{"id":5217,"date":"2016-10-22T23:21:26","date_gmt":"2016-10-22T20:21:26","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=5217"},"modified":"2017-06-07T02:14:39","modified_gmt":"2017-06-06T23:14:39","slug":"paul-klee-hayati-sanat-gorusu-eserleri","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/unlu-ressamlarin-hayat-hikayeleri\/paul-klee-hayati-sanat-gorusu-eserleri.html","title":{"rendered":"Paul Klee Hayat\u0131 Sanat G\u00f6r\u00fc\u015f\u00fc ve Eserleri"},"content":{"rendered":"

Paul Klee (1879 – 1940)<\/h2>\n

En s\u0131n\u0131rl\u0131, sadece \u00f6l\u00e7\u00fcyle belirlenen \u00e7izgidir.\u00a0 Paul KLEE<\/p>\n

Paul Klee 18 Aral\u0131k 1879 tarihinde Bern\u2019de do\u011fdu. Bavyeral\u0131 olan babas\u0131 bu kentin yak\u0131n\u0131ndaki M\u00fcnchenbuchsee m\u00fczik okulun da \u00f6\u011fretmendi. Keman \u00e7almay\u0131 Paul\u2019a babas\u0131 \u00f6\u011fretti. On sekiz ya\u015f\u0131na ta\u015ft\u0131\u011f\u0131 zaman annesiyle babas\u0131 hangi yolu se\u00e7ece\u011fini sordular.<\/p>\n

\u201cM\u00fczi\u011fin bana ihtiyac\u0131 yok” dedi Paul. “M\u00fczik m\u00fckemmelli\u011fe eri\u015fti. Ressam olaca\u011f\u0131m \u00e7\u00fcnk\u00fc resim hen\u00fcz gerekti\u011fi kadar geli\u015fmedi…\u201d<\/p>\n

Bunun \u00fczerine ailesi Paul\u2019u\u0308 resim e\u011fitimini yapmas\u0131 i\u00e7in M\u00fcnih\u2019e g\u00f6nderdiler. Klee g\u00fczel Sanatlar Okuluna yaz\u0131ld\u0131. Bu arada bir konserde tan\u0131\u015ft\u0131\u011f\u0131 Lily Stumpf\u2019a kur yapmaya ba\u015flad\u0131. Lily \u00e7ok iyi bir piyanocuydu.<\/p>\n

G\u00fczel Sanatlar Okulundaki \u00f6\u011fretmeni Stuck yetersiz bir e\u011fiticiydi. Klee resmin ger\u00e7e\u011fi oldu\u011fu gibi tuale aktarmak olmad\u0131\u011f\u0131n\u0131 k\u0131sa s\u00fcre i\u00e7inde anlad\u0131. Resim daha b\u00fcy\u00fck, daha ger\u00e7ek bir \u015feydi… M\u00fcnih y\u0131llar\u0131 ara\u015ft\u0131rma ve inceleme y\u0131llar\u0131d\u0131r. Gen\u00e7 ressam gelecekteki yap\u0131tlar\u0131n\u0131n temelini burada kurmaya ba\u015flam\u0131\u015ft\u0131r. Klee o y\u0131llarda: \u201cModelin i\u00e7ine kadar’ girmek istiyorum, kalbine kadar sokulmak istiyorum\u201d diye yazar.<\/p>\n

Ama ressam Henila bunu ba\u015faracak yetenekte de\u011fildir. Evet, birinin kalbine kadar sokulur ama bu Lily\u2019nin kalbidir ki gen\u00e7 1906 y\u0131l\u0131nda evlenirler. Daha \u00f6nce Klee \u0130talya\u2019ya, Paris\u2019e geziler yapm\u0131\u015f, m\u00fczeleri dola\u015fm\u0131\u015ft\u0131r. Ama hi\u00e7 bir gen\u00e7 ressamla ili\u015fki kurmam\u0131\u015ft\u0131r.<\/p>\n

\"Paul<\/a>

Paul Klee Little Painting Of Fir Trees K\u00f6knar A\u011fa\u00e7lar\u0131 \u00c7izimi 1922<\/p><\/div>\n

 <\/p>\n

Evlilikten Sonra<\/h3>\n

Evlendikten sonra Klee yeniden \u00e7ocuklu\u011funun burjuva \u00e7evresine d\u00f6nd\u00fc. Ge\u00e7inebilmeleri i\u00e7in Lily piyano dersleri vermek zorunda kalm\u0131\u015ft\u0131. Klee bir yandan resim yaparken bir yandan da \u00e7ar\u015f\u0131dan al\u0131\u015fveri\u015f\u0327 yap\u0131yor ve mutfak i\u015fleriyle u\u011fra\u015f\u0131yordu.<\/p>\n

S\u0131k\u0131nt\u0131 ve zorluk i\u00e7inde ge\u00e7en bu y\u0131llar boyunca bir\u00e7ok ba\u015far\u0131s\u0131zl\u0131\u011f\u0131 sineye \u00e7ekmek zorunda kald\u0131. Ama umutsuzlu\u011fa kap\u0131lmad\u0131. \u00c7al\u0131\u015fmalar\u0131n\u0131 s\u00fcrd\u00fcrd\u00fc. Her zaman yeni, her zaman s\u0131n\u0131r s\u0131z bi\u00e7imlerin pe\u015finde ko\u015farak ortaya \u00e7\u0131kard\u0131.<\/p>\n

Daumier\u2019nin ve Bel\u00e7ikal\u0131 James Ensor\u2019un \u201cexpressionnisme\u201dni bu y\u0131llarda inceledi. M\u00fcnih\u2019te bir galeride sergilenen “\u0130mpressionniste\u2019lerin tablolar\u0131 onu \u00e7ok etkiledi. Lautrec\u2019in, Manet’in, Van Gogh\u2019un yap\u0131tlar\u0131 kar\u015f\u0131s\u0131nda co\u015fkuya kap\u0131ld\u0131. Ama as\u0131l sars\u0131nt\u0131y\u0131 bir sergide g\u00f6rd\u00fc\u011f\u00fc Cezanne\u2019\u0131n sekiz tablosunun kar\u015f\u0131s\u0131nda ge\u00e7irdi. Bu serginin izlenimini Klee \u015fu sat\u0131rlarla belirtiyordu: \u201c \u0130\u015fte benim i\u00e7in ustan\u0131n ta kendisi. Van Gogh\u2019tan daha \u00e7ok \u015fey \u00f6\u011fretiyor insana C\u00e9zanne.\u201d<\/p>\n

1911 y\u0131l\u0131n\u0131n sonunda M\u00fcnih\u2019teki ilerici ressamlar Kandinsky\u2019nin \u00f6n ayakl\u0131\u011f\u0131 ile \u201cMavi Atl\u0131\u201d ad\u0131 alt\u0131nda bir topluluk kurarak belli bir resim anlay\u0131\u015f\u0131na do\u011fru y\u00f6neldiler. Klee bu d\u00f6nemde Paris\u2019e giderek Frans\u0131z ressam\u0131 Robert Delaunay ile ili\u015fki kurmaya karar verdi. Paul Klee\u2019den daha gen\u00e7 olan Delaunay de Kandinsky gibi \u201cnon-figuration\u201dun en g\u00fc\u00e7l\u00fc temsilcilerinden biriydi. Bu iki ressam Klee\u2019nin sanat\u0131nda do\u011frudan do\u011fruya b\u00fcy\u00fck bir etki yaratt\u0131lar.<\/p>\n

 <\/p>\n

\"Paul<\/a>

Paul Klee Warning Of Ships Gemilerin Uyar\u0131s\u0131 1917<\/p><\/div>\n

 <\/p>\n

Tunus Tatili<\/h3>\n

Lee 1914 y\u0131l\u0131nda karisiyle beraber Tunus\u2019a gitti. Paskalya tatilini ge\u00e7iriyorlard\u0131 orada. Hayal kuruyordu Klee. Sanat\u0131yla ilgili bir\u00e7ok \u00e7\u0131kmazlar\u0131 orada \u00e7\u00f6z\u00fcmledi. Bu d\u00f6nemle ilgili olarak da G\u00fczel Sanatlar Okulundaki \u00f6\u011fretmeni Stuck yetersiz bir e\u011fiticiydi. Paul Klee resmin ger\u00e7e\u011fi oldu\u011fu gibi tuale aktarmak olmad\u0131\u011f\u0131n\u0131 k\u0131sa s\u00fcre i\u00e7inde anlad\u0131. Resim daha b\u00fcy\u00fck, daha ger\u00e7ek bir \u015feydi…<\/p>\n

M\u00fcnih y\u0131llar\u0131 ara\u015ft\u0131rma ve inceleme y\u0131llar\u0131d\u0131r. Gen\u00e7 ressam gelecekteki yap\u0131tlar\u0131n\u0131n temelini burada kurmaya ba\u015flam\u0131\u015ft\u0131r. Klee o y\u0131llarda: \u201cModelin i\u00e7ine kadar girmek istiyorum, kalbine kadar sokulmak istiyorum\u2019\u2019 diye yazar.<\/p>\n

Ama ressam hen\u00fcz bunu ba\u015faracak yetenekte de\u011fildir. Evet, birinin kalbine kadar sokulur ama bu Lily\u2019nin kalbidir iki gen\u00e7 1906 y\u0131l\u0131nda evlenirler. Daha \u00f6nce Klee \u0130talya\u2019ya, Paris\u2019e geziler yapm\u0131\u015f, m\u00fczeleri dola\u015fm\u0131\u015ft\u0131r. Ama hi\u00e7 bir gen\u00e7 ressamla ili\u015fki kurmam\u0131\u015ft\u0131r.<\/p>\n

Evlendikten sonra Klee yeniden \u00e7ocuklu\u011funun burjuva \u00e7evresine d\u00f6nd\u00fc. Ge\u00e7inebilmeleri i\u00e7in Lily piyano dersleri vermek zorunda kalm\u0131\u015ft\u0131. Klee bir yandan resim yaparken bir yandan da \u00e7ar\u015f\u0131dan al\u0131\u015fveri\u015f yap\u0131yor ve mutfak i\u015fleriyle u\u011fra\u015f\u0131yordu.<\/p>\n

S\u0131k\u0131nt\u0131 ve zorluk i\u00e7inde ge\u00e7en bu y\u0131llar boyunca bir\u00e7ok ba\u015far\u0131s\u0131zl\u0131\u011f\u0131 sineye \u00e7ekmek zorunda kald\u0131. Ama umutsuzlu\u011fa kap\u0131lmad\u0131. \u00c7al\u0131\u015fmalar\u0131n\u0131 s\u00fcrd\u00fcrd\u00fc. Her zaman yeni, her zaman s\u0131n\u0131r s\u0131z bi\u00e7imlerin pe\u015finde ko\u015farak ortaya \u00e7\u0131kard\u0131.<\/p>\n

Expresyonistler (D\u0131\u015favurumcular)<\/h3>\n

Daumier\u2019nin ve Bel\u00e7ikal\u0131 James Ensor\u2019un \u201cexpressionnisme\u201dini bu y\u0131llarda inceledi. M\u00fcnih\u2019te bir galeride sergilenen \u201cimpressionniste\u2019\u2019lerin tablolar\u0131 onu \u00e7ok etkiledi. Lautrec\u2019in, Manet\u2019in, Van Gogh\u2019un yap\u0131tlar\u0131 kar\u015f\u0131s\u0131nda co\u015fkuya kap\u0131ld\u0131. Ama as\u0131l sars\u0131nt\u0131y\u0131 bir sergide g\u00f6rd\u00fc\u011f\u00fc Ce\u0301zanne\u2019in sekiz tablosunun kar\u015f\u0131s\u0131nda ge\u00e7irdi. Bu serginin izleniminiPaul Klee \u015fu sat\u0131rlarla belirtiyordu: \u201c \u0130\u015fte benim i\u00e7in ustan\u0131n ta kendisi. Van Gogh\u2019tan daha \u00e7ok \u015fey \u00f6\u011fretiyor insana C\u00e9zanne.\u201d<\/p>\n

3911 y\u0131l\u0131n\u0131n sonunda M\u00fcnih\u2019teki ilerici ressamlar Kandinsky\u2019nin \u00f6n ayakl\u0131\u011f\u0131 ile \u201c Mavi Atl\u0131\u201d ad\u0131 alt\u0131nda bir topluluk kurarak belli bir resim anlay\u0131\u015f\u0131na do\u011fru y\u00f6neldiler.Paul Klee bu d\u00f6nemde Paris\u2019e giderek Frans\u0131z ressam\u0131 Robert Delaunay ile ili\u015fki kurmaya karar verdi. Klee\u2019den daha gen\u00e7 olan Delaunay de Kandinsky gibi \u201cnon-figuration\u2019un en g\u00fc\u00e7l\u00fc temsilcilerinden biriydi. Bu iki ressam Paul Klee’nin sanat\u0131nda do\u011frudan do\u011fruya b\u00fcy\u00fck bir etki yaratt\u0131lar.<\/p>\n

Paul Klee 1914 y\u0131l\u0131nda kar\u0131s\u0131yla beraber Tunus\u2019a gitti. Paskalya tatilini ge\u00e7iriyorlard\u0131 orada. Hayal kuruyordu Klee. Sanat\u0131yla ilgili bir\u00e7ok \u00e7\u0131kmazlar\u0131 orada \u00e7\u00f6z\u00fcmledi. Bu d\u00f6nemle ilgili olarak daha sonra Klee \u015funlar\u0131 yazacakt\u0131r; “Renk benim i\u00e7imde. Onu yakalamam i\u00e7in aramam gerekli de\u011fil. \u00dcst\u00fcnl\u00fck kurmu\u015f\u0327 \u00fczerimde beni k\u0131sk\u0131vrak yakalam\u0131\u015f, biliyorum bunu ben… Renkle ben kayna\u015fm\u0131\u015f\u0131z. Ressam\u0131m.\u2019\u2019<\/p>\n

Sava\u015f Y\u0131llar\u0131<\/h3>\n

Sava\u015f ba\u015flam\u0131\u015ft\u0131. Otuz be\u015f yas\u0327\u0131nda olan Paul sava\u015fa kat\u0131lmak istemiyordu. G\u00f6r\u00fcnen d\u00fcnya ile ger\u00e7ekle bir ilgisi yoktur Klee\u2019nin. T\u00fcm soyut bir yap\u0131t\u0131n u\u011fras\u0131na dalm\u0131\u015ft\u0131 Klee. O d\u00f6nemde ressam \u015f\u00f6yle yazar: “Bu sava\u015f\u0131 uzun s\u00fcre i\u00e7imde ta\u015f\u0131d\u0131m ben. Onun i\u00e7indir ki i\u00e7yap\u0131 bak\u0131m\u0131ndan sava\u015f\u0131n benimle bir ilgisi yok\u201d .<\/p>\n

Paul Klee karisiyle birlikte 1915 y\u0131l\u0131n\u0131n’ yaz aylar\u0131n\u0131 Bern\u2019de k\u00fc\u00e7\u00fck bir evde ge\u00e7irdi. Birka\u00e7 dostu geliyor, m\u00fczikle vakit ge\u00e7iriyorlard\u0131. Bunlar\u0131n aras\u0131nda ozan Rainer Maria Rilke de vard\u0131 ki kon\u00e7erto aras\u0131nda ressam dostlar\u0131na yapt\u0131\u011f\u0131 tablolar\u0131 g\u00f6steriyordu. Rilke ger\u00e7ek ya\u015famla hi\u00e7 bir ilgisi olmayan bu soyut sanat kar\u015f\u0131s\u0131nda ne diyece\u011fini \u015fa\u015f\u0131r\u0131yordu.<\/p>\n

Sonra sava\u015f sona erdi. Walter Gropius 1919 y\u0131l\u0131nda Weims\u2019da Bauhaus’u kurdu. Gropius otuz be\u015f yas\u0327\u0131nda gen\u00e7 bir mimard\u0131 \u00c7a\u011fda\u015f sanat alan\u0131nda devrim yaratan Bauhaus\u2019da Mimarl\u0131k. Heykelcilik, Resim tam bir denge i\u00e7inde y\u00fcr\u00fct\u00fcl\u00fcyordu. Okulun re sim b\u00f6l\u00fcm\u00fcn\u00fcn ba\u015f\u0131na Kandinsky ile Klee getirilmi\u015fti.<\/p>\n

\"Paul<\/a>

Paul Klee Before The Town \u00d6nce \u015eehir,1915<\/p><\/div>\n

Sava\u015f Sonras\u0131<\/h3>\n

Bauhaus her \u015feyden \u00f6nce toplumsal bir d\u00fc\u015f\u00fcncenin okuluydu Ve Kandinsky de Klee de herhangi bir \u201cokula\u201d ba\u011flanabilecek ki\u015filer de\u011fildi. Zaten \u00f6\u011frenciler de bu iki ressamdan pek b\u00fcy\u00fck bir \u015fey kapamad\u0131lar. Onlara kar\u015f\u0131 \u00e7ok b\u00fcy\u00fck bir hayranl\u0131klar\u0131 i ard\u0131, o kadar.<\/p>\n

\u00c7al\u0131\u015fmalar\u0131m fazla devrimci bulan Alman h\u00fck\u00fcmeti okulu kapat\u0131nca M\u00fcnih\u2019ten ayr\u0131lan Bauhaus Dessau\u2019ya yerle\u015fti. Klee de oraya gitti. Pedagojik eskizlerini yay\u0131nlad\u0131- Almanya\u2019da ve \u0130svi\u00e7re\u2019de bir\u00e7ok defalar tablolar\u0131n\u0131 sergiledi. Fransaya, \u0130talya\u2019ya ve M\u0131s\u0131r\u2019a geziler yapt\u0131.<\/p>\n

1935 y\u0131l\u0131ndan sonra Klee\u2019nin hayranlar\u0131 \u00e7o\u011falmaya ba\u015flad\u0131. Bunlar\u0131n aras\u0131nda Jean Paulhan, Joe Bousquet, Jean Cocteau, Andre\u0301 Malraux gibi \u00fcnl\u00fc yazarlarla Max Ernst, Joan Miro, Braque, Picasso gibi ressamlar vard\u0131. Ama birka\u00e7 ele\u015ftiricinin d\u0131\u015f\u0131nda resim ele\u015ftirisiyle u\u011fra\u015fanlar\u0131n hi\u00e7biri ilgi g\u00f6stermiyordu Klee\u2019ye.<\/p>\n

1930 y\u0131l\u0131nda Paul Klee New York\u2019taki Modern Sanat M\u00fcze\u2019sinde \u00f6nemli bir sergi a\u00e7t\u0131. 20. y\u00fczy\u0131l ressamlar\u0131 aras\u0131ndaki de\u011feri de bu sergide kesinle\u015fti. Tablolar\u0131 d\u00fcnyan\u0131n en b\u00fcy\u00fck koleksiyonlar\u0131 aras\u0131na girdi. Ama burnu b\u00fcy\u00fcmedi Klee\u2019nin. Eski ya\u015fam\u0131n\u0131 oldu\u011fu gibi s\u00fcrd\u00fcrd\u00fc.<\/p>\n

O s\u0131ralarda Bauhaus “nasyonal-sosyalist\u201d yetkililerin tehdididir alt\u0131nda Dessau\u2019dan Berlin\u2019e ta\u015f\u0131nm\u0131\u015ft\u0131. Nazi \u00e7izmelerinin sokaklarda \u00e7\u0131kard\u0131\u011f\u0131 sesleri korkun\u00e7 bir sava\u015f habercisi gibi kar\u015f\u0131layan Paul Klee sonsuz bir \u00fcz\u00fcnt\u00fc i\u00e7indeydi. Bunun \u00fczerine ressam kesin olarak \u0130svi\u00e7re\u2019ye yerle\u015fmeye karar verdi. 1933 y\u0131l\u0131n\u0131n Aral\u0131k ay\u0131nda bir g\u00fcn bir dostunun kap\u0131s\u0131n\u0131 \u00e7alarak:<\/p>\n

\u201cAlmanya\u2019da art\u0131k bana yer yok\u201d dedi.<\/h5>\n

Ayn\u0131 Klee eskiden: \u201cAlmanya\u2019 s\u0131z ne olurum ben?\u201d diyordu. Kar\u0131s\u0131n\u0131n ve dostlar\u0131n\u0131n sevgisi olmasa ressam\u0131n b\u00fcy\u00fck bir umutsuzlu\u011fa kap\u0131lmas\u0131 i\u015ften de\u011fildi. \u00dcn\u00fc gittik\u00e7e b\u00fcy\u00fcyordu ama \u0130svi\u00e7reliler bu b\u00fcy\u00fck ressam\u0131 anlamaktan \u00e7ok uzakt\u0131lar. \u00d6yle ki \u0130svi\u00e7re uyruklu\u011funa girmek i\u00e7in ba\u015fvuran ressam\u0131n bu iste\u011fi bile yetkililerce onanmad\u0131.<\/p>\n

\u00dcstelik 1937 y\u0131l\u0131nda Naziler Klee\u2019ye \u201csoysuzla\u015fm\u0131\u015f sanat\u201d\u0131n temsilcisi diye yarg\u0131 giydirdiler ve \u00f6zel koleksiyonlarda ve m\u00fczelerdeki iki y\u00fcz tablosuna el koydular.<\/p>\n

Paul Klee\u2019nin sa\u011fl\u0131k durumu \u00e7evresindekileri d\u00fc\u015f\u00fcnd\u00fcrmeye ba\u015flam\u0131\u015ft\u0131. Ger\u00e7ekten de ressam \u0130svi\u00e7re\u2019ye geldikten k\u0131sa s\u00fcre sonra \u201csklerodermi\u201d denilen hastal\u0131\u011fa yakalanm\u0131\u015ft\u0131. \u0130talya\u2019n\u0131n Ascona kentinde dinlenirken Bracue\u2019la Picasso onu g\u00f6rmeye geldiler. B\u00fcy\u00fck bir mutluluk duydu bundan Klee. Bir yandan onlar\u0131 bir daha g\u00f6remeyece\u011fini sezinledi\u011fi i\u00e7in \u00e7ok \u00fcz\u00fcl\u00fcyordu. Ama eski dostu ve sanat alan\u0131ndaki sava\u015f arkada\u015f\u0131 Kandinsky ile 1937 y\u0131l\u0131nda Bern\u2019de yeniden bulu\u015fmas\u0131 daha ac\u0131kl\u0131 oldu. Wassilli Kandinsky Kunsthalle\u2019de bir sergi a\u00e7m\u0131\u015ft\u0131. Klee \u00e7ok gitmek istiyordu sergi ye ama o g\u00fcn yata\u011f\u0131ndan kalkamad\u0131. Kandinsky onun evine gitti. Klee zorlukla konu\u015fabiliyordu. Arkada\u015f\u0131 Klee\u2019yi Neuilly\u2019ye \u00e7a\u011f\u0131rd\u0131. Ama ressam ba\u015f\u0131n\u0131 sallad\u0131. Kandinsky\u2019nin g\u00f6zleri dolu dolu olmu\u015ftu. Kucakla\u015ft\u0131lar. Klee bir defa daha gelece\u011fi sezinlemi\u015f ti: \u0130ki arkada\u015f birbirlerini hi\u00e7 g\u00f6remeyeceklerdi art\u0131k.<\/p>\n

1940 y\u0131l\u0131nda sa\u011fl\u0131k durumu birdenbire \u00e7ok a\u011f\u0131rla\u015ft\u0131. 8 Haziranda hastaneye kald\u0131r\u0131ld\u0131. 29 Haziranda da kalp krizinden \u00f6ld\u00fc. G\u00fcncesinden al\u0131nan \u015fu sat\u0131rlar mezar ta\u015f\u0131n\u0131n \u00fczerine kaz\u0131lm\u0131\u015ft\u0131r:<\/p>\n

“D\u00fcnya \u00fczerinde ele avuca s\u0131\u011fmam ben. \u00c7\u00fcnk\u00fc hem \u00f6l\u00fclerin hem de hen\u00fcz do\u011fmayanlar\u0131n aras\u0131nda ya\u015f\u0131yorum. Yaratman\u0131n kalbine her zamankinden biraz daha yak\u0131n\u0131m. Ama gene de gerekti\u011fi kadar yak\u0131n de\u011filim.\u201d<\/p>\n

 <\/p>\n

Paul Klee\u2019nin Sanatsal Bak\u0131\u015f Ak\u0131\u015f\u0131<\/h3>\n

Renk beni yakalad\u0131; art\u0131k rengin pe\u015finden ko\u015fma gere\u011fini duymuyorum. Her zaman i\u00e7in beni yakalad\u0131\u011f\u0131n\u0131 bitiyorum. Bu kutsal dakikan\u0131n anlam\u0131 i\u015fte budur. Renk ile ben kayna\u015ft\u0131k, ayr\u0131m\u0131z gayr\u0131m\u0131z yok. Ressam\u0131m.<\/p>\n

D\u00fcnya daha korkun\u00e7 olduk\u00e7a (\u015fu anda oldu\u011fu gibi) sanat da daha soyut oluyor; oysa bar\u0131\u015f i\u00e7indeki bir d\u00fcnyadan ger\u00e7ek\u00e7i bir sanat \u00e7\u0131k\u0131yor.<\/p>\n

(1915 y\u0131l\u0131n\u0131n ba\u015flang\u0131c\u0131ndaki g\u00fcncesinden)<\/p>\n

Sanat g\u00f6r\u00fcneni yans\u0131tmaz; g\u00f6r\u00fcn\u00fcr k\u0131lar.<\/p>\n

\u00c7abuklukla hi\u00e7 bir \u015fey yap\u0131lamaz. Yap\u0131lan \u015feyler b\u00fcy\u00fcmelidir, yukar\u0131 do\u011fru geli\u015fmelidir ve b\u00fcy\u00fck yap\u0131t\u0131n zaman\u0131\u2026 Aramay\u0131 s\u00fcrd\u00fcrmeliyiz. B\u00f6l\u00fcmler bulduk ama t\u00fcm\u00fc bulamad\u0131k. En b\u00fcy\u00fck g\u00fc\u00e7ten yoksunuz \u00e7\u00fcnk\u00fc bizi destekleyecek halk yok. Ama biz bir halk ar\u0131yoruz. Bunu aramaya burada. Bauhaus\u2019da ba\u015flad\u0131k. \u0130\u015fe burada bir toplulukla ba\u015flad\u0131k ve her birimiz bu toplulu\u011fa elindekini verdi.<\/p>\n

Fazlas\u0131 elimizde de\u011fil.<\/p>\n

 <\/p>\n

Herbert Read Klee Hakk\u0131ndaki G\u00f6r\u00fc\u015fleri<\/h3>\n

Klee, zorlama ile yap\u0131lan her \u00e7e\u015fit \u00e7aban\u0131n bos\u0327 oldu\u011fu bilincine belki de Goethe’den beri hi\u00e7 bir sanat\u00e7\u0131n\u0131n varamad\u0131\u011f\u0131 bi\u00e7imde varm\u0131\u015ft\u0131. Yaratman\u0131n temel gidi\u015finin bilincin y\u00fczeyinin alt\u0131nda bulundu\u011fu kan\u0131s\u0131ndayd\u0131. Bu g\u00f6r\u00fc\u015f noktas\u0131nda ger\u00e7ek\u00fcst\u00fcc\u00fclerle beraberdi ama sanat yap\u0131t\u0131n\u0131n otomatik olarak bilin\u00e7sizlikten f\u0131\u015fk\u0131raca\u011f\u0131 ilkesini hi\u00e7 bir zaman benimsemeye yana\u015fmad\u0131. Sanat\u0131n soyut kaynaklar\u0131na ve ayn\u0131 zamanda somut ara\u00e7lar\u0131na verdi\u011fi \u00f6nemle Klee \u00e7a\u011f\u0131m\u0131z\u0131n en \u00f6nemli sanat\u00e7\u0131s\u0131d\u0131r bence<\/p>\n","protected":false},"excerpt":{"rendered":"

Paul Klee (1879 – 1940) En s\u0131n\u0131rl\u0131, sadece \u00f6l\u00e7\u00fcyle belirlenen \u00e7izgidir.\u00a0 Paul KLEE Paul Klee 18 Aral\u0131k 1879 tarihinde Bern\u2019de do\u011fdu. Bavyeral\u0131 olan babas\u0131 bu kentin yak\u0131n\u0131ndaki M\u00fcnchenbuchsee m\u00fczik okulun da \u00f6\u011fretmendi. Keman \u00e7almay\u0131 Paul\u2019a babas\u0131 \u00f6\u011fretti. On sekiz ya\u015f\u0131na ta\u015ft\u0131\u011f\u0131 zaman annesiyle babas\u0131 hangi yolu se\u00e7ece\u011fini sordular. \u201cM\u00fczi\u011fin bana ihtiyac\u0131 yok” dedi Paul. “M\u00fczik […]<\/p>\n","protected":false},"author":1,"featured_media":6002,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[250],"tags":[],"class_list":["post-5217","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-unlu-ressamlarin-hayat-hikayeleri"],"yoast_head":"\nPaul Klee Hayat\u0131 Sanat G\u00f6r\u00fc\u015f\u00fc ve Eserleri - Arthipo<\/title>\n<meta name=\"description\" content=\"Paul Klee 18 Aral\u0131k 1879 tarihinde Bern\u2019de do\u011fdu. 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