{"id":5175,"date":"2016-10-16T20:18:27","date_gmt":"2016-10-16T17:18:27","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=5175"},"modified":"2021-01-26T17:26:48","modified_gmt":"2021-01-26T14:26:48","slug":"claude-monet","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/unlu-ressamlarin-hayat-hikayeleri\/claude-monet.html","title":{"rendered":"Claude Monet, Hayat\u0131, Resimleri, \u0130zlenimcilik"},"content":{"rendered":"

Claude Monet (1840-1926)<\/span><\/h2>\n
Ku\u015fun \u00f6tt\u00fc\u011f\u00fc gibi resim yapar\u0131m ben. \u00a0\/\u00a0<\/i><\/b>Claude MONET<\/i><\/b><\/h6>\n
\"Claude<\/a>

Claude Monet<\/p><\/div>\n

Aralar\u0131nda\u00a0Claude Monet, Renoir, Pissarro, Sisley, Cezanne, Degas. Guillaumin, Berthe Morisot bulunan gen\u00e7 ba\u011f\u0131ms\u0131z res\u00adsamlar toplulu\u011fu 1874 y\u0131l\u0131nda bir \u201cAnonim \u015eirket\u201d kurmu\u015flard\u0131* O tarihte \u201cSalon\u201d diye adland\u0131r\u0131lan yerde tablolar\u0131n\u0131 sergileme\u00adyen ya da sergileyemeyen ressamlar\u0131n hi\u00e7 bir sanat de\u011feri yok\u00adtu. Yetkililer ve halk \u201cakademik\u201d \u00e7al\u0131\u015fmalar\u0131n d\u0131\u015f\u0131nda hi\u00e7 bir re\u00adsim \u00e7abas\u0131n\u0131, hi\u00e7 bir sanat yenili\u011fini benimsemedikleri gibi \u00fcste\u00adlik eski ustalar\u0131n izinden gitmeyen ressamlar\u0131 alaya al\u0131yorlard\u0131. Gen\u00e7 ressamlar \u201cSalonca bu y\u00fczden kabul edilmiyorlard\u0131. Onlar da aralar\u0131nda anla\u015farak bir \u015firket kurmu\u015flard\u0131. \u0130lk b\u00fcy\u00fck sergi\u00adlerini ayn\u0131 y\u0131l 15 Haziran – 15 May\u0131s aras\u0131nda \u00fcnl\u00fc foto\u011fraf\u00e7\u0131 Nadar\u2019\u0131n Capucines Bulvar\u0131ndaki at\u00f6lyesinde a\u00e7ma\u011fa karar ver\u00admi\u015flerdi. Claude Monet<\/em><\/p>\n

Sergiye kat\u0131lacak ressamlar\u0131n katalo\u011funu ressam Renoir\u2019un karde\u015fi Edmond haz\u0131rl\u0131yordu. Claude Monet \u2019in tablolar\u0131 aras\u0131n\u00adda bir manzara resmi vard\u0131. Ressam Havre’dan G\u00f6r\u00fcn\u00fc\u015f ad\u0131m vermi\u015fti bu tabloya. Ayd\u0131nl\u0131k bir bu\u011fu i\u00e7inde g\u00fcne\u015f g\u00f6r\u00fcn\u00fcyordu. \u00d6n planda da bir ka\u00e7 tekne vard\u0131. Edmond Renoir;<\/p>\n

\u201cHavre’dan G\u00f6r\u00fcn\u00fc\u015f demi\u015fsiniz ama bir \u015fey g\u00f6r\u00fcnm\u00fcyor Monet!\u201d dedi.<\/p>\n

Can\u0131 s\u0131k\u0131lan ressam:<\/p>\n

\u201cPek\u00e2l\u00e2!\u201d diye kar\u015f\u0131l\u0131k verdi. \u201c\u0130mpression (Empresyon) yaz\u0131n \u00f6yleyse.<\/p>\n

Empresyonist (\u0130zlenimci) ressam Monet<\/h3>\n

Edmond Renoir katalo\u011fa \u201c\u0130mpression, Soleil levana yaz\u00add\u0131. Hav re G\u00f6r\u00fcn\u00fc\u015f\u00fc ad de\u011fi\u015ftirince \u0130zlenim-Duygu – Do\u011fan G\u00fc\u00adne\u015f\u201d olmu\u015ftu. Ertesi g\u00fcn\u00fc sergi a\u00e7\u0131ld\u0131. Tablolar\u0131 seyredenlerin kimi g\u00fcl\u00fcyor, kimi \u00f6fkesini belirtiyor, kimi de k\u00fcfrediyordu. Sergiyi gezenler aras\u0131nda Charivari gazetesinden Louis Leroy da vard\u0131. Gazetecinin \u00e7evresindekiler \u00e7ok keyifliydi. Tablolar\u0131n kar\u015f\u0131s\u0131na ge\u00e7ip alabildi\u011fine alay ediyorlard\u0131. Bir ara Leroy onlar\u0131 susturarak:<\/p>\n

\u201c\u015eu tablo neyi g\u00f6stermek istiyor?\u201d diye sorunca \u00e7evresindekiler kat\u0131la kat\u0131la g\u00fclme\u011fe ba\u015flad\u0131lar. Gazeteci ar\u00adkada\u015flar\u0131n\u0131 yeniden susturdu:<\/p>\n

Durun \u015fu katalo\u011fa bakal\u0131m ne yaz\u0131yormu\u015f!\u201d dedi. \u0130z\u00adlenim Duygu – Do\u011fan G\u00fcne\u015f yaz\u0131yor. \u0130zlenim-duygu, emindim bundan. Duyguland\u0131\u011f\u0131ma g\u00f6re ben de diyordum i\u00e7imden zaten, muhakkak bunun i\u00e7inde duygu falan olmal\u0131!\u201d<\/p>\n

Herkes yeniden g\u00fclme\u011fe ba\u015flad\u0131. Bu sergi muhakkak ki y\u0131\u00adl\u0131n en ba\u015far\u0131l\u0131 \u015fakas\u0131yd\u0131. Ertesi g\u00fcn\u00fc yay\u0131nlanan Leroy\u2019un \u201c\u0130mpressionniste\u2019lerin Sergisi\u201d adl\u0131 yaz\u0131s\u0131 ayn\u0131 mizah havas\u0131 i\u00e7inde okundu ve \u00e7ok be\u011fenildi. Ama alaylar da, yaz\u0131lar da, k\u00fcf\u00fcrler de unutuldu. Ve ortada tek bir kelime kald\u0131: \u0130mpressionnisme.<\/p>\n

Empresyonizmin kural\u0131 ?<\/h4>\n

Bununla beraber \u201c\u0130mpressionnisme\u201d ne bir okul oldu, ne de bir ak\u0131m. Pissarro\u2019nun d\u0131\u015f\u0131nda hi\u00e7 bir ressam \u201c\u0130mpressionnisme\u201de (empresyonizm) tam olarak ba\u011fl\u0131 kalmad\u0131. \u00c7\u00fcnk\u00fc hi\u00e7 bir \u201cimpressionniste\u2019in ne bir program\u0131 vard\u0131, ne de bir kural\u0131.<\/p>\n

Leroy\u2019un yaz\u0131s\u0131ndan sonra \u201cimpressionniste\u201d diye tan\u0131mla\u00adnan ressamlar kendilerini kabul ettirene kadar y\u0131llarca \u00e7e\u015fitli sald\u0131r\u0131lara ama\u00e7 oldular. \u00c7o\u011fu ya\u015fam\u0131n\u0131 para s\u0131k\u0131nt\u0131s\u0131 i\u00e7inde s\u00fcr\u00add\u00fcrd\u00fc. Bu ressamlar\u0131n kar\u015f\u0131s\u0131na her zaman bir anlay\u0131\u015fs\u0131zl\u0131k ve ahmakl\u0131k duvar\u0131 dikiliyordu. Ama bunlar\u0131n hi\u00e7 biri a\u015famalar yap\u00admalar\u0131na engel olamad\u0131.<\/p>\n

\"Marguerite<\/a>

Marguerite Lecadre Bah\u00e7ede, Claude Monet’nin Kuzeni<\/p><\/div>\n

Monet de paras\u0131zl\u0131k \u00e7ekti. Mutlu g\u00fcnleri oldu. Mutsuz g\u00fcn\u00adleri oldu. Hastaland\u0131, paralar kazand\u0131, ama hep resim yapt\u0131, dur\u00admadan resim yapt\u0131. Bir devrimci de\u011fildi Claude Monet. Sanatta ba\u015fkald\u0131ran bir insan olarak da \u00fcn yapmak istemiyordu Sanata yeni bir \u015feyler getirmek \u00e7abas\u0131 i\u00e7inde de\u011fildi, Sevdi\u011fi \u015feylerin resimlerini \u00f6zg\u00fcrl\u00fck i\u00e7inde yapma\u011f\u0131 s\u00fcrd\u00fcr\u00fcyordu sadece. Monet\u2019in tek amac\u0131 renk ve \u0131\u015f\u0131kt\u0131.<\/p>\n

Siyahtan her zaman ka\u00e7m\u0131\u015ft\u0131r Claude Monet. \u00c7\u00fcnk\u00fc ressam \u0131\u015f\u0131\u011f\u0131 ve ayd\u0131nl\u0131\u011f\u0131 seviyordu. \u00dcstelik siyah\u0131 \u00e7ok kullanan akademik res\u00adsamlara da kar\u015f\u0131 oldu\u011fundan nefret ediyordu siyahtan. Ton ay\u0131r\u0131m\u0131 \u00e7a\u011fda\u015f resmin en \u00f6nem\u00adli yeniliklerinden biridir. Monet ve ondan sonraki ressamlar bunu uygulayarak tablolar\u0131nda g\u00f6z kama\u015ft\u0131ran bir d\u00fcnya verdiler bize, \u015eu var ki Monet\u2019nin i\u00e7g\u00fcd\u00fcs\u00fcyle uygulad\u0131\u011f\u0131 ton ayr\u0131m\u0131n\u0131 Seurat ile Benri-Edmond Cross gibi, Signac gibi Maximilien Luce gibi \u201cpointilliste\u201d <\/em>bilimsel bir y\u00f6ntemle uygulam\u0131\u015flard\u0131r.<\/p>\n

Monet’in \u0130lk Ustas\u0131 Eugene Boudin<\/h3>\n

34 Kas\u0131m 1840 tarihinde d\u00fcnyaya gelen Claude Monet ‘nin ilk ustas\u0131 Eugene Boudin\u2019dir. Hollandal\u0131 Jongkind de Monet\u2019yi etki\u00adlemi\u015ftir. Zaten Monet bu ressam\u0131m k\u0131\u015fk\u0131rtmas\u0131yla Paris\u2019e giderek \u0130svi\u00e7reli ressam Gleyre\u2019in at\u00f6lyesine girmi\u015ftir. Ama Gleyre kas\u00advetli bir adamd\u0131. I\u015f\u0131\u011fa ve a\u00e7\u0131k renklere \u00e2\u015f\u0131k bir gen\u00e7 ressam da\u00adha vard\u0131 bu at\u00f6lyede: Auguste Renoir, Claude Monet ve Renoir i\u015fte bura\u00adda tan\u0131\u015f\u0131p yak\u0131n arkada\u015fl\u0131k kurdular. Bir ay sonra ikisi de Gleyre\u2019den ayr\u0131ld\u0131lar.<\/p>\n

\u201cMonet k\u0131\u015f\u0131n da yaz\u0131n da Giverny’de otururdu. G\u00fcne\u015f do\u011far\u00adken yataktan kalkar, g\u00fcne\u015f batarken yatard\u0131. Paneur\u2019lar\u0131 ve per\u00addeleri her zaman a\u00e7\u0131kt\u0131. G\u00fcne\u015fin ilk \u0131\u015f\u0131nlar\u0131 uyand\u0131r\u0131rd\u0131 Monet\u2019yi. Bir tane k\u0131zarm\u0131\u015f domuz sucu\u011fu yer. Bir bardak beyaz \u015farap i\u00e7er, \u00fczerine bir sigara t\u00fctt\u00fcr\u00fcr, sonra i\u015fe koyulurdu. \u00d6\u011fleyin sofraya otururdu. Saat ikide yeniden tuvalinin kar\u015f\u0131s\u0131na ge\u00e7erdi. Ufukta g\u00fcne\u015f kaybolunca yeme\u011fini yer ve gidip yatard\u0131. Neden b\u00f6yle davrand\u0131\u011f\u0131n\u0131 s\u00f6yleyenlere de her zaman ayn\u0131 kar\u015f\u0131l\u0131\u011f\u0131 verildi, \u201cG\u00fcne\u015f batt\u0131, ne yapabilirim art\u0131k?\u201d<\/p>\n

Cladue Monet’in Resime ve Sanata Bak\u0131\u015f A\u00e7\u0131s\u0131<\/h3>\n

\u201cTablolar \u00f6\u011fretilerle (doktrinlerle) yap\u0131lmaz.\u201d<\/p>\n

Tablolarda yap\u0131lan fiyat art\u0131rmalar\u0131 utan\u00e7 verici bir \u015fey. K\u00f6t\u00fc ressamlar\u0131 g\u00f6klere \u00e7\u0131karan dergiler var, gazeteler var. Herkes tart\u0131\u015f\u0131yor, herkes anlad\u0131\u011f\u0131m iddia ediyor. Oysa sadece sevmek yeter de artar. Sat\u0131c\u0131* lar tablolar\u0131m\u0131n aras\u0131nda se\u00e7me yapt\u0131klar\u0131 zaman en iyi tabloyu g\u00f6remeden ge\u00e7erler genellikle. Reisini ger \u00e7ekten tutkuyla seven bir tek ki\u015fiye rastlad\u0131m bug\u00fcne dek. Bu adam Bay Chocquet idi. \u201cResmi neden ve nas\u0131l sevdi\u011fimi bana anlatmas\u0131nlar, buna ihtiyac\u0131m yok* derdi.<\/p>\n

A\u00e7t\u0131\u011f\u0131m\u0131z \u201cimpressionniste \u2019Ter dergisi s\u0131ras\u0131nda Nadar\u2019\u0131n \u00f6n\u00fcnden ge\u00e7erken i\u00e7eri girmek isteyince: “Sak\u0131n haf oraya girme! demi\u015fler Bay Chocquef\u2019ye. Bir y\u0131l sonra tablolar\u0131m\u0131z\u0131n sat\u0131\u015f\u0131nda kendisine Ilotei Drouot\u2019nun \u00f6n\u00fcnde rastlad\u0131m. Arge\u0131\u0131teuiv\u2019de yapt\u0131\u011f\u0131m tablolar\u0131mdan birini 100 franga alm\u0131\u015ft\u0131. Bizi tan\u0131\u015ft\u0131r\u00add\u0131lar. G\u00f6zleri dolarak: \u201cBir y\u0131l\u0131ma yaz\u0131k oldu\u201d dedi. \u201cTablolar\u0131n\u0131z\u0131 bir y\u0131l \u00f6nce g\u00f6rebilirdim. Bu zevkten nas\u0131l da yoksun b\u0131rakt\u0131lar beni…\u201d \u00c7\u00fcnk\u00fc o zamanlar ac\u0131madan yarg\u0131 giydiriyorlard\u0131 bize. \u201cAnlam\u0131yorum…\u201d demiyorlard\u0131. \u201cAhmak\u00e7a, i\u011fren\u00e7\u201d diyorlard\u0131. Bu da bizi k\u0131\u015fk\u0131rt\u0131yor, bize cesaret veriyordu, \u00e7al\u0131\u015ft\u0131r\u0131yordu bizi.\u201d<\/p>\n

Elie Faure Monet ile \u0130lgili D\u00fc\u015f\u00fcnceleri:<\/h3>\n

\u201cClaude Monet \u0131\u015f\u0131ktan sarho\u015ftur. G\u00fc\u00adne\u015f hen\u00fcz do\u011fmam\u0131\u015f bile olsa, kapal\u0131 bile olsa hava g\u00fcne\u015fi ba\u015fkalar\u0131ndan \u00f6nce g\u00f6r\u00fcr Monet. G\u00fcne\u015fin d\u00fcnya \u00fczerine yayd\u0131\u011f\u0131 \u0131\u015f\u0131k \u00f6rt\u00fcs\u00fc onun i\u00e7in renkli y\u00fcz bin atomun gezindi\u011fi ve kar\u015f\u0131la\u015ft\u0131\u011f\u0131 say\u0131\u00ads\u0131z bir kalabal\u0131kt\u0131r. Ba\u015fkalar\u0131 bunu b\u00fct\u00fcn\u00fcyle g\u00f6r\u00fcr\u00adler, Monet yaz g\u00fcne\u015finden k\u0131\u015f g\u00fcne\u015fini, bahar g\u00fcne\u00ad\u015finden g\u00fcz g\u00fcne\u015fini ay\u0131r\u0131r. Sabah do\u011fan g\u00fcne\u015fle ak\u00ad\u015fam batan g\u00fcne\u015f bu s\u00fcre aras\u0131ndaki g\u00fcne\u015flerin ayn\u0131 de\u011fildir. G\u00fcne\u015fin do\u011fu\u015funu, y\u00fckseli\u015fini, al\u00e7al\u0131\u015f\u0131m da\u00adkika dakika izler.<\/p>\n

\"K\u0131rm\u0131z\u0131<\/a>

Claude Monet, K\u0131rm\u0131z\u0131 Yelkenliler<\/p><\/div>\n

\u0130\u015fte ayn\u0131 suyun y\u00fcz ayr\u0131 imgesi, ayn\u0131 a\u011fa\u00e7lar\u0131n y\u00fcz ayr\u0131 imgesi ve bunlar ayn\u0131 insan y\u00fcz\u00fcndeki g\u00fcl\u00fc\u015fle g\u00fcl\u00fcmseyi\u015f gibidir, ac\u0131yla umut gibidir, karars\u0131zl\u0131kla korku gibidir.<\/p>\n","protected":false},"excerpt":{"rendered":"

Claude Monet (1840-1926) Ku\u015fun \u00f6tt\u00fc\u011f\u00fc gibi resim yapar\u0131m ben. \u00a0\/\u00a0Claude MONET Aralar\u0131nda\u00a0Claude Monet, Renoir, Pissarro, Sisley, Cezanne, Degas. Guillaumin, Berthe Morisot bulunan gen\u00e7 ba\u011f\u0131ms\u0131z res\u00adsamlar toplulu\u011fu 1874 y\u0131l\u0131nda bir \u201cAnonim \u015eirket\u201d kurmu\u015flard\u0131* O tarihte \u201cSalon\u201d diye adland\u0131r\u0131lan yerde tablolar\u0131n\u0131 sergileme\u00adyen ya da sergileyemeyen ressamlar\u0131n hi\u00e7 bir sanat de\u011feri yok\u00adtu. Yetkililer ve halk \u201cakademik\u201d \u00e7al\u0131\u015fmalar\u0131n d\u0131\u015f\u0131nda […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[250],"tags":[],"class_list":["post-5175","post","type-post","status-publish","format-standard","hentry","category-unlu-ressamlarin-hayat-hikayeleri"],"yoast_head":"\nClaude Monet, Hayat\u0131, Resimleri, \u0130zlenimcilik - Arthipo<\/title>\n<meta name=\"description\" content=\"Aralar\u0131nda Claude Monet, Renoir, Pissarro, Sisley, Cezanne, Degas. 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