{"id":5014,"date":"2016-10-14T01:51:46","date_gmt":"2016-10-13T22:51:46","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=5014"},"modified":"2017-06-07T03:43:17","modified_gmt":"2017-06-07T00:43:17","slug":"modernizm","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernizm.html","title":{"rendered":"Modernizm"},"content":{"rendered":"

Modernizm<\/h2>\n

Modernizm<\/strong>, modernlik, modernle\u015fme, modern gibi kavramlar\u0131n i\u00e7erisinin doldurulmas\u0131nda veya anla\u015f\u0131lmas\u0131nda daha ge\u00e7 bir d\u00f6nemde ortaya \u00e7\u0131kan bir kavram g\u00f6r\u00fc\u015f olan modernizm, Bat\u0131 kaynakl\u0131 de\u011fi\u015fimleri ifade eden bir ak\u0131md\u0131r. Modernlik, ya\u015fama deneyimi olarak de\u011fi\u015fimlerin meydana geldi\u011fini ifade ederken; modernizm<\/strong>, bu s\u00fcrecin teorile\u015ftirilmesidir. Modernizm kavram\u0131, 19. y\u00fczy\u0131lda ortaya \u00e7\u0131kan sanatsal, felsefi ve toplumsal bir ak\u0131m olarak eskinin yerine yeniyi koymaya \u00e7al\u0131\u015fan bir hareket olarak tan\u0131mlanabilir.<\/p>\n

Ayd\u0131nlanma ile birlikte ortaya \u00e7\u0131kan d\u00fc\u015f\u00fcnsel geli\u015fmenin \u00e7er\u00e7evesinde h\u00fcmanist, sek\u00fcler, d\u00fcnyevi, bilimci, rasyonel ve ilerlemeci bir g\u00f6r\u00fc\u015f olarak ortaya konabilir.\u00a0 Modernizmi insan\u0131 kendine s\u0131\u011f\u0131nacak bir yer aray\u0131\u015f\u0131 olarak g\u00f6ren Berman\u2019\u0131n indinde modernizm, \u201cmodern insanlar\u0131n modernle\u015fmenin nesneleri olduklar\u0131 kadar \u00f6zneleri de olmak, modern d\u00fcnyada s\u0131k\u0131ca tutunabilecekleri bir yer bulmak ve kendilerini bu d\u00fcnyada evde hissetmek i\u00e7in giri\u015ftikleri \u00e7abalar olarak tan\u0131mlanmaktad\u0131r.\u00a0 Berman\u2019a dayanarak; \u2018moderniteden kalan \u015fey tepesinde \u00e7at\u0131s\u0131 olmayan ve zemini sa\u011flam olmayan bir ev midir?\u2019 sorusu da g\u00fcndeme gelmektedir. Buna 20. y\u00fczy\u0131lda olumsuz cevap verecek olanlar \u00e7oktur diyebiliriz.<\/p>\n

Modernizm, Rasyonalizasyon, Bilimsel Geli\u015fmeler<\/h3>\n

Modernizm, rasyonalizasyon, bilimsel geli\u015fmeler<\/strong>, insanlar\u0131n daha \u00f6nce ya\u015fad\u0131klar\u0131 kapal\u0131 veya dinsel ya\u015famlar\u0131n\u0131 ortadan kald\u0131rmaya ve yerine bu d\u00fcnyan\u0131n de\u011ferlerini, g\u00f6kten indirerek, ayaklar\u0131 yery\u00fcz\u00fcne de\u011fen bir medeniyet k\u00fclt\u00fcr in\u015fa etme \u00e7al\u0131\u015fmas\u0131 olarak g\u00f6r\u00fclebilir. 19. y\u00fczy\u0131l, siyasal hareketleri, sanayile\u015fme ve bilimin daha da kutsand\u0131\u011f\u0131 bir y\u00fczy\u0131l olmas\u0131 bak\u0131m\u0131ndan modernizmin y\u00fczy\u0131l\u0131 olarak tan\u0131mlanabilir. Bu bak\u0131mdan, \u201cModernizm, Ayd\u0131nlanma felsefesiyle ortaya \u00e7\u0131kan; insanlar\u0131 i\u00e7inde bulundu\u011fu ba\u011fnazl\u0131ktan, hurafelerden; geri kalm\u0131\u015fl\u0131ktan kurtarmay\u0131 ama\u00e7layan insan uygarl\u0131\u011f\u0131n\u0131n genellikle sanayile\u015fme ve l\u00e2ikle\u015fme arac\u0131yla u\u011frad\u0131\u011f\u0131 ekonomik, siyasal ve toplumsal bir d\u00f6n\u00fc\u015f\u00fcmd\u00fcr ve ilerleme olgusunu temel alarak insanl\u0131\u011f\u0131n gittik\u00e7e daha iyi ve \u00fcst\u00fcn amaca do\u011fru hareket etti\u011fini kabul eder.\u201d<\/p>\n

Modernitenin dinamiklerinden yola \u00e7\u0131k\u0131larak olu\u015fan modernizm(in) teorisi, bir ideoloji olmaktan ziyade felsefi ve sanatsal bir ak\u0131m olarak g\u00f6r\u00fclmelidir. Buna ra\u011fmen modernizmin i\u00e7inde bar\u0131nd\u0131rd\u0131\u011f\u0131 Bat\u0131l\u0131 referanslar onu ideolojile\u015fmeye d\u00f6n\u00fc\u015ft\u00fcren en temel noktad\u0131r. Klasik din sava\u015flar\u0131ndan \u00e7\u0131k\u0131ld\u0131\u011f\u0131nda (her sava\u015f\u0131n bir iktidar aray\u0131\u015f\u0131 olma durumunu unutmadan ki bunlar aras\u0131nda ha\u00e7l\u0131 seferleri ba\u011flam\u0131nda \u0130slam Hristiyanl\u0131k, Hristiyanl\u0131\u011f\u0131n kendi i\u00e7indeki mezhep kavgalar\u0131 vs.), sava\u015fmak i\u00e7in daha farkl\u0131 ara\u00e7 ama\u00e7 geli\u015fimi g\u00f6r\u00fclmektedir. Bunlar aras\u0131nda ilk olarak s\u00f6m\u00fcrgecilik sava\u015flar\u0131 ve milliyet\u00e7ilik dalgas\u0131yla olu\u015fan sava\u015flara bak\u0131ld\u0131\u011f\u0131nda, modernitenin d\u00fcnya sahnesine arma\u011fan etti\u011fi sava\u015flar olup, bir kanad\u0131n\u0131n da modernizmin ilerleme ve uygarla\u015fma mitosuna dayand\u0131klar\u0131n\u0131 s\u00f6yleyebiliriz.<\/p>\n

Dinler<\/h3>\n

Dinler, d\u00fcnyay\u0131 ge\u00e7ici g\u00f6sterirken bile bu d\u00fcnyadaki eylemleri sevap ve g\u00fcnah de\u011ferleriyle a\u00e7\u0131klam\u0131\u015flard\u0131r. Modernizm ise; bu d\u00fcnyay\u0131 anlamak ve anlamland\u0131rmak ad\u0131na yeni d\u00fcaliteler (ikilikler) yaratarak kendi \u00e7a\u011f\u0131na dem vurmu\u015ftur. Bu ikiliklere bak\u0131ld\u0131\u011f\u0131nda kabaca modernizmin olumlad\u0131\u011f\u0131 ve \u00f6ne \u00e7\u0131kard\u0131\u011f\u0131 kavramlar \u015funlard\u0131r: “Rasyonellik, akl\u0131n egemenli\u011fi, mant\u0131k, bilimsel\/evren sel do\u011frular, bilimsellik, algoritmik, sistematik d\u00fc\u015f\u00fcnme, pozitivizm vs.\u201d kavramlard\u0131r.\u00a0 Bu kavramlar ikiliklerin \u2018iyi\u2019 taraf\u0131 olmakla birlikte modernizmin \u00f6ne \u00e7\u0131kard\u0131\u011f\u0131 bu kavramlar\u0131n kar\u015f\u0131s\u0131nda ise daha \u00e7ok dinsel ve k\u00fclt\u00fcrel maneviyatla ilgili olanlar durur. Bunlar: Tanr\u0131n\u0131n egemenli\u011fi (en az\u0131ndan \u00f6yle varsay\u0131lan), dinsel do\u011frular, mistik d\u00fc\u015f\u00fcnme, ahlak vs..<\/p>\n

Ortaya \u00e7\u0131kan durumda modernizmin toplum bilimsel g\u00f6r\u00fcn\u00fcm\u00fcnde, pozitivist bir e\u015fk\u00e2lde dola\u015ft\u0131\u011f\u0131n\u0131 ileri s\u00fcrebiliriz. Modernizm, \"modernizm-arthipo-savas\"<\/a>t\u00fcm topluma bir nesne gibi yakla\u015fan pozitivizmin etkisiyle olu\u015fan bir durumda, ileriye do\u011fru geli\u015fmeyi hedefleyen ve bu konuda yard\u0131mc\u0131 olacak bilimsel ve rasyonel temeller d\u0131\u015f\u0131nda hi\u00e7bir de\u011fer hesaba katmayan kat\u0131ks\u0131z bir nesnele\u015ftirici bilim sevicidir, ki her \u015fey standartla\u015farak ancak modern bir g\u00f6r\u00fcn\u00fc\u015fe kavu\u015fabilir.<\/p>\n

Modernizmin, bu haliyle \u00f6zellikle entelekt\u00fcel bir hareketlilik sa\u011flad\u0131\u011f\u0131 a\u015fik\u00e2rd\u0131r.<\/h3>\n

Modernizmin, bu haliyle \u00f6zellikle entelekt\u00fcel bir hareketlilik sa\u011flad\u0131\u011f\u0131 a\u015fik\u00e2rd\u0131r. As\u0131l nokta ise; bu kavram etraf\u0131nda ortaya \u00e7\u0131kan ve daha \u00e7ok toplumsal, siyasal ve ekonomi gibi alanlarda olu\u015fan \u2018modernle\u015fme\u2019 (modernizasyon, modernize etme, \u00e7a\u011fda\u015fla\u015fma) fikridir. Modernle\u015fme, sek\u00fcler d\u00fcnyada, bilhassa 19. y\u00fczy\u0131ldan bu yana, k\u00f6yden kente, tar\u0131mdan sanayiye, imparatorluklardan ulusal ya da s\u0131n\u0131fsal devletlere do\u011fru yap\u0131lan hareketlerin dinamizmi olarak \u00f6ne \u00e7\u0131kmaktad\u0131r. Modernle\u015fme kavram\u0131 etraf\u0131nda toplumlar\u0131n s\u0131n\u0131fland\u0131r\u0131lmas\u0131 sanayile\u015fme, e\u011fitim, demokratikle\u015fme gibi alanlarda asl\u0131nda bat\u0131n\u0131n kendisindeki \u00f6zellikleri dayatmas\u0131 olarak d\u00fc\u015f\u00fcn\u00fclebilir Bat\u0131n\u0131n bulundu\u011fu noktay\u0131 yakalamaya \u00e7al\u0131\u015fan \u00f6teki toplumlar\u0131n \u00e7abas\u0131 s\u00f6z konusudur.<\/p>\n

K\u0131saca: \u201cModernle\u015fme: \u00c7o\u011funlukla sanayile\u015fmede temellendirilmi\u015f toplumsal geli\u015fim a\u015famalar\u0131na g\u00f6nderme yapmak amac\u0131yla kullan\u0131l\u0131r. Modernle\u015fme geni\u015fleyen kapitalist d\u00fcnya pazar\u0131n\u0131n s\u00fcr\u00fckledi\u011fi bilimsel ke\u015fifler ile teknolojik yeniliklerin, sanayideki ilerlemelerin, n\u00fcfus hareketlerinin, kentle\u015fmenin, ulus devletin ve kitlesel siyasal hareketlerin olu\u015fumuyla birlikte ortaya \u00e7\u0131kan sosyoekonomik de\u011fi\u015fimlerin \u00e7e\u015fitlili\u011finin bir birli\u011fidir.\u201d\u00a0 Bu birli\u011fi yakalam\u0131\u015f, dahas\u0131 yakalayacak bir Do\u011fu toplumu hen\u00fcz mevcut de\u011fildir diyebiliriz. Nitekim bu olmay\u0131\u015f durumu, Bat\u0131n\u0131n (Bat\u0131 derken daha \u00e7ok K\u0131ta Avrupa, \u0130ngiltere ve ABD kastedilmektedir) var olan durumu ile hep ilerde ve geli\u015fmi\u015f oldu\u011fu ve hep \u201cb\u00fcy\u00fck biraderler ailesi olarak kald\u0131\u011f\u0131 ve \u00f6teki toplumlara a\u011fabeylik etme giri\u015fiminde bulunmas\u0131n\u0131 me\u015frula\u015ft\u0131r\u0131c\u0131 bir durum olarak kullanmaktad\u0131r.<\/p>\n

Modernle\u015fme esas olarak iki ya da \u00fc\u00e7 \u00e7izgisi, \u00fc\u00e7 boyutu olan bir s\u00fcre\u00e7<\/h4>\n

Modernle\u015fme esas olarak iki ya da \u00fc\u00e7 \u00e7izgisi, \u00fc\u00e7 boyutu olan bir s\u00fcre\u00e7. Bir tanesi sanayile\u015fme ve buna ba\u011fl\u0131 olarak emek \u00fcretkenli\u011finin artmas\u0131, yani insan\u0131n do\u011fa \u00fczerindeki h\u00e2kimiyetinin b\u00fcy\u00fck bir s\u0131\u00e7rama ge\u00e7irerek yen bir evre gelmesi; ikinci boyutu modernle\u015fmenin, l\u00e2ikle\u015fme denilen \u015fey, yan, d\u00fcnyan\u0131n bir b\u00fcy\u00fc bozumuna u\u011framas\u0131, d\u00fcnyan\u0131n b\u00fcy\u00fcl\u00fc ya da Tanr\u0131sal g\u00fc\u00e7lerden ar\u0131nd\u0131r\u0131lmas\u0131; \u00fc\u00e7\u00fcnc\u00fc boyutu ki, bunun \u00fczerinde Max Weber daha \u00e7ok durmu\u015ftur, rasyonalizasyon, rasyonelle\u015fme ad\u0131 verilen \u015fey, bu da b\u00fct\u00fcn insan davran\u0131\u015flar\u0131na, insan eylemlerine kapitalist firma ile b\u00fcrokratik devletin modellerine g\u00f6re d\u00fczenlenen ama\u00e7l\u0131 rasyonel eylemin h\u00e2kim olmas\u0131.<\/p>\n

Bu \u00fc\u00e7 boyutu 19. y\u00fczy\u0131ldan bu yana a\u00e7\u0131k bir \u015fekilde d\u00fcnyan\u0131n her yerinde g\u00f6rmekteyiz. Modernle\u015fme ser\u00fcveninin sonu\u00e7lar\u0131n\u0131 ise daha \u00e7ok 20. y\u00fczy\u0131lda g\u00f6r\u00fcyoruz. 20. y\u00fczy\u0131l, d\u00fcnya sava\u015flar\u0131n\u0131n yaratt\u0131\u011f\u0131 olumsuzluklar\u0131n yan\u0131nda modernle\u015fme iste\u011fi ile dolu olan Bat\u0131 d\u0131\u015f\u0131 d\u00fcnyada ortaya \u00e7\u0131kan i\u00e7 \u00e7at\u0131\u015fmalar\u0131n ya\u015fand\u0131\u011f\u0131 tarihsel bir d\u00f6nemdir. Bat\u0131 s\u00f6m\u00fcrgele\u015ftirme sevdas\u0131n\u0131n, gidip i\u015fgal etme ve oray\u0131 de\u011fi\u015ftirme \u015feklinde cereyan eden ve bunun ad\u0131n\u0131 uygarla\u015ft\u0131rma ya da modernle\u015ftirme kavramlar\u0131yla tan\u0131mlay\u0131p, Do\u011funun geri kalm\u0131\u015fl\u0131\u011f\u0131n\u0131 ileri medeniyetler seviyesine \u00e7\u0131karaca\u011f\u0131 iddias\u0131n\u0131n sonucunda Do\u011fu\u2019da bir\u00e7ok ac\u0131 ya\u015fanm\u0131\u015ft\u0131r. Modernizm\/moderni te nas\u0131l ki kavramsal ikilikler yarat\u0131ysa, modernle\u015fme de bitmeyen bir yolculukta var\u0131lamayan bir hedefe do\u011fru ko\u015fmak gibidir. \u00c7\u00fcnk\u00fc Bat\u0131 ilerleyi\u015fini s\u00fcrd\u00fcrmektedir. Dolay\u0131s\u0131yla durmadan ilerleyen Bat\u0131 kar\u015f\u0131s\u0131nda, Bat\u0131 d\u0131\u015f\u0131ndaki toplumlar, modernitenin ileri ve geri ikilili\u011fi i\u00e7inde geri kalm\u0131\u015fl\u0131\u011fa hep mahk\u00fbm olacaklard\u0131r.<\/p>\n

Sonu\u00e7<\/h4>\n

Netice olarak modernizm ak\u0131m\u0131n\u0131n \u00f6ne \u00e7\u0131kan y\u00f6n\u00fc sanatsal olsa da, konumuza dair durumu toplumsal, siyasal ve entelekt\u00fcel a\u00e7\u0131dan dikkat \u00e7ekmektedir. Modernizmi ve devam\u0131nda modernle\u015fme \u00f6yk\u00fcs\u00fcn\u00fc anlamak i\u00e7in, toplumsal dinamiklere bakmak ve burada da toplumsal olgularda (ve kurumlarda) ya\u015fanan de\u011fi\u015fimlere ele\u015ftiriye en \u00e7ok u\u011frayan noktalar olmas\u0131 bak\u0131m\u0131ndan bakmak \u00f6nemlidir. Modernizm a\u00e7\u0131s\u0131ndan \u2018modern olan her \u015fey iyi midir?\u2019 diye sordu\u011fumuzda, son y\u0131llara kadar bu soruya \u2018iyi’dir cevab\u0131 verilmi\u015ftir, ama bu soruya yeni cevaplar verildi\u011fini, en az\u0131ndan postmodernizm taraf\u0131ndan verilen cevab\u0131n, modernmodernistmodernlik ad\u0131na ileri s\u00fcr\u00fclen \u015feylerin hi\u00e7 iyi olmad\u0131\u011f\u0131na dair d\u00fc\u015f\u00fcnceleri sonraki b\u00f6l\u00fcmlerde ifade edece\u011fiz.<\/p>\n

Modernite, Postmodernite ve Bauman<\/p>\n

Mehmet E. \u015eim\u015fek<\/p>\n

Belge Yay\u0131nlar\u0131<\/p>\n","protected":false},"excerpt":{"rendered":"

Modernizm Modernizm, modernlik, modernle\u015fme, modern gibi kavramlar\u0131n i\u00e7erisinin doldurulmas\u0131nda veya anla\u015f\u0131lmas\u0131nda daha ge\u00e7 bir d\u00f6nemde ortaya \u00e7\u0131kan bir kavram g\u00f6r\u00fc\u015f olan modernizm, Bat\u0131 kaynakl\u0131 de\u011fi\u015fimleri ifade eden bir ak\u0131md\u0131r. Modernlik, ya\u015fama deneyimi olarak de\u011fi\u015fimlerin meydana geldi\u011fini ifade ederken; modernizm, bu s\u00fcrecin teorile\u015ftirilmesidir. Modernizm kavram\u0131, 19. y\u00fczy\u0131lda ortaya \u00e7\u0131kan sanatsal, felsefi ve toplumsal bir ak\u0131m olarak […]<\/p>\n","protected":false},"author":1,"featured_media":5017,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[266],"tags":[],"class_list":["post-5014","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-felsefesi"],"yoast_head":"\nModernizm - Arthipo<\/title>\n<meta name=\"description\" content=\"Modernizm, rasyonalizasyon, bilimsel geli\u015fmeler, insanlar\u0131n daha \u00f6nce ya\u015fad\u0131klar\u0131 kapal\u0131 veya dinsel ya\u015famlar\u0131n\u0131 ortadan kald\u0131rmaya ve yerine\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernizm.html\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Modernizm - Arthipo\" \/>\n<meta property=\"og:description\" content=\"Modernizm, rasyonalizasyon, bilimsel geli\u015fmeler, insanlar\u0131n daha \u00f6nce ya\u015fad\u0131klar\u0131 kapal\u0131 veya dinsel ya\u015famlar\u0131n\u0131 ortadan kald\u0131rmaya ve yerine\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernizm.html\" \/>\n<meta property=\"og:site_name\" content=\"Arthipo\" \/>\n<meta property=\"article:published_time\" content=\"2016-10-13T22:51:46+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-06-07T00:43:17+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/10\/modernizm-arthipo.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"889\" \/>\n\t<meta property=\"og:image:height\" content=\"866\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Arthipo\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Yazan:\" \/>\n\t<meta name=\"twitter:data1\" content=\"Arthipo\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tahmini okuma s\u00fcresi\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 dakika\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernizm.html#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernizm.html\"},\"author\":{\"name\":\"Arthipo\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/#\\\/schema\\\/person\\\/6e6d44de4da80cf3bf805d0e1c9d7ed8\"},\"headline\":\"Modernizm\",\"datePublished\":\"2016-10-13T22:51:46+00:00\",\"dateModified\":\"2017-06-07T00:43:17+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernizm.html\"},\"wordCount\":1474,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernizm.html#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/wp-content\\\/uploads\\\/2016\\\/10\\\/modernizm-arthipo.jpg\",\"articleSection\":[\"Sanat Felsefesi\"],\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernizm.html#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernizm.html\",\"url\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernizm.html\",\"name\":\"Modernizm - Arthipo\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernizm.html#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernizm.html#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/wp-content\\\/uploads\\\/2016\\\/10\\\/modernizm-arthipo.jpg\",\"datePublished\":\"2016-10-13T22:51:46+00:00\",\"dateModified\":\"2017-06-07T00:43:17+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/#\\\/schema\\\/person\\\/6e6d44de4da80cf3bf805d0e1c9d7ed8\"},\"description\":\"Modernizm, rasyonalizasyon, bilimsel geli\u015fmeler, insanlar\u0131n daha \u00f6nce ya\u015fad\u0131klar\u0131 kapal\u0131 veya dinsel ya\u015famlar\u0131n\u0131 ortadan kald\u0131rmaya ve yerine\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernizm.html#breadcrumb\"},\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernizm.html\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernizm.html#primaryimage\",\"url\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/wp-content\\\/uploads\\\/2016\\\/10\\\/modernizm-arthipo.jpg\",\"contentUrl\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/wp-content\\\/uploads\\\/2016\\\/10\\\/modernizm-arthipo.jpg\",\"width\":889,\"height\":866},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-felsefesi\\\/modernizm.html#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Anasayfa\",\"item\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Modernizm\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/#website\",\"url\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/\",\"name\":\"Arthipo\",\"description\":\"Arthipo modern sanat resim galerisi ya\u011fl\u0131 boya tablo reprod\u00fcksiyon satmak klasik soyut eser kanvas bask\u0131 yapt\u0131rma poster sat\u0131\u015f\u0131 sat\u0131n almak\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"tr\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/#\\\/schema\\\/person\\\/6e6d44de4da80cf3bf805d0e1c9d7ed8\",\"name\":\"Arthipo\",\"url\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Modernizm - Arthipo","description":"Modernizm, rasyonalizasyon, bilimsel geli\u015fmeler, insanlar\u0131n daha \u00f6nce ya\u015fad\u0131klar\u0131 kapal\u0131 veya dinsel ya\u015famlar\u0131n\u0131 ortadan kald\u0131rmaya ve yerine","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernizm.html","og_locale":"tr_TR","og_type":"article","og_title":"Modernizm - Arthipo","og_description":"Modernizm, rasyonalizasyon, bilimsel geli\u015fmeler, insanlar\u0131n daha \u00f6nce ya\u015fad\u0131klar\u0131 kapal\u0131 veya dinsel ya\u015famlar\u0131n\u0131 ortadan kald\u0131rmaya ve yerine","og_url":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernizm.html","og_site_name":"Arthipo","article_published_time":"2016-10-13T22:51:46+00:00","article_modified_time":"2017-06-07T00:43:17+00:00","og_image":[{"width":889,"height":866,"url":"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/10\/modernizm-arthipo.jpg","type":"image\/jpeg"}],"author":"Arthipo","twitter_card":"summary_large_image","twitter_misc":{"Yazan:":"Arthipo","Tahmini okuma s\u00fcresi":"7 dakika"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernizm.html#article","isPartOf":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernizm.html"},"author":{"name":"Arthipo","@id":"https:\/\/www.arthipo.com\/artblog\/#\/schema\/person\/6e6d44de4da80cf3bf805d0e1c9d7ed8"},"headline":"Modernizm","datePublished":"2016-10-13T22:51:46+00:00","dateModified":"2017-06-07T00:43:17+00:00","mainEntityOfPage":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernizm.html"},"wordCount":1474,"commentCount":0,"image":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernizm.html#primaryimage"},"thumbnailUrl":"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/10\/modernizm-arthipo.jpg","articleSection":["Sanat Felsefesi"],"inLanguage":"tr","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernizm.html#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernizm.html","url":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernizm.html","name":"Modernizm - Arthipo","isPartOf":{"@id":"https:\/\/www.arthipo.com\/artblog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernizm.html#primaryimage"},"image":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernizm.html#primaryimage"},"thumbnailUrl":"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/10\/modernizm-arthipo.jpg","datePublished":"2016-10-13T22:51:46+00:00","dateModified":"2017-06-07T00:43:17+00:00","author":{"@id":"https:\/\/www.arthipo.com\/artblog\/#\/schema\/person\/6e6d44de4da80cf3bf805d0e1c9d7ed8"},"description":"Modernizm, rasyonalizasyon, bilimsel geli\u015fmeler, insanlar\u0131n daha \u00f6nce ya\u015fad\u0131klar\u0131 kapal\u0131 veya dinsel ya\u015famlar\u0131n\u0131 ortadan kald\u0131rmaya ve yerine","breadcrumb":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernizm.html#breadcrumb"},"inLanguage":"tr","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernizm.html"]}]},{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernizm.html#primaryimage","url":"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/10\/modernizm-arthipo.jpg","contentUrl":"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2016\/10\/modernizm-arthipo.jpg","width":889,"height":866},{"@type":"BreadcrumbList","@id":"https:\/\/www.arthipo.com\/artblog\/sanat-felsefesi\/modernizm.html#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Anasayfa","item":"https:\/\/www.arthipo.com\/artblog\/"},{"@type":"ListItem","position":2,"name":"Modernizm"}]},{"@type":"WebSite","@id":"https:\/\/www.arthipo.com\/artblog\/#website","url":"https:\/\/www.arthipo.com\/artblog\/","name":"Arthipo","description":"Arthipo modern sanat resim galerisi ya\u011fl\u0131 boya tablo reprod\u00fcksiyon satmak klasik soyut eser kanvas bask\u0131 yapt\u0131rma poster sat\u0131\u015f\u0131 sat\u0131n almak","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.arthipo.com\/artblog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"tr"},{"@type":"Person","@id":"https:\/\/www.arthipo.com\/artblog\/#\/schema\/person\/6e6d44de4da80cf3bf805d0e1c9d7ed8","name":"Arthipo","url":"https:\/\/www.arthipo.com\/artblog\/author\/admin"}]}},"_links":{"self":[{"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/posts\/5014","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/comments?post=5014"}],"version-history":[{"count":0,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/posts\/5014\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/media\/5017"}],"wp:attachment":[{"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/media?parent=5014"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/categories?post=5014"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/tags?post=5014"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}