{"id":26589,"date":"2023-04-09T14:36:41","date_gmt":"2023-04-09T11:36:41","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=26589"},"modified":"2023-04-09T14:36:48","modified_gmt":"2023-04-09T11:36:48","slug":"ermitaj-muzesi","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/ermitaj-muzesi.html","title":{"rendered":"\u200bErmitaj M\u00fczesi"},"content":{"rendered":"

Ermitaj M\u00fczesi, Rusya\u2019n\u0131n Sankt-Peterburg \u015fehrinde yer alan bir sanat ve k\u00fclt\u00fcr m\u00fczesidir. D\u00fcnyan\u0131n en b\u00fcy\u00fck ve eski m\u00fczelerinden olan Ermitaj M\u00fczesi, 1764 y\u0131l\u0131nda \u00c7ari\u00e7e II. Katerina taraf\u0131ndan kurulmu\u015f, 1852 y\u0131l\u0131nda kamunun hizmetine a\u00e7\u0131lm\u0131\u015ft\u0131r.<\/p>\n

\u200bErmitaj M\u00fczesi Tarihi, Mimari Yap\u0131s\u0131, Eserleri<\/h2>\n

1764 y\u0131l\u0131nda B\u00fcy\u00fck Catherine taraf\u0131ndan bir mahkeme m\u00fczesi olarak kuruldu. K\u0131\u015fl\u0131k Saray’a biti\u015fikti ve imparatori\u00e7e taraf\u0131ndan toplanan sanat i\u00e7in \u00f6zel bir galeri olarak hizmet etti. I. Nicholas d\u00f6neminde Ermitaj yeniden in\u015fa edildi (1840\u201352) ve 1852’de halka a\u00e7\u0131ld\u0131. 1917 Ekim Devrimi’nin ard\u0131ndan imparatorluk koleksiyonlar\u0131 kamu mal\u0131 oldu ve m\u00fcze 1920’lerde sanat eserlerinin \u00f6zel kurumlardan talep edilmesiyle geni\u015fletildi. koleksiyonlar. 1930-34’de, h\u0131zl\u0131 sanayile\u015fme bask\u0131s\u0131 s\u0131ras\u0131nda, baz\u0131 \u015faheserler Sovyet h\u00fck\u00fcmeti taraf\u0131ndan Bat\u0131’dan end\u00fcstriyel makine al\u0131mlar\u0131 sa\u011flamak i\u00e7in sat\u0131ld\u0131. M\u00fczenin 19. y\u00fczy\u0131l\u0131n sonlar\u0131ndan 20. y\u00fczy\u0131l\u0131n ba\u015flar\u0131na kadar olan Avrupa sanat\u0131 koleksiyonu, II. D\u00fcnya Sava\u015f\u0131’n\u0131n hemen sonras\u0131nda \u00f6nemli \u00f6l\u00e7\u00fcde geni\u015fletildi. M\u00fcze \u015fimdi K\u0131\u015fl\u0131k Saray (1754\u201362) ve K\u00fc\u00e7\u00fck, Eski ve Yeni Ermitaj Yerleri dahil olmak \u00fczere birbirine ba\u011fl\u0131 be\u015f binada bulunuyor.
\nErmitaj koleksiyonlar\u0131, Ta\u015f Devri’nden g\u00fcn\u00fcm\u00fcze kadar uzanan yakla\u015f\u0131k \u00fc\u00e7 milyon e\u015fya i\u00e7ermektedir. Bunlar\u0131n aras\u0131nda, R\u00f6nesans \u0130talyan ve Barok Hollandal\u0131, Flaman ve Frans\u0131z ressamlar\u0131n bir\u00e7ok ba\u015fyap\u0131t\u0131 da dahil olmak \u00fczere, Orta \u00c7a\u011f’dan bu yana d\u00fcnyan\u0131n en zengin Bat\u0131 Avrupa resim koleksiyonlar\u0131ndan biri bulunmaktad\u0131r. Rus sanat\u0131 iyi temsil edilir. Ermitaj ayr\u0131ca Asya sanat\u0131n\u0131n geni\u015f koleksiyonlar\u0131na sahiptir; \u00f6zellikle kayda de\u011fer olan, Orta Asya sanat\u0131 koleksiyonudur.<\/p>\n

\u200bErmitaj M\u00fczesi Mimari Yap\u0131s\u0131, \u0130\u00e7 Mekanlar\u0131<\/h2>\n

Kompleks, Menshikov Saray\u0131 Binas\u0131, Genelkurmay Binas\u0131, B\u00fcy\u00fck (Eski) Ermitaj, Ermitaj Tiyatrosu, Yeni Ermitaj, K\u00fc\u00e7\u00fck Ermitaj ve K\u0131\u015f Saray\u0131 binalar\u0131ndan olu\u015fmaktad\u0131r.
\nMenshikov Saray\u0131
\nVasilyevsky Adas\u0131’ndaki Menshikov Saray\u0131, Saint Petersburg’daki ilk binalardan biriydi. \u0130n\u015faat 1710’da ba\u015flad\u0131 ve \u00e7ok a\u015famal\u0131 bir in\u015faat s\u00fcreci nedeniyle 1727’de tamamland\u0131. Francesco Fontana, Johann Gottfried Sch\u00e4del, Domenico Trezzini, Carlo Bartolomeo Rastrelli, Georg Johann Mattarnovi ve Jean-Baptiste Leblond dahil olmak \u00fczere bir\u00e7ok Bat\u0131 Avrupal\u0131 \u200b\u200bmimar ve usta projede yer ald\u0131.
\nSaray, karakteristik simetrisi ve boyutlar\u0131n sadeli\u011fi, y\u00fcksek \u00fc\u00e7gen \u00e7at\u0131lar\u0131, iki tonlu cepheleri ve k\u00fc\u00e7\u00fck cam pencereleri ile Petrine Barok mimarisinin se\u00e7kin bir \u00f6rne\u011fidir. D\u0131\u015f duvarlar s\u00fctunlarla s\u00fcslenmi\u015ftir ve merkez binan\u0131n risalitlerinin tepesinde muazzam muhte\u015fem ta\u00e7lara sahip kalkanlar vard\u0131r. B\u00fcy\u00fck giri\u015f, \u00fczerinde bir balkon bulunan bir revakla vurgulanan ta\u015f bir portal \u015feklini al\u0131r.
\nOdalar mermer, dekoratif tablolar ve pervazlar, heykeller, oyma ve i\u015flemeli ah\u015fap, Hollanda kobalt karolar\u0131 ve Rus s\u0131rl\u0131 karolar, boyal\u0131 ve kabartmal\u0131 deri ve pahal\u0131 perdelik kuma\u015flar ve duvar hal\u0131lar\u0131 kullan\u0131larak dekore edilmi\u015ftir. Saint Petersburg’un ilk valisi olan A. D. Menshikov, resim, heykel, uygulamal\u0131 sanat, kitap ve n\u00fcmizmatik eserlerden olu\u015fan koleksiyonlar\u0131n\u0131 b\u00fcy\u00fck saray\u0131na yerle\u015ftirdi.
\nMenshikov Saray\u0131’n\u0131n orijinal Petrine i\u00e7 mekan\u0131, “18. Y\u00fczy\u0131l\u0131n \u0130lk \u00dc\u00e7te Birinde Rus K\u00fclt\u00fcr\u00fc” sergisinde Devlet Hermitage koleksiyonundan dekoratif ve uygulamal\u0131 sanat eserleri kullan\u0131larak yeniden olu\u015fturulmu\u015ftur.<\/p>\n

Dvortsovaya Meydan\u0131. Genelkurmay Binas\u0131 G\u00f6r\u00fcn\u00fcm\u00fc<\/p>\n

Saint Petersburg’daki en \u00fcnl\u00fc mimari an\u0131tlardan biri olan Genelkurmay Binas\u0131, mimar KI Rossi taraf\u0131ndan tasarland\u0131 ve 1820 ile 1830 y\u0131llar\u0131 aras\u0131nda in\u015fa edildi. Proje, mimar\u0131n iki ayr\u0131 binay\u0131 bir zafer tak\u0131, bir an\u0131t ile birle\u015ftirme fikri etraf\u0131nda d\u00f6n\u00fcyordu. Rusya’n\u0131n 1812 sava\u015f\u0131ndaki zaferine. Bu g\u00f6rkemli kemer, Rusya’n\u0131n g\u00f6rkeminin ve askeri zaferinin bir simgesidir; K\u0131\u015fl\u0131k Saray’\u0131n orta k\u0131sm\u0131 ile simetrik bir balta olu\u015fturur.
\nGenelkurmay Binas\u0131’n\u0131n g\u00f6r\u00fcn\u00fcm\u00fc belirli bir kat\u0131l\u0131k ve \u00f6zl\u00fcl\u00fc\u011fe sahiptir. Alt kat rustik bir bodrum olarak yorumlan\u0131rken, \u00fcst iki kat\u0131n duvarlar\u0131 d\u00fczg\u00fcnd\u00fcr. \u00dc\u00e7\u00fcnc\u00fc kat\u0131n (Ge\u00e7it kat\u0131) pencerelerini m\u00fctevaz\u0131 korni\u015fler ve ar\u015fitravlar \u00e7evreler. P\u00fcr\u00fczs\u00fcz duvarlar, y\u00fckseltilmi\u015f frizi a\u00e7\u0131k\u00e7a vurgular ve \u00fc\u00e7 Korint revaklar\u0131, binan\u0131n 580 metrelik uzunlu\u011funu b\u00f6ler.
\nGenelkurmay Binas\u0131n\u0131n do\u011fu kanad\u0131 aslen Maliye Bakanl\u0131\u011f\u0131, D\u0131\u015fi\u015fleri Bakanl\u0131\u011f\u0131 ve Rus \u0130mparatorlu\u011fu’nun di\u011fer baz\u0131 bakanl\u0131klar\u0131n\u0131 bar\u0131nd\u0131r\u0131yordu. 1917’den itibaren, D\u0131\u015f \u0130li\u015fkiler Halk Komiserli\u011fi dahil olmak \u00fczere farkl\u0131 kurum ve kurulu\u015flar binay\u0131 i\u015fgal etti; Genelkurmay bat\u0131 kanad\u0131nda bulunuyordu, ancak g\u00fcn\u00fcm\u00fczde Bat\u0131 Askeri B\u00f6lgesi’nin karargah\u0131.
\nGenelkurmay Binas\u0131’n\u0131n yeniden in\u015fas\u0131na 2008 y\u0131l\u0131nda ba\u015flanm\u0131\u015f ve 2014 y\u0131l\u0131nda sona ermi\u015ftir. Be\u015f b\u00fcy\u00fck atriyum cam \u00e7at\u0131larla kapat\u0131lm\u0131\u015f, b\u00f6ylece Yeni B\u00fcy\u00fck Enfilade ortaya \u00e7\u0131km\u0131\u015ft\u0131r. Restorasyonun ard\u0131ndan, binada Rus ve Avrupa dekoratif sanat koleksiyonlar\u0131, 19. ve 20. y\u00fczy\u0131la ait tablolar ve heykeller (Empresyonist ve Postempresyonist tablolar, Matisse ve Picasso dahil) ile \u00e7a\u011fda\u015f sanat eserleri sergilendi. Sergi, Rus \u0130mparatorlu\u011fu D\u0131\u015fi\u015fleri Bakanl\u0131\u011f\u0131’n\u0131n yenilenmi\u015f tarihi i\u00e7 mekanlar\u0131n\u0131 ve \u015eans\u00f6lye Kont Karl Nesselrode’un ki\u015fisel dairelerini i\u00e7eriyor.<\/p>\n

B\u00fcy\u00fck Ermitaj Cephesi. Dvortsovaya setinden g\u00f6r\u00fcn\u00fcm<\/p>\n

1771-1787’de \u0130mparatori\u00e7e Catherine II’nin emriyle Neva Nehri setinde K\u00fc\u00e7\u00fck Ermitaj\u2019\u0131n yan\u0131nda yeni bir bina in\u015fa edildi. K\u00fc\u00e7\u00fck Ermitaj’dan daha b\u00fcy\u00fck oldu\u011fu i\u00e7in B\u00fcy\u00fck Ermitaj olarak adland\u0131r\u0131ld\u0131 ve saray koleksiyonlar\u0131n\u0131 ve k\u00fct\u00fcphaneyi bar\u0131nd\u0131rmas\u0131 gerekiyordu. Mimar Yuri Velten, yeni binay\u0131 mevcut saray kompleksine s\u0131\u011fd\u0131rmay\u0131 ba\u015fard\u0131. B\u00fcy\u00fck Hermitage\u2019\u0131n sadeli\u011fi ve sadeli\u011fi, 18. y\u00fczy\u0131l Klasisizminin kanunlar\u0131n\u0131 takip etti. Yap\u0131da s\u00fctun, pilastr gibi d\u00fczeni g\u00f6steren unsurlar bulunmamakla birlikte yap\u0131s\u0131 tamamen klasik d\u00fczenin oranlar\u0131yla belirlenmektedir. Binan\u0131n masif ve rustik olan alt k\u0131sm\u0131, daha hafif olan \u00fcst k\u0131s\u0131m ile dengelenmi\u015ftir. Cephenin dekoratif \u015femas\u0131, yatay b\u00f6lmelerin ve dikey pencere a\u00e7\u0131kl\u0131klar\u0131n\u0131n ritmik kombinasyonuna dayanmaktad\u0131r.
\n1792’de Giacomo Quarenghi, Vatikan, Roma’daki orijinal fresklerin 18. y\u00fczy\u0131ldan kalma kopyalar\u0131 olan Raphael Loggias’\u0131 bar\u0131nd\u0131rmak i\u00e7in B\u00fcy\u00fck Ermitaj\u2019a bir uzant\u0131 in\u015fa etti.
\nB\u00fcy\u00fck Ermitaj\u2019da sergilenen \u0130talyan R\u00f6nesans sanat\u0131d\u0131r.<\/p>\n

Ermitaj Tiyatrosu. Dvortsovaya setinden g\u00f6r\u00fcn\u00fcm<\/p>\n

1783’de mimar Giacomo Quarenghi, \u0130mparatori\u00e7e II. Catherine taraf\u0131ndan Ermitaj Tiyatrosu’nu in\u015fa etmesi i\u00e7in g\u00f6revlendirildi; in\u015faat 1787’de tamamland\u0131. Binan\u0131n dengeli harmonik yap\u0131s\u0131, onu 18. y\u00fczy\u0131l sonu Rus Neoklasizminin se\u00e7kin bir \u00f6rne\u011fi yap\u0131yor. Zemin kat\u0131n rustik pencereleri, Quarenghi’nin en sevdi\u011fi dekoratif unsurlardan biri olan aslan maskeli anahtar ta\u015flarla dekore edilmi\u015ftir. Cephenin ikinci kat\u0131n\u0131n revaklar\u0131, eksedralara yerle\u015ftirilmi\u015f antik Yunan oyun yazarlar\u0131 ve \u015fairlerin heykelleri ile risalitler ile \u00e7evrilidir.
\nOditoryum, alt\u0131 s\u0131ra s\u0131ral\u0131 bir amfi tiyatro olarak yorumlanm\u0131\u015ft\u0131r. Duvarlar\u0131 suni mermer ve s\u00fctun ba\u015fl\u0131klar\u0131 ile tiyatro maskeleri ile s\u00fcslenmi\u015ftir. Eksedralarda Apollon ve ilham perilerinin heykellerinin \u00fczerine \u00fcnl\u00fc oyun yazarlar\u0131n\u0131n profillerini ta\u015f\u0131yan madalyonlar yerle\u015ftirilmi\u015ftir. Sahne, arkas\u0131nda birka\u00e7 s\u0131ra s\u0131ra ve iki yan kutu bulunan bir korkuluk ile salondan ayr\u0131lm\u0131\u015ft\u0131r.
\n18. y\u00fczy\u0131ldan beri tiyatro g\u00f6sterileri geleneksel hale geldi ve bir\u00e7ok kutlaman\u0131n par\u00e7as\u0131 oldu. G\u00fcn\u00fcm\u00fczde tiyatroda g\u00f6steriler yap\u0131lmakta ve fuayesinde sergiler d\u00fczenlenmektedir.<\/p>\n

Yeni Ermitaj’\u0131n Cephesi. Millionnaya Caddesi’nden g\u00f6r\u00fcn\u00fcm<\/p>\n

Yeni Ermitaj, Rusya’da m\u00fcze koleksiyonlar\u0131n\u0131 bar\u0131nd\u0131rmak i\u00e7in \u00f6zel olarak in\u015fa edilen ilk binayd\u0131. \u0130mparator Nicholas I, \u00e7al\u0131\u015fmalar\u0131 b\u00fcy\u00fck \u00f6l\u00e7\u00fcde Avrupa’daki m\u00fcze mimarisinin imaj\u0131n\u0131 olu\u015fturan Alman mimar Leo von Klenze’yi Rusya’ya gelip \u0130mparatorluk Ermitaj\u2019\u0131 in\u015fa etmeye davet ettim. Klenze’nin projesini y\u00fcr\u00fctmekle g\u00f6revlendirilen mimarlar Nikolay Yefimov ve Vasily Stasov, yeni yap\u0131y\u0131 mevcut mimari \u00e7evreye uydurmak i\u00e7in baz\u0131 \u00f6nemli de\u011fi\u015fiklikler yapt\u0131lar.
\n1842-1851’de Tarihselcilik tarz\u0131nda in\u015fa edilen Yeni Ermitaj\u2019\u0131n karakteristik \u00f6zellikleri, yap\u0131n\u0131n sadeli\u011fi ve an\u0131tsall\u0131\u011f\u0131 ile mimari hacimlerin dengesidir. M\u00fczeye giri\u015f, Alexander Terebenev’in at\u00f6lyesinde gri granitten kesilmi\u015f Atlantes fig\u00fcrlerinin destekledi\u011fi muhte\u015fem bir revak ile vurgulanm\u0131\u015ft\u0131r. Bina ayr\u0131ca ge\u00e7mi\u015fin \u00fcnl\u00fc sanat\u00e7\u0131lar\u0131n\u0131, mimarlar\u0131n\u0131 ve heykelt\u0131ra\u015flar\u0131n\u0131 betimleyen heykeller ve kabartmalarla dekore edilmi\u015ftir. Bina cephelerinin masif y\u00fczeylerine klasik, R\u00f6nesans ve Barok s\u00fcslemeler hayat veriyor.
\nM\u00fczenin odalar\u0131, burada sergilenecek koleksiyonlara uygun olarak tasarlanm\u0131\u015f; \u00d6rne\u011fin, \u00fcst \u0131\u015f\u0131kla donat\u0131lm\u0131\u015f birinci kattaki Skylight Salonlar\u0131 Resim Galerisi’ni bar\u0131nd\u0131r\u0131rken, zemin kattaki Klasik mimari tarz\u0131nda dekore edilmi\u015f odalar, eski eser ve heykel koleksiyonlar\u0131n\u0131 ve \u00e7e\u015fitli k\u00fct\u00fcphaneleri bar\u0131nd\u0131r\u0131yordu. Rusya’daki ilk sanat m\u00fczesinin t\u00f6ren a\u00e7\u0131l\u0131\u015f\u0131 5 \u015eubat 1852’de ger\u00e7ekle\u015fti. G\u00fcn\u00fcm\u00fczde tarihi olarak korunmu\u015f odalarda antik sanat koleksiyonlar\u0131n\u0131n yan\u0131 s\u0131ra Avrupa tablolar\u0131, heykelleri ve dekoratif sanatlar da var.<\/p>\n

K\u0131\u015f Saray\u0131. Dvortsovaya Meydan\u0131’ndan g\u00f6r\u00fcn\u00fcm<\/p>\n

Zarif, an\u0131tsal saray, 18. y\u00fczy\u0131l ortalar\u0131nda Rus sanat\u0131n\u0131n Barok tarz\u0131n\u0131n \u00e7arp\u0131c\u0131 bir an\u0131t\u0131d\u0131r. Saray, mimari ve dekoratif plastik sanat\u0131n sentezinin parlak bir \u00f6rne\u011fidir. T\u00fcm cepheler iki katmanl\u0131 bir revak ile s\u00fcslenmi\u015ftir. Dikeylerin karma\u015f\u0131k bir ritmini olu\u015fturan s\u00fctunlar yukar\u0131 do\u011fru y\u00fckseliyor ve bu hareket \u00e7at\u0131daki say\u0131s\u0131z heykel ve vazoyu kucakl\u0131yor. Kal\u0131planm\u0131\u015f dekorasyonun bollu\u011fu – hayali korni\u015fler ve pencere ar\u015fitravlar\u0131, maskaronlar, kartu\u015flar, rokailler ve \u00e7e\u015fitli al\u0131nl\u0131klar – binan\u0131n g\u00f6r\u00fcn\u00fcm\u00fcne ihti\u015fam kazand\u0131ran son derece zengin bir \u0131\u015f\u0131k ve g\u00f6lge oyunu olu\u015fturur.
\nAyn\u0131 mimari motif \u00fczerinde geli\u015fen Rastrelli, saray\u0131n d\u00f6rt cephesinin her birine farkl\u0131 bir yap\u0131sal ritim kazand\u0131rd\u0131. Meydana bakan g\u00fcney cephesi resmi bir ihti\u015fama sahiptir. Burada mimar, avluya b\u00fcy\u00fck bir giri\u015f olu\u015fturmak i\u00e7in binay\u0131 \u00fc\u00e7 kemerle deldi ve \u00e7ift s\u00fctunlar\u0131n dikey unsurlar\u0131yla vurgulad\u0131. Sonsuz bir s\u00fctun dizisi izlenimi veren g\u00f6rkemli kuzey cephesi, Neva’n\u0131n geni\u015f geni\u015fli\u011fine bakmaktad\u0131r. Admiralty’nin kar\u015f\u0131s\u0131ndaki bat\u0131 cephesi, k\u00fc\u00e7\u00fck bir avluya sahip bir k\u0131rsal saray kompozisyonunu and\u0131r\u0131yor. An\u0131tsal do\u011fu cephesi, masif yan bloklar\u0131 ile b\u00fcy\u00fck bir cumhurba\u015fkanl\u0131\u011f\u0131 makam\u0131 olu\u015fturuyor ve soylular\u0131n konaklar\u0131n\u0131n bulundu\u011fu Millionnaya Caddesi’ne \u00e7evriliyor.
\n150 y\u0131l boyunca saray, imparatorluk ikametgah\u0131 olarak hizmet etti. Kas\u0131m 1917’de Ekim Devrimi’nden sonra m\u00fcze ilan edildi.<\/p>\n

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Ermitaj M\u00fczesi \u0130\u00e7 Mekan<\/p><\/div>\n

\u200bErmitaj M\u00fczesi \u00d6nemli Eserleri<\/h2>\n

Antik \u00e7a\u011f, Do\u011fu Avrupa ve Sibirya Arkeolojik Eserleri, \u0130mparatorluk Porselen Fabrikas\u0131 M\u00fczesi Koleksiyonu, Hazine Galerisi Koleksiyonlar\u0131, Arsenal Koleksiyonu, Rus Sanat\u0131 ve K\u00fclt\u00fcr\u00fc, oryantal sanat, N\u00fcmismatik<\/a>, Ermitaj’da Mezopotamya Yaz\u0131l\u0131 Kay\u0131tlar, koleksiyonlar\u0131 sergilenmekte.
\nM\u00fczenin \u00f6nemli eserlerinden baz\u0131lar\u0131 \u015funlard\u0131r; Leonardo da Vinci<\/a> – Meryem ve \u00c7ocuk \u0130sa<\/a>, Antonio Canova – \u00dc\u00e7 G\u00fczeller, Camille Pissarro<\/a> – Bir K\u0131\u015f Sabah\u0131 Montmartre Bulvar\u0131<\/a>, Rembrandt<\/a> – Savurgan O\u011ful’un D\u00f6n\u00fc\u015f\u00fc<\/a>, Vincent Van Gogh<\/a> – Spectators in the Arena at Arles<\/a>, Rembrandt<\/a> \u2013 Flora<\/a>, Edgar Degas<\/a> – Place de la Concorde, Leonardo da Vinci<\/a> – Benois Madonna<\/a>, Vincent Van Gogh<\/a> – Gece Beyaz Ev<\/a>, Giorgione – Judith<\/p>\n

\u200bErmitaj M\u00fczesi Nerededir, Nas\u0131l Gidilir, Yol Tarifi, Ziyaret Saatleri, Giri\u015f \u00dccreti<\/h2>\n

Adres: The State Hermitage Museum Russia, 190000, St Petersburg, Dvortsovaya Naberezhnaya 34
\nM\u00fcze, sal\u0131, per\u015fembe ve pazar g\u00fcnleri 11:00 \u2013 18:00
\n\u00e7ar\u015famba, cuma ve cumartesi 11:00 \u2013 20:00 saatleri aras\u0131 a\u00e7\u0131kt\u0131r. Pazartesi g\u00fcnleri kapal\u0131d\u0131r.
\nMetro ile Admiralteyskaya, Nevsky Prospekt, Gostiny Dvor istasyonlar\u0131
\nOtob\u00fcs ile 7, 10, 24, 191 no\u2019lu hatlar kullan\u0131labilir.
\nGiri\u015f web sitesi \u00fczerinden al\u0131nmak zorundad\u0131r.
\nElektronik giri\u015f bileti 500 RUBLE
\nSovyetler Birli\u011fi Kahramanlar\u0131, Rusya Federasyonu Kahramanlar\u0131, Onur Ni\u015fan\u0131’n\u0131n Tam \u00dcyeleri, B\u00fcy\u00fck Vatanseverlik Sava\u015f\u0131 Gazileri*, ICOM \u00fcyeleri*, Saint Petersburg m\u00fczelerinin personeli*, 7 ya\u015f\u0131ndan k\u00fc\u00e7\u00fck \u00e7ocuklar i\u00e7in \u00fccretsizdir.
\nAy\u0131n \u00fc\u00e7\u00fcnc\u00fc Per\u015fembe g\u00fcn\u00fc; 18 ya\u015f\u0131ndan k\u00fc\u00e7\u00fckler, \u00f6\u011frenciler ve askeri \u00f6\u011frenciler, 18 ya\u015f\u0131ndan k\u00fc\u00e7\u00fck \u00fc\u00e7 veya daha fazla \u00e7ocu\u011fu olan aileler i\u00e7in \u00fccretsizdir.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ermitaj M\u00fczesi, Rusya\u2019n\u0131n Sankt-Peterburg \u015fehrinde yer alan bir sanat ve k\u00fclt\u00fcr m\u00fczesidir. D\u00fcnyan\u0131n en b\u00fcy\u00fck ve eski m\u00fczelerinden olan Ermitaj M\u00fczesi, 1764 y\u0131l\u0131nda \u00c7ari\u00e7e II. Katerina taraf\u0131ndan kurulmu\u015f, 1852 y\u0131l\u0131nda kamunun hizmetine a\u00e7\u0131lm\u0131\u015ft\u0131r. \u200bErmitaj M\u00fczesi Tarihi, Mimari Yap\u0131s\u0131, Eserleri 1764 y\u0131l\u0131nda B\u00fcy\u00fck Catherine taraf\u0131ndan bir mahkeme m\u00fczesi olarak kuruldu. K\u0131\u015fl\u0131k Saray’a biti\u015fikti ve imparatori\u00e7e taraf\u0131ndan […]<\/p>\n","protected":false},"author":23,"featured_media":27010,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[124],"tags":[],"class_list":["post-26589","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-tarihi"],"yoast_head":"\n\u200bErmitaj M\u00fczesi - Arthipo<\/title>\n<meta name=\"description\" content=\"Ermitaj M\u00fczesi Tarihi Mimari Yap\u0131s\u0131 Eserleri \u0130\u00e7 Mekanlar\u0131 Nas\u0131l Gidilir Yol Tarifi Ziyaret Saatleri Giri\u015f \u00dccreti\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/ermitaj-muzesi.html\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u200bErmitaj M\u00fczesi - 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