{"id":5173,"date":"2016-10-16T20:14:05","date_gmt":"2016-10-16T17:14:05","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=5173"},"modified":"2017-06-07T02:10:15","modified_gmt":"2017-06-06T23:10:15","slug":"auguste-renoir","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/unlu-ressamlarin-hayat-hikayeleri\/auguste-renoir.html","title":{"rendered":"AUGUSTE RENOIR – Hayat\u0131 Eserleri ve Sanat G\u00f6r\u00fc\u015f\u00fc"},"content":{"rendered":"

Auguste Renoir\u00a0<\/span><\/h2>\n

Ressam\u0131n paleti bir anlam ta\u015f\u0131maz Her \u015feyi yapan g\u00f6z\u00fcd\u00fcr.\u00a0 Auguste Renoir
\nAuquste Renoir (1841 -1919)<\/p>\n

Auguste Renoir’in Hayat\u0131<\/h3>\n
\"Auquste<\/a>

Auquste Renoir<\/p><\/div>\n

Renoir 25 \u015eubat 1841 tarihinde Limoges\u2019da d\u00fcnyaya geldi. Ba\u00adbas\u0131 terziydi. Renoir d\u00f6rt ya\u015f\u0131ndayken aile Paris\u2019e ta\u015f\u0131nd\u0131. Babas\u0131 Paris\u2019te \u00e7ok para kazanaca\u011f\u0131n\u0131 umuyordu. Ama k\u0131sa s\u00fcre i\u00e7inde hayal k\u0131r\u0131kl\u0131\u011f\u0131na u\u011frad\u0131. \u0130lkokula giden k\u00fc\u00e7\u00fck Auguste Renoir \u00f6dev defterlerine bir tak\u0131m insan resimleri yap\u0131yor, bu y\u00fczden de \u00f6\u011fretmenlerinden cezalar al\u0131yordu. Ama m\u00fczik \u00f6\u011fretmeni ay\u00adn\u0131 sertli\u011fi g\u00f6stermiyordu. Hatta otuz ya\u015flar\u0131ndaki bu \u00f6\u011fretmen \u00e7ocu\u011fun evine bile giderek bu konuda babas\u0131yla konu\u015fmu\u015ftu.<\/p>\n

Ter\u00adzi:<\/p>\n

“M\u00fczik g\u00fczel bir \u015fey efendim\u201d demi\u015fti. \u201cAma o\u011flum re\u00adsim de yap\u0131yor. Annesiyle ben zaten bu konuda bir \u015feyler d\u00fc\u015f\u00fcn\u00fc\u00adyoruz!\u201d.<\/p>\n

M\u00fczik \u00f6\u011fretmeni merakla:<\/p>\n

“Ne d\u00fc\u015f\u00fcn\u00fcyorsunuz?\u201d diye sormu\u015f.<\/p>\n

” Biliyorsunuz biz porselen memleketi Umoges\u2019dan geli\u00adyoruz… O\u011flumuz porselen \u00fczerine resim yapacak. Bundan daha ince bir meslek olabilir mi?’<\/p>\n

\u201cMuhakkak ama m\u00fczi\u011fe kar\u015f\u0131 da e\u011filimi var \u00e7ocu\u011funuzun, \u201cbunu d\u00fc\u015f\u00fcnmediniz mi?\u201d<\/p>\n

Bir yandan da Bay Ingres gibi keman \u00e7alar ne yapal\u0131m !\u2019*<\/p>\n

\u00d6\u011fretmen \u0131srar etmedi. Zaten terzi i\u011fnesini eline alm\u0131\u015ft\u0131 bi\u00adle. Aya\u011fa kalkt\u0131, sel\u00e2m verdi, tam \u00e7\u0131k\u0131yordu ki Auguste\u2019un baba\u00ads\u0131:<\/p>\n

“O\u011flumuza kar\u015f\u0131 g\u00f6sterdi\u011finiz ilgi bizi duyguland\u0131rd\u0131 efendim\u201d dedi* \u201cAd\u0131n\u0131z\u0131 \u00f6\u011frenebilir miyim?\u201d<\/p>\n

Gen\u00e7 Adam:<\/p>\n

“Charles Gounod\u201d dedi.<\/p>\n

\"Auguste<\/a>

Auguste Renoir, Terastaki \u0130ki K\u0131z Karde\u015f<\/p><\/div>\n

Bir ka\u00e7 ay sonra Pierre-Auguste Renoir Temple soka\u011f\u0131nda Dir porselen fabrikas\u0131na \u00e7\u0131rak olarak giriyordu. On \u00fc\u00e7 ya\u015f\u0131ndayd\u0131. Bir s\u00fcre sonra porselen fabrikas\u0131 kapan\u0131nca Renoir misyonerler i\u00e7in yelpazeler ve \u0131storlar resimleme\u011fe ba\u015flad\u0131. \u00c7ok \u00e7al\u0131\u015f\u0131yordu. B\u00fct\u00fcn amac\u0131 biraz para biriktirmekti. Para biriktirip \u201cger\u00e7ek bir ressam\u201d gibi resimler yapmak istiyordu.<\/p>\n

Auguste Renoir’in \u00c7\u0131rak Ressaml\u0131k D\u00f6nemi<\/h3>\n

Ve Renoir bir g\u00fcn iste\u011fine kavu\u015ftu. Ressam Gleyre\u2019in at\u00f6lyesine yaz\u0131ld\u0131. Gleyre ne iyi bir ressamd\u0131 ne de iyi bir \u00f6\u011fretmen ama at\u00f6lyesinde canl\u0131 modeller \u00f6n\u00fcnde \u00e7al\u0131\u015f\u0131l\u0131yordu. \u00dcstelik Renoir orada Monet\u2019i, Sisley\u2019i, Bazille\u2019i tan\u0131d\u0131. Ama bu ressamlar\u0131n hi\u00e7 biri hen\u00fcz de\u011ferlerinin fark\u0131nda de\u011fillerdi. Oysa gelmi\u015f ge\u00e7\u00admi\u015f resim ak\u0131mlar\u0131n\u0131n en b\u00fcy\u00fc\u011f\u00fcn\u00fc, en canl\u0131s\u0131n\u0131, en ilgincini ha\u00adz\u0131rlayacak sanat\u00e7\u0131lardan baz\u0131lar\u0131yd\u0131 bunlar… Daha sonra Renoir, Cezanne ve Pissaro ile de tan\u0131\u015ft\u0131. Bir ara Bazille, Renoir, Pissarro ve Cezanne pazar g\u00fcnleri hep birlikte Croissy adas\u0131na re\u00adsim yapma\u011fa gitme\u011fe ba\u015flad\u0131lar.<\/p>\n

Renoir \u201cMoulin de la Galette\u201d ad\u0131ndaki \u00fcst\u00fcn yap\u0131t\u0131n\u0131 ta\u00admamlad\u0131\u011f\u0131 zaman otuz be\u015f ya\u015f\u0131ndayd\u0131. Bu tabloda en ufak renk lekesi bile p\u0131r\u0131l p\u0131r\u0131ld\u0131r. \u0130nsan\u0131n i\u00e7ini k\u0131van\u00e7la, mutlulukla doldu\u00adran bir tablodur bu- S\u00fcrekli bir bayram ve ne\u015fe havas\u0131 vard\u0131 re\u00adisimde. Ve vals yapan kad\u0131nlar i\u00e7indeki en g\u00fczel kad\u0131na da ressam \u00e2\u015f\u0131k olmu\u015ftur. Daha sonra evlenece\u011fi bu kad\u0131n Aline-Victorine Charigot\u2019dur.<\/p>\n

\"Auguste<\/a>

Auguste Renoir, Monet Han\u0131m ve O\u011flu<\/p><\/div>\n

Auguste Renoir’in Cezayir Y\u0131llar\u0131<\/h3>\n

1881 – 1882 y\u0131llar\u0131nda Cezayir\u2019e giden Renoir bu b\u00f6lgeyle il\u00adgili resimler yapt\u0131ktan sonra \u0130talya\u2019ya ge\u00e7ti. Venedik\u2019e, Roma\u2019ya, Napoli\u2019ye gitti. Ama m\u00fczeler sonunda onu yordu. R\u00f6nesans res\u00adsamlar\u0131n\u0131n b\u00fcy\u00fck konulu tablolar\u0131n\u0131 inceledi ama bunlardan da s\u0131k\u0131ld\u0131. Renoir sadeli\u011fe al\u0131\u015fm\u0131\u015ft\u0131. Canl\u0131 renklerin ressam\u0131yd\u0131 Renoir<\/p>\n

Ressam \u00e7ok \u00e7al\u0131\u015f\u0131yor, ger\u00e7ek ki\u015fili\u011fini bulma\u011fa sava\u015f\u0131yordu* Yava\u015f yava\u015f da \u00fcn\u00fc b\u00fcy\u00fcme\u011fe ba\u015flam\u0131\u015ft\u0131. Eskiden 100 ya da 150 franga sat\u0131lan tablolar\u0131 \u015fimdi daha y\u00fcksek fiyatlara gidiyordu. Yirmi y\u0131l \u00f6nce 150 franga sat\u0131lan \u201cD\u00fc\u015f\u00fcnce\u201d adl\u0131 tablosu 1899 y\u0131l\u0131nda 22100 alt\u0131n franga sat\u0131lm\u0131\u015ft\u0131. Ama \u00e7o\u011funluk ve \u00f6zellikle yetkili \u00e7evreler Renoir\u2019a hi\u00e7 ilgi g\u00f6stermiyorlard\u0131,<\/p>\n

\u0130lk adale romatizmas\u0131 a\u011fr\u0131lar\u0131n\u0131 Renoir 1894 y\u0131l\u0131na do\u011fru duyma\u011fa ba\u015flad\u0131. Ve gene o s\u0131ralarda Fransa\u2019n\u0131n Midi b\u00f6lgesinde ya\u015fama\u011fa karar verdi. 1904 y\u0131l\u0131nda romatizma a\u011fr\u0131lar\u0131 azm\u0131\u015ft\u0131. Manet\u2019in k\u0131z\u0131 Julie ve Renoir o y\u0131l:<\/p>\n

\u201c Tamam\u201d dedi \u201cUsul usul geliyor ama yerle\u015fiyor. Gelecek y\u0131l daha da k\u00f6t\u00fc olacak ve hep k\u00f6t\u00fcye gidecek. Al\u0131\u015fmaktan ba\u015fka \u00e7are yok. \u00dcst\u00fcnde durma\u011fa de\u011fmez…\u201d<\/p>\n

Auguste Renoir Eserleri – Ekmek\u00e7i Kad\u0131n<\/h3>\n

O y\u0131l Renoir \u201cEkmek\u00e7i Kad\u0131n\u2019la \u201cBacak Bacak \u00dcst\u00fcne Atm\u0131\u015f \u00c7\u0131plak\u2019\u0131 yapt\u0131. Hastal\u0131\u011fa meydan okuyordu ressam. Gene o y\u0131l Salon D\u2019automne\u2019de b\u00fct\u00fcn bir salon Renoir\u2019un tablolar\u0131na ayr\u0131ld\u0131. Ressam otuz be\u015f tablosunu sergiledi. Renoir altm\u0131\u015f \u00fc\u00e7 ya\u015f\u0131ndayd\u0131. Bu sergi \u00e7ok b\u00fcy\u00fck bir ba\u015far\u0131 kazand\u0131. Art\u0131k b\u00fcy\u00fck bir \u00fcne ula\u015fm\u0131\u015ft\u0131. Ama bu arada inme de yapaca\u011f\u0131n\u0131 yapm\u0131\u015ft\u0131. \u0130talya\u2019ya yapt\u0131klar\u0131 bir geziden s\u00f6z eden Bayan Renoir bir g\u00fcn:<\/p>\n

“Ne kadar ar\u0131yorum o zaman\u0131\u201d dedi. \u201cRenoir tablolar\u0131n\u0131 \u00abatam\u0131yordu ama sapasa\u011flamd\u0131…\u201d<\/p>\n

Cezanne gibi Renoir da son y\u0131llar\u0131nda b\u00fct\u00fcn ya\u015fant\u0131s\u0131n\u0131n bi\u00adre\u015fimini yapt\u0131. Empresyonizm ona parlak renklerin zevkini ka\u00adzand\u0131rm\u0131\u015ft\u0131. Akdeniz do\u011fas\u0131 da yeni bir a\u011f\u0131rl\u0131k vermi\u015fti. Ve Renoir her zaman sevdi\u011fini ve duydu\u011funu ge\u00e7irmi\u015fti tuale…\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ^<\/p>\n

Yap\u0131t\u0131 \u00f6ylesine b\u00fcy\u00fckt\u00fcr ki Renoir \u2019\u0131n g\u00fc\u00e7s\u00fczl\u00fcklerini ve beceriksizliklerini insan hemen unutur \u00e7\u00fcnk\u00fc bunlar da tablolar\u0131n\u00adda \u201cdo\u011fald\u0131r\u201d ve hatta gereklidir. \u00c7\u00fcnk\u00fc bu yap\u0131t her \u015feyden \u00f6n-‘ ce insanla do\u011fan\u0131n her an kayna\u015ft\u0131\u011f\u0131 bir bire\u015fimi yans\u0131t\u0131r bize Renoir\u2019a \u201cdevrimci\u201d oldu\u011funu s\u00f6yledikleri zaman b\u00fcy\u00fck res\u00adsam\u0131n her zaman parlayan g\u00f6zleri g\u00fcl\u00fcmsermi\u015f:<\/p>\n

“Ben mi devrimci? Ne kadar yanl\u0131\u015f… Ba\u015fkalar\u0131n\u0131n ben\u00adden daha iyi yapt\u0131\u011f\u0131 \u015feyleri ben sadece s\u00fcrd\u00fcrme\u011fe \u00e7al\u0131\u015ft\u0131m, o kadar…\u201d<\/p>\n

Kar\u0131s\u0131 Cagnes\u2019de \u00f6ld\u00fc\u011f\u00fc zaman Renoir altm\u0131\u015f d\u00f6rt ya\u015f\u0131ndayd\u0131, E\u015finin yan\u0131ndayd\u0131. E\u015finin elini tutuyordu. Kar\u0131s\u0131 son solu\u011fu nu verdi\u011fi zaman h\u0131\u00e7k\u0131rarak a\u011flad\u0131 ve: \u201cHadi..\u201d diye m\u0131r\u0131ldand\u0131 ve sonra yapmakta oldu\u011fu g\u00fcl demetinin resmini tamamlad\u0131.<\/p>\n

D\u00fcnya Sava\u015f\u0131 Y\u0131llar\u0131<\/h3>\n

Sava\u015f bitmek bilmiyordu. O\u011fullar\u0131 Pierre\u2019le Jean yaralanm\u0131\u015f\u00adlard\u0131. Rodin\u2019le Degas 1917 y\u0131l\u0131nda \u00f6lm\u00fc\u015flerdi. Renoir durmadan resim yap\u0131yordu h\u00e2l\u00e2… Parmaklar\u0131 \u00f6l\u00fc parmaklar\u0131 gibiydi. F\u0131r\u00e7as\u0131n\u0131 eline ba\u011fl\u0131yorlard\u0131. Yapmakta oldu\u011fu tablonun \u00fczerinde parmaklar\u0131n\u0131 gezdirirken birdenbire sanki Rubens\u2019in mutlulu\u011fu\u00adnu. Fragonard\u2019\u0131n g\u00fcl\u00fcmsemesini yeniden buluyor gibiydi.<\/p>\n

Sava\u015f biter bitmez Renoir Paris\u2019e g\u00f6t\u00fcr\u00fclmesini istedi, \u00f6l\u00admeden \u00f6nce \u201cBayan Charpentier\u2019nin Portresinin nas\u0131l bir etki yaratt\u0131\u011f\u0131n\u0131 g\u00f6rmek istiyordu. Bu tablosunu Devlet yeni sat\u0131n al\u00adm\u0131\u015f ve Louvre M\u00fczesine vermi\u015fti.<\/p>\n

1919 y\u0131l\u0131n\u0131n A\u011fustos ay\u0131nda bir sabah m\u00fczeyi gezenler garip bir manzarayla kar\u015f\u0131la\u015ft\u0131lar. \u0130nmeli ve ya\u015fl\u0131 bir adam iki teker\u00adlekli koltu\u011fuyla salondan salona ge\u00e7ip tablolara bak\u0131yordu. Veronese’in tablosu \u00f6n\u00fcne gelince Renoir koltu\u011funu durdurdu:<\/p>\n

“Art\u0131k \u00f6lebilirim” dedi. \u201c(Les Noces de Cana)\u2019y\u0131 g\u00f6rd\u00fcm\u201d1<\/sup>G\u00f6zlerinden ya\u015flar ak\u0131yordu Renoir\u2019un. Ve ressam ger\u00e7ekten d\u00f6rt ay sonra Cagnes\u2019da \u00f6ld\u00fc. Tan\u0131nm\u0131\u015f bir sinema y\u00f6netmeni olan o\u011flu Jean babas\u0131n\u0131n \u00f6l\u00fcm\u00fcn\u00fc \u015f\u00f6yle anlat\u0131r:<\/p>\n

” Sabahleyin bir sigara i\u00e7tikten sonra yata\u011f\u0131na yatt\u0131. Bir vazo modeli \u00e7izmek istiyordu ama kalem bulamam\u0131\u015ft\u0131k. Saat sekizde say\u0131klama\u011fa ba\u015flad\u0131…”<\/p>\n

Ertesi g\u00fcn\u00fcn gecesi saat ikide Renoir son solu\u011funu veriyor\u00addu. Essoye, Champagne\u2019\u0131n k\u00fc\u00e7\u00fck bir k\u00f6y\u00fcd\u00fcr. Kar\u0131s\u0131n\u0131n mezar\u0131 oradayd\u0131. Ressam\u0131 da onun yan\u0131na g\u00f6md\u00fcler. Essoye g\u00fczel, pelt \u015firin bir k\u00f6yd\u00fcr. Bu k\u00f6y\u00fcn topraklar\u0131nda d\u00fcnyan\u0131n en g\u00fczel g\u00fcl\u00adlerinden baz\u0131lar\u0131 yeti\u015fir…<\/p>\n

Auguste Renoir’in Sanat G\u00f6r\u00fc\u015f\u00fc<\/h3>\n

\u201cBir manzara resmiyse i\u00e7inde gezip dola\u015fmak. Bir kadiri resmiyse s\u0131rt\u0131n\u0131 ok\u015famak iste\u011fini uyand\u0131ran tablolar\u0131 severim.<\/p>\n

\u201cBununla beraber do\u011fan\u0131n yans\u0131mas\u0131n\u0131n durmas\u0131 gerekti\u011fi bir nokta vard\u0131r \u201d<\/p>\n

*Resimde fazla olan bir \u015fey vard\u0131r, ani anlat\u0131lmayan temel olan bir \u015fey vard\u0131r. Do\u011fan\u0131n \u00f6n\u00fcne kuramlarla var\u0131rs\u0131n\u0131z, do\u011fa sizi yerlere serer.<\/p>\n

Bir sabah, i\u00e7imizden birinde siyah eksikti, mavi Muttaridi: \u0130mpressionnisme do\u011fmu\u015ftu.<\/p>\n

\u201cBir tablonun zaman ve onarmalar y\u00fcz\u00fcnden ba\u00ad\u015f\u0131na gelebilecek cilalara, pisliklere ve b\u00fct\u00fcn namus\u00adsuzluklara dayanacak g\u00fc\u00e7te olmas\u0131 gerekir.’*<\/p>\n

“Asl\u0131nda hi\u00e7 bir \u015fey bilmiyoruz, hi\u00e7 bir \u015feyden emin de\u011filiz. Eskilerin yap\u0131tlar\u0131na bak\u0131nca insan\u0131n k\u00f6t\u00fc \u015feyler d\u00fc\u015f\u00fcnmesi gerekmez… \u0130nsan resim yap\u00admay\u0131 m\u00fczede \u00f6\u011frenir. Do\u011faya bakarak salt inceleme yapmak gerekti\u011fini s\u00f6yleyen baz\u0131 dostlar\u0131mla bu ko\u00adnuda bir\u00e7ok tart\u0131\u015fmalar yapt\u0131m.’*<\/p>\n

Raymond Cogniat S\u00f6zleriyle Renoir<\/h3>\n

Renoir m do\u011frudan do\u011fruya impressionniste d\u00f6\u00adnemi hen\u00fcz tamamlanmad\u0131\u011f\u0131 zaman ressam k\u0131rk ya\u00ad\u015f\u0131ndayd\u0131. Bir yenilenme gere\u011fi duymaktayd\u0131. O \u00e7a\u011f\u00adda \u00eempressionnisme\u2019in kar\u015f\u0131 kar\u015f\u0131ya bulundu\u011fu y\u00f6n\u00adtem tehlikesi, kolayl\u0131k tehlikesi \u00e7ok \u00fcrk\u00fct\u00fcyordu Renoir\u2019\u0131. Bir ka\u00e7 y\u0131l \u00f6nce Cezanne \u2019nin yapt\u0131\u011f\u0131 gibi Renoir da toparlanarak klasik gelene\u011fe d\u00f6n\u00fc\u015f yapt\u0131. 1881 y\u0131\u00adl\u0131n\u0131n sonbahar\u0131nda \u0130talya\u2019ya gitti. Venedik\u2019te bir s\u00fcre kald\u0131ktan sonra Romanya ge\u00e7ti: Orada Villa Farnese\u2019deki Raphael’in fresklerini uzun uzun inceledi. Sonra Napoli\u2019ye giderek Pompei resmini buldu.<\/p>\n

Bu d\u00f6nemden s\u00f6z ederken Renoir daha sonra \u015fun\u00adlar\u0131 s\u00f6ylemi\u015ftir: \u201cO zaman yap\u0131t\u0131mda bir b\u00f6l\u00fcnme ol\u00addu. \u0130mpressionnisme’in sonuna kadar gitmi\u015ftim ve \u015fu kan\u0131ya varm\u0131\u015ft\u0131m: Resim yapmas\u0131n\u0131 da, desen yapma\u00ads\u0131n\u0131 da bilmiyordum. Tek kelimeyle bir \u00e7\u0131kmazday\u00add\u0131m.\u2019*<\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Auguste Renoir\u00a0 Ressam\u0131n paleti bir anlam ta\u015f\u0131maz Her \u015feyi yapan g\u00f6z\u00fcd\u00fcr.\u00a0 Auguste Renoir Auquste Renoir (1841 -1919) Auguste Renoir’in Hayat\u0131 Renoir 25 \u015eubat 1841 tarihinde Limoges\u2019da d\u00fcnyaya geldi. Ba\u00adbas\u0131 terziydi. Renoir d\u00f6rt ya\u015f\u0131ndayken aile Paris\u2019e ta\u015f\u0131nd\u0131. Babas\u0131 Paris\u2019te \u00e7ok para kazanaca\u011f\u0131n\u0131 umuyordu. Ama k\u0131sa s\u00fcre i\u00e7inde hayal k\u0131r\u0131kl\u0131\u011f\u0131na u\u011frad\u0131. \u0130lkokula giden k\u00fc\u00e7\u00fck Auguste Renoir \u00f6dev […]<\/p>\n","protected":false},"author":1,"featured_media":5804,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[250],"tags":[],"class_list":["post-5173","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-unlu-ressamlarin-hayat-hikayeleri"],"yoast_head":"\nAUGUSTE RENOIR - Hayat\u0131 Eserleri ve Sanat G\u00f6r\u00fc\u015f\u00fc - Arthipo<\/title>\n<meta name=\"description\" content=\"Auguste Renoir 25 \u015eubat 1841 tarihinde Limoges\u2019da d\u00fcnyaya geldi. Ba\u00adbas\u0131 terziydi. Renoir d\u00f6rt ya\u015f\u0131ndayken aile Paris\u2019e ta\u015f\u0131nd\u0131. 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