e7i\u011fneyen, kestirilemez ve denetlenemez) olgular\u0131n \u00e7o\u011fu \u00f6zellikle dar bir alana odaklanm\u0131\u015f, hedefli, g\u00f6rev y\u00f6nsemeli, tek sorun \u00e7\u00f6z\u00fcc\u00fc eylemlerden do\u011far. \u0130nsan d\u00fcnyas\u0131n\u0131n bir par\u00e7as\u0131n\u0131, insan etkinli\u011finin \u00f6zg\u00fcn bir alan\u0131m d\u00fczenli k\u0131lma y\u00f6n\u00fcnde at\u0131\u00adlan her yeni ad\u0131m, eski sorunlar\u0131 ortadan kald\u0131rsa bile, yeni sorunlar yarat\u0131r. Her yeni ad\u0131m yeni t\u00fcrden m\u00fcphemlikler do\u011furur ve b\u00f6ylelikle -benzer sonu\u00e7lar do\u011fu\u00adracak- daha ba\u015fka ad\u0131mlar\u0131n at\u0131lmas\u0131n\u0131 zorunlu k\u0131lar.56<\/sup><\/p>\n

Bauman\u2019a g\u00f6re modernlik, pratikte ikilikler \u00fczerinden insanla\u00adr\u0131, k\u00fclt\u00fcrleri ve bilgiyi k\u0131saca ya\u015famsal olan her \u015feyi tasnif ederek toplumsal alan\u0131 tan\u0131mlay\u0131p kontrol etmeye \u00e7al\u0131\u015f\u0131r. \u0130nsan ya\u015fam\u0131nda m\u00fcphemlik ve kaos hali her ne kadar modernlikten \u00f6nce de var olan bir durum olsa da modernlikle beraber m\u00fcphemlik-kaos bir disiplin, d\u00fczen kar\u015f\u0131t\u0131 bir sorun olarak alg\u0131lanm\u0131\u015ft\u0131r. Bu a\u00e7\u0131dan ba\u00adk\u0131ld\u0131\u011f\u0131nda modernli\u011fin kurdu\u011fu ikiliklerde sarka\u00e7 daima istenen ya da \u00f6ne \u00e7\u0131kar\u0131lan \u00f6zelliklere do\u011fru hareket ederken, istenmeyen ve zararl\u0131 g\u00f6r\u00fclen, ama tan\u0131mlanm\u0131\u015f ve tasnif edilmi\u015f olmas\u0131 bak\u0131\u00adm\u0131ndan da modernli\u011fin kendini konumland\u0131rabilmesi i\u00e7in elzem olan \u00f6tekileri g\u00f6r\u00fcr\u00fcz. Bauman, modernli\u011fin d\u00fczen kurgusundaki ikili yap\u0131y\u0131 \u015fu \u015fekilde g\u00f6sterir:<\/p>\n

\u0130tibars\u0131z, Bast\u0131r\u0131lm\u0131\u015f, S\u00fcrg\u00fcn Edilmi\u015f<\/h3>\n

Toplumsal d\u00fczen vizyonu ve prati\u011fi i\u00e7in ya\u015famsal olan ikiliklerde, farkl\u0131la\u015ft\u0131r\u0131c\u0131 g\u00fc\u00e7, kural olarak, muhalefet \u00fcyelerinden birinin arkas\u0131na saklan\u0131r. \u0130kinci \u00fcye, birinci\u00adnin \u00f6tekisinden, birincinin kar\u015f\u0131t (itibars\u0131z, bast\u0131r\u0131lm\u0131\u015f, s\u00fcrg\u00fcn edilmi\u015f) taraf\u0131ndan ve bunun yarat\u0131m\u0131ndan ba\u015fka bir \u015fey de\u011fildir. Nitekim anormallik normun, sapk\u0131nl\u0131k yasaya itaatin, hastal\u0131k sa\u011fl\u0131\u011f\u0131n, barbarl\u0131k uygarl\u0131\u011f\u0131n, hayvan insan\u0131n, kad\u0131n erke\u011fin, yabanc\u0131 yerlinin, d\u00fc\u015fman dostun, \u201conlar\u201d \u201cbiz\u201din, delilik akl\u0131n, ecnebi vatanda\u015f\u0131n, s\u0131radan adam uzman\u0131n \u00f6tekisidir. Bunlar birbirlerine ba\u00ad\u011f\u0131ml\u0131d\u0131r; fakat ba\u011f\u0131ml\u0131l\u0131k simetrik de\u011fildir. \u0130kinci taraf, tasarlanm\u0131\u015f, zoraki tecrit edilmi\u015fli\u011finden dolay\u0131 birinci\u00adye ba\u011f\u0131ml\u0131d\u0131r. Birinci ise, kendini do\u011frulamak i\u00e7in, \u0130kin\u00adciye ba\u011f\u0131ml\u0131d\u0131r.57<\/sup><\/p>\n

Bu ikiliklerle modern pratik, \u201ctaksonomi, s\u0131n\u0131fland\u0131rma, envanter \u00e7\u0131karma, kataloglama ve istatistik\u201d veri sa\u011flama stratejisi ile her insan\u0131 ustal\u0131kla yapt\u0131\u011f\u0131, olu\u015fturdu\u011fu kategorik \u015fablonlardan birine s\u0131k\u0131\u015ft\u0131rmad\u0131r. Yukar\u0131da verilen pasajdaki \u2018birinci\u2019 ve \u2018ikinci\u2019 kavramlar aras\u0131nda olu\u015fan kar\u015f\u0131tl\u0131\u011f\u0131n paradoksal olarak insanlar aras\u0131nda dola\u015fmas\u0131 m\u00fcphemli\u011fin, modernli\u011fin karn\u0131nda s\u00fcrekli bir sanc\u0131 gibi durmas\u0131na yol a\u00e7m\u0131\u015ft\u0131r. Bunun yan\u0131nda modern in\u00adsan, bu ikilikler aras\u0131nda istenmeyene, itilmi\u015f olana kayma ihti\u00admalinin, bir anlamda s\u0131n\u0131r\u0131n di\u011fer taraf\u0131na ge\u00e7(iril)me olas\u0131l\u0131\u011f\u0131n\u0131n, verdi\u011fi endi\u015fe, modernli\u011fin bitiremedi\u011fi m\u00fcphemlikten ald\u0131\u011f\u0131 ve insana y\u00fckledi\u011fi en \u00f6nemli kayg\u0131 verici duygudur.58<\/sup><\/p>\n

D\u00fczen getir\u00adme giri\u015fimi, modernli\u011fin her zaman ileriye ve daha iyiye y\u00f6nelik beklentisinin sonucu oldu\u011fu gibi m\u00fcphemli\u011fin varl\u0131\u011f\u0131 da bu gi\u00adri\u015fimleri tetikleyen temel bir korkudur. Belirsizli\u011fe kar\u015f\u0131 modern refleks kesinlik sa\u011flayarak rahatlayabilir, ancak modernli\u011fin d\u00fcnya veya insan i\u00e7in var olan t\u00fcm bo\u015fluklar\u0131-belirsizlikleri tahamm\u00fcl edilebilir hale getirme veya onlara \u015fekil verme \u00e7al\u0131\u015fmalar\u0131, ayn\u0131 za\u00admanda modern prati\u011fin uyguland\u0131\u011f\u0131 zemini yok eden ve dolay\u0131s\u0131yla modernli\u011fin bo\u015flu\u011fa d\u00fc\u015fmesine yol a\u00e7an bir \u00e7eli\u015fkidir.<\/p>\n

Modernli\u011fin M\u00fcphemli\u011fe Kar\u015f\u0131 Duydu\u011fu Nefret ve Onu Yok Etme \u0130ste\u011fi<\/h3>\n

Modernli\u011fin m\u00fcphemli\u011fe kar\u015f\u0131 duydu\u011fu nefret ve onu yok etme iste\u011fi, modern bilimin, siyasetin, akl\u0131n ve epistemolojinin hep birlikte kurgulad\u0131klar\u0131 modern ya\u015fam\u0131n \u00f6z\u00fcndeki kesinlik ve tan\u0131mlamalardan do\u011far. Karanl\u0131kta kalan ve bu y\u00fczden tan\u0131mlanmaktan-kesinlikten- uzak kalan yanlar\u0131 bask\u0131 alt\u0131na almak ya da yok etmek modernli\u011fin m\u00fcphemlikle m\u00fccadelesinde kulland\u0131\u011f\u0131 y\u00f6ntemdir. M\u00fcphemli\u011fin her \u015feye kar\u015f\u0131n bir hayalet gibi ortaya \u00e7\u0131kmas\u0131 modernlik projesinin yeterince geli\u015fmeyen deneyimleri ve dahas\u0131 modernli\u011fin ufukta bekledi\u011fi g\u00fcnlerin geldi\u011finde d\u00fcnyaya daha fazla ac\u0131 b\u0131rakmas\u0131 ile modern projenin \u00e7izdi\u011fi yollarda mo\u00addernli\u011fi t\u00f6kezleten ve bu nedenle de ilerlemek i\u00e7in at\u0131lan ad\u0131mlar\u0131n daha saplant\u0131l\u0131 ve deh\u015fet sa\u00e7\u0131c\u0131 bir hale gelmesine sebebiyet verdi\u00ad\u011fini s\u00f6yleyebiliriz. Bu ba\u011flamda modernli\u011fin filmi insanl\u0131k ad\u0131na kahraman bir edayla \u00e7\u0131k\u0131lan ve uzun soluklu bir y\u00fcr\u00fcy\u00fc\u015f olmas\u0131na kar\u015f\u0131n trajik bir sona d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr.<\/p>\n

Doyumsuz ve Maceraperest Mo\u00addernlik<\/h3>\n

Filmin ba\u015frol oyuncusu olan, doyumsuz ve maceraperest mo\u00addernlik, d\u00fcnyan\u0131n efendili\u011fine soyundu\u011fundan Prokrustes\u2019in yata\u00ad\u011f\u0131 gibidir. Mitolojik hik\u00e2yeye g\u00f6re Prokrustes, kendi boyuna g\u00f6re olan yata\u011f\u0131n\u0131 misafirlerine sunar. Nazik bir davran\u0131\u015f olarak g\u00f6r\u00fc\u00adlebilecek bu hareketle birlikte bir sorun do\u011far. Sorun misafirlerin boyu ile yata\u011f\u0131n boyunun birbirine uygun olmamas\u0131d\u0131r. \u00c7\u00f6z\u00fcm, yata\u011fa k\u0131sa gelenlerin de uzun gelenlerin de yata\u011fa uygun hale getirilmesidir. Bu durum, misafirlerin t\u00fcrl\u00fc i\u015fkencelerden ge\u00e7iril\u00addi\u011fi bir konuk a\u011f\u0131rlama \u015fekli olmu\u015ftur.59<\/sup> Prokrutes’in misafirleri\u00adne uygulad\u0131\u011f\u0131 gibi modernlik de beklemedi\u011fi-istemedi\u011fi misafiri olan m\u00fcphemlikle kar\u015f\u0131la\u015ft\u0131\u011f\u0131nda, onu kendine uygun y\u00f6ntemlerle kar\u015f\u0131lar. Bauman\u2019a g\u00f6re b\u00fct\u00fcn sorun modernli\u011fin kendine bi\u00e7ti\u011fi d\u00fczenleyici roldedir. \u00c7\u00fcnk\u00fc bir d\u00fczenleyici bir d\u00fczenlenecek \u015fey gerektirir. Bu bak\u0131mdan m\u00fcphemli\u011fi s\u00fcrekli art\u0131ran bir modernlik s\u00f6z konusudur:<\/p>\n

Modernlik, b\u00fct\u00fcn d\u00fczenleme faaliyetlerinin yok etmeye yemin etti\u011fi ve bu umutla \u00e7al\u0131\u015ft\u0131\u011f\u0131 \u015feydir. M\u00fcphemlik, b\u00fct\u00fcn d\u00fczenleme kayg\u0131lar\u0131n\u0131n sebebidir. Ya\u015fama i\u015fi du\u00adrumun a\u00e7\u0131kl\u0131\u011f\u0131m gerektirir ve i\u015fte d\u00fczen kurma -yani, ka\u00adr\u0131\u015f\u0131kl\u0131klar\u0131 a\u00e7\u0131\u011fa kavu\u015fturmad\u0131r. Her nesneyi ve her durumu kendi s\u0131n\u0131f\u0131na ve sadece kendi s\u0131n\u0131f\u0131na hapsetme- giri\u015fi\u00admini ve dolay\u0131s\u0131yla da karanl\u0131\u011f\u0131 saydam ve karma\u015f\u0131\u011f\u0131 be\u00adlirgin k\u0131lma \u00e7abas\u0131n\u0131 tetikleyen m\u00fcphemlik olarak ortaya \u00e7\u0131kan \u015fey tam da bu a\u00e7\u0131kl\u0131k ve kesinli\u011fin yoklu\u011fudur. Ancak m\u00fcphemlik ayn\u0131 zamanda d\u00fczenleme tela\u015f\u0131n\u0131n so\u00adnucudur da.<\/p>\n

Muhtelif Kal\u0131n Bir Dosya<\/h3>\n

D\u00fczen \u00fcretiminin kendi zehirli at\u0131\u011f\u0131 vard\u0131r; ayr\u0131k olmayan zaman-uzam \u00fczerine bo\u015fu bo\u015funa ayr\u0131k s\u0131n\u0131flar dayatma \u00e7abas\u0131 dolay\u0131s\u0131yla da, ka\u00e7\u0131n\u0131lmaz olarak, b\u00fct\u00fcn s\u0131n\u0131fland\u0131rmalar\u0131n, s\u0131n\u0131flar aras\u0131ndaki dokunulmaz b\u00f6l\u00fcnmeyi a\u015fan kendi at\u0131klar\u0131 olmal\u0131d\u0131r: Dosyalar aras\u0131n\u00adda \u00e7apraz referanslar ve ciddi dosyalama i\u015fi ile alay eden \u201cmuhtelif\u2019 adl\u0131 kal\u0131n bir dosya olmadan hi\u00e7bir dosyalama tam ve do\u011fru olamaz. Ve hi\u00e7bir bah\u00e7e d\u00fczenlemesi, ne denlice zeki olursa olsun, baz\u0131 bitkileri yabani s\u0131n\u0131f\u0131na koymaktan kendini alamaz. D\u00fczen ve m\u00fcphemlik kadar bo\u015fanmaya diren\u00e7li bir e\u015f daha zor bulunur. M\u00fcphemlik, d\u00fczenin onsuz edemedi\u011fi bir d\u00fc\u015fmand\u0131r.60<\/sup><\/p>\n

Modern paradigman\u0131n d\u00fczenleme faaliyeti, m\u00fcphemlik so\u00adrununu daha karma\u015f\u0131k toplumsal ve siyasal sorunlara d\u00f6n\u00fc\u015ft\u00fcr\u00adm\u00fc\u015ft\u00fcr. M\u00fcphemlik, modernli\u011fin alg\u0131s\u0131nda kamusal\/toplumsal veya siyasal dolay\u0131s\u0131yla bireyi a\u015fan bir konumdayken postmodern zamanlar\u0131n k\u00fcresel d\u00fcnyas\u0131nda bireyin tek ba\u015f\u0131na kalmas\u0131yla da her insan\u0131n kendi ya\u015fam\u0131nda kar\u015f\u0131la\u015ft\u0131\u011f\u0131 ve \u00e7\u00f6zmeye \u00e7al\u0131\u015ft\u0131\u011f\u0131 bir sorunsala d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr. \u00c7\u00fcnk\u00fc \u00fcst anlat\u0131lar\u0131n, merkez odakl\u0131 d\u00fc\u00ad\u015f\u00fcncelerin da\u011f\u0131ld\u0131\u011f\u0131 bir d\u00f6neme girilmi\u015ftir. G\u00fcn\u00fcm\u00fczde bireyin toplumsal ba\u011flar\u0131, postmodern s\u00fcre\u00e7le birlikte giderek azalm\u0131\u015f bir hale gelmenin yan\u0131nda, bireyi ayn\u0131 zamanda k\u00fcresel ve toplumsal kaynakl\u0131 s\u0131k\u0131nt\u0131larla da bireysel olarak m\u00fccadele etmek zorunda b\u0131rakm\u0131\u015ft\u0131r.<\/p>\n

Ak\u0131\u015fkan Modernlik<\/h3>\n

Bu a\u015famada Bauman\u2019a g\u00f6re, ak\u0131\u015fkan modernlikte \u00f6zel alana kaym\u0131\u015f bir m\u00fcphemlikten s\u00f6z etmek m\u00fcmk\u00fcnd\u00fcr. Ne var ki o, her bireyin k\u00fcresel ve toplumsal sorunlar kar\u015f\u0131s\u0131nda \u00e7\u00f6z\u00fcm \u00fcretmede veya s\u0131k\u0131nt\u0131larla ba\u015f etmede yeterli olanaklara, donan\u0131ma sahip ol\u00admad\u0131\u011f\u0131n\u0131 belirtir. \u201cBug\u00fcn art\u0131k m\u00fcphemlik genel anlamda \u00f6zel bir meseledir. T\u0131pk\u0131 di\u011fer bir\u00e7ok k\u00fcresel toplumsal sorun gibi, art\u0131k bununla da bireysel olarak sava\u015fmak, m\u00fcmk\u00fcnse, \u00f6zel ara\u00e7larla \u00e7\u00f6zmek gerekiyor. Ama\u00e7 ve anlam\u0131n kesinli\u011fine ula\u015fmak, bireysel bir i\u015f ve ki\u015fisel bir sorumluluktur art\u0131k.<\/p>\n

G\u00f6sterilen \u00e7aba ki\u015fisel bir \u00e7abad\u0131r. M\u00fcphemli\u011fin \u00f6zelle\u015ftirilmesinin bireyin omuzlar\u0131na y\u00fck\u00adledi\u011fi y\u00fck, \u00e7ok az bireyde bulunabilen bir kemik yap\u0131s\u0131 gerektiri\u00adyor. Zay\u0131f bir bel kemi\u011fi bu y\u00fck\u00fcn alt\u0131nda k\u0131r\u0131labilir. Bunu \u00f6nlemek i\u00e7in yapay desteklerden yard\u0131m almak gerekiyor. Kesinli\u011fe giden \u00f6zel yol, bir\u00e7ok toplumsal hizmet gerektiriyor: Ayr\u0131nt\u0131l\u0131 haritalar, g\u00fcvenilir yol i\u015faretleri, mesafe saya\u00e7lar\u0131 gibi. Neticede modern\u00adli\u011fin m\u00fcphemlikle m\u00fccadelesinde ortaya \u00e7\u0131kan problematike ba\u00adk\u0131ld\u0131\u011f\u0131nda, toplumsal, siyasal tan\u0131mlar ve d\u00fczenlemeler ilk ba\u015fta kar\u015f\u0131m\u0131za \u00e7\u0131kar. Bu a\u015famada, yabanc\u0131lar, dostlar, d\u00fc\u015fmanlar, biz ve onlar gibi yap\u0131lan ayr\u0131mlar\u0131n \u00f6ne \u00e7\u0131kt\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcr\u00fcz. \u015eimdi Bau- man\u2019\u0131n d\u00fc\u015f\u00fcncesinde modernli\u011fin \u00fcretti\u011fi bu kavramlar e\u015fli\u011finde d\u00fczenleme faaliyetine bakabiliriz.<\/p>\n

Modernite, Postmodernite ve Bauman, Mehmet E. \u015eim\u015fek, Belge Yay\u0131nlar\u0131<\/p>\n","protected":false},"excerpt":{"rendered":"

Modernlik ve Belirsizlik Modernlik, m\u00fcphemlik ve belirsizlik nedir? \u0130nsan nerede durdu\u011funu nas\u0131l anlar? Modernlik, ak\u0131l ve bilim \u0131\u015f\u0131\u011f\u0131nda \u00f6ncelikle do\u011fay\u0131 sonra toplu\u00admu (insan\u0131) \u2018nesne\u2019le\u015ftirerek tan\u0131mlama ve s\u0131n\u0131fland\u0131rma giri\u015fimi\u00addir. Bu anlamda modernlik bir d\u00fczenlemedir. D\u00fczenleme: Bir tasnif etme \u015fekli ve bilimsel, rasyonel dolay\u0131s\u0131yla \u00f6ncelikle epistemolojik bir faaliyettir. D\u00fczenlemenin as\u0131l amac\u0131, belirlenen ve s\u0131n\u0131rlar\u0131 \u00e7izi\u00adlen alan\u0131, yap\u0131y\u0131 […]<\/p>\n","protected":false},"author":1,"featured_media":5425,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[266],"tags":[],"class_list":["post-5415","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-felsefesi"],"yoast_head":"\nModernlik, M\u00fcphemlik ve Belirsizlik - Arthipo<\/title>\n<meta name=\"description\" content=\"Modernlik ve Belirsizlik, ak\u0131l ve bilim \u0131\u015f\u0131\u011f\u0131nda \u00f6ncelikle do\u011fay\u0131 sonra toplu\u00admu (insan\u0131) \u2018nesne\u2019le\u015ftirerek tan\u0131mlama ve s\u0131n\u0131fland\u0131rma giri\u015fimi\u00addir.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernlik-muphemlik-ve-belirsizlik.html\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Modernlik, M\u00fcphemlik ve Belirsizlik - Arthipo\" \/>\n<meta property=\"og:description\" content=\"Modernlik ve Belirsizlik, ak\u0131l ve bilim \u0131\u015f\u0131\u011f\u0131nda \u00f6ncelikle do\u011fay\u0131 sonra toplu\u00admu (insan\u0131) \u2018nesne\u2019le\u015ftirerek tan\u0131mlama ve s\u0131n\u0131fland\u0131rma giri\u015fimi\u00addir.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernlik-muphemlik-ve-belirsizlik.html\" \/>\n<meta property=\"og:site_name\" content=\"Arthipo\" \/>\n<meta property=\"article:published_time\" content=\"2016-10-17T12:29:21+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-06-06T23:25:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/10\/modernlik-muphemlik-belirsizlik.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1181\" \/>\n\t<meta property=\"og:image:height\" content=\"882\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Arthipo\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Yazan:\" \/>\n\t<meta name=\"twitter:data1\" content=\"Arthipo\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tahmini okuma s\u00fcresi\" \/>\n\t<meta name=\"twitter:data2\" content=\"17 dakika\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernlik-muphemlik-ve-belirsizlik.html#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernlik-muphemlik-ve-belirsizlik.html\"},\"author\":{\"name\":\"Arthipo\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/#\\\/schema\\\/person\\\/6e6d44de4da80cf3bf805d0e1c9d7ed8\"},\"headline\":\"Modernlik, M\u00fcphemlik ve Belirsizlik\",\"datePublished\":\"2016-10-17T12:29:21+00:00\",\"dateModified\":\"2017-06-06T23:25:09+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernlik-muphemlik-ve-belirsizlik.html\"},\"wordCount\":3367,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernlik-muphemlik-ve-belirsizlik.html#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/wp-content\\\/uploads\\\/2016\\\/10\\\/modernlik-muphemlik-belirsizlik.jpg\",\"articleSection\":[\"Sanat Felsefesi\"],\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernlik-muphemlik-ve-belirsizlik.html#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernlik-muphemlik-ve-belirsizlik.html\",\"url\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernlik-muphemlik-ve-belirsizlik.html\",\"name\":\"Modernlik, M\u00fcphemlik ve Belirsizlik - Arthipo\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernlik-muphemlik-ve-belirsizlik.html#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernlik-muphemlik-ve-belirsizlik.html#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/wp-content\\\/uploads\\\/2016\\\/10\\\/modernlik-muphemlik-belirsizlik.jpg\",\"datePublished\":\"2016-10-17T12:29:21+00:00\",\"dateModified\":\"2017-06-06T23:25:09+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/#\\\/schema\\\/person\\\/6e6d44de4da80cf3bf805d0e1c9d7ed8\"},\"description\":\"Modernlik ve Belirsizlik, ak\u0131l ve bilim \u0131\u015f\u0131\u011f\u0131nda \u00f6ncelikle do\u011fay\u0131 sonra toplu\u00admu (insan\u0131) \u2018nesne\u2019le\u015ftirerek tan\u0131mlama ve s\u0131n\u0131fland\u0131rma giri\u015fimi\u00addir.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernlik-muphemlik-ve-belirsizlik.html#breadcrumb\"},\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernlik-muphemlik-ve-belirsizlik.html\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernlik-muphemlik-ve-belirsizlik.html#primaryimage\",\"url\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/wp-content\\\/uploads\\\/2016\\\/10\\\/modernlik-muphemlik-belirsizlik.jpg\",\"contentUrl\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/wp-content\\\/uploads\\\/2016\\\/10\\\/modernlik-muphemlik-belirsizlik.jpg\",\"width\":1181,\"height\":882,\"caption\":\"Modernlik, M\u00fcphemlik ve Belirsizlik\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernlik-muphemlik-ve-belirsizlik.html#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Anasayfa\",\"item\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Modernlik, M\u00fcphemlik ve Belirsizlik\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/#website\",\"url\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/\",\"name\":\"Arthipo\",\"description\":\"Arthipo modern sanat resim galerisi ya\u011fl\u0131 boya tablo reprod\u00fcksiyon satmak klasik soyut eser kanvas bask\u0131 yapt\u0131rma poster sat\u0131\u015f\u0131 sat\u0131n almak\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"tr\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/#\\\/schema\\\/person\\\/6e6d44de4da80cf3bf805d0e1c9d7ed8\",\"name\":\"Arthipo\",\"url\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Modernlik, M\u00fcphemlik ve Belirsizlik - Arthipo","description":"Modernlik ve Belirsizlik, ak\u0131l ve bilim \u0131\u015f\u0131\u011f\u0131nda \u00f6ncelikle do\u011fay\u0131 sonra toplu\u00admu (insan\u0131) \u2018nesne\u2019le\u015ftirerek tan\u0131mlama ve s\u0131n\u0131fland\u0131rma giri\u015fimi\u00addir.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernlik-muphemlik-ve-belirsizlik.html","og_locale":"tr_TR","og_type":"article","og_title":"Modernlik, M\u00fcphemlik ve Belirsizlik - Arthipo","og_description":"Modernlik ve Belirsizlik, ak\u0131l ve bilim \u0131\u015f\u0131\u011f\u0131nda \u00f6ncelikle do\u011fay\u0131 sonra toplu\u00admu (insan\u0131) \u2018nesne\u2019le\u015ftirerek tan\u0131mlama ve s\u0131n\u0131fland\u0131rma giri\u015fimi\u00addir.","og_url":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernlik-muphemlik-ve-belirsizlik.html","og_site_name":"Arthipo","article_published_time":"2016-10-17T12:29:21+00:00","article_modified_time":"2017-06-06T23:25:09+00:00","og_image":[{"width":1181,"height":882,"url":"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/10\/modernlik-muphemlik-belirsizlik.jpg","type":"image\/jpeg"}],"author":"Arthipo","twitter_card":"summary_large_image","twitter_misc":{"Yazan:":"Arthipo","Tahmini okuma s\u00fcresi":"17 dakika"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernlik-muphemlik-ve-belirsizlik.html#article","isPartOf":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernlik-muphemlik-ve-belirsizlik.html"},"author":{"name":"Arthipo","@id":"https:\/\/www.arthipo.com\/artblog\/#\/schema\/person\/6e6d44de4da80cf3bf805d0e1c9d7ed8"},"headline":"Modernlik, M\u00fcphemlik ve Belirsizlik","datePublished":"2016-10-17T12:29:21+00:00","dateModified":"2017-06-06T23:25:09+00:00","mainEntityOfPage":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernlik-muphemlik-ve-belirsizlik.html"},"wordCount":3367,"commentCount":0,"image":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernlik-muphemlik-ve-belirsizlik.html#primaryimage"},"thumbnailUrl":"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/10\/modernlik-muphemlik-belirsizlik.jpg","articleSection":["Sanat Felsefesi"],"inLanguage":"tr","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernlik-muphemlik-ve-belirsizlik.html#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernlik-muphemlik-ve-belirsizlik.html","url":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernlik-muphemlik-ve-belirsizlik.html","name":"Modernlik, M\u00fcphemlik ve Belirsizlik - Arthipo","isPartOf":{"@id":"https:\/\/www.arthipo.com\/artblog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernlik-muphemlik-ve-belirsizlik.html#primaryimage"},"image":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernlik-muphemlik-ve-belirsizlik.html#primaryimage"},"thumbnailUrl":"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/10\/modernlik-muphemlik-belirsizlik.jpg","datePublished":"2016-10-17T12:29:21+00:00","dateModified":"2017-06-06T23:25:09+00:00","author":{"@id":"https:\/\/www.arthipo.com\/artblog\/#\/schema\/person\/6e6d44de4da80cf3bf805d0e1c9d7ed8"},"description":"Modernlik ve Belirsizlik, ak\u0131l ve bilim \u0131\u015f\u0131\u011f\u0131nda \u00f6ncelikle do\u011fay\u0131 sonra toplu\u00admu (insan\u0131) \u2018nesne\u2019le\u015ftirerek tan\u0131mlama ve s\u0131n\u0131fland\u0131rma giri\u015fimi\u00addir.","breadcrumb":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernlik-muphemlik-ve-belirsizlik.html#breadcrumb"},"inLanguage":"tr","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernlik-muphemlik-ve-belirsizlik.html"]}]},{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernlik-muphemlik-ve-belirsizlik.html#primaryimage","url":"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/10\/modernlik-muphemlik-belirsizlik.jpg","contentUrl":"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/10\/modernlik-muphemlik-belirsizlik.jpg","width":1181,"height":882,"caption":"Modernlik, M\u00fcphemlik ve Belirsizlik"},{"@type":"BreadcrumbList","@id":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernlik-muphemlik-ve-belirsizlik.html#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Anasayfa","item":"https:\/\/www.arthipo.com\/artblog\/"},{"@type":"ListItem","position":2,"name":"Modernlik, M\u00fcphemlik ve Belirsizlik"}]},{"@type":"WebSite","@id":"https:\/\/www.arthipo.com\/artblog\/#website","url":"https:\/\/www.arthipo.com\/artblog\/","name":"Arthipo","description":"Arthipo modern sanat resim galerisi ya\u011fl\u0131 boya tablo reprod\u00fcksiyon satmak klasik soyut eser kanvas bask\u0131 yapt\u0131rma poster sat\u0131\u015f\u0131 sat\u0131n almak","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.arthipo.com\/artblog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"tr"},{"@type":"Person","@id":"https:\/\/www.arthipo.com\/artblog\/#\/schema\/person\/6e6d44de4da80cf3bf805d0e1c9d7ed8","name":"Arthipo","url":"https:\/\/www.arthipo.com\/artblog\/author\/admin"}]}},"_links":{"self":[{"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/posts\/5415","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/comments?post=5415"}],"version-history":[{"count":0,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/posts\/5415\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/media\/5425"}],"wp:attachment":[{"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/media?parent=5415"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/categories?post=5415"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/tags?post=5415"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}