{"id":5045,"date":"2016-10-14T09:05:29","date_gmt":"2016-10-14T06:05:29","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=5045"},"modified":"2017-06-07T03:55:34","modified_gmt":"2017-06-07T00:55:34","slug":"postmodernite-ve-postmodernlik","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/postmodernite-ve-postmodernlik.html","title":{"rendered":"Postmodernite ve Postmodernlik"},"content":{"rendered":"

Postmodernite ve Postmodernlik<\/h2>\n

Postmodernite<\/strong>, entelekt\u00fcel k\u00f6keni, \u00e7izgisi belirsizdir veya tart\u0131\u015fmal\u0131d\u0131r. Tart\u0131\u015fmaya yol a\u00e7an sorular: \u2018 Postmodernlik<\/strong> \u00a0modernite den tamamen ba\u011f\u0131ms\u0131z, yeni bir d\u00f6nem mi? Yoksa modernitenin bir sonucu mu?\u2019 gibi sorulard\u0131r. Modernitenin de\u011ferlerine yaslananlar, s\u00fcre\u00e7 olarak yeni bir evreye girildi\u011fini kabul etmekle beraber, bu s\u00fcreci moderniteden ba\u011f\u0131ms\u0131zla\u015fm\u0131\u015f ya da onu a\u015fm\u0131\u015f bir durum olarak kabul etmediklerini; postmoderniteyi savunanlar ise modern tarihin bitti\u011fini, modern r\u00fcyalar\u0131n k\u00e2buslara yol a\u00e7t\u0131\u011f\u0131n\u0131 s\u00f6yleyerek, postmodernitenin moderniteden ayr\u0131 ve \u00f6zel bir d\u00f6nem oldu\u011funu ileri s\u00fcrerler.<\/p>\n

Modernlik; sek\u00fcler, liberal, sanayile\u015fmi\u015f, bilim ve ak\u0131l birlikteli\u011finde olu\u015fan toplumsal bir deneyim olarak \u2018ileri ye y\u00f6nelen bir durumdur. Bu durumun, 20. y\u00fczy\u0131l\u0131n ikinci yar\u0131s\u0131nda sonland\u0131\u011f\u0131 kabul edilir. Modernli\u011fin sonlanmas\u0131 ile ortaya \u00e7\u0131kan duruma, postmodernlik ya da postmodernite denmektedir. Modern toplumun al\u0131\u015fkanl\u0131klar\u0131 ve davran\u0131\u015f bi\u00e7imleri; aidiyet ve politik teorileri (s\u0131n\u0131f gibi) insanl\u0131k i\u00e7in umutlu g\u00f6r\u00fcnmedi\u011fi bir d\u00f6nemdir post modern d\u00f6nemde.<\/p>\n

\"postmodernite-nedir\"<\/a><\/p>\n

1968 \u00d6\u011frenci Hareketleri<\/h3>\n

1968 \u00f6\u011frenci hareketleri (68 Ku\u015fa\u011f\u0131) s\u0131n\u0131fsal durumu s\u00f6z konusu olsa da sosyalist devrimi ger\u00e7ekle\u015ftirememi\u015f, bu y\u00fczden 68 Ku\u015fa\u011f\u0131n\u0131n k\u00fclt\u00fcrel ve ya\u015fam deneyimleri alan\u0131ndaki etkileri ba\u015fka anlamalar\u0131\/hareketleri \u00f6n plana \u00e7\u0131karm\u0131\u015ft\u0131r diyebiliriz: Cinsellik (cinsel devrim), feminizm, e\u015fcinsel kimlikler, pop art vs. gibi. Asl\u0131nda bu hareketin, modern reflekslerle ortaya \u00e7\u0131kmas\u0131na ra\u011fmen, postmodernli\u011fe ge\u00e7i\u015fi sa\u011flayan bir duygu yaratt\u0131\u011f\u0131n\u0131 ileri s\u00fcrmek, a\u015f\u0131r\u0131 bir \u00e7\u0131kar\u0131m olmasa gerek. Nitekim postmodernli\u011fe dair ilk teorik ve b\u00fct\u00fcnl\u00fck\u00e7\u00fc eser 1970\u2019lerin ortas\u0131nda bir Frans\u0131z olan Lyotard\u2019\u0131n Postmoderr\u0131 Durum adl\u0131 eseridir.<\/p>\n

Postmodernite kavram\u0131n\u0131n felsefe ve sosyoloji d\u00fcnyas\u0131na entelekt\u00fcel olarak giri\u015finin bu kitapla sa\u011fland\u0131\u011f\u0131 s\u00f6ylenebilir. Bununla birlikte postmodernite i\u00e7in en \u00f6nemli kav\u015fak, Sovyetlerin da\u011f\u0131ld\u0131\u011f\u0131 1989 tarihidir. Bu tarih so\u011fuk sava\u015f\u0131n galibi olarak kapitalizmin k\u00fcrs\u00fcye \u00e7\u0131kt\u0131\u011f\u0131, iki kutuplu d\u00fcnyan\u0131n tek kutuplu veya kutupsuz bir hal ald\u0131\u011f\u0131 \u2018yeni d\u00fcnya d\u00fczeninin ba\u015flang\u0131c\u0131d\u0131r. D\u00fcnya ve toplum, eskisinden \u00e7ok farkl\u0131 bir yap\u0131dad\u0131r.<\/p>\n

Toplum art\u0131k postmodern bir g\u00f6r\u00fcn\u00fcmdedir. Tabii bu alg\u0131lama daha \u00e7ok Bat\u0131 d\u00fcnyas\u0131na dair bir alg\u0131lamad\u0131r, ancak bu alg\u0131lama \u00fc\u00e7\u00fcnc\u00fc d\u00fcnyada da taraftar bulmu\u015ftur. Postmodern olarak g\u00f6r\u00fcnen bu resmin \u00f6zellikleri ise \u015f\u00f6yledir:<\/h3>\n

1. Toplumsal yap\u0131 par\u00e7alanm\u0131\u015ft\u0131r. Cinsiyet, ya\u015f, etnik \u00f6zellik \u00f6nemlidir [millet, s\u0131n\u0131f, emek, politika gibi \u00f6rg\u00fctl\u00fc yap\u0131daki hareketlerde kendine \u00fcst kimlikler homojenle\u015ftirici edinmekteydi modern insan].<\/p>\n

    \n
  1. K\u00fclt\u00fcrel \u00f6\u011feler \u00f6nemlidir. Kimlik gelenekler yoluyla de\u011fil bireysel se\u00e7im ve tercihler yoluyla kurulur. [Tarihsel de\u011ferlerin olu\u015fturdu\u011fu bir kimlikten, bireyin t\u00fcketim nesneleri aras\u0131nda yapt\u0131\u011f\u0131 se\u00e7imlerinden olu\u015fan se\u00e7me \u00f6zg\u00fcrl\u00fc\u011f\u00fcn\u00fcn yaratt\u0131\u011f\u0131 \u00f6znel kimlikler].<\/li>\n
  2. Bilgisayarla\u015fm\u0131\u015f bilgi, \u00fcretimin temel g\u00fcc\u00fc olmu\u015ftur. Tar\u0131m i\u015f\u00e7isi de\u011fil, \u00fcretim de\u011fil, as\u0131l bilgisayarc\u0131d\u0131r. Karar i\u015f\u00e7inin de\u011fildir, \u00e7okuluslu \u015firketlerindir [bilgi sanal bir mek\u00e2nda a\u011f \u00fczerinde dola\u015f\u0131r ve neredeyse bilginin ge\u00e7erlili\u011fi, bu a\u011fda edindi\u011fi \u015f\u00f6hrettir. Ticari anlamda d\u00fcnya k\u00fc\u00e7\u00fck bir AVM\"tuketim-kultur-satilik-dunya\"<\/a>\u2019dir. Her \u015fey sat\u0131l\u0131r ve ticari olan her \u015fey bu d\u00fcnyada s\u0131n\u0131rlara tak\u0131lmadan, kolayca dola\u015f\u0131ma girer],<\/li>\n
  3. Siyasi ve g\u00fcnl\u00fck ya\u015fam bak\u0131m\u0131ndan ki\u015fisel giri\u015fimi, CV\u2019ler de kendini anlatma, kendi ad\u0131n\u0131 bir yerlere yazma ki bu ay\u0131pt\u0131r ba\u015fka yakla\u015f\u0131mlarda erdemleri olur [birey kendini bu camdan d\u00fcnyada g\u00f6stermek i\u00e7in her yolu kullan\u0131r, bu noktada birey kendi etiketini yarat\u0131r, piyasa ko\u015fullar\u0131na uyum sa\u011flayacak formda, esneklikte olmak m\u00fchimdir].<\/li>\n<\/ol>\n

    Postmodernlik Bat\u0131n\u0131n, geli\u015fmi\u015f toplumlar\u0131n bir\u00e7ok bak\u0131mdan t\u0131kanma noktas\u0131na eri\u015fti\u011fi bir d\u00f6nemde, modern ak\u0131l ve bilime yaslanan ‘do\u011frunun terk edildi\u011fi etnik, cinsel, dinsel gibi farkl\u0131 alanlardan bak\u0131lan bir k\u00fclt\u00fcr\u00fcn ya da ya\u015fam deneyiminin verdi\u011fi g\u00f6relilikte bulur anlam\u0131n\u0131. \u201cT\u00fcm gruplar\u0131n, kendi sesleriyle kendileri i\u00e7in konu\u015fma haklar\u0131n\u0131n oldu\u011fu fikri ve o sesin ger\u00e7ek ve me\u015fru olarak kabul edilmesi postmodernizmin \u00e7o\u011fulculuk tutumu i\u00e7in gereklidir.\u201d11 D\u00fcnyan\u0131n postmoderniteyle birlikte, merkezde modernitenin (Ayd\u0131nlanman\u0131n) yaratt\u0131\u011f\u0131 metafiziksel insan(l\u0131k) fikrinin oldu\u011fu bir yer olmaktan \u00e7\u0131k\u0131p, tekil veya marjinal insan\u0131n\/ grubun merkezsizli\u011fi ya da \u00e7oklu merkez fikrinin yerle\u015fti\u011fi bir mek\u00e2n olmaya ba\u015flad\u0131\u011f\u0131n\u0131 s\u00f6yleyebiliriz. Bunun yan\u0131nda, bu da\u011f\u0131lm\u0131\u015f merkez anlay\u0131\u015f\u0131, epistemeyi, k\u00fclt\u00fcrel deneyimi ve \u00fcst kimlikleri de par\u00e7alam\u0131\u015ft\u0131r. Postmodern durumda kat\u0131\u2019, de\u011fi\u015fmez de\u011ferler mevcut de\u011fildir. Do\u011fu\u015ftan gelen seks\u00fcel kimli\u011fin dahi de\u011fi\u015febildi\u011fi bir d\u00fcnya s\u00f6z konusudur.<\/p>\n

     <\/p>\n

    \u00dctopyas\u0131 Olmayan ve Dolay\u0131s\u0131yla Gelece\u011fi da Olmayan<\/h3>\n

    Bununla beraber postmodern d\u00fcnya i\u00e7in bir \u00fctopyas\u0131 olmayan ve dolay\u0131s\u0131yla gelece\u011fi da olmayan, ayn\u0131 zamanda ge\u00e7mi\u015ften de uzakla\u015fm\u0131\u015f bir zamandan arta kalan eksik bir \u2018\u015fimdi’lik durumudur. Postmodern durumda, insan i\u00e7in tek zaman dilimi olarak i\u00e7inde bulundu\u011fu \u2018an\u2019 vard\u0131r ve bu an’ t\u00fcketim ve e\u011flenceyle ge\u00e7irilerek ancak anlam bulur. \u2018An in k\u0131s\u0131r d\u00f6ng\u00fcselli\u011finde, g\u00fcn\u00fcn sonunda yeterince t\u00fcketen ve e\u011flenen yorgun bir insan kal\u0131r. Postmodernite, insana pe\u015finden ko\u015facak bir yar\u0131n vermeyen, ge\u00e7mi\u015ften gelen bir de\u011fere de eklenmeyen, g\u00fcnl\u00fck varolu\u015flarla harcanan bir s\u00fcre\u00e7tir ve bu s\u00fcre\u00e7te m\u00fchim olan \u2018h\u0131z\u2019l\u0131 ve \u2018\u00e7ok\u2019lu t\u00fcketimlerdir (bunun yan\u0131nda Habermas postmoderniteyi yeni muhafazak\u00e2rl\u0131k olarak nitelendirir). Bu ba\u011flamda Habermas, “Postmodernite; ticari prosed\u00fcrlerin g\u00fcnl\u00fck hayat\u0131m\u0131za girmesi ve kitle t\u00fcketim k\u00fclt\u00fcrlerinin k\u00fclt\u00fcrel sistemler \u00fczerindeki etkisinin artmas\u0131yla, \u00f6rne\u011fin \u00fcst ve alt k\u00fclt\u00fcrler aras\u0131ndaki ayr\u0131m\u0131, bulan\u0131k hale getirmesidir,\u201d demi\u015ftir.<\/p>\n

    B\u00fct\u00fcn arg\u00fcmanlar\u0131na moderniteyi olumsuzlayarak varan postmodernitenin karakteristik insan\u0131; Bat\u0131l\u0131, \u015fehirli, teknolojik ve zevkine d\u00fc\u015fk\u00fcn bir insand\u0131r. Bu insan 20. y\u00fczy\u0131l\u0131n sonlar\u0131na do\u011fru geli\u015fen t\u00fcketim k\u00fclt\u00fcr\u00fcnde her \u015feyi t\u00fcketilebilir bir nesne haline getiren k\u00fcresel kapitalist d\u00f6nemde kendisi i\u00e7in (haz\u0131rlan\u0131p sunulan) gezilecek yeni yerler, tad\u0131na bak\u0131lacak egzotik yiyecekler ve uyar\u0131c\u0131 maddelerin tetikledi\u011fi erotik r\u00fcyalar\u0131n pe\u015findedir. T\u00fcketilebilecek her nesne, t\u00fcketim esnas\u0131nda de\u011fer kazan\u0131r, bir nevi dipsiz bir kuyu i\u015ftah\u0131na sahip olan postmodern insan, t\u00fcketimde s\u0131n\u0131rs\u0131z bir \u00f6zg\u00fcrl\u00fc\u011fe sahiptir.<\/p>\n

    Modernlik, orta\u00e7a\u011f\u0131n sonlar\u0131ndan itibaren kafas\u0131n\u0131 kald\u0131r\u0131p akl\u0131n\u0131 kullanan \u2018yarat\u0131c\u0131 insan\u2019\u0131n ve klasik metafiziksel alan\u0131 terk edip kendi sek\u00fcler metafiziksel d\u00fcnyevi kutsall\u0131klar alan\u0131n\u0131 yaratarak gelece\u011fi tarihi olu\u015fturacak hayallerin pe\u015findeydi. Bu ba\u011flamda modernlik, Tanr\u0131n\u0131n unutuldu\u011fu, ibadethanelerin yerini, ak\u0131l ve bilimle donanm\u0131\u015f mek\u00e2nlar\u0131n ald\u0131\u011f\u0131, ahlaki de\u011ferlerin yerini hukuksal normlara b\u0131rakt\u0131\u011f\u0131 bir d\u00f6nem iken, postmodernlikle beraber, modernli\u011fin d\u0131\u015flad\u0131\u011f\u0131 de\u011ferlerin yeni bi\u00e7imlerle tekrar ortaya \u00e7\u0131kt\u0131\u011f\u0131 belirtilebilir.<\/p>\n

    K\u00f6kensel Ba\u011flar Zay\u0131fl\u0131yor<\/h3>\n

    Bununla birlikte de\u011ferlerin yeniden ortaya \u00e7\u0131k\u0131\u015f\u0131nda, k\u00f6kensel ba\u011flar\u0131n zay\u0131flad\u0131\u011f\u0131 ve t\u00fcketim k\u00fclt\u00fcr\u00fcne uygun bir \u015fekle b\u00fcr\u00fcnerek, herkes i\u00e7in kullan\u0131labilecek, \u00f6znellik g\u00f6relilik k\u0131lavuzlu\u011funda cazip ve kullan\u0131m rahatl\u0131\u011f\u0131 sunmas\u0131 dikkat \u00e7ekicidir. \u2018Her \u015fey gider\u2019 mant\u0131\u011f\u0131yla, eylemler, davran\u0131\u015flar mubahla\u015f\u0131r. K\u00fclt\u00fcrel yap\u0131n\u0131n min\u00f6r gruplara ayr\u0131ld\u0131\u011f\u0131 bu durumda, \u00f6rg\u00fctl\u00fc bir birliktelik olmas\u0131na kar\u015f\u0131n, herkesin ayn\u0131 kal\u0131plarla hareket etti\u011fini s\u00f6yleyebiliriz. Birey, kendisini di\u011ferlerinden farkl\u0131 k\u0131lacak etiketleri sat\u0131n alarak olu\u015fturur. Postmodernlik, modern insan\u0131n barda\u011f\u0131ndaki bo\u015flu\u011fu g\u00f6stererek, onu modern uykudan uyand\u0131r\u0131r. Postmodernlik b\u00fct\u00fcn tart\u0131\u015fmalara ra\u011fmen entelekt\u00fcel d\u00fcnyada konu\u015fulan (\u015fimdilerde eskisi kadar olmasa da) bir konu ve toplumsal ya\u015famda yeni pratikler ortaya \u00e7\u0131karan bir d\u00f6nemdir.<\/p>\n

    Postmodernitenin sundu\u011fu hayat formlar\u0131, k\u00fcresel kapitalist ve ileti\u015fim a\u011f\u0131n\u0131n yaratt\u0131\u011f\u0131 duruma ba\u011fl\u0131 olarak hareketlilik ve de\u011fi\u015fkenlik g\u00f6sterir. Hi\u00e7bir sabit noktas\u0131 olmayan bu hayat formlar\u0131n\u0131n, \u00f6zellikle g\u00f6r\u00fcnt\u00fcler yoluyla kitleselle\u015fti\u011fini s\u00f6ylemek gerek. Ekrandan d\u0131\u015far\u0131ya do\u011fru akan bu t\u00fcketim ve e\u011flence bi\u00e7imleri, istedi\u011fi insan\u0131 reklamlar veya programlarla y\u00f6nlendirip harekete ge\u00e7irir. Postmodern<\/strong> toplumda hemen \u015fimdi olmas\u0131 gereken, bireyin doyuma ula\u015fmas\u0131d\u0131r.<\/p>\n

    Sonu\u00e7 olarak son yar\u0131m y\u00fczy\u0131l i\u00e7indeki d\u00f6nemde d\u00fcnyada bir\u00e7ok \u015fey (modernitenin ‘\u015fey\u2019leri) eski anlam\u0131n\u0131 ve k\u0131ymetini kaybetmi\u015ftir diyebiliriz. Bu d\u00f6nemle ilgili tan\u0131mlamalarda fikir birli\u011fi sa\u011flanamamas\u0131na kar\u015f\u0131n, \u00f6ne \u00e7\u0131kan\u0131n \u2018postmodernite\u2019 ad\u0131 alt\u0131nda kavramsalla\u015ft\u0131\u011f\u0131n\u0131 ileri s\u00fcrebiliriz.<\/p>\n

    Modernite, Postmodernite ve Bauman<\/p>\n

    Mehmet E. \u015eim\u015fek<\/p>\n

    Belge Yay\u0131nlar\u0131<\/p>\n","protected":false},"excerpt":{"rendered":"

    Postmodernite ve Postmodernlik Postmodernite, entelekt\u00fcel k\u00f6keni, \u00e7izgisi belirsizdir veya tart\u0131\u015fmal\u0131d\u0131r. Tart\u0131\u015fmaya yol a\u00e7an sorular: \u2018 Postmodernlik \u00a0modernite den tamamen ba\u011f\u0131ms\u0131z, yeni bir d\u00f6nem mi? Yoksa modernitenin bir sonucu mu?\u2019 gibi sorulard\u0131r. Modernitenin de\u011ferlerine yaslananlar, s\u00fcre\u00e7 olarak yeni bir evreye girildi\u011fini kabul etmekle beraber, bu s\u00fcreci moderniteden ba\u011f\u0131ms\u0131zla\u015fm\u0131\u015f ya da onu a\u015fm\u0131\u015f bir durum olarak kabul […]<\/p>\n","protected":false},"author":1,"featured_media":5074,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[266],"tags":[],"class_list":["post-5045","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-felsefesi"],"yoast_head":"\nPostmodernite ve Postmodernlik - Arthipo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/postmodernite-ve-postmodernlik.html\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Postmodernite ve Postmodernlik - Arthipo\" \/>\n<meta property=\"og:description\" content=\"Postmodernite ve Postmodernlik Postmodernite, entelekt\u00fcel k\u00f6keni, \u00e7izgisi belirsizdir veya tart\u0131\u015fmal\u0131d\u0131r. Tart\u0131\u015fmaya yol a\u00e7an sorular: \u2018 Postmodernlik \u00a0modernite den tamamen ba\u011f\u0131ms\u0131z, yeni bir d\u00f6nem mi? Yoksa modernitenin bir sonucu mu?\u2019 gibi sorulard\u0131r. Modernitenin de\u011ferlerine yaslananlar, s\u00fcre\u00e7 olarak yeni bir evreye girildi\u011fini kabul etmekle beraber, bu s\u00fcreci moderniteden ba\u011f\u0131ms\u0131zla\u015fm\u0131\u015f ya da onu a\u015fm\u0131\u015f bir durum olarak kabul […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/postmodernite-ve-postmodernlik.html\" \/>\n<meta property=\"og:site_name\" content=\"Arthipo\" \/>\n<meta property=\"article:published_time\" content=\"2016-10-14T06:05:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-06-07T00:55:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/10\/postmodern-sanat-ic-dizayn.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1600\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Arthipo\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Yazan:\" \/>\n\t<meta name=\"twitter:data1\" content=\"Arthipo\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tahmini okuma s\u00fcresi\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 dakika\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/postmodernite-ve-postmodernlik.html#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/postmodernite-ve-postmodernlik.html\"},\"author\":{\"name\":\"Arthipo\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/#\\\/schema\\\/person\\\/6e6d44de4da80cf3bf805d0e1c9d7ed8\"},\"headline\":\"Postmodernite ve Postmodernlik\",\"datePublished\":\"2016-10-14T06:05:29+00:00\",\"dateModified\":\"2017-06-07T00:55:34+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/postmodernite-ve-postmodernlik.html\"},\"wordCount\":1571,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/postmodernite-ve-postmodernlik.html#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/wp-content\\\/uploads\\\/2016\\\/10\\\/postmodern-sanat-ic-dizayn.jpg\",\"articleSection\":[\"Sanat Felsefesi\"],\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/postmodernite-ve-postmodernlik.html#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/postmodernite-ve-postmodernlik.html\",\"url\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/postmodernite-ve-postmodernlik.html\",\"name\":\"Postmodernite ve Postmodernlik - 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