{"id":5215,"date":"2016-10-22T23:13:04","date_gmt":"2016-10-22T20:13:04","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=5215"},"modified":"2017-06-07T02:09:53","modified_gmt":"2017-06-06T23:09:53","slug":"amedeo-modigliani","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/unlu-ressamlarin-hayat-hikayeleri\/amedeo-modigliani.html","title":{"rendered":"AMEDEO MODIGLIANI – Hayat\u0131, Eserleri ve Sanat g\u00f6r\u00fc\u015f\u00fc"},"content":{"rendered":"

Amedeo Modigliani (1884 – 1920)<\/span><\/h2>\n

1914 sava\u015f\u0131ndan sava\u015f\u0131ndan \u00f6ncedeydi insanlar. Montpamasse\u2019de tatl\u0131 bir ya\u015fant\u0131 i\u00e7in ve bu insanlar\u0131n aras\u0131nda \u201cresim deli\u00adsi\u201d gen\u00e7 bir adam ya\u015f\u0131yordu. Bu bir \u0130talya\u2019nd\u0131. Amedeo Modigliani\u2019ydi ad\u0131 S\u00f6ylenmesi zor bir ad oldu\u011fundan poz veren modeller de arkada\u015flar\u0131 da ona k\u0131saca Modi<\/strong> diyorlard\u0131. G\u00fczel ve yak\u0131\u015f\u0131kl\u0131 bir gen\u00e7ti Modigliani. 1884 y\u0131l\u0131nda \u0130talya\u2019da do\u011f\u00admu\u015ftu. Annesi-babas\u0131 burjuvayd\u0131. Babas\u0131n\u0131 k\u00fc\u00e7\u00fckken yitirdi. On be\u015f ya\u015f\u0131ndayken \u00f6ylesine hastaland\u0131 ki \u00e7evresindekiler art\u0131k kur\u00adtulamaz dediler. Bu \u00f6l\u00fcm-kal\u0131m g\u00fcnlerinde gen\u00e7 \u00e7ocuk ate\u015fler i\u00e7inde yanarken \u201cressam olaca\u011f\u0131m\u201d diyor ba\u015fka bir \u015fey demiyor\u00addu. F\u0131r\u00e7alardan, renklerden s\u00f6z ediyordu hep. \u0130stediklerini verdi\u00adler. \u0130yile\u015fince f\u0131r\u00e7a, d\u00fc\u015fmedi elinden hi\u00e7.<\/p>\n

\u00d6nce Floransa G\u00fczel Sanatlar Akademisinde e\u011fitim g\u00f6rd\u00fc. Sonra iki y\u0131l Venedik\u2019te kald\u0131. B\u00fct\u00fcn e\u011fitimi bu kadarla kald\u0131. Ama bu k\u0131sa zaman i\u00e7inde de mesle\u011finin b\u00fct\u00fcn tekni\u011fini benim\u00adsedi. O \u00e7a\u011fda Paris ressamlar\u0131n kentiydi. Avrupa\u2019da eli f\u0131r\u00e7a tu\u00adtan ne kadar \u201cavant-garde\u201d d\u00fc\u015f\u00fcnceli ressam varsa bu kente ko\u00ad\u015fuyordu Modigliani uzun s\u00fcre karars\u0131zl\u0131k i\u00e7inde bocalamad\u0131. Paritf\u2019e ko\u015ftu. Montmartre’\u0131n modas\u0131 gelmi\u015fti. Montparnasse parlakl\u0131\u011f\u0131yla p\u0131r\u0131ld\u0131yordu. Modigliani Montparnasse e yerle\u015fti. Ve resim yapma\u011fa ba\u015flad\u0131.<\/p>\n

Hi\u00e7 kimse tan\u0131m\u0131yordu Modi\u2019yi. Ne ustas\u0131 vard\u0131, ne de bir resim okuluna ba\u011fl\u0131yd\u0131. Kendi yolunda tek ba\u015f\u0131na y\u00fcr\u00fcmek isti\u00adyordu. T\u0131pk\u0131 Cezanne gibi. Ve Modi bir bohem ya\u015fant\u0131s\u0131 i\u00e7ine dal\u00add\u0131 \u0130nsan gen\u00e7ken ba\u015f\u0131n\u0131 sokacak bir dam, \u00fcst\u00fcne giyecek bir \u015fey\u00adler her zaman bulur. Krediyle bile olsa her zaman tuval de bulur boya da… Ama as\u0131l sorun yemek yemekti Hem bu \u00f6yle bir sorun ki insan\u0131n kar\u015f\u0131s\u0131na g\u00fcnde \u00fc\u00e7 defa \u00e7\u0131k\u0131yor. Ama i\u00e7mek daha ko\u00adlayd\u0131. Bir masaya yerle\u015fen bir arkada\u015f\u0131: Modi!\u201d Diye ba\u011f\u0131r\u0131yor, sonra da garsona sesleniyordu: \u201cGarson, Modi’ye bir pernod ver!\u201d<\/p>\n

\"Amedeo<\/a>

Jeanne Hebuterne, Amedeo Modigliani’nin Sevgilisi<\/p><\/div>\n

 <\/p>\n

Modigliani’nin hayat\u0131 ve a\u015fklar\u0131<\/h3>\n

Paras\u0131zd\u0131 Modi. Sefalet i\u00e7indeydi. Tablo sat\u0131c\u0131lar\u0131 Modi\u2019nin ya\u011fl\u0131 boyalar\u0131 kar\u015f\u0131s\u0131nda omuzlar\u0131n\u0131 silkiyorlard\u0131. Bir desen olun\u00adca, eh onu al\u0131yorlard\u0131. Bir ka\u00e7 frank verip gen\u00e7 adam\u0131 soyuyorlard\u0131. Kayg\u0131lar i\u00e7indeydi Modi. Yorgunluktan ayaklar\u0131 tutmuyor\u00addu. Kendi de\u011ferini biliyordu ama dinletmiyordu s\u00f6z\u00fcn\u00fc. \u00c7a\u011fda\u015f\u00adlar\u0131ndan bamba\u015fka bir dil konu\u015fuyordu sanki. Utrilio, Pieasso gi\u00adbi ressamlar destekliyorlard\u0131 onu, inan\u0131yorlard\u0131 ona ama bu res\u00adsamlar\u0131n kendileri de h\u00e2l\u00e2 bir tart\u0131\u015fma konusuydu.<\/p>\n

1914 y\u0131l\u0131nda Modigliani \u0130ngiliz kad\u0131n ozan Beatrice Hastings\u2019le tan\u0131\u015ft\u0131. Beatrice bu kar\u015f\u0131la\u015fmay\u0131 \u015f\u00f6yle anlat\u0131r: \u201cBir s\u00fct\u00e7\u00fc d\u00fck\u00adk\u00e2n\u0131nda kar\u015f\u0131 kar\u015f\u0131ya oturuyorduk. Kim oldu\u011funu bilmiyordum. \u00c7irkin, vah\u015fi, obur buldum onu. Sonra Rotonde kahvehanesinde bir daha kar\u015f\u0131la\u015ft\u0131k. T\u0131ra\u015f olmu\u015ftu Sevimliydi. Kasketini \u00e7\u0131kard\u0131, g\u00f6zlerinin i\u00e7ine kadar k\u0131pk\u0131rm\u0131z\u0131 kesildi. Sonra beni tablolar\u0131n\u0131 g\u00f6rme\u011fe \u00e7a\u011f\u0131rd\u0131. Gittim. Cebinde hep ayn\u0131 kitap vard\u0131: Lautreamont\u2019un Maldoror\u2019u…\u201d<\/p>\n

Amedeo Modigliani\u2019nin kad\u0131n ser\u00fcvenleri aras\u0131nda en \u00f6nemlilerinden, en derinlerinden biri budur. \u0130ngiliz ozan\u0131yla ate\u015fli bir a\u015fk ya\u015fa\u00add\u0131 Modi. Bir\u00e7ok tablosunda, bir\u00e7ok deseninde bu kad\u0131n vard\u0131r. Beatrice Montmartie\u2019de oturuyordu. Ve Modigliani her ak\u015fam onu g\u00f6rme\u011fe gidiyordu. \u00dcnl\u00fc Frans\u0131z ozan\u0131 Max Jacob da \u00e7ok zaman Beatriee\u2019in evinde kal\u0131yordu. Ac\u0131d\u0131\u011f\u0131 i\u00e7in Max Jacob\u2019u konuk tu\u00adtuyordu Bir de h\u0131rs\u0131zlardan korktu\u011fu i\u00e7in. Amadeo\u2019ya \u201cDedo\u201d di\u00adyordu Beatrice. H\u0131rs\u0131zlardan korktu\u011fu gibi Dedo\u2019dan da korku\u00adyordu. \u00c7\u00fcnk\u00fc \u00e7ok zaman sarho\u015f geliyordu Modi. Elinde de tabancas\u0131 vard\u0131. Havaya ate\u015f ediyor, kap\u0131y\u0131, pencereyi ala\u015fa\u011f\u0131 etme\u011fe kalk\u0131\u015f\u0131yordu.<\/p>\n

Modigliani’nin alkol tutkusu<\/h3>\n

Modigliani ile Beatrice\u2019in ili\u015fkileri kesildikten k\u0131sa bir s\u00fcre sonra Arnedeo Zborovvsky\u2019yle tan\u0131\u015ft\u0131. Zborowsky Polonyal\u0131yd\u0131. Ozand\u0131 ve fakirdi- Ge\u00e7imini \u015f\u00f6yle b\u00f6yle sa\u011fl\u0131yor, biriktirebildi\u011fi paralarla hen\u00fcz tan\u0131nmam\u0131\u015f ressamlar\u0131n tablolar\u0131n\u0131 sat\u0131n al\u0131\u00adyordu. Zborowsky Amedeo Modigliani\u2019ye bir karde\u015f gibi ba\u011fland\u0131. Modi’ye hayrand\u0131. Ona yard\u0131m ediyordu. Modi ortadan kaybolunca onu bir meyhane k\u00f6\u015fesinde i\u00e7erken, uyu\u015fturucu madde kullan\u0131rken bulu\u00adyor ve eve g\u00f6t\u00fcr\u00fcyordu<\/p>\n

Zaman ge\u00e7tik\u00e7e ressam\u0131n yap\u0131s\u0131nda alkol b\u00fcy\u00fck \u00e7\u00f6k\u00fcnt\u00fcle\u00adrin \u00e7\u0131kmas\u0131na yol a\u00e7m\u0131\u015ft\u0131. \u0130\u00e7memesi gerekiyordu. \u00c7evresindeki\u00adler i\u00e7memesi i\u00e7in \u00f6\u011f\u00fctler veriyorlard\u0131. Bir s\u00fcre i\u00e7miyordu Modi. Ama uzun s\u00fcrm\u00fcyordu bu.<\/p>\n

Alkol y\u00fcz\u00fcnden Toulouse-Lautrec g\u00f6rmesini yitirmi\u015f f\u0131r\u00e7a\u00ady\u0131 do\u011fru d\u00fcr\u00fcst tutamaz olmu\u015ftu Ama Modigliani bu y\u00fczden re\u00adsim yapma g\u00fcc\u00fcn\u00fc daha da \u00e7abuk yitirdi.<\/p>\n

\"Amedeo<\/a>

Celso Lagar’\u0131n Portresi<\/p><\/div>\n

Modigliani’nin Son A\u015fk\u0131<\/h3>\n

Amedeo Modigliani 1917 y\u0131l\u0131nda Jeanne Hebuteme ad\u0131nda bir k\u0131zla tan\u0131\u015ft\u0131. Ya\u015fant\u0131s\u0131n\u0131n son a\u015fk\u0131 olacakt\u0131r bu. Jeanne da resim ya\u00adp\u0131yordu. Bir g\u00fcn desenlerini Modi\u2019ye g\u00f6sterme\u011fe gitti. \u00c7ok tatl\u0131 bir a\u015fk do\u011fdu aralar\u0131nda Jeanne evini b\u0131rakt\u0131, ailesini b\u0131rakt\u0131. Ressam\u0131n sefil at\u00f6lyesine yerle\u015fti. Bir anne gibi bakt\u0131 Modigliani\u2019ye.<\/p>\n

Bir s\u00fcre sonra bir k\u0131z \u00e7ocuklar\u0131 oldu. Art\u0131k at\u00f6lyede pek de bohem ya\u015fant\u0131s\u0131 yoktu \u00c7\u00fcnk\u00fc seven bir kad\u0131n mucizeler yarat\u0131r. B\u00f6yle bir durumda paras\u0131zl\u0131k bile kasvetli sefaleti kovmaya ye\u00adtebilir. Jeanne Modigliani\u2019nin at\u00f6lyesine gen\u00e7lik, g\u00fczellik bir \u00e7o\u00adcuk \u00e7ekicili\u011fi getirmi\u015fti. S\u0131k s\u0131k \u015furaya buraya, yerle\u015ftirdi\u011fi bir ka\u00e7 \u00e7i\u00e7ek yeni bir tazelik veriyordu at\u00f6lyeye. Eski bek\u00e2r d\u00fczensizli\u011finden iz kalmam\u0131\u015ft\u0131 ortada<\/p>\n

Ama neye yarar.Amedeo Modigliani’nin tek bir tablom bile sat\u0131lmam\u0131\u015ft\u0131 h\u00e2l\u00e2. Kimse anlam\u0131yordu onu. Ressam\u0131n ruhu her g\u00fcn bi\u00adraz daha zehirleniyordu. G\u00f6\u011fs\u00fc de g\u00f6zleri de \u00e7\u00f6km\u00fc\u015ft\u00fc. Bazen akl\u0131 kar\u0131\u015f\u0131yordu. Bir ak\u015fam Max Jacob\u2019un evinde hi\u00e7 bir nedene dayanmadan yang\u0131n \u00e7\u0131kartm\u0131\u015ft\u0131. Alevlerin y\u00fckseli\u015fini g\u00f6rmek is\u00adtiyordu. Belki ondan yapm\u0131\u015ft\u0131 bunu. 1919 y\u0131l\u0131nda Modi art\u0131k her \u015feyini yitirmi\u015fti. Gen\u00e7li\u011finin b\u00fct\u00fcn parlakl\u0131\u011f\u0131yla Paris\u2019e gelen g\u00fczel \u0130talyan delikanl\u0131s\u0131ndan ortada \u015fimdi bir iskelet kalm\u0131\u015ft\u0131. Verem yapaca\u011f\u0131n\u0131 yapm\u0131\u015ft\u0131. Zhorovvsky onu Nice\u2019e g\u00f6nderebilmek i\u00e7in biraz para toplad\u0131. Ama can \u00e7eki\u015fen bir adama bir ka\u00e7 haf\u00adtal\u0131k g\u00fcne\u015f ne yapabilirdi ki?<\/p>\n

Nice\u2019ten d\u00f6nd\u00fckten k\u0131sa bir \u015fiire sonra Modigliani\u2019yi hasta\u00adneye kald\u0131rd\u0131lar. 1920 y\u0131l\u0131n\u0131n Ocak ayn\u0131dayd\u0131. Son solu\u011funu ve\u00adrirken Modi: \u201c\u0130talia, Cara \u0130talia!\u201d dedi.<\/h6>\n
\"Amedeo<\/a>

Bronx Banter<\/p><\/div>\n

Amedeo Modigliani’nin \u00d6l\u00fcm\u00fc<\/h3>\n

Jeanne Hebuteme gebeydi. Do\u011fum yapmas\u0131 \u00e7ok yakla\u015fm\u0131\u015ft\u0131. Ertesi g\u00fcn\u00fc hastaneye ko\u015ftu Soran olmam\u0131\u015ft\u0131 Modigliani\u2019yi. Onun i\u00e7in ressam\u0131n \u00f6l\u00fcs\u00fcn\u00fc otopsi i\u00e7in mermer masan\u0131n \u00fczerine koymu\u015flard\u0131. Jeanne Modi\u2019nin \u00f6l\u00fcs\u00fcn\u00fcn \u00fczerine kapand\u0131. Ama birbirleri i\u00e7in hi\u00e7 bir \u015fey yapamazlard\u0131 art\u0131k. O zaman Jeanne se\u00adfaletini payla\u015ft\u0131\u011f\u0131 ressam u\u011fruna b\u0131rak\u0131p ka\u00e7t\u0131\u011f\u0131 baba evine d\u00f6n\u00add\u00fc. Tavan aras\u0131na \u00e7\u0131kt\u0131 Kendini bo\u015flu\u011fa b\u0131rakt\u0131 ve \u00f6ld\u00fc.<\/p>\n

Modigliani\u2019yi ortaya \u00e7\u0131karan. 1922 y\u0131l\u0131nda b\u00fcy\u00fck Amerikal\u0131 koleksiyoncu Albert C. Bam es oldu. Scutiue\u2019i do ayn\u0131 adam orta\u00adya \u00e7\u0131kard\u0131. Soutine\u2019i \u00e7ek seven Modigliani \u00f6l\u00fcm\u00fcnden k\u0131sa bir s\u00fc\u00adre \u00f6nce: Size Soutine\u2019i b\u0131rak\u0131yorum\u201d demi\u015fti.<\/p>\n

Zborovvsky\u2019nin oturdu\u011fu yer tablolarla doluyum Amerikal\u0131 koleksiyoncu Amedeo Modigliani\u2019nin bir\u00e7ok tablosunu Zborowsky\u2019nin evinden ald\u0131. K\u0131sa s\u00fcre sonra ressam\u0131n \u00e7\u0131plaklar\u0131ndan biri bir mil\u00adyon franka sat\u0131ld\u0131. Bu tablo Weil galerisinin vitrininde sergilenen ve \u201cahl\u00e2ka kar\u015f\u0131d\u0131r\u201d diye polis taraf\u0131ndan oradan kald\u0131r\u0131lan tablo\u00adlardan biriydi. Bu milyonla Modigliani bohem ya\u015fant\u0131s\u0131n\u0131n son iki, \u00fc\u00e7 y\u0131l\u0131n\u0131 rahatl\u0131k i\u00e7inde ge\u00e7irebilir, istedi\u011fi gibi yer i\u00e7er, ra\u00adhat bir yatakta uyurdu. Ama avd\u0131k i\u015f i\u015ften ge\u00e7mi\u015fti. Ressam \u00f6lm\u00fc\u015ft\u00fc. Sadece resimleri canl\u0131yd\u0131.<\/p>\n","protected":false},"excerpt":{"rendered":"

Amedeo Modigliani (1884 – 1920) 1914 sava\u015f\u0131ndan sava\u015f\u0131ndan \u00f6ncedeydi insanlar. Montpamasse\u2019de tatl\u0131 bir ya\u015fant\u0131 i\u00e7in ve bu insanlar\u0131n aras\u0131nda \u201cresim deli\u00adsi\u201d gen\u00e7 bir adam ya\u015f\u0131yordu. Bu bir \u0130talya\u2019nd\u0131. Amedeo Modigliani\u2019ydi ad\u0131 S\u00f6ylenmesi zor bir ad oldu\u011fundan poz veren modeller de arkada\u015flar\u0131 da ona k\u0131saca Modi diyorlard\u0131. G\u00fczel ve yak\u0131\u015f\u0131kl\u0131 bir gen\u00e7ti Modigliani. 1884 y\u0131l\u0131nda \u0130talya\u2019da […]<\/p>\n","protected":false},"author":1,"featured_media":6240,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[250],"tags":[],"class_list":["post-5215","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-unlu-ressamlarin-hayat-hikayeleri"],"yoast_head":"\nAMEDEO MODIGLIANI - Hayat\u0131, Eserleri ve Sanat g\u00f6r\u00fc\u015f\u00fc - Arthipo<\/title>\n<meta name=\"description\" content=\"Amedeo Modigliani kimdir. Ressam Amedeo Modigliani'nin hayat\u0131 ve eserleri. Size Soutine\u2019i b\u0131rak\u0131yorum. 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