{"id":4389,"date":"2016-09-08T23:37:30","date_gmt":"2016-09-08T20:37:30","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=4389"},"modified":"2017-06-07T02:55:31","modified_gmt":"2017-06-06T23:55:31","slug":"leonardo-da-vinci-anghiari-savasi-tablosu","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/unlu-klasik-tablolar\/leonardo-da-vinci-anghiari-savasi-tablosu.html","title":{"rendered":"Leonardo da Vinci’nin Anghiari Sava\u015f\u0131 Tablosu"},"content":{"rendered":"

Leonardo da Vinci\u00a0 Anghiari Sava\u015f\u0131 Tablosu<\/h2>\n

Anghiari Sava\u015f\u0131<\/strong> Leonardo da Vinci\u2019nin en iyi bilinen eserlerinden biridir. Atlar ve sava\u015f\u00e7\u0131lar bir karma\u015fa halinde vah\u015fi bir m\u00fccadele i\u00e7indedir. Yumu\u015fak bir boyama tekni\u011fi kullanan da Vinci insan i\u00e7indeki vah\u015fili\u011fi ortaya \u00e7\u0131karm\u0131\u015ft\u0131r adeta. Fig\u00fcrlerin hareketli hali ve birbirlerine uyumu m\u00fckemmeldir. Tabloda \u00f6ne \u00e7\u0131kan en \u00f6nemli \u00f6zellik kompleks hareket simetrisinin olmas\u0131d\u0131r, eyleme ge\u00e7en bir hareket eylemsizli\u011fe d\u00f6n\u00fc\u015fen ba\u015fka bir hareketle e\u015fle\u015ftirilmi\u015ftir. Resmin ortas\u0131nda dikkati \u00e7eken en \u00f6nemli objeler kafa kafaya duran ve bir bask\u0131n g\u00f6r\u00fcnen atlar\u0131n g\u00f6zleridir.\u00a0Leonardo da Vinci\u00a0Anghiari Sava\u015f\u0131 <\/strong> ac\u0131mas\u0131zl\u0131\u011f\u0131ndan duyulan b\u00fct\u00fcn korkuyu bu atlar\u0131n g\u00f6zlerinde yans\u0131tm\u0131\u015ft\u0131r, geriye kalan her \u015fey vah\u015fice birbirine sald\u0131rmaktad\u0131r.<\/p>\n

Temsili sava\u015flar\u0131n en \u00fcnl\u00fcs\u00fc bu sava\u015ft\u0131r.<\/p>\n

Anghiari Sava\u015f\u0131<\/h3>\n

Anghiari Sava\u015f\u0131,\u00a0 Milan ve Lombardiya g\u00fc\u00e7leri ile\u00a0 Floransa Cumhuriyeti liderli\u011findeki \u0130talyan g\u00fc\u00e7leri aras\u0131nda\u00a0 29 Haziran 1440 tarihinde ger\u00e7ekle\u015fti. Sava\u015f, merkezi \u0130talya’n\u0131n Floransa hakimiyetiyle sonu\u00e7land\u0131. Leonardo da Vinci’nin\u00a0 kay\u0131p olan bu resmi bu sava\u015f\u0131 tasvir eder.<\/p>\n

\"Anghiari<\/a>

Leonardo da Vinci Anghiari Sava\u015f\u0131 Resmi<\/p><\/div>\n

Sava\u015fla ilgili s\u00f6ylenen en garip durum binlerce askerin t\u00fcm g\u00fcn boyunca \u00e7at\u0131\u015ft\u0131\u011f\u0131 ancak sadece tek bir askerin \u00f6ld\u00fc\u011f\u00fcd\u00fcr. Sadece bir askerin at\u0131ndan d\u00fc\u015ferek \u00f6ld\u00fc\u011f\u00fcn\u00fc s\u00f6ylemi\u015ftir Niccol\u00f2 Machiavelli.\u00a0 O halde bir \u00e7e\u015fit kans\u0131z d\u00fcello muydu ya da bir \u00e7e\u015fit g\u00f6vde g\u00f6sterisi miydi?<\/p>\n

R\u00f6nesans\u0131n \u00f6nde gelen d\u00fc\u015f\u00fcn\u00fcrleri Machiavelli, Guicciardini ve Jovius<\/strong> b\u00fcy\u00fck tarih\u00e7iler\u00a0 sava\u015f\u0131n sadece bir oyun olarak de\u011fil, kanl\u0131 ciddi olarak sava\u015fa girildi\u011fi konusunda hem fikirdirler ancak ayn\u0131 \u0131rktan olan bu insanlar kan d\u00f6kmek yerine biribirlerini ba\u011f\u0131\u015flad\u0131lar. 1440 y\u0131l\u0131nda Anghiari Sava\u015f\u0131’nda, \u00f6len bir iki\u015fiden birinin batakl\u0131kta bo\u011fuldu\u011fu, bir di\u011ferinin ise attan d\u00fc\u015ferek \u00f6ld\u00fc\u011f\u00fc belirtilmi\u015ftir. Leonardo da Vinci’nin kay\u0131p tablosu bu attan d\u00fc\u015fme an\u0131nda \u015f\u00f6valyenin \u00f6l\u00fcm\u00fcn\u00fc temsil etmektedir.<\/p>\n

O d\u00f6nemde s\u0131k s\u0131k temsili sava\u015flar ger\u00e7ekle\u015firdi, Pia F. Cuneo g\u00f6re, “Anghiari Sava\u015f\u0131 o d\u00f6nemde ger\u00e7ekle\u015fen temsili sava\u015flar\u0131n en \u00f6nde gelenidir. Sava\u015f alan\u0131 ihti\u015fam\u0131 bir g\u00f6steriye d\u00f6n\u00fc\u015f\u00fcr, \u00e7elik z\u0131rhlar\u0131n ba\u015f\u0131klar\u0131na ba\u011fl\u0131 olduklar\u0131 cumhuriyetin armalar\u0131n\u0131 ve renkleri ta\u015f\u0131yan \u015f\u00f6valyeler birbirleriye k\u0131yasa sava\u015fa tutu\u015furlard\u0131. Ancak m\u00fccadelenin sonu centilmence biter, kazanan taraf kaybedenin hayat\u0131n\u0131 ba\u011f\u0131\u015flard\u0131.<\/p>\n","protected":false},"excerpt":{"rendered":"

Leonardo da Vinci\u00a0 Anghiari Sava\u015f\u0131 Tablosu Anghiari Sava\u015f\u0131 Leonardo da Vinci\u2019nin en iyi bilinen eserlerinden biridir. Atlar ve sava\u015f\u00e7\u0131lar bir karma\u015fa halinde vah\u015fi bir m\u00fccadele i\u00e7indedir. Yumu\u015fak bir boyama tekni\u011fi kullanan da Vinci insan i\u00e7indeki vah\u015fili\u011fi ortaya \u00e7\u0131karm\u0131\u015ft\u0131r adeta. Fig\u00fcrlerin hareketli hali ve birbirlerine uyumu m\u00fckemmeldir. Tabloda \u00f6ne \u00e7\u0131kan en \u00f6nemli \u00f6zellik kompleks hareket simetrisinin […]<\/p>\n","protected":false},"author":1,"featured_media":4575,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[248],"tags":[],"class_list":["post-4389","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-unlu-klasik-tablolar"],"yoast_head":"\nLeonardo da Vinci'nin Anghiari Sava\u015f\u0131 Tablosu - Arthipo<\/title>\n<meta name=\"description\" content=\"Leonardo da Vinci Anghiari Sava\u015f\u0131, Milan ve Lombardiya g\u00fc\u00e7leri ile Floransa Cumhuriyeti liderli\u011findeki \u0130talyan g\u00fc\u00e7leri aras\u0131nda ger\u00e7ekle\u015fti.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arthipo.com\/artblog\/unlu-klasik-tablolar\/leonardo-da-vinci-anghiari-savasi-tablosu.html\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Leonardo da Vinci'nin Anghiari Sava\u015f\u0131 Tablosu - 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