{"id":5181,"date":"2016-10-17T21:18:55","date_gmt":"2016-10-17T18:18:55","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=5181"},"modified":"2017-06-07T03:26:34","modified_gmt":"2017-06-07T00:26:34","slug":"paul-gauguin-hayati-eserleri","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/unlu-ressamlarin-hayat-hikayeleri\/paul-gauguin-hayati-eserleri.html","title":{"rendered":"PAUL GAUGUIN – Hayat\u0131 eserleri ve sanat g\u00f6r\u00fc\u015f\u00fc"},"content":{"rendered":"

Paul Gauguin (1848-1903)<\/span><\/h2>\n

”Sanat<\/strong> dog\u0306adan c\u0327\u0131kar\u0131lan bir soyuttur.”\u00a0 Paul Gauguin<\/p>\n

Haziran 1848: Clovis Gauguin o g\u00fcn \u00e7ok mutluydu. Kar\u0131s\u0131 bir erkek \u00e7ocuk getirmi\u015fti d\u00fcnyaya. Oysa o g\u00fcnlerde Paris hi\u00e7 de huzurlu bir yer de\u011fildi. \u0130htil\u00e2l vard\u0131 Paris\u2019te- \u00dcstelik Clo\u00advis Gauguin a\u015f\u0131r\u0131 bir cumhuriyet\u00e7iydi. Do\u011fan \u00e7ocu\u011fun ad\u0131n\u0131 Paul koydular.<\/p>\n

Louis Napolyon imparator olunca Gauguin ailesi Fransa\u2019dan ayr\u0131l\u0131p Peru\u2019ya gitmek zorunda kald\u0131. Paul d\u00f6rt ya\u015f\u0131ndayd\u0131. K\u00fc\u00ad\u00e7\u00fck \u00e7ocuk Lima\u2019n\u0131n parlak g\u00fcne\u015fini, canl\u0131 renklerini hi\u00e7 bir za\u00adman unutmad\u0131. Babas\u0131 Lima\u2019ya varmadan \u00f6lm\u00fc\u015ft\u00fc. Annesi ile Paul 1855 y\u0131l\u0131nda Fransa\u2019ya d\u00f6nd\u00fcler.<\/p>\n

Paul Gauguin on yedi ya\u015f\u0131nda denizci olma\u011fa karar verdi. Alt\u0131 y\u0131l Atlantik\u2019ten Pasifi\u011fe, Rio de Janeiro\u2019dan Gr\u00f6nland\u2019a gi\u00addip geldi. 1871 y\u0131l\u0131nda Paris\u2019e d\u00f6nen Gauguin borsa tellal\u0131 Bertin\u2019in yanma girdi. \u00c7ok iyi para kazan\u0131yor, \u00e7ok g\u00fczel giyiniyordu. Ama annesi yoktu yan\u0131nda art\u0131k. \u00d6lm\u00fc\u015ft\u00fc.<\/p>\n

O s\u0131rada Gauguin Kopenhag\u2019dan Paris\u2019e gelen Mette Sophie Gad ad\u0131nda Danimarkal\u0131 bir gen\u00e7 k\u0131zla tan\u0131\u015ft\u0131. K\u0131sa s\u00fcre sonra evlendiler. Gauguin pazar g\u00fcnleri \u00f6zellikle manzara resimleri
\nyap\u0131yordu. Gauguin\u2019le Mette\u2019nin \u00e7ocuklar\u0131 oldu. Y\u0131llar ge\u00e7ti. Gauguin \u00f6rnek bir aile babas\u0131yd\u0131.<\/p>\n

Bir yandan da Gaug\u0131\u0131in durmadan resim yap\u0131yordu. Bu arada sergiledi\u011fi d\u00f6rt tablosu uzmanlar\u0131n dikkatini \u00e7ekmi\u015fti. Degas da be\u011fenmi\u015fti Gauguin\u2019in resimlerini. Bir g\u00fcn de Manet onun at\u00f6lyesine geldi. \u015ea\u015f\u0131ran Gaug\u0131\u0131in: \u201cBen sadece amat\u00f6r\u00fcm \u2019 dedi Manet\u2019ye. Manet \u00f6fkelendi: \u201cAmat\u00f6rler k\u00f6t\u00fc resimler yapan ressam\u00adlard\u0131r\u201d diye kar\u015f\u0131l\u0131k verdi. Asl\u0131nda Gauguin’in kendine g\u00fcveni vard\u0131. Manet Gauguin\u2019e \u00e7ok etkileyici bir \u015fey daha s\u00f6yledi: \u201cRe\u00adsim yap\u0131nca insan ba\u015fka \u015fey yapamaz\u201d dedi. \u00dcnl\u00fc Frans\u0131z roman\u00adc\u0131s\u0131 da bir yaz\u0131 yazarak Gauguin\u2019in sanat\u0131n\u0131 \u00f6vm\u00fc\u015ft\u00fc.<\/p>\n

Gauguin art\u0131k borsa tell\u00e2ll\u0131\u011f\u0131ndan baya\u011f\u0131 so\u011fumu\u015ftu. Yaln\u0131z resim yapmak istiyordu. Ve bir g\u00fcn karar\u0131n\u0131 kar\u0131s\u0131na a\u00e7\u0131klad\u0131: \u201cBundan b\u00f6yle her g\u00fcn resim yapaca\u011f\u0131m.\u201d<\/p>\n

\"Paul<\/a>

Paul Gauguin, Ya\u011fl\u0131 Boya Tablo, Nereden Geldik Nereye Gidiyoruz<\/p><\/div>\n

 <\/p>\n

Paul Gauguin i\u00e7in Ser\u00fcven ba\u015fl\u0131yor<\/span><\/h3>\n

Gaug\u0131\u0131in i\u015finden ayr\u0131ld\u0131. Biriktirdikleri paralar yava\u015f yava\u015f t\u00fckeniyordu. Mette ile Gauguin \u00e7ocuklar\u0131n\u0131 da alarak Kopenhag\u2019a gitmek zorunda kald\u0131lar. Mette\u2019nin ailesinin evinde kal\u0131yorlard\u0131 Ama Danimarkal\u0131lar\u0131n g\u00f6z\u00fcnde Gauguin i\u015fsiz g\u00fc\u00e7s\u00fcz bir adamd\u0131. Resim yaparak g\u00fcnlerini ge\u00e7iren, be\u015f para kazanmayan bir adan\u0131 gereksiz bir adamd\u0131 onlar i\u00e7in. Gauguin de onlara d\u00fc\u015fman gibi ba\u00adk\u0131yordu. Kocas\u0131na g\u00fcveni kalmayan Mette de \u00e7ocuklar\u0131n\u0131n ge\u00e7i\u00admini sa\u011flamak i\u00e7in Frans\u0131zca dersleri verme\u011fe ba\u015flam\u0131\u015ft\u0131.<\/p>\n

Bu durum daha fazla s\u00fcremezdi. Gauguin, Clovis ad\u0131ndaki en k\u00fc\u00e7\u00fck \u00e7ocu\u011funu da alarak Paris\u2019e d\u00f6nd\u00fc. Korkun\u00e7 bir so\u011fuk var\u00add\u0131 Paris\u2019te, Clovis\u2019i Paris\u2019te b\u0131rakarak Bretagnc\u2019a gitti Gauguin. Gen\u00e7 ressamlar Gloanec Anan\u0131n Pont-Avan\u2019de otelinde toplan\u0131\u00adyorlard\u0131. Gauguin orada bir\u00e7ok manzara ve \u00e7ocuk resmi yapt\u0131, Ama sanatta hen\u00fcz ki\u015fili\u011fini bulmam\u0131\u015ft\u0131.<\/p>\n

Sonra Paris\u2019e d\u00f6nen Gauguin arkada\u015f\u0131 Laval\u2019i de yan\u0131na ala\u00adrak Martiniaue\u2019e gittiler. Orada da bir\u00e7ok tablo yapt\u0131. Art\u0131k sa\u00adnatta yava\u015f yava\u015f amac\u0131na yakla\u015ft\u0131\u011f\u0131n\u0131 hissediyordu. 1888 y\u0131l\u0131n\u00adda Fransaya d\u00f6nen Gauguin \u00f6nce Pont-Aven\u2019a gitti. Vincent Van Gogh o s\u0131rada Arles\u2019da idi. Gauguin\u2019i yanma \u00e7a\u011f\u0131rd\u0131. Ama Van Gogh un iyice dengesi bozulma\u011fa ba\u015flam\u0131\u015ft\u0131. Gauguin \u00e7ok rahat\u00ads\u0131z oldu bundan. Gauguin bir ara Vincent\u2019in portresini yapt\u0131. Portre bitince zavall\u0131 Vincent: \u201cFivet bu resim benim resmim ama g\u00f6zlerimi deli g\u00f6zleri gibi yapm\u0131\u015fs\u0131n\u201d.<\/p>\n

\"Paul<\/a>

Paul Gauguin, Ya\u011fl\u0131 Boya Tablo, Karma, Buda, \u0130nan\u00e7<\/p><\/div>\n

 <\/p>\n

Paul Gauguin’in\u00a0Paris’e D\u00f6n\u00fc\u015f\u00fc<\/h3>\n

Gauguin 1889 y\u0131l\u0131nda \u00fc\u00e7\u00fcnc\u00fc defa Pont\u2019Aven’a gitti. 1890 y\u0131\u00adl\u0131nda Paris\u2019e d\u00f6nen ressam gene g\u00fcne\u015fli memleketleri d\u00fc\u015f\u00fcnme\u011fe ba\u015flad\u0131 Yeniden vah\u015fi bir ya\u015fant\u0131 i\u00e7ine girmek istiyordu. Kendi deyimiyle \u201cbenim i\u00e7in bir gen\u00e7le\u015fme olan bu barbarl\u0131\u011fa\u201d d\u00f6nmek istiyordu Gauguin.<\/p>\n

\u0130stedi\u011fi oldu en sonunda. 1891 y\u0131l\u0131n\u0131n Haziran ay\u0131nda Tahiti\u2019nin ba\u015fkenti Papeete\u2019deydi. Oradan Mateieu k\u00f6y\u00fcne gitti ve ora\u00adya yerle\u015fti Buradaki manzaralar, renkler g\u00f6zlerini kama\u015ft\u0131rm\u0131\u015ft\u0131. Buras\u0131 tam anlam\u0131yla bir cennetti. Gauguin arad\u0131\u011f\u0131n\u0131 bulmu\u015ftu sonunda Yerliler iyi insanlard\u0131. Tahitili kad\u0131nlar g\u00fczeldi. \u201cVahi\u00adne\u201d diyorlard\u0131 bu kad\u0131nlara A\u015fk. Sevgi, cinsel ya\u015fant\u0131 bu mem\u00adleketin ekme\u011fi gibiydi, suyu gibiydi. Her erke\u011fin bir \u201cvahine\u201dsi vard\u0131. Gauguin de kendine bir \u201cvahine’\u2019 buldu. Tehura. On yedi ya\u015f\u0131ndayd\u0131 Tehura \u0130ri g\u00f6\u011f\u00fcsl\u00fc, g\u00fcr sa\u00e7l\u0131 \u00e7ok g\u00fczel bir k\u0131zd\u0131 Te\u00adhura. Tahitili gen\u00e7 k\u0131z Gauguin\u2019in kul\u00fcbesine geldi. Kar\u0131s\u0131 ol\u00admu\u015ftu onun. Ressam\u0131 seviyordu. B\u00fct\u00fcn benli\u011fiyle ba\u011fl\u0131yd\u0131 Gauguin\u2019e. Ve ressam kendini adalar\u0131n mutlu ya\u015fant\u0131s\u0131na b\u0131rakt\u0131. Co\u015fku i\u00e7inde resim yap\u0131yor, paletindeki renkler her g\u00fcn biraz da\u00adha parlakla\u015f\u0131yordu. Ama paras\u0131 t\u00fckenmi\u015fti. Tehura\u2019dan da bir \u00e7o\u00adcu\u011fu olmu\u015ftu. \u0130kisi de sefalet i\u00e7indeydi.<\/p>\n

\"Paul<\/a>

Paul Gauguin, Yakup’un Melekle M\u00fccadelesi, Vaazdan Sonraki Hayal, Ya\u011fl\u0131 Boya Tablo, 1888<\/p><\/div>\n

 <\/p>\n

\u0130ki y\u0131l sonra Gauguin Tahiti\u2019den ayr\u0131lmak zorunda kald\u0131. Paris\u2019e d\u00f6nd\u00fc. Ama daha sonralar\u0131 baz\u0131 tablolar\u0131n\u0131 satarak topla\u00add\u0131\u011f\u0131 paralarla yeniden Tahiti\u2019ye gitti. Bunu duyan Degas: \u201cTahiti\u2019ye gidecek ne var.. <\/sup>\u0130nsan Paris\u2019te de pek\u00e2l\u00e2 resim yapabilir diyordu<\/sup>. Ama Degas\u2019da g\u00fcne\u015f tutkusu yoktu.<\/p>\n

Tahiti\u2019ye varan Gauguin Tehura\u2019y\u0131 arad\u0131 ama bulamad\u0131. Ba\u015f\u00adka bir \u201cvahine\u201d ald\u0131 ve bu defa P\u0131\u0131nasiua\u2019ya yerle\u015ferek bir yerli gibi ya\u015fama\u011fa ba\u015flad\u0131. Resim yapmak b\u00fct\u00fcn zaman\u0131n\u0131 al\u0131yordu. Ama s\u0131k\u0131nt\u0131lar yeniden ba\u015flam\u0131\u015ft\u0131. Hep ayn\u0131 s\u0131k\u0131nt\u0131lard\u0131 bunlar. Paras\u0131zd\u0131. Hastayd\u0131. \u00dcstelik \u00e7evresindeki beyazlar \u00e7ok can\u0131n\u0131 s\u0131\u00adk\u0131yordu. Bunlar\u0131n yerlilere yapt\u0131klar\u0131 bask\u0131lar \u00e7ok \u00f6fkelendiri\u00adyordu Gauguin\u2019i. Nefret ediyordu Gauguin beyazlardan. Yerlileri korumak i\u015fini \u00fczerine alm\u0131\u015ft\u0131. Durmadan kavga ediyordu beyaz\u00adlarla Onlar\u0131 k\u00f6t\u00fcleyen yaz\u0131lar yaz\u0131yordu…<\/p>\n

Gauguin Yorulmu\u015ftu<\/h3>\n

Ressam yorulmu\u015ftu. Tahiti yeterince ilkel gelmiyordu art\u0131k Ga\u0131\u0131guin\u2019e. Bunun \u00fczerine Punaaiua\u2019dan ayr\u0131ld\u0131. Markiz Adalar\u0131n\u00addaki Hiva-Oa\u2019ya gitti. Tablo sat\u0131c\u0131s\u0131 Ambroise Vollard ressama her ay 300 frank g\u00f6nderme\u011fe ba\u015flam\u0131\u015ft\u0131. Para s\u0131k\u0131nt\u0131s\u0131 \u00e7ekmiyor\u00addu art\u0131k Gauguin.<\/p>\n

Para s\u0131k\u0131nt\u0131s\u0131 \u00e7ekmiyordu ama her zaman oldu\u011fu gibi eli a\u00e7\u0131kt\u0131. Patatesin kilosunun elli santime, tavu\u011fun altm\u0131\u015f santime sat\u0131ld\u0131\u011f\u0131n\u0131 bir memlekette Gauguin zengin bir adam say\u0131l\u0131rd\u0131. Ve ressam t\u0131pk\u0131 Paris\u2019te oldu\u011fu gibi paras\u0131n\u0131 har vurup harman savu\u00adruyordu. B\u00fct\u00fcn yerlilere i\u00e7kiler, yemekler \u0131smarl\u0131yordu. Kendi de \u00e7ok i\u00e7iyordu. \u015earap, apsent, rom, viski, bira, ne bulursa i\u00e7iyordu.<\/p>\n

\"Paul<\/a>

Paul Gauguin, \u00dc\u00e7 Kul\u00fcbe, The Tree Huts, Ya\u011fl\u0131 Boya Tablo<\/p><\/div>\n

 <\/p>\n

Gauguin\u2019in sefaletten \u00f6ld\u00fc\u011f\u00fc s\u00f6ylenemez. Ressam\u0131 hastal\u0131k ve \u00e7ekti\u011fi fiziksel ac\u0131lar peri\u015fan etmi\u015fti. Sa\u011f aya\u011f\u0131nda korkun\u00e7 bir yara vard\u0131. Alkol de yapaca\u011f\u0131m yapm\u0131\u015ft\u0131. Eskiden dev gibi g\u00f6r\u00fc\u00adnen bu g\u00fc\u00e7l\u00fc adam art\u0131k titriyor, \u00e7ok zaman d\u00fc\u015fecek gibi oluyor\u00addu. Dayan\u0131lmaz bir hale gelen a\u011fr\u0131lar\u0131n\u0131 dindirmek i\u00e7in morfin kullanmak zorunda kal\u0131yordu.<\/p>\n

Ama \u00f6fkesinden, canl\u0131l\u0131\u011f\u0131ndan bir \u015fey yitirmemi\u015fti. Gauguin Hiva-Oa\u2019da da durmadan yetkililere \u00e7at\u0131yor, her g\u00fcn onlarla u\u011fra\u015f\u0131yordu. Gauguin bu konuda daha da ileri gitti. 1903 y\u0131l\u0131n\u0131n ba\u015f\u0131nda s\u00f6m\u00fcrgeler m\u00fcfetti\u015fine bir mektup yazarak Gmchenay ad\u0131ndaki Jandarman\u0131n Amerikal\u0131 ka\u00e7ak\u00e7\u0131larla i\u015fbirli\u011fini yapt\u0131\u011f\u0131\u00adn\u0131 ihbar etti. Ama Guichenay\u2019nin \u015fefi Ciaverie adam\u0131n\u0131n su\u00e7unu \u00f6rtbas etti \u0130kisi birlik olup Gauguin\u2019i mahkemeye verdiler. H\u0131r\u00ads\u0131zlar i\u015flerini biliyorlard\u0131. H\u0131rs\u0131zl\u0131klar\u0131na engel olma\u011fa kalk\u0131\u015fan adam\u0131 muhakkak ezeceklerdi. Bunu da ba\u015fard\u0131lar. Ve sonunda zavall\u0131 Gauguin \u00fc\u00e7 ay hapisle bin frank para cezas\u0131na \u00e7arpt\u0131r\u0131ld\u0131.<\/p>\n

Paul Gauguin’in\u00a0Hastal\u0131k D\u00f6nemi<\/h3>\n

Bu haks\u0131zl\u0131k zaten hastal\u0131\u011f\u0131n ve alkol\u00fcn pen\u00e7esi alt\u0131nda k\u0131v\u00adranan ressam\u0131 y\u0131kt\u0131 denebilir. Haziran ay\u0131nda arkada\u015f\u0131 Daniel de Monfreid\u2019e yazd\u0131\u011f\u0131 son mektubunda Gauguin. B\u00fct\u00fcn bu ila\u00e7lar beni \u00f6ld\u00fcr\u00fcyor\u201d der.<\/p>\n

Gauguin 8 May\u0131s 1903 tarihinde d\u00fcnyaya g\u00f6zlerini kapad\u0131. Hiva-Oa\u2019daki rahip Vernier ressam\u0131n kalb krizinden \u00f6ld\u00fc\u011f\u00fcn\u00fc s\u00f6y\u00adledi. Kimisi morfinden \u00f6ld\u00fc\u011f\u00fcn\u00fc iddia etti. Kimisi de Gu\u0131lleton ad\u0131nda bir jandarman\u0131n verdi\u011fi zehirli bir sigara y\u00fcz\u00fcnden \u00f6ld\u00fc\u011f\u00fcn\u00fc belirtti.<\/p>\n

Ama art\u0131k her \u015fey bo\u015ftu. Gauguin sonsuz uykuya dalm\u0131\u015ft\u0131.<\/p>\n

Kul\u00fcbenin i\u00e7inde bir\u00e7ok tablolar aras\u0131nda \u00f6tekilere hi\u00e7 ben\u00adzemeyen bir tablo vard\u0131: Karlar K\u00f6y\u00fc Parlak renklerle \u00e7evrili manzaralarla tam bir kar\u015f\u0131tl\u0131k i\u00e7indeydi bu tab\u00adlo. Ve bu tablo Gauguin\u2019in son tablosuydu. Ressam\u0131n yurt \u00f6zle\u00admini bundan daha g\u00fczel hi\u00e7 bir \u015fey yans\u0131tamazd\u0131.<\/p>\n

\"Paul<\/a>

Paul Gauguin, Domuz \u00c7oban\u0131, Swineherd, Ya\u011fl\u0131 Boya Tablo,<\/p><\/div>\n

Paul Gauguin’in Sanat\u00a0g\u00f6r\u00fc\u015f\u00fc<\/h3>\n

\u201cBir tablonun yap\u0131m\u0131 nerede ba\u015flar nerede biter? \u0130nsan\u0131n i\u00e7indeki duygular kayna\u015fmaya ba\u015flar, bu duygular patlay\u0131nca ve b\u00fct\u00fcn d\u00fc\u015f\u00fcnce yanar\u00adda\u011fdan \u00e7\u0131kan l\u00e2vlar gibi \u00e7\u0131k\u0131p ta\u015f\u0131ma birdenbire ya\u00adrat\u0131lan yap\u0131t\u0131n \u00e7ok keskin bile olsa b\u00fcy\u00fck insan\u00fcst\u00fc bir patlay\u0131\u015f\u0131 de\u011fil midir bu? Usun bilin\u00e7li hesap\u00adlar\u0131n\u0131n bu patlay\u0131\u015ftan \u00f6ncesiyle bir ilgisi yoktur, ama insan\u0131n i\u00e7inde yap\u0131t\u0131n re zaman ba\u015flad\u0131\u011f\u0131n\u0131 kim bile\u00adbilir? Bu yap\u0131t belki de bilin\u00e7sizli\u011fin do\u011furdu\u011fu bir \u015feydir?’<\/p>\n

(Daniel de Monreid’e yazd\u0131\u011f\u0131 bir mektuptan)<\/p>\n

“Beni d\u00fc\u015f\u00fcnd\u00fcren en \u00f6nemli \u015fey \u015fudur: \u0130yi bir yolda m\u0131y\u0131m, \u00e7al\u0131\u015fmalar\u0131mda geli\u015fme var m\u0131, sanat hatalar\u0131 yap\u0131yor muyum? \u00c7\u00fcnk\u00fc maddeyle ilgili, tab\u00adlo yap\u0131m\u0131yla haz\u0131rlanmas\u0131yla ilgili so\u00adrunlar ger\u00e7ektir en son planda yer al\u0131r. Bunlar her zaman i\u00e7in d\u00fczeltilebilir de\u011fil mi?<\/p>\n

\u201cOysa sanat. derinle\u015ftirilmesi \u00e7ok ince ve \u00e7ok korkun\u00e7 bir \u015fey (. . . .) ”<\/p>\n

(Panielde Moufreiac yazd\u0131\u011f\u0131 bir mektuptan)<\/p>\n

“Sanat\u00e7\u0131 ya \u00fcst\u00fcn bir ki\u015fidir ve boylere sanat\u0131n\u0131 anlayacak sonra da e\u011fer kar\u015f\u0131la\u015ft\u0131rma faydal\u0131ysa edebiyat sanatlar\u0131yla kar\u015f\u0131la\u015ft\u0131rabilecek g\u00fc\u00e7tedir; ya da yeteneksiz bir ki\u015fidir ki, o zaman da onunla u\u011fra\u015fmaya de\u011fmez. Bilmem hangi ele\u015ftirmen ona: ” Kuzeye gidin\u2019\u2019 der. Bir ba\u015fkas\u0131: \u201cG\u00fcney\u2019e gidin\u2019\u2019 der. Ayn\u0131 ele\u015ftirmen \u00a0\u2019\u2019Oturun \u015euraya\u2019\u2019 da diyebilir. Hangi yola y\u00f6nelmeli?\u201d<\/p>\n

Frank Elgar’\u0131n\u00a0Paul Gauguin hakk\u0131ndaki\u00a0D\u00fc\u015f\u00fcnceleri<\/h3>\n

” Gauguin neden Pro\u0308raryaya, Panamaya. Martini- ke gitti? Arkada\u015f\u0131 Dantel de Menfreid bunun nedenini bize a\u00e7\u0131kl\u0131yor: ‘ \u00c7ok eski al\u0131\u015fkanl\u0131klara ba\u011fl\u0131 sand\u0131\u011f\u0131 bir memlekette a\u015f\u0131r\u0131 uygar \u00e7evrelerimizden ayr\u0131 bir hava ar\u0131yordu\u201d \u00d6zellikle Antiller \u2018de Gauguin Cennet gibi bir dekor, tertemiz \u00e7izgiler, y\u0131\u011f\u0131n etkileri, renklerin sert \u00e7eli\u015fmelerini buldu. Gauguin o zamana dek res mi etkileyen impressionnisme’le ili\u015fkisini kesti (1887).
\nFransaya d\u00f6ner d\u00f6nmez Monet\u2019nin ve Pissarro\u2019nun ba\u011fland\u0131\u011f\u0131 nat\u00fcralizm e\u011filimini sanat\u0131ndan da, ya\u015fant\u0131s\u0131ndan da kald\u0131r\u0131p att\u0131. \u201cBire\u015fim\u2019\u2019i kendi sanat g\u00f6r\u00fc\u015f\u00fcne uygun bir bi\u00e7imde ortaya \u00e7\u0131kard\u0131 ve \u00f6\u011fretti. Belki de bu ad alt\u0131nda tan\u0131tlanan estetik ilkeleri Emile Bernard\u2019\u0131n iddia gibi bu ressamdan esinlenerek benimsemi\u015ftir. B\u00f6yle de olsa yeni kuram\u0131 ilk defa a\u00e7\u0131klayan ve tam bir yetkiyle uygulayan Gauguin\u2019dir.\u2019\u2019<\/p>\n","protected":false},"excerpt":{"rendered":"

Paul Gauguin (1848-1903) ”Sanat dog\u0306adan c\u0327\u0131kar\u0131lan bir soyuttur.”\u00a0 Paul Gauguin Haziran 1848: Clovis Gauguin o g\u00fcn \u00e7ok mutluydu. Kar\u0131s\u0131 bir erkek \u00e7ocuk getirmi\u015fti d\u00fcnyaya. Oysa o g\u00fcnlerde Paris hi\u00e7 de huzurlu bir yer de\u011fildi. \u0130htil\u00e2l vard\u0131 Paris\u2019te- \u00dcstelik Clo\u00advis Gauguin a\u015f\u0131r\u0131 bir cumhuriyet\u00e7iydi. Do\u011fan \u00e7ocu\u011fun ad\u0131n\u0131 Paul koydular. Louis Napolyon imparator olunca Gauguin ailesi Fransa\u2019dan […]<\/p>\n","protected":false},"author":1,"featured_media":5864,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[250],"tags":[],"class_list":["post-5181","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-unlu-ressamlarin-hayat-hikayeleri"],"yoast_head":"\nPAUL GAUGUIN - Hayat\u0131 eserleri ve sanat g\u00f6r\u00fc\u015f\u00fc - Arthipo<\/title>\n<meta name=\"description\" content=\"Paul Gauguin on yedi ya\u015f\u0131nda denizci olma\u011fa karar verdi. 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