{"id":4723,"date":"2016-09-28T10:31:03","date_gmt":"2016-09-28T07:31:03","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=4723"},"modified":"2017-06-07T03:10:15","modified_gmt":"2017-06-07T00:10:15","slug":"inci-eviner","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/guncel-sanat\/inci-eviner.html","title":{"rendered":"\u0130nci Eviner, Tarz\u0131, \u0130stanbul Modern Retrospektifi, \u00d6nemli Eserleri"},"content":{"rendered":"

\u0130nci Eviner Kimdir?<\/h2>\n

\u0130nci Eviner<\/strong>, T\u00fcrkiye\u2019nin \u00f6nde gelen kad\u0131n ressamlar\u0131ndan biridir. 1956 y\u0131l\u0131nda Ankara\u2019da do\u011fan sanat\u00e7\u0131, bug\u00fcne d\u00fcnyan\u0131n \u00f6nde gelen kentlerinde resim sergisi a\u00e7m\u0131\u015ft\u0131r.<\/p>\n

\u0130nci Eviner, resim yapmaya \u00e7ocukluk y\u0131llar\u0131nda ba\u015flam\u0131\u015ft\u0131r; ya\u011fl\u0131 boya kopyalar \u00e7\u0131kar\u0131r, \u00e7e\u015fit desen denemeleri yapard\u0131, lise y\u0131llar\u0131nda ise foto\u011fraf ve karikat\u00fcrle u\u011fra\u015ft\u0131\u011f\u0131 bilinmektedir. Resim merak\u0131 onu \u0130stanbul Devlet G\u00fczel Sanatlar Akademisi Resim b\u00f6l\u00fcm\u00fcne s\u00fcr\u00fcklemi\u015f, 1980 y\u0131l\u0131nda, \u00fclkenin en karma\u015f\u0131k y\u0131llar\u0131nda bu b\u00f6l\u00fcmden mezun olmu\u015ftur.<\/p>\n

\u0130lk ki\u015fisel sergisini \u0130stanbul’da a\u00e7an Eviner, \u0130stanbul Modern- \u0130nci Eviner Retrospektifi, \u0130talya-Venedik, \u00c7in – \u015eanghay, Tayvan, Yunanistan – Selanik, ve G\u00fcney Kore \u2013 Busan\u2019da yap\u0131lan b\u00fcy\u00fck sanat etkinlerinde yer alm\u0131\u015ft\u0131r. Eserleri; Massachusetts Museum of Contemporary Art, \u0130stanbul Modern, Philadelphia Museum of Art, Thyssen-Bornemisza Art Contemporary, ve Palais des Beaux-Arts galerilerinde sergilendi.<\/p>\n

\"\u0130nci<\/a>

\u0130nci Eviner Resimleri<\/p><\/div>\n

 <\/p>\n

\u0130nci Eviner\u2019in Tekni\u011fi ve Sanatsal Duru\u015fu<\/h3>\n

Soyut D\u0131\u015favurumcu yak\u0131n bir tarz\u0131 olan \u0130nci Eviner\u2019in tekni\u011finin odak noktas\u0131nda \u00e7izgisel desenler yer al\u0131r. \u00a0\u00a0Desenlerinde sistemsel kayg\u0131y\u0131, bazen \u00e7arp\u0131k bir sevinci, bazen de mekanik bir yaln\u0131zl\u0131\u011f\u0131 ifade etmektedir. Ancak Eviner, \u00a0\u00e7al\u0131\u015fmalar\u0131nda kad\u0131n kimli\u011fini vurgulamaktan sak\u0131nmaz, tablolar\u0131n\u0131n birinde dalda duran iki primat\u0131n ba\u015f\u0131na e\u015farp takm\u0131\u015ft\u0131r, geleneksel zorlamaya kar\u015f\u0131 biyolojik var olu\u015ftan g\u00fc\u00e7 bularak ciddi ele\u015ftiriler y\u00f6neltmektedir. \u201cHepimiz ayn\u0131 y\u00f6ne do\u011fru sallan\u0131yorduk. Kimse tersini yapmay\u0131 d\u00fc\u015f\u00fcnmez. Ama ben yolumu kaybettim. \u00d6n\u00fcmde ne sabah ne de ak\u015fam vard\u0131. Oldu\u011fum yerde kalmak ve oraya uzanmak istedim. \u0130\u00e7imdeki bo\u015flu\u011fa bir sal\u0131ncak kurup, kendimi oyalad\u0131m. Gelen ge\u00e7en hi\u00e7 fark etmedi. \u00c7\u00fcnk\u00fc hi\u00e7 de\u011fi\u015fmedim\u201d der sanat\u00e7\u0131. Kan\u0131mca, biyolojik var olu\u015funun dan dolay\u0131 kimseye bor\u00e7lu olmad\u0131\u011f\u0131n\u0131 ya\u015famak istedi\u011fi hayat\u0131n\u0131n ak\u0131\u015f y\u00f6n\u00fcn\u00fc yaln\u0131zca kendisinin belirleyebilece\u011fini, b\u00fct\u00fcn k\u00fclt\u00fcrel maskeleri reddetti\u011fini anlatmak istemektedir. Belki de onu d\u00fc\u015f\u00fcncelere iten ister muhafazakar ister cumhuriyet\u00e7i kesimde olsun T\u00fcrkiye\u2019de bask\u0131lanan \u00a0kad\u0131n kimli\u011fidir (bask\u0131 g\u00f6r\u00fcnmez \u00a0\u00e7\u00fcnk\u00fc bask\u0131 var olan\u0131n kendisidir).<\/p>\n

\"\u0130nci<\/a>

\u0130nci Eviner Resimlerinden \u00d6rnekler<\/p><\/div>\n

Sanat\u00e7\u0131lar\u0131n \u00e7al\u0131\u015fmalar\u0131nda \u00e7ok y\u00f6nl\u00fcl\u00fck dikkat \u00e7eker, desen, bazen bir foto\u011fraf ya da \u00e7izgi-dijital karma anlat\u0131mlar kullanmaktad\u0131r, bu y\u00f6n\u00fcyle disiplinler aras\u0131 bir bu noktada durdu\u011fu s\u00f6ylenebilir.<\/p>\n

\u0130nci Eviner bir al\u0131nt\u0131s\u0131nda \u015f\u00f6yle s\u00f6yler: \u201cOlu\u015fturdu\u011fum formlar\u0131n i\u00e7i bo\u015f. Bu iletim i\u00e7in bir ara\u00e7, i\u00e7imizdeki binlerce damar ve yery\u00fcz\u00fcndeki binlerce ileti\u015fim a\u011f\u0131 gibi. Desen \u00e7iziyorum ve o kadar uzun zamand\u0131r \u00e7iziyorum ki, g\u00f6vdemin uzant\u0131s\u0131 ve b\u00fct\u00fcn yap\u0131tlar\u0131m\u0131n ana rahmi. Ke\u015fke arzular\u0131 bu kadar basitle\u015ftirebilsek. \u0130htiyac\u0131m\u0131z olan bir kur\u015fun kalem ve bir par\u00e7a ka\u011f\u0131t.”<\/p>\n

\u0130nci Eviner\u2019in \u00d6nemli Eserleri<\/h3>\n

Parlamento<\/h4>\n

\u0130nci Eviner\u2019in \u00f6ne \u00e7\u0131kan karma eserlerinden bir \u00a0\u201cParlamento\u201d Birle\u015fmi\u015f Avrupa K\u00fclt\u00fcr\u00fc\u2019ne kar\u015f\u0131 ciddi bir ele\u015ftiridir. Eserde; \u00a0Avrupa i\u00e7in birle\u015fmenin, insan haklar\u0131n\u0131n, evrensel k\u00fclt\u00fcr\u00fcn merkezi say\u0131lan Strasburg\u2019daki \u00a0Avrupa Parlamento\u2019su binas\u0131 i\u015flenmi\u015ftir.<\/p>\n

\"Avrupa<\/a>

Avrupa Birli\u011fi Parlamentosu, Strasburg, Babil Kulesi, Strasburg Parliament Building, Bayblon Tower<\/p><\/div>\n

Sanat\u00e7\u0131 \u201cParlamento\u201d \u00a0\u00e7al\u0131\u015fmas\u0131nda temel olarak Avrupa K\u00fclt\u00fcr\u00fc\u2019n\u00fcn subliminal iki y\u00fczl\u00fc\u011f\u00fcn\u00fc ele almaktad\u0131r ve bu ikiy\u00fczl\u00fcl\u00fc\u011f\u00fc ortaya \u00e7\u0131kan olgunun T\u00fcrkiye\u2019nin \u00fcyelik s\u00fcreci oldu\u011funu iddia etmektedir. Se\u00e7ilen simgesel animasyonlarda iki s\u0131n\u0131f insan oldu\u011fu dikkat \u00e7eker, birinci s\u0131n\u0131f kuralc\u0131 ve di\u011ferinin var olu\u015funu umursamayan \u00fcst\u00fcn t\u00fcr, di\u011feri ise kendini anlatmaya \u00e7al\u0131\u015fan ancak ikinci s\u0131n\u0131f olmaktan kurtulamayan ikinci t\u00fcrd\u00fcr. Elbette Eviner\u2019in ele\u015ftirisinde hakl\u0131l\u0131k pay\u0131 vard\u0131r; T\u00fcrkiye\u2019nin \u00fcyelik s\u00fcrecinin bitme s\u00fcresine gelmesine ve bir de patlayan m\u00fclteci krizi Avrupa\u2019y\u0131 belirsiz bir mecraya do\u011fru s\u00fcr\u00fcklemektedir. Irk\u00e7\u0131l\u0131\u011f\u0131n h\u0131zl\u0131 y\u00fckseli\u015fi, \u015fiddet olaylar\u0131ndaki art\u0131\u015f, ister istemez Avrupa Birli\u011fi\u2019nin gelece\u011fini belirsizle\u015ftirmektedir, 1940 y\u0131llarda i\u00e7inden ge\u00e7ilen korku t\u00fcnelin bu kez M\u00fcsl\u00fcmanlar, Afrika K\u00f6kenliler ve di\u011fer m\u00fcltecilere y\u00f6nelmesi d\u00fc\u015f\u00fcnmek bile \u00fcrk\u00fct\u00fcc\u00fc geliyor. \u00dcstelik bu noktadan \u00e7ok uzak oldu\u011funu varsayamay\u0131z, toplumsal k\u0131r\u0131lmalar bir anda ger\u00e7ekle\u015fir ve \u00f6n\u00fcne ge\u00e7ilemez bir hal alabilir. Bu t\u00fcr bir k\u0131r\u0131lmay\u0131 ter\u00f6r sald\u0131r\u0131lar\u0131yla beraber k\u00fcresel bir ekonomik bir krizin tetiklemesi \u00fctopik bir d\u00fc\u015f\u00fcnce say\u0131lmaz. \u0130nci Eviner\u2019in benzetmesiyle Babil Kulesi (ikinci kule diyorum) ayakta kalacak m\u0131 yoksa kibirleri onlar\u0131n da sonu mu olacak?<\/p>\n

Harem<\/h4>\n

\u0130nci Eviner\u2019in Antoine Ignace Melling’in \u00e7izdi\u011fi Harem isimli grav\u00fcr\u00fcn\u00fcn yeniden yorumlamas\u0131d\u0131r. \u00a0Melling’in \u00a0resmi, kuralc\u0131 hapis anlat\u0131s\u0131na kar\u015f\u0131 \u00e7\u0131kan Eviner\u2019in Harem\u2019i olduk\u00e7a hareketli bir yerdir, bazen \u00e7\u0131lg\u0131ncas\u0131na duygular\u0131n d\u0131\u015fa vurdu\u011fu bir mekana d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015ft\u00fcr. \u0130nci Eviner\u2019in karma teknik kullanarak dijital animasyona d\u00f6n\u00fc\u015ft\u00fcrd\u00fc\u011f\u00fc Harem ilk bak\u0131\u015fta bir ak\u0131l hastanesini and\u0131rmaktad\u0131r, ayn\u0131 t\u00fcr k\u0131yafetler ve fig\u00fcrlerin hareketleri alg\u0131y\u0131 bu y\u00f6ne itmektedir.<\/p>\n

\"Harem\"<\/a>

Harem<\/p><\/div>\n

Ancak asl\u0131nda bunun ele\u015ftiri oldu\u011funu anlamak zor de\u011fil. Eviner\u2019in, harem gibi bir ortamda \u201ckad\u0131n nedir\u201d sorusana bir cevap arad\u0131\u011f\u0131 anla\u015f\u0131lmaktad\u0131r.<\/p>\n

Ulusal Zindelik<\/h4>\n
\"Ulusal<\/a>

Ulusal Zindelik<\/p><\/div>\n

Enstalasyon<\/h4>\n
\"\u0130nci<\/a>

\u0130nci Eviner Enstalasyon<\/p><\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

\u0130nci Eviner Kimdir? \u0130nci Eviner, T\u00fcrkiye\u2019nin \u00f6nde gelen kad\u0131n ressamlar\u0131ndan biridir. 1956 y\u0131l\u0131nda Ankara\u2019da do\u011fan sanat\u00e7\u0131, bug\u00fcne d\u00fcnyan\u0131n \u00f6nde gelen kentlerinde resim sergisi a\u00e7m\u0131\u015ft\u0131r. \u0130nci Eviner, resim yapmaya \u00e7ocukluk y\u0131llar\u0131nda ba\u015flam\u0131\u015ft\u0131r; ya\u011fl\u0131 boya kopyalar \u00e7\u0131kar\u0131r, \u00e7e\u015fit desen denemeleri yapard\u0131, lise y\u0131llar\u0131nda ise foto\u011fraf ve karikat\u00fcrle u\u011fra\u015ft\u0131\u011f\u0131 bilinmektedir. Resim merak\u0131 onu \u0130stanbul Devlet G\u00fczel Sanatlar Akademisi […]<\/p>\n","protected":false},"author":1,"featured_media":4820,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[264],"tags":[],"class_list":["post-4723","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guncel-sanat"],"yoast_head":"\n\u0130nci Eviner, Tarz\u0131, \u0130stanbul Modern Retrospektifi, \u00d6nemli Eserleri - Arthipo<\/title>\n<meta name=\"description\" content=\"\u0130nci Eviner T\u00fcrkiye\u2019nin \u00f6nde gelen kad\u0131n ressamlar\u0131ndan biridir. 1956 y\u0131l\u0131nda Ankara\u2019da do\u011fan sanat\u00e7\u0131, bug\u00fcne d\u00fcnyan\u0131n \u00f6nde gelen kentlerinde resim sergisi\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arthipo.com\/artblog\/guncel-sanat\/inci-eviner.html\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0130nci Eviner, Tarz\u0131, \u0130stanbul Modern Retrospektifi, \u00d6nemli Eserleri - 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