{"id":4411,"date":"2016-09-13T00:28:19","date_gmt":"2016-09-12T21:28:19","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=4411"},"modified":"2017-06-07T02:58:16","modified_gmt":"2017-06-06T23:58:16","slug":"leonardo-da-vinci-eserleri","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/unlu-klasik-tablolar\/leonardo-da-vinci-eserleri.html","title":{"rendered":"Leonardo da Vinci Eserleri, Kilise Komisyonlar\u0131"},"content":{"rendered":"

Leonardo da Vinci Eserleri<\/h2>\n

Leonardo da Vinci eserleri, resimleri<\/strong> y\u00fczy\u0131llar ge\u00e7mesine ra\u011fmen etkisinden hi\u00e7bir \u015fey kaybetmemi\u015ftir. Bir\u00e7ok eserinden baz\u0131lar\u0131 \u00f6n olana \u00e7\u0131kmaktad\u0131r. Leonarda da Vinci eserleri aras\u0131ndan dikkat \u00e7ekici olanlar\u0131n baz\u0131lar\u0131 yaz\u0131m\u0131zda yer almaktad\u0131r.<\/p>\n

Ba\u015fyap\u0131tlar\u0131n\u0131n yan\u0131 ba\u015f\u0131nda, a\u015fa\u011f\u0131 cinsten eserler vermi\u015f olan b\u00fcy\u00fck sanat\u00e7\u0131lar vard\u0131r. Leonardo\u2019da b\u00f6yle bir \u015fey g\u00f6sterilemez. Yorgunluk veya para kazanmak h\u0131rs\u0131 y\u00fcz\u00fcnden a\u015fa\u011f\u0131 bir eserin onun at\u00f6lyesinden \u00e7\u0131kt\u0131\u011f\u0131 g\u00f6r\u00fclmemi\u015ftir. Eserlerinin baz\u0131lar\u0131 kaybolmu\u015f; kendisinin san\u0131lan baz\u0131 eserlerin sonradan ba\u015fkalar\u0131n\u0131n oldu\u011fu anla\u015f\u0131lm\u0131\u015ft\u0131r.<\/p>\n

Leonardo\u2019nun kendi elinden tamamlanm\u0131\u015f olarak \u00e7\u0131kan ve zaman\u0131m\u0131za kadar gelen say\u0131l\u0131 \u015faheserleri \u015funlard\u0131r:<\/p>\n

Ma\u011faradaki Meryem, Son Ak\u015fam Yeme\u011fi, Gioconda, Meryem – \u00c7ocuk \u0130sa – Anne, Vaftizci Yohanna.<\/p>\n

\u0130\u015fte Leonardo\u2019nun ba\u015fta \u0130talya, Fransa, \u0130ngiltere olmak \u00fczere, bir\u00e7ok memleketin m\u00fczelerine da\u011f\u0131lm\u0131\u015f bulunan \u00e7ok say\u0131da desenlerine ve kartonlar\u0131na kar\u015f\u0131l\u0131k, yapm\u0131\u015f oldu\u011fu tablolar bunlardan ibarettir.<\/p>\n

Bug\u00fcn Paris\u2019te Louvre m\u00fczesinde bulunan Gioconda\u2019y\u0131 tan\u0131mayan yok gibidir. A\u015fa\u011f\u0131 yukar\u0131 herkes, onun \u00e7ok geni\u015f bir edebiyata yol a\u00e7an \u00fcn alm\u0131\u015f muammal\u0131 tebess\u00fcm\u00fcn\u00fc, 1911 de Vincenzo Peruggia ad\u0131nda bir \u0130talyan vatanseveri taraf\u0131ndan Louvre m\u00fczesinden \u00e7alm\u0131\u015f\u0131n\u0131 ve nihayet iki y\u0131l sonra, Floransa\u2019da bulunup Fransa\u2019ya tekrar geri verili\u015fini bilir.<\/p>\n

\u00dc\u00e7 M\u00fcneccimin Tap\u0131nmas\u0131 Tablou<\/h3>\n
\"Leonardo<\/a>

Leonardo da Vinci Eserleri: \u00dc\u00e7 M\u00fcneccimin Tap\u0131nmas\u0131<\/p><\/div>\n

Floransada bir kilise komisyonu i\u00e7in verilen duvar resmidir. \u0130sa’n\u0131n do\u011fumunu simgeleyen tabloda, Meryem’in kuca\u011f\u0131nda oturan Mesih’in geli\u015fini \u00f6ncden m\u00fcjdeleyen \u00fc\u00e7 m\u00fcccemin hen\u00fcz bir bebek olan \u0130sa’ya duyduklar\u0131 hayranl\u0131\u011f\u0131 ve biat\u0131n\u0131 temsil etmektedir.<\/p>\n

M\u00fcjde Tablosu<\/h3>\n

Leonardo da Vinci’nin ustas\u0131 Andrea del Verrocchio birlikte yapt\u0131\u011f\u0131 eser Floransa’da bir kilise komsiyonudur. D\u00f6rt b\u00fcy\u00fck melekten biri olan Cebrail Mesih’\u0130n geli\u015fini m\u00fcjdeliyor. <\/span><\/p>\n

\"ldv-05-leonardo-da-vinci-the-annunciation-mujde-arthipo\"<\/a>

M\u00fcjde<\/p><\/div>\n

Bak\u00fcs Tablosu<\/h3>\n

Bak\u00fcs (Bacchus) elinde asas\u0131 ile bir ta\u015f\u0131n \u00fcst\u00fcnde oturmakta olan Vaftizci Yahya’y\u0131 tasvir etmektedir. Vaftizci Yahya \u0130sa’n\u0131n do\u011fumunu m\u00fcjdeledi\u011fi i\u00e7in kafas\u0131 kesilerek \u00f6ld\u00fcr\u00fclm\u00fc\u015ft\u00fcr. Sa\u011f elinin i\u015faret parma\u011f\u0131 yukar\u0131da bir \u015feyi i\u015faret etmektedir. Leonardo da Vinci bu sembolle \u0130sa’n\u0131n do\u011fumunu i\u015faret olmas\u0131 y\u00fcksek bir ihtimaldir.<\/p>\n

\"ldv-35-leonardo-da-vinci-st-john-he-baptist-vaftizci-yahya-arthipo\"<\/a>

Leonarda da Vinci: Baccus, Bak\u00fcs<\/p><\/div>\n

Ginevra de Benci Tablosu<\/h3>\n

Ginevra de Benci 15. y\u00fczy\u0131lda Floransa’da ya\u015fam\u0131\u015f aristokrat bir aile mensup tan\u0131nm\u0131\u015f bir kad\u0131nd\u0131. Ya\u011fl\u0131 boya portre \u015fu an USA Ulusal Sanat Galerisi’ndedir, galeri Washigton’dad\u0131r.\u00a0 Portrede en dikkat \u00e7ekici y\u00f6n\u00fcn\u00fc kad\u0131n\u0131n sa\u00e7lar\u0131 ile arka planda resmedilen do\u011fan\u0131n bir b\u00fct\u00fcnl\u00fck halinde verilmi\u015f olmas\u0131d\u0131r. Arkadaki a\u011fac\u0131n yapraklar\u0131 e\u011frelti otuna benzetilmi\u015ftir, da Vinci bu noktada matematik hesab\u0131 m\u0131 yapt\u0131 sorusu ak\u0131llara gelmektedir \u00e7\u00fcnk\u00fc s\u00f6z konusu bi\u00e7im non-lineer denklem i\u00e7erir ve Kaos Teorisi ile a\u00e7\u0131klanabilir.<\/p>\n

\"ldv-10-leonardo-da-vinci-ginevra-de-benci-ginevra-benci-arthipo\"<\/a>

Ginevra Benci<\/p><\/div>\n

Bir Kad\u0131n Ba\u015f\u0131 Tablosu><\/h3>\n

Bir Kad\u0131n Ba\u015f\u0131 portresi 1500 y\u0131l\u0131 civar\u0131nda \u00e7izilmi\u015ftir. Leonarda da Vinci’nin iyi bilinen eserlerinden biridir. Portrede ba\u015f\u0131n\u0131 sa\u011f omuzuna do\u011fru e\u011fen k\u0131v\u0131rc\u0131k sa\u00e7l\u0131 otuz ya\u015flar\u0131nda masum bir kad\u0131n ba\u015f\u0131 \u00e7izilmi\u015ftir. Eser, Galleria Nazionale di Parma, \u0130talya’da muhafaza edilmektedir.<\/p>\n

\"ldv-73-leonardo-da-vinci-head-of-a-woman-kadin-basi-arthipo\"<\/a>

Leonardo da Vinci Eserleri: Kad\u0131n Ba\u015f\u0131<\/p><\/div>\n

La belle Ferronni\u00e8re Tablosu<\/h3>\n

Leonardo da Vinci’ye taraf\u0131ndan \u00e7izilen portre kad\u0131n\u0131n bir h\u0131rdavat\u00e7\u0131n\u0131n k\u0131z\u0131 oldu\u011fu \u00f6ne s\u00fcr\u00fclmektedir ancak bu konuda bilgilerde netlik olmad\u0131\u011f\u0131ndan dolay\u0131 Bilinmeyen Kad\u0131n\u0131n Portresi olarak ta bilinen eser Louvre M\u00fczesi’nde sergilenmektedir.<\/p>\n

\"ldv-28-leonardo-da-vinci-la-belle-ferronniere-arthipo\"<\/a>

Leonardo da Vinci Eserleri: La belle Ferronniere<\/p><\/div>\n

Gelincikli Kad\u0131n Tablosu (Lady With An Ermine)<\/h3>\n

Portre Miano D\u00fck\u00fc Ludovico Sforza’n\u0131n metresi olan Cecilia Gallerani’ye aittir. Leonardo da Vinci bu portreyi 1490 y\u0131l\u0131nda tamamlam\u0131\u015ft\u0131r. Da Vinci’nin Sforza’n\u0131n emrinde tamamlad\u0131\u011f\u0131 d\u00f6rt potreden biridir. Portrede dikkat \u00e7eken en \u00f6nemli unsur m\u00fckemmel bir alt\u0131n oran tasar\u0131m\u0131d\u0131r, hem gelinci\u011fin hem de kad\u0131n\u0131n hatlar\u0131 alt\u0131n orana g\u00f6re tasarlanm\u0131\u015ft\u0131r. Hem kad\u0131n hem de gelincik ileride bir yere bakarak poz vermi\u015f gibidir, kad\u0131n hayvan\u0131 ile m\u00fckemmel bir uyum yakalam\u0131\u015ft\u0131r.<\/p>\n

\"Cecilia<\/a>

Leonardo da Vinci Eserleri: Cecilia Gallerani Portresi (Lady with the Ermine), 1488<\/p><\/div>\n

Madonna Litta Tablosu<\/h3>\n

Madonna Litta tablosu Saint Petersburg Hermitage M\u00fczesi’de sergilenmektedir. 15. y\u00fczy\u0131l olarak tarihlendirilen tablo, Mesih’i emziren Meryem tasvir edilmektedir. Karanl\u0131k bir i\u00e7 mekan\u0131n pencerelerinden mavi bir g\u00f6ky\u00fcz\u00fc g\u00f6r\u00fcnmektedir. Meryem’\u0130n pan\u00e7osunun rengi mavi g\u00f6ky\u00fcz\u00fcyle bir b\u00fct\u00fcnl\u00fck arz etmektedir. Leonardo da Vinci bu tabloyu Giovanni Antonio Boltraffio ile birlikte yapm\u0131\u015ft\u0131r.<\/p>\n

\"ldv-27-leonardo-da-vinci-madonna-litta-meryem-isa-emzimesi-arthipo\"<\/a>

Leonardo da Vinci Eserleri: Bir Madonna Litta<\/p><\/div>\n

Laroque Madonna Tablosu<\/h3>\n
\"Leonardo<\/a>

Leonardo da Vinci His Works: Laroque Madonna<\/p><\/div>\n

Leonardo da Vinci’nin 1502-1503 y\u0131llar\u0131nda \u00e7izdi\u011fi Laroque Madonna tablosunda Vaftizci Yahya’n\u0131n annesini konu olarak ele alm\u0131\u015ft\u0131r.\u00a0 Kad\u0131n\u0131n kuca\u011f\u0131nda ikiz oldu\u011fu anla\u015f\u0131lan iki \u00e7ocuk vard\u0131r, \u00e7ocuklardan biri annesini emerken di\u011feri ise s\u00fct istemektedir.<\/p>\n

Karanfilli Madonna Tablosu<\/h3>\n

Karanfil Madonna tablosunu Leonardo da Vinci 1480’lere do\u011fru \u00e7izdi. Bir elinde bebe\u011fini di\u011fer elinde karanfil tutan bir kad\u0131n konu al\u0131nm\u0131\u015ft\u0131r. Klasizm etkileri g\u00f6r\u00fclen resim 1889 y\u0131l\u0131ndan bu yana Almanya, M\u00fcnih Alte Pinakothek Galerisi’nde sergilenmektedir. Da Vinci’nin hemen hemen b\u00fct\u00fcn resimlerinde kad\u0131nlar\u0131n al\u0131nlar\u0131 geni\u015f \u00e7izilmi\u015ftir, bunu bilerek mi yapt\u0131\u011f\u0131 yoksa alt\u0131n orandan m\u0131 kaynaklad\u0131\u011f\u0131 anla\u015f\u0131lamanaktad\u0131r. Yine karanl\u0131k bir oda ve pencerelerden ayd\u0131nl\u0131k bir g\u00f6ky\u00fcz\u00fc g\u00f6r\u00fcnmektedir.<\/p>\n

\"\"<\/p>\n

Yarnwinder Madonna<\/h3>\n

Klasik d\u00f6nem \u00f6nemli eserlerden biri olan Yarnwinder Madonna Da Vinci’nin temay\u0131\u00a0 kendisinin belirledi\u011fi bir resimdir. Kad\u0131n\u0131n kuca\u011f\u0131nda \u00e7ocuk bir demir haca dayanm\u0131\u015f yukar\u0131ya do\u011fru bakmaktad\u0131r. Kad\u0131n\u0131n b\u00fct\u00fcn dikkati ise \u00e7ocu\u011fun \u00fczerindedir. Leonardo kad\u0131n\u0131n sade bir anne oldu\u011funu vurgularken ondan do\u011fma \u00e7ocu\u011fun ise derin bir b\u00fct\u00fcnl\u00fc\u011f\u00fcn par\u00e7as\u0131 gibi tasvir etmi\u015ftir. Meryem tasviri say\u0131labilecek tabloda odak noktas\u0131 \u00e7ocu\u011fun haca dayand\u0131\u011f\u0131 k\u0131s\u0131md\u0131r. Da Vinci bunu ironi olarak \u00e7izmi\u015f olmal\u0131d\u0131r zira hac\u0131 ta\u015f\u0131yan \u0130sa’yd\u0131, hac bir i\u015fkence aleti iken resimde \u00e7ocu\u011fun destek ald\u0131\u011f\u0131 ve onu ta\u015f\u0131yan bir objeye d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015ft\u00fcr. Da Vinci 1499’da ba\u015flad\u0131\u011f\u0131 tablo Fransa Kral\u0131 Louis XII zaman\u0131nda bir yaz\u0131c\u0131 taraf\u0131ndan kay\u0131t alt\u0131na al\u0131nm\u0131\u015ft\u0131r.<\/span><\/p>\n

\"ldv-01-leonardo-da-vinci-the-madonna-of-the-yarnwinder-arthipo\"<\/a>

Leonardo da Vinci Eserleri: Yarnwinder Madonna<\/p><\/div>\n

Bir M\u00fczisyenin Portresi<\/h3>\n

Resim uzmanlar\u0131 ve tarih\u00e7iler taraf\u0131ndan Leonardo da Vinci’ye atfedilen resimlerden biriir. 1490 y\u0131l\u0131na tarihlendirilen portrenin Milano Katedrali orkestra \u015fefi Franchino Gaffurio ait oldu\u011fu san\u0131lmaktad\u0131r.<\/p>\n

\"ldv-24-leonardo-da-vinci-portrait-of-a-musician-bir-muzisyenin-portresi-arthipo\"<\/a>

Leonardo da Vinci Eserleri: Bir M\u00fczisyenin Portresi<\/p><\/div>\n

K\u0131rm\u0131z\u0131 Tebe\u015firle\u00a0Leonardo da Vinci Otoportresi<\/h3>\n
\"Leonardo<\/a>

K\u0131rm\u0131z\u0131 tebe\u015firle 1519 y\u0131l\u0131nda kendi portresini \u00e7izmi\u015ftir.<\/p><\/div>\n

K\u0131rm\u0131z\u0131 Tebe\u015firle Bir Adam\u0131n Portresi Da Vinci’nin otoportresidir. Sanat\u00e7\u0131 \u00e7izimi 60 ya\u015f dolaylar\u0131nda \u00e7izmi\u015ftir. Uzun sa\u00e7lar\u0131 ve derin bakan g\u00f6zleri ile Da Vinci zamana bir iz b\u0131rakt\u0131\u011f\u0131n\u0131n pekala fark\u0131nda gibi g\u00f6r\u00fcn\u00fcyor.<\/p>\n

Wilderness Aziz Jerome Tablosu<\/h3>\n
\"Aziz<\/a>

Saint Jerome, Aziz Jerome, Leonardo da Vinci<\/p><\/div>\n

Wilderness Aziz Jerome 5. y\u00fczy\u0131lda \u0130branice metinlerden ilk Latince incili haz\u0131rlayan ki\u015fidir. Da Vinci bu tabloda Aziz Jerome’yi bir aslan\u0131n \u00f6n\u00fcnde tasvir etmi\u015ftir. Aslan’\u0131n g\u00fcc\u00fcyle Aziz Jerome’nin kendine g\u00fcvenini k\u0131yaslamam\u0131\u015f gibi g\u00f6r\u00fcnmektedir. Leonardo da Vinci’nin pazu ve k\u00f6pr\u00fcc\u00fck kemiklerine ilgisi bu tabloda da a\u00e7\u0131k\u00e7a g\u00f6r\u00fcnmektedir.<\/p>\n

John the Baptist Tablosu<\/h3>\n
\"Vaftizci<\/a>

Vaftizci Yahya, John te Baptist<\/p><\/div>\n

John the Baptist Leonardo da Vinci’nin ceviz ah\u015fap \u00fczerine \u00e7izdi\u011fi ya\u011fl\u0131 boya bir tablodur.\u00a0 Paris’te Mus\u00e9e du Louvre’da sergilenen eserin boyutlar\u0131 69×57 cm’dir. Eser R\u00f6nesans y\u00fcksek d\u00f6nemini temsil eder. Leonardo da Vinci’nin ikinci Vaftizci Yahya tablosudur. \u0130lk eseride oldu\u011fu gibi burada da Vaftizci Yahya elinde ayn\u0131 demir hac\u0131 tutmaktad\u0131r ve i\u015faret parma\u011f\u0131 \u00f6nemli bir \u015feyi m\u00fcjdeler gibi g\u00f6ky\u00fcz\u00fcn\u00fc i\u015faret etmektedir.<\/p>\n

Benois Madonna<\/h3>\n
\"Benois<\/a>

Leonardo da Vinci Resimleri: Benois Madonna<\/p><\/div>\n

Meryem ve \u0130sa’n\u0131n bir ba\u015fka yorumlamas\u0131 olarak kar\u015f\u0131m\u0131za \u00e7\u0131kan Benois Madonna’s\u0131nda Leonardo da Vinci’nin benzer di\u011fer resimlerinden farkl\u0131 olarak Meryem ve \u0130sa’n\u0131n ba\u015f\u0131 \u00fcst\u00fcnde birer hale bulunmaktad\u0131r ve \u0130sa’n\u0131n parmaklar\u0131 ucunda bir karanfil vard\u0131r. Daha detayl\u0131 bilgi almak i\u00e7in a\u015fa\u011f\u0131daki linklere t\u0131klayabilirsiniz.<\/p>\n

Leonardo da Vinci \u00d6nemli Resimleri, Eserleri, \u00c7al\u0131\u015fmalar\u0131<\/h4>\n
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<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n","protected":false},"excerpt":{"rendered":"

Leonardo da Vinci Eserleri Leonardo da Vinci eserleri, resimleri y\u00fczy\u0131llar ge\u00e7mesine ra\u011fmen etkisinden hi\u00e7bir \u015fey kaybetmemi\u015ftir. Bir\u00e7ok eserinden baz\u0131lar\u0131 \u00f6n olana \u00e7\u0131kmaktad\u0131r. Leonarda da Vinci eserleri aras\u0131ndan dikkat \u00e7ekici olanlar\u0131n baz\u0131lar\u0131 yaz\u0131m\u0131zda yer almaktad\u0131r. Ba\u015fyap\u0131tlar\u0131n\u0131n yan\u0131 ba\u015f\u0131nda, a\u015fa\u011f\u0131 cinsten eserler vermi\u015f olan b\u00fcy\u00fck sanat\u00e7\u0131lar vard\u0131r. Leonardo\u2019da b\u00f6yle bir \u015fey g\u00f6sterilemez. Yorgunluk veya para kazanmak h\u0131rs\u0131 […]<\/p>\n","protected":false},"author":1,"featured_media":4553,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"

Leonardo da Vinci Eserleri<\/span><\/h1>\r\n

\r\n\u00dc\u00e7 M\u00fcneccimin Tap\u0131nmas\u0131<\/span>\r\n<\/span><\/span><\/h4>\r\nFloransada bir kilise komisyonu i\u00e7in verilen duvar resmidir. \u0130sa'n\u0131n do\u011fumunu simgeleyen tabloda, Meryem'in kuca\u011f\u0131nda oturan Mesih'in geli\u015fini \u00f6ncden m\u00fcjdeleyen \u00fc\u00e7 m\u00fcccemin hen\u00fcz bir bebek olan \u0130sa'ya duyduklar\u0131 hayranl\u0131\u011f\u0131 ve biat\u0131n\u0131 temsil etmektedir.\r\n

\r\nM\u00fcjde<\/span>\r\n<\/span><\/h4>\r\nLeonardo da Vinci'nin ustas\u0131 Andrea del Verrocchio birlikte yapt\u0131\u011f\u0131 eser Floransa'da bir kilise komsiyonudur. D\u00f6rt b\u00fcy\u00fck melekten biri olan Cebrail Mesih'\u0130n geli\u015fini m\u00fcjdeliyor. <\/span>\r\n

\r\nBak\u00fcs<\/span><\/span><\/h4>\r\nBak\u00fcs (Bacchus) elinde asas\u0131 ile bir ta\u015f\u0131n \u00fcst\u00fcnde oturmakta olan Vaftizci Yahya'y\u0131 tasvir etmektedir. Vaftizci Yahya \u0130sa'n\u0131n do\u011fumunu m\u00fcjdeledi\u011fi i\u00e7in kafas\u0131 kesilerek \u00f6ld\u00fcr\u00fclm\u00fc\u015ft\u00fcr. Sa\u011f elinin i\u015faret parma\u011f\u0131 yukar\u0131da bir \u015feyi i\u015faret etmektedir. Leonardo da Vinci bu sembolle \u0130sa'n\u0131n do\u011fumunu i\u015faret olmas\u0131 y\u00fcksek bir ihtimaldir.\r\n

\r\nGinevra<\/span> de <\/span>Benci<\/span><\/span>\r\n<\/span><\/h4>\r\nGinevra de Benci 15. y\u00fczy\u0131lda Floransa'da ya\u015fam\u0131\u015f aristokrat bir aile mensup tan\u0131nm\u0131\u015f bir kad\u0131nd\u0131. Ya\u011fl\u0131 boya portre \u015fu an USA Ulusal Sanat Galerisi'ndedir, galeri Washigton'dad\u0131r.\u00a0 Portrede en dikkat \u00e7ekici y\u00f6n\u00fcn\u00fc kad\u0131n\u0131n sa\u00e7lar\u0131 ile arka planda resmedilen do\u011fan\u0131n bir b\u00fct\u00fcnl\u00fck halinde verilmi\u015f olmas\u0131d\u0131r. Arkadaki a\u011fac\u0131n yapraklar\u0131 e\u011frelti otuna benzetilmi\u015ftir, da Vinci bu noktada matematik hesab\u0131 m\u0131 yapt\u0131 sorusu ak\u0131llara gelmektedir \u00e7\u00fcnk\u00fc s\u00f6z konusu bi\u00e7im non-lineer denklem i\u00e7erir ve Kaos Teorisi ile a\u00e7\u0131klanabilir.\r\n

Bir Kad\u0131n Ba\u015f\u0131<\/span>\r\n<\/span><\/h4>\r\nBir Kad\u0131n Ba\u015f\u0131 portresi 1500 y\u0131l\u0131 civar\u0131nda \u00e7izilmi\u015ftir. Leonarda da Vinci'nin iyi bilinen eserlerinden biridir. Portrede ba\u015f\u0131n\u0131 sa\u011f omuzuna do\u011fru e\u011fen k\u0131v\u0131rc\u0131k sa\u00e7l\u0131 otuz ya\u015flar\u0131nda masum bir kad\u0131n ba\u015f\u0131 \u00e7izilmi\u015ftir. Eser, Galleria Nazionale di Parma, \u0130talya'da muhafaza edilmektedir.\r\n

La belle Ferronni\u00e8re<\/span>\r\n<\/span><\/h4>\r\nLeonardo da Vinci'ye taraf\u0131ndan \u00e7izilen portre kad\u0131n\u0131n bir h\u0131rdavat\u00e7\u0131n\u0131n k\u0131z\u0131 oldu\u011fu \u00f6ne s\u00fcr\u00fclmektedir ancak bu konuda bilgilerde netlik olmad\u0131\u011f\u0131ndan dolay\u0131 Bilinmeyen Kad\u0131n\u0131n Portresi olarak ta bilinen eser Louvre M\u00fczesi'nde sergilenmektedir.\r\n

Gelincikli Kad\u0131n (Lady With An Ermine)<\/span><\/h4>\r\nPortre Miano D\u00fck\u00fc Ludovico Sforza'n\u0131n metresi olan Cecilia Gallerani'ye aittir. Leonardo da Vinci bu portreyi 1490 y\u0131l\u0131nda tamamlam\u0131\u015ft\u0131r. Da Vinci'nin Sforza'n\u0131n emrinde tamamlad\u0131\u011f\u0131 d\u00f6rt potreden biridir. Portrede dikkat \u00e7eken en \u00f6nemli unsur m\u00fckemmel bir alt\u0131n oran tasar\u0131m\u0131d\u0131r, hem gelinci\u011fin hem de kad\u0131n\u0131n hatlar\u0131 alt\u0131n orana g\u00f6re tasarlanm\u0131\u015ft\u0131r. Hem kad\u0131n hem de gelincik ileride bir yere bakarak poz vermi\u015f gibidir, kad\u0131n hayvan\u0131 ile m\u00fckemmel bir uyum yakalam\u0131\u015ft\u0131r.\r\n

Madonna Litta<\/span><\/span><\/h4>\r\nMadonna Litta tablosu Saint Petersburg Hermitage M\u00fczesi'de sergilenmektedir. 15. y\u00fczy\u0131l olarak tarihlendirilen tablo, Mesih'i emziren Meryem tasvir edilmektedir. Karanl\u0131k bir i\u00e7 mekan\u0131n pencerelerinden mavi bir g\u00f6ky\u00fcz\u00fc g\u00f6r\u00fcnmektedir. Meryem'\u0130n pan\u00e7osunun rengi mavi g\u00f6ky\u00fcz\u00fcyle bir b\u00fct\u00fcnl\u00fck arz etmektedir. Leonardo da Vinci bu tabloyu <\/span>Giovanni Antonio Boltraffio ile birlikte yapm\u0131\u015ft\u0131r.<\/span>\r\n

\r\nLaroque Madonna<\/span><\/span><\/span>\r\n<\/span><\/h4>\r\n Leonardo da Vinci'nin <\/span>1502-1503 y\u0131llar\u0131nda \u00e7izdi\u011fi Laroque Madonna tablosunda Vaftizci Yahya'n\u0131n annesini konu olarak ele alm\u0131\u015ft\u0131r.\u00a0 Kad\u0131n\u0131n kuca\u011f\u0131nda ikiz oldu\u011fu anla\u015f\u0131lan iki \u00e7ocuk vard\u0131r, \u00e7ocuklardan biri annesini emerken di\u011feri ise s\u00fct istemektedir.\r\n

Karanfilli Madonna<\/span><\/span>\r\n<\/span><\/h4>\r\nKaranfil Madonna tablosunu Leonardo da Vinci 1480'lere do\u011fru \u00e7izdi. Bir elinde bebe\u011fini di\u011fer elinde karanfil tutan bir kad\u0131n konu al\u0131nm\u0131\u015ft\u0131r. Klasizm etkileri g\u00f6r\u00fclen resim 1889 y\u0131l\u0131ndan bu yana Almanya, M\u00fcnih Alte Pinakothek Galerisi'nde sergilenmektedir. Da Vinci'nin hemen hemen b\u00fct\u00fcn resimlerinde kad\u0131nlar\u0131n al\u0131nlar\u0131 geni\u015f \u00e7izilmi\u015ftir, bunu bilerek mi yapt\u0131\u011f\u0131 yoksa alt\u0131n orandan m\u0131 kaynaklad\u0131\u011f\u0131 anla\u015f\u0131lamanaktad\u0131r. Yine karanl\u0131k bir oda ve pencerelerden ayd\u0131nl\u0131k bir g\u00f6ky\u00fcz\u00fc g\u00f6r\u00fcnmektedir.\r\n

\r\nYarnwinder Madonna<\/span><\/span><\/h4>\r\nKlasik d\u00f6nem \u00f6nemli eserlerden biri olan Yarnwinder Madonna Da Vinci'nin temay\u0131\u00a0 kendisinin belirledi\u011fi bir resimdir. Kad\u0131n\u0131n kuca\u011f\u0131nda \u00e7ocuk bir demir haca dayanm\u0131\u015f yukar\u0131ya do\u011fru bakmaktad\u0131r. Kad\u0131n\u0131n b\u00fct\u00fcn dikkati ise \u00e7ocu\u011fun \u00fczerindedir. Leonardo kad\u0131n\u0131n sade bir anne oldu\u011funu vurgularken ondan do\u011fma \u00e7ocu\u011fun ise derin bir b\u00fct\u00fcnl\u00fc\u011f\u00fcn par\u00e7as\u0131 gibi tasvir etmi\u015ftir. Meryem tasviri say\u0131labilecek tabloda odak noktas\u0131 \u00e7ocu\u011fun haca dayand\u0131\u011f\u0131 k\u0131s\u0131md\u0131r. Da Vinci bunu ironi olarak \u00e7izmi\u015f olmal\u0131d\u0131r zira hac\u0131 ta\u015f\u0131yan \u0130sa'yd\u0131, hac bir i\u015fkence aleti iken resimde \u00e7ocu\u011fun destek ald\u0131\u011f\u0131 ve onu ta\u015f\u0131yan bir objeye d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015ft\u00fcr.<\/span> Da Vinci 1499'da ba\u015flad\u0131\u011f\u0131 tablo Fransa Kral\u0131 Louis XII zaman\u0131nda bir yaz\u0131c\u0131 taraf\u0131ndan kay\u0131t alt\u0131na al\u0131nm\u0131\u015ft\u0131r.\r\n

Bir M\u00fczisyenin Portresi<\/span>\r\n<\/span><\/h4>\r\nResim uzmanlar\u0131 ve tarih\u00e7iler taraf\u0131ndan Leonardo da Vinci'ye atfedilen resimlerden biriir. 1490 y\u0131l\u0131na tarihlendirilen portrenin Milano Katedrali orkestra \u015fefi Franchino Gaffurio ait oldu\u011fu san\u0131lmaktad\u0131r.\r\n

K\u0131rm\u0131z\u0131 Tebe\u015firle Bir Adam\u0131n Portresi<\/span>\r\n<\/span><\/h4>\r\nK\u0131rm\u0131z\u0131 Tebe\u015firle Bir Adam\u0131n Portresi Da Vinci'nin otoportresidir. Sanat\u00e7\u0131 \u00e7izimi 60 ya\u015f dolaylar\u0131nda \u00e7izmi\u015ftir. Uzun sa\u00e7lar\u0131 ve derin bakan g\u00f6zleri ile Da Vinci zamana bir iz b\u0131rakt\u0131\u011f\u0131n\u0131n pekala fark\u0131nda gibi g\u00f6r\u00fcn\u00fcyor.\r\n<\/span>\r\n

Wilderness Aziz Jerome<\/span><\/span><\/h4>\r\nWilderness Aziz Jerome 5. y\u00fczy\u0131lda \u0130branice metinlerden ilk Latince incili haz\u0131rlayan ki\u015fidir. Da Vinci bu tabloda Aziz Jerome'yi bir aslan\u0131n \u00f6n\u00fcnde tasvir etmi\u015ftir. Aslan'\u0131n g\u00fcc\u00fcyle Aziz Jerome'nin kendine g\u00fcvenini k\u0131yaslamam\u0131\u015f gibi g\u00f6r\u00fcnmektedir. Leonardo da Vinci'nin pazu ve k\u00f6pr\u00fcc\u00fck kemiklerine ilgisi bu tabloda da a\u00e7\u0131k\u00e7a g\u00f6r\u00fcnmektedir.\r\n

John the Baptist<\/span><\/span><\/h4>\r\nJohn the Baptist Leonardo da Vinci'nin ceviz ah\u015fap \u00fczerine \u00e7izdi\u011fi ya\u011fl\u0131 boya bir tablodur.\u00a0 Paris'te Mus\u00e9e du Louvre'da sergilenen eserin boyutlar\u0131 69x57 cm'dir. Eser R\u00f6nesans y\u00fcksek d\u00f6nemini temsil eder. Leonardo da Vinci'nin ikinci Vaftizci Yahya tablosudur. \u0130lk eseride oldu\u011fu gibi burada da Vaftizci Yahya elinde ayn\u0131 demir hac\u0131 tutmaktad\u0131r ve i\u015faret parma\u011f\u0131 \u00f6nemli bir \u015feyi m\u00fcjdeler gibi g\u00f6ky\u00fcz\u00fcn\u00fc i\u015faret etmektedir.\r\n

Benois Madonna<\/span>\r\n<\/span><\/h4>\r\nMeryem ve \u0130sa'n\u0131n bir ba\u015fka yorumlamas\u0131 olarak kar\u015f\u0131m\u0131za \u00e7\u0131kan Benois Madonna's\u0131nda Leonardo da Vinci'nin benzer di\u011fer resimlerinden farkl\u0131 olarak Meryem ve \u0130sa'n\u0131n ba\u015f\u0131 \u00fcst\u00fcnde birer hale bulunmaktad\u0131r ve \u0130sa'n\u0131n parmaklar\u0131 ucunda bir karanfil vard\u0131r.<\/span>\r\nDaha detayl\u0131 bilgi almak i\u00e7in a\u015fa\u011f\u0131daki linklere t\u0131klayabilirsiniz.\r\n\r\nLeonardo da Vinci<\/a><\/strong>\r\n\r\nLeonardo da Vinci'nin Hayat\u0131<\/a><\/strong>\r\n\r\nMona Lisa Tablosunun S\u0131rlar\u0131<\/strong><\/a><\/span>\r\n\r\nLeonardo da Vinci'nin \u00d6nemi<\/a><\/strong>\r\n\r\nAnghiari Sava\u015f\u0131 Tablosu<\/strong> <\/a>\r\n\r\nSon Ak\u015fam Yeme\u011fi (Last Supper) Tablosu S\u0131rlar\u0131<\/a><\/strong>\r\n\r\nDa Vinci ve Alt\u0131n Oran<\/a><\/strong>\r\n\r\nBilimsel \u00c7al\u0131\u015fmalar\u0131<\/a><\/strong>","_et_gb_content_width":"","footnotes":""},"categories":[248],"tags":[],"class_list":["post-4411","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-unlu-klasik-tablolar"],"yoast_head":"\nLeonardo da Vinci Eserleri, Kilise Komisyonlar\u0131 - 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