{"id":5171,"date":"2016-10-15T20:06:46","date_gmt":"2016-10-15T17:06:46","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=5171"},"modified":"2017-06-07T02:35:06","modified_gmt":"2017-06-06T23:35:06","slug":"paul-cezanne","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/unlu-ressamlarin-hayat-hikayeleri\/paul-cezanne.html","title":{"rendered":"Paul Cezanne"},"content":{"rendered":"

Paul Cezanne Kimdir, Hayat\u0131, Eserleri, Nat\u00fcrmort Resimleri<\/h2>\n

Paul Cezanne<\/strong> bankac\u0131 olmak istemiyordu. Ressam olacakt\u0131. Bir g\u00fcn babas\u0131yla bu konuda tart\u0131\u015ft\u0131lar. Paul: \u201cBankac\u0131 olamam ben baba!\u201d dedi. \u2018\u2018Resim yapmak istiyorum ben!\u201d<\/p>\n

Babas\u0131 : \u201c Yok yok!\u201d diye kar\u015f\u0131l\u0131k verdi. “Sen Paris’e gidip arkada\u015f\u0131n Zola ile bulu\u015fmak istiyorsun!\u201d<\/p>\n

“Zola’y\u0131 \u00e7ok severim ama adam olabilmem i\u00e7in bana Paris gerek. At\u00f6lyeler, sergiler, Louvre gerek!\u201d<\/p>\n

Ama ayn\u0131 d\u00fc\u015f\u00fcncede olmayan babas\u0131: ” Burada daha iyi adam olursun\u201d dedi. “Benim varisimsin. Sen ilgilenmezsen kime b\u0131rak\u0131r\u0131m i\u015flerimi ben?\u201d<\/p>\n

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Paul Cezann\u00e9 kimdir?<\/p><\/div>\n

Paul bu s\u00f6z\u00fc duymam\u0131\u015f gibiydi: ” Bir g\u00fcn deha sahibi olaca\u011f\u0131m\u0131 hissediyorum\u201d diye m\u0131r\u0131ldand\u0131.<\/p>\n

Olabilir ama deha ile ac\u0131ndan \u00f6l\u00fcr insan\u201d diye ele\u015ftirdi\u00a0babas\u0131. “Yemek para ile yenir o\u011flum, para ile…”<\/p>\n

Araya Paul’\u00fcn annesi girdi. O\u011flu ile \u00f6v\u00fcn\u00fcyordu… Kent m\u00fczesindeki \u201c\u015eiir Tanr\u0131\u00e7as\u0131n\u0131n \u00d6p\u00fc\u015f\u00fc\u201d adl\u0131 k\u00f6t\u00fc bir tablonun o\u011flu taraf\u0131ndan yap\u0131lm\u0131\u015f bir kopyas\u0131n\u0131 odas\u0131na asm\u0131\u015ft\u0131. O\u011flunun gelece\u011fine inan\u0131yordu.<\/p>\n

Paul Cezanne Hayat\u0131<\/h3>\n

Sonunda sava\u015fmay\u0131 o\u011ful kazand\u0131. O\u011flunun yaln\u0131z \u201cresim\u201d d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcn\u00fc g\u00f6ren baba yan\u0131na k\u0131z\u0131 Marie’yi de alarak 1861 y\u0131l\u0131n\u0131n Ekim ay\u0131nda Paul\u2019\u00fc Paris’e g\u00f6t\u00fcrd\u00fc. 1838 y\u0131l\u0131nda Aixen Provence\u2019da do\u011fan ve bu kentten hi\u00e7 ayr\u0131lmam\u0131\u015f olan gen\u00e7 adam \u0130kinci \u0130mparatorluk Paris’inin i\u00e7ine girer girmez \u00e7ok \u015fa\u015f\u0131rd\u0131. Kendisine sonsuz bir yetki verilen Seine valisi Haussman\u2019\u0131n \u015fantiyelerindeki i\u015f\u00e7iler kentin eski mahallelerini y\u0131k\u0131p yerle bir ediyordu. \u201cDemi-mondaines\u201d diye adland\u0131r\u0131lan zaman\u0131n hafif kad\u0131nlar\u0131 l\u00fckslerini herkesin g\u00f6zleri \u00f6n\u00fcne seriyorlard\u0131. Paris’in b\u00fct\u00fcn kibar ve \u00fcnl\u00fc ki\u015fileri Tortoni\u2019de bulu\u015fuyordu.<\/p>\n

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Paul Cezanne Hayat\u0131<\/p><\/div>\n

Ama b\u00fct\u00fcn bunlar\u0131n arkas\u0131nda ac\u0131 ger\u00e7ek pis pis s\u0131r\u0131t\u0131yordu: C\u00e9zanne\u2019in arkada\u015f\u0131 Emil\u00e9 Zola sefalet i\u00e7inde y\u00fcz\u00fcyordu. Paris’in g\u00f6\u011f\u00fc kasvetliydi. Hele Provence g\u00f6l\u00fcn\u00fcn parlakl\u0131\u011f\u0131 akl\u0131na geldik\u00e7e C\u00e9zanne fenal\u0131klar ge\u00e7iriyordu. Evet, ger\u00e7ek ac\u0131yd\u0131. Ba\u015fkent Paul C\u00e9zanne\u2019i b\u00fcy\u00fck bir hayal k\u0131r\u0131kl\u0131\u011f\u0131na u\u011fratm\u0131\u015ft\u0131.<\/p>\n

Zola Paris’te kalmas\u0131 i\u00e7in \u0131srar ediyordu. Portresini yapmas\u0131n\u0131 istiyordu. Ama nafile. Daha fazla kalamayacakt\u0131 C\u00e9zanne. Ve bir g\u00fcn Aix yolunu tuttu. O\u011flunun geri d\u00f6nece\u011fini bilen babas\u0131 onun bankadaki yerini haz\u0131rlam\u0131\u015ft\u0131 bile… Evet, C\u00e9zanne yuvaya d\u00f6nm\u00fc\u015ft\u00fc ama onun dirseklerini muhasebe defterlerinin \u00fczerinde \u00e7\u00fcr\u00fctece\u011fini d\u00fc\u015f\u00fcnmek bir hayaldi.<\/p>\n

Memleketine yerle\u015fen C\u00e9zanne\u2019in yakas\u0131n\u0131 bu defa da Paris an\u0131lar\u0131 b\u0131rakmayacakt\u0131. Zola\u2019y\u0131, Louvre\u2019u unutam\u0131yordu. \u0130svi\u00e7re Akademisinde canl\u0131 model kar\u015f\u0131s\u0131ndaki \u00e7al\u0131\u015fmalar\u0131n\u0131 da unutam\u0131yordu. Bankac\u0131 hayal k\u0131r\u0131kl\u0131\u011f\u0131na u\u011fram\u0131\u015ft\u0131. O\u011flunu kendi haline b\u0131rakt\u0131. Jas de Bouffan\u2019da yani evlerinde bir at\u00f6lye a\u00e7mas\u0131na izin verdi. Bu arada arkada\u015f\u0131 Zola mektup \u00fcst\u00fcne mektup yazarak Paris’te \u015fans\u0131n\u0131 bir defa daha denemesini \u00f6\u011f\u00fctlemekteydi.<\/p>\n

C\u00e9zanne Jas de Bouffan’da \u00e7ok \u00e7al\u0131\u015f\u0131yor, amac\u0131na ula\u015fmak i\u00e7in didiniyor, \u00e7\u0131rp\u0131n\u0131yordu. Ama bu d\u00f6nemde yapt\u0131\u011f\u0131 tablolar karanl\u0131kt\u0131r. \u00dczerlerinde anla\u015f\u0131lmaz bir a\u011f\u0131rl\u0131k vard\u0131r. C\u00e9zanne hen\u00fcz resmin gizlerini \u00e7\u00f6z\u00fcmleyememi\u015ftir. Ona ki\u015fili\u011fini ancak Paris kazand\u0131racakt\u0131r.<\/p>\n

C\u00e9zanne bunun \u00fczerine Paris’e gitti. B\u00fct\u00fcn amac\u0131 resim yaparak, b\u00fcy\u00fck ressam olmakt\u0131. G\u00fczel Sanatlar Okuluna girmek, \u015eam\u2019da tablolar\u0131n\u0131 sergilemek istiyordu.. Resim yapmas\u0131na yap\u0131yordu. Ama resim alan\u0131nda zaman\u0131n yetkilileri biraz \u00f6nemsemek \u015f\u00f6yle dursun onu adam yerine bile koymuyorlard\u0131. G\u00fczel Sanatlar Okuluna giremeyecek, hele Salon\u2019a hi\u00e7 kabul edilmeyecekti.<\/p>\n

Paul Cezanne Sanat Ak\u0131m\u0131, Resim Tarz\u0131, Ressam Arkada\u015flar\u0131<\/h3>\n

B\u00fcy\u00fck ressam olmaya gelince o ba\u015fka i\u015fti… Kimin b\u00fcy\u00fck ressam oldu\u011funu y\u0131llar g\u00f6sterecekti. C\u00e9zanne\u2019in b\u00fcy\u00fck bir \u00fcz\u00fcnt\u00fcs\u00fc daha vard\u0131. Babas\u0131 bak\u0131yordu ona. Baba paras\u0131yla ge\u00e7iniyordu. Ama gerekli olan \u00e7al\u0131\u015fmakt\u0131. Bundan ba\u015fka baz\u0131 gen\u00e7 ressamlarla da arkada\u015fl\u0131k kurmu\u015ftu. Bu ressamlar\u0131 Paul\u2019e tan\u0131tan Camille Pissarro: “Hi\u00e7 bir zaman gere\u011fi kadar ayd\u0131nl\u0131k resim yapm\u0131yoruz\u201d diyordu.<\/p>\n

Son derece iyi bir insan olan Pissarro ile \u00e7ok yak\u0131n bir arkada\u015fl\u0131k kuran C\u00e9zanne\u2019in paleti ayd\u0131nlan\u0131yordu. K\u0131sa bir s\u00fcre sonra C\u00e9zanne, Fr\u00e9d\u00e9ric Bazille ile tan\u0131\u015ft\u0131. Bazille de onu Renoir\u2019la tan\u0131\u015ft\u0131rd\u0131. Art\u0131k C\u00e9zanne empresyonistlerin<\/strong> aras\u0131na girmi\u015fti.<\/p>\n

Ta\u015fral\u0131 utanga\u00e7 ressam sakal b\u0131rakt\u0131. K\u0131rm\u0131z\u0131 yelek giydi. Elbiseleri de t\u0131pk\u0131 paletine benziyordu: Renk lekeleri i\u00e7indeydi. Marais semtinde 17.y\u00fczy\u0131ldan kalma eski bir oteldeki at\u00f6lyesinden hi\u00e7 s\u00f6z etmeyelim: Korkun\u00e7 bir da\u011f\u0131n\u0131kl\u0131k i\u00e7indeydi buras\u0131… Taze tuallere tozlar\u0131n yap\u0131\u015fmas\u0131ndan korkan Paul Cezanne yerlerin s\u00fcp\u00fcr\u00fclmesini yasaklam\u0131\u015ft\u0131.<\/p>\n

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Paul Cezanne Sanat Ak\u0131m\u0131<\/p><\/div>\n

\u00c7ok \u00e7al\u0131\u015f\u0131yordu C\u00e9zanne. Ama ortada en ufak bir ba\u015far\u0131 belirtisi bile yoktu. Zaman zaman Paris onda bask\u0131 yap\u0131yor, o zaman kendini Aix\u2019de buluyordu. Ressam 1867 y\u0131l\u0131nda evlendi. Durmadan resim yap\u0131yor, durmadan \u00e7al\u0131\u015f\u0131yordu. Durmak yoktu Paul Cezanne<\/strong> i\u00e7in. Her \u015feyi kendi kendine \u00f6\u011frenmesi, her \u015feyi yeniden bulmas\u0131 gerekiyordu.<\/p>\n

C\u00e9zanne \u00e7al\u0131\u015f\u0131yordu. \u00c7al\u0131\u015f\u0131rken \u00f6lecekti bu adam. Ama \u00e7al\u0131\u015fmak neye yar\u0131yordu sanki? 1900 y\u0131l\u0131na kadar ba\u015far\u0131s\u0131zl\u0131k yakas\u0131n\u0131 b\u0131rakmad\u0131. Her \u015feye, herkese k\u00fcst\u00fc Paul Cezanne. Tek bir \u015feye k\u00fcsmedi: Resme. Art\u0131k resim sanat\u0131n\u0131n b\u00fct\u00fcn gizlerini \u00e7\u00f6z\u00fcmlemi\u015f, bununla da yetinmeyerek resme kendi ki\u015fisel gizlerini doldurmu\u015ftu. Onunla bir \u00e7a\u011f kapan\u0131yor yeni bir \u00e7a\u011f a\u00e7\u0131l\u0131yordu.<\/p>\n

\u00c7a\u011fda\u015f ressamlar yeni resmin gizlerini her \u015feyden ve herkesten \u00f6nce C\u00e9zanne\u2019da arayacaklard\u0131. 1900 y\u0131l\u0131 \u00e7a\u011fda\u015f resmin<\/strong> belki de en \u00f6nemli y\u0131l\u0131d\u0131r. O y\u0131l Petit Palais\u2019de b\u00fcy\u00fck bir sergi a\u00e7\u0131lm\u0131\u015ft\u0131. C\u00e9zanne\u2019in da \u00fc\u00e7 tablosu vard\u0131 burada. Sergiyi Frans\u0131z Cumhurba\u015fkan\u0131 Loubet de gezdi. Yan\u0131nda G\u00fczel Sanatlar m\u00fcfetti\u015fi Roger Marx vard\u0131. Tam C\u00e9zanne\u2019in tablolar\u0131n\u0131n \u00f6n\u00fcne geldikleri zaman Roger Marx Cumhurba\u015fkan\u0131na: \u201c Burada durmay\u0131n efendim\u201d dedi. “Bu tablolar Frans\u0131z sanat\u0131n\u0131n y\u00fcz karas\u0131d\u0131r.<\/p>\n

Korkun\u00e7 bir s\u00f6zd\u00fc bu… Ama b\u00f6yle d\u00fc\u015f\u00fcnenlerin hepsi yan\u0131ld\u0131klar\u0131n\u0131 k\u0131sa zamanda anlayacaklard\u0131. Ve C\u00e9zanne \u00e7al\u0131\u015f\u0131yor, durmadan, y\u0131lmadan \u00e7al\u0131\u015f\u0131yordu.<\/p>\n

Paul Cezanne Eserleri,\u00a0Ya\u015fam\u0131, \u00d6l\u00fcm\u00fc<\/h3>\n

1906 y\u0131l\u0131yd\u0131. 21 Ekim g\u00fcn\u00fc bardaktan bo\u015fan\u0131rcas\u0131na ya\u011fmur ya\u011f\u0131yordu. Ya\u015fl\u0131 bir adam ya\u011fmura ald\u0131rmadan resim yap\u0131yordu. Ama ba\u015flad\u0131\u011f\u0131 tabloyu bitiremedi. Evine d\u00f6nmek zorunda kald\u0131. Ertesi g\u00fcn\u00fc yani 22 Ekim 1906 tarihinde ya\u015fl\u0131 adam yata\u011fa d\u00fc\u015ft\u00fc. G\u00f6zleri hep kap\u0131dayd\u0131. O\u011flunu bekliyordu. O\u011flunun ad\u0131n\u0131 say\u0131kl\u0131yordu: Paul, Paul…\u201d<\/p>\n

Ama durumu ge\u00e7 \u00f6\u011frenen o\u011flu babas\u0131n\u0131n son solu\u011funa yeti\u015femedi. C\u00e9zanne arkas\u0131nda sekiz y\u00fcz ya\u011fl\u0131 boya, \u00fc\u00e7 y\u00fcz elli sulu boya<\/strong> b\u0131rakt\u0131. Bir y\u0131l sonra Salon d\u2019Automne\u2019da sergilenen elli alt\u0131 tablosu \u00e7ok b\u00fcy\u00fck bir co\u015fku yaratt\u0131.<\/p>\n

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Paul Cezanne Ya\u015fam\u0131 Eserleri<\/p><\/div>\n

1905 y\u0131l\u0131nda adlar\u0131n\u0131 duyuran b\u00fct\u00fcn \u201cfauve\u201dlar da sergideydi. Vlaminck, Derain, Bracque, L\u00e9ger, hepsi gelmi\u015flerdi. Delici g\u00f6zlerini C\u00e9zanne\u2019in manzaralar\u0131na, nat\u00fcrmortlar\u0131na diken Picasso da oradayd\u0131.<\/p>\n

Sergiden sonra Montmartre\u2019a gitti Picasso. B\u00fct\u00fcn dostlar\u0131n\u0131, Max Jacob\u2019u, Apollinaire\u2019i, Marie Laurencin\u2019i \u00e7evresine toplad\u0131. C\u00e9zanne\u2019a kar\u015f\u0131 duydu\u011fu hayranl\u0131\u011f\u0131 ba\u011f\u0131ra ba\u011f\u0131ra anlatt\u0131. Aix\u2019ll ressam\u0131n \u00fcnl\u00fc s\u00f6z\u00fcn\u00fc tekrarlad\u0131: \u201c Do\u011fada her \u015fey k\u00fcreye, koniye ve silindire g\u00f6redir. Resim yapt\u0131k\u00e7a desen ilerler… Renk zenginli\u011fini kazan\u0131nca bi\u00e7im de b\u00fct\u00fcnl\u00fc\u011f\u00fcn\u00fc kazan\u0131r..\u2019\u2019<\/p>\n

Paul Cezanne b\u00fcy\u00fck etkisi alt\u0131nda \u201cCubisme<\/strong>\u201d do\u011fum sanc\u0131lar\u0131na tutulmu\u015ftu bile…<\/p>\n

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Paul Cezanne Nat\u00fcrmort Resimleri<\/p><\/div>\n

Paul Cezanne S\u00f6zleri<\/h4>\n

\u201cHep ayn\u0131 \u015feye d\u00f6n\u00fcyorum; Ressam b\u00fct\u00fcn benli\u011fiyle do\u011fan\u0131n incelenmesine vermelidir kendini ve bir \u00f6\u011fretim niteli\u011fini ta\u015f\u0131yan tablolar yapma\u011fa \u00e7al\u0131\u015fmal\u0131d\u0131r. Sanat \u00fczerine konu\u015fmalar gereksizdir denebilir. \u0130nsan\u0131n kendi mesle\u011finde bir geli\u015fme sa\u011flayan \u00e7al\u0131\u015fma ahmaklar taraf\u0131ndan anla\u015f\u0131lmaman\u0131n yeterli bir kar\u015f\u0131lamas\u0131 say\u0131l\u0131r.<\/p>\n

“Edebiyat\u00e7\u0131 anlat\u0131m\u0131n\u0131 soyutlarla yapar. Oysa ressam duyular\u0131n\u0131, kavray\u0131\u015flar\u0131n\u0131 desen ve boya yoluyla olumla\u015ft\u0131r\u0131r.\u2019\u2019<\/p>\n

\u00d6zetle sanatta her \u015fey do\u011fan\u0131n de\u011fi\u015fmesiyle \u00e7eli\u015fmi\u015f ve olumlula\u015fm\u0131\u015f bir kuramd\u0131r. Paul CEZANNE<\/p>\n

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Paul Cezanne t\u00fcm eserleri, s\u00f6zleri<\/p><\/div>\n

Frank Elgar \u00dcnl\u00fc Ressam Hakk\u0131nda \u015eunlar\u0131 S\u00f6ylemi\u015ftir<\/h4>\n

\u201cDo\u011fan\u0131n d\u00fc\u015feyden \u00e7ok derinlemesine oldu\u011fu kan\u0131s\u0131na varan C\u00e9zanne \u00fc\u00e7\u00fcnc\u00fc boyutu ortaya att\u0131. B\u00f6ylece akademilerde \u00f6\u011fretilen perspektifleri bi\u00e7 \u00f6nemsememi\u015f oluyordu. Ama bu yorulmak bilmeyen deha do\u011fay\u0131 b\u00fct\u00fcn\u00fcyle ele almak istiyordu. E\u015fyalar\u0131 ve onlar\u0131 \u00e7evreleyen havay\u0131, bi\u00e7imi ve atmosferi klasik ressamlar\u0131n “clair-obscur\u201d\u00fcne ve empresyonistleri\u00a0alacal\u0131 bulacal\u0131 ve g\u00f6z kama\u015ft\u0131r\u0131c\u0131 yans\u0131tmalar\u0131na ba\u015fvurmadan nas\u0131l anlatmal\u0131yd\u0131? Al\u0131\u015f\u0131lm\u0131\u015f kurallar\u0131 bir yana b\u0131rakan C\u00e9zanne o zaman Bat\u0131 sanat\u0131nda b\u00fcy\u00fck yank\u0131lar yaratacak bir \u015fey buldu. G\u00f6lge ve \u0131\u015f\u0131k yoktu art\u0131k. Varsa bile bunlar renklerin yard\u0131m\u0131yle g\u00f6sterilecekti bundan b\u00f6yle. Modlenin yerini ton, “clair-obscur\u201d\u00fcn yerini de renk ili\u015fkileri alm\u0131\u015ft\u0131.\u201d<\/p>\n

“Do\u011fadan hi\u00e7 ayr\u0131lmad\u0131 C\u00e9zanne. Eskilerin miras\u0131n\u0131 kendinde buldu, bunu benimsedi ve kendi bulu\u015flar\u0131yla zenginle\u015ftirdi. En a\u015f\u0131r\u0131 s\u0131n\u0131ra kadar y\u00fcceltti .<\/p>\n

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Ressam Paul Cezanne Resimleri<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

Paul Cezanne Kimdir, Hayat\u0131, Eserleri, Nat\u00fcrmort Resimleri Paul Cezanne bankac\u0131 olmak istemiyordu. Ressam olacakt\u0131. Bir g\u00fcn babas\u0131yla bu konuda tart\u0131\u015ft\u0131lar. Paul: \u201cBankac\u0131 olamam ben baba!\u201d dedi. \u2018\u2018Resim yapmak istiyorum ben!\u201d Babas\u0131 : \u201c Yok yok!\u201d diye kar\u015f\u0131l\u0131k verdi. “Sen Paris’e gidip arkada\u015f\u0131n Zola ile bulu\u015fmak istiyorsun!\u201d “Zola’y\u0131 \u00e7ok severim ama adam olabilmem i\u00e7in bana Paris […]<\/p>\n","protected":false},"author":1,"featured_media":5287,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[250],"tags":[],"class_list":["post-5171","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-unlu-ressamlarin-hayat-hikayeleri"],"yoast_head":"\nPaul Cezanne - Arthipo<\/title>\n<meta name=\"description\" content=\"\u00c7ok \u00e7al\u0131\u015f\u0131yordu Paul Cezanne. Ama ortada en ufak bir ba\u015far\u0131 belirtisi bile yoktu. 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