{"id":13308,"date":"2021-09-19T02:39:36","date_gmt":"2021-09-18T23:39:36","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=13308"},"modified":"2021-09-19T02:39:13","modified_gmt":"2021-09-18T23:39:13","slug":"ispanyol-sanat-tarihi","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/ispanyol-sanat-tarihi.html","title":{"rendered":"\u0130spanyol Sanat Tarihi"},"content":{"rendered":"

\u0130spanyol Sanat Tarihi<\/h2>\n

\u0130spanyol sanat tarihi ressamlardan, mimarlara, heykelt\u0131ra\u015flara y\u00fczy\u0131llar boyunca bir\u00e7ok \u00fcnl\u00fc sanat\u00e7\u0131y\u0131 kapsar. \u0130spanyol sanat\u0131, \u0130spanya’da ve yurt d\u0131\u015f\u0131nda \u0130spanyolca e\u011fitimi alanlar taraf\u0131ndan \u0130spanyol k\u00fclt\u00fcr\u00fc ve tarihinin \u00f6nemli bir par\u00e7as\u0131 olarak uluslararas\u0131 alanda tan\u0131nmaktad\u0131r. \u0130spanya, co\u011frafi ve tarihi konumu nedeniyle y\u00fczy\u0131llar boyunca pek \u00e7ok farkl\u0131 sanatsal etkinin al\u0131c\u0131s\u0131 olmu\u015ftur.<\/p>\n

Yedi as\u0131rl\u0131k Ma\u011fribi egemenli\u011fi, \u0130spanyol halk\u0131na damgas\u0131n\u0131 vurmu\u015ftur. Bu, en \u00fcnl\u00fc \u0130spanyol mimarlar\u0131n baz\u0131lar\u0131n\u0131n \u00fcretti\u011fi binalarda a\u00e7\u0131k\u00e7a g\u00f6r\u00fclebilir. Katalan \u0130spanyol mimar Lluisi Domenech, kreasyonlar\u0131n\u0131 s\u00fcslemek i\u00e7in genellikle Ma\u011fribi s\u00fcslemelerini kulland\u0131. Avrupa k\u0131tas\u0131n\u0131n bir par\u00e7as\u0131 olmak ayn\u0131 zamanda \u0130spanya’n\u0131n bir\u00e7ok Avrupa k\u00fclt\u00fcr ve sanat\u0131na tabi oldu\u011fu anlam\u0131na geliyordu. \u00c7ok say\u0131da \u0130spanyol ressam, Fransa’da ve \u00f6zellikle sanat sahnesinin patlad\u0131\u011f\u0131 Paris’te zaman ge\u00e7irdi. Sanat hakk\u0131nda bilgi edinmek istiyorsan\u0131z gidilecek yer Paris’ti. Pablo Picasso, zaman\u0131n\u0131n \u00e7o\u011funu, \u0130spanyol heykelt\u0131ra\u015f Pablo Gargallo ile tan\u0131\u015ft\u0131\u011f\u0131 Paris’te ge\u00e7irdi. \u0130spanya ayr\u0131ca \u0130talya’n\u0131n heykelt\u0131ra\u015flar\u0131na ve ba\u015fkenti Roma’ya \u00e7ok te\u015fekk\u00fcr bor\u00e7ludur. Onlar olmasayd\u0131, en \u00fcnl\u00fc \u0130spanyol heykelt\u0131ra\u015flar\u0131ndan biri heykel yapmaya asla devam edemezdi. Mariano Benlliure, yaln\u0131zca Michelangelo’nun Roma’daki heykellerini g\u00f6rd\u00fckten sonra heykele konsantre olaca\u011f\u0131na ikna olmu\u015ftu.<\/p>\n

Tarih \u00d6ncesi \u0130spanyol Resmi<\/h3>\n

Hem Fransa hem de \u0130spanya, tarih \u00f6ncesi ma\u011fara resimleri<\/a> i\u00e7in son derece zengin alanlard\u0131r. \u0130spanya’da, bu resimlerin \u00e7o\u011fu \u00fclkenin kuzeyindeki Cantabrian b\u00f6lgesinde bulunma e\u011filimindedir. Aurignacian d\u00f6nemine ait en eski resimlerden baz\u0131lar\u0131 burada bulundu. Tarih \u00f6ncesi ma\u011fara resimlerinin en \u00fcnl\u00fc ve en iyi \u00f6rneklerinden biri \u0130spanya, Cantabria’daki Altamira ma\u011faras\u0131nda bulunabilir. Oradaki resimler yakla\u015f\u0131k M\u00d6 12.000’den kalmad\u0131r.<\/p>\n

Hayvanlar, bu ilk halklar\u0131n sanat\u0131n\u0131n ana konusuydu. En s\u0131k boyanm\u0131\u015f hayvanlar bo\u011falar, atlar, geyikler, ke\u00e7iler, ay\u0131lar ve mamutlard\u0131r. Solutrean d\u00f6neminde hayvanlar \u00e7izilmeye ba\u015fland\u0131, ancak neredeyse her ma\u011farada hayvanlar\u0131n \u00e7izimleri ve resimlerinin bulundu\u011fu Magdalenian d\u00f6neminde \u00e7ok daha s\u0131k g\u00f6r\u00fclmeye ba\u015fland\u0131. Ancak insana ve insana benzeyen imgeler de ke\u015ffedildi. G\u00f6r\u00fcnt\u00fcler siyah ve koyu sar\u0131 boyalarla boyanma e\u011filimindeydi.<\/p>\n

Di\u011fer \u00f6nemli tarih \u00f6ncesi \u0130spanyol resimleri, Castell\u00f3n’daki Cingle de la Mola’da g\u00f6r\u00fclebilenleri i\u00e7erir . Bu resimler, sanat\u00e7\u0131n\u0131n kayadaki renk pigmentlerini \u00fcflemesini veya t\u00fck\u00fcrmesini i\u00e7eren bir teknik kullan\u0131larak boyanm\u0131\u015ft\u0131r. Bu resimler, fig\u00fcrlerin \u00fcst \u00fcste binmesi nedeniyle olduk\u00e7a stilize edilmi\u015f gibi g\u00f6r\u00fcnmektedir, ancak bunlar 3 boyutlu bir g\u00f6r\u00fcn\u00fcm\u00fc temsil etmemektedir. Cingle de la Mola’daki resimler M\u00d6 7000 ila 4000 y\u0131llar\u0131 aras\u0131nda tarihlendirilmi\u015ftir.<\/p>\n

Romanesk, \u0130spanyol Sanat Tarihi<\/h3>\n

Romanesk d\u00f6nemde, ana resim t\u00fcr\u00fc el yazmas\u0131 tezhipti. El yazmas\u0131 ayd\u0131nlatmas\u0131, bir sayfadaki belirli harfleri ayr\u0131nt\u0131l\u0131 bir \u015fekilde boyayarak vurgulamaktan ibarettir. Bu t\u00fcr resimler en \u00e7ok \u0130ncil’in elle yaz\u0131lm\u0131\u015f bask\u0131lar\u0131nda yayg\u0131nd\u0131. Yine bu d\u00f6nemde mimari \u0130spanyol ressamlara pek \u00e7ok f\u0131rsat sa\u011flam\u0131\u015ft\u0131r. Kiliselerin tonozlar\u0131nda geni\u015f, \u00e7\u0131plak duvarlar boldu ve bu nedenle freskler ve duvar resimleri ortak bir yer olmaya ba\u015flad\u0131. Boyama bu t\u00fcr \u00e7al\u0131\u015fma i\u00e7in en iyi yer San Isidro Bazilikas\u0131 yer almaktad\u0131r Leon . Crypt, d\u00fcnyadaki 12. y\u00fczy\u0131ldan kalma en iyi korunmu\u015f Romanesk resimlerinden baz\u0131lar\u0131na sahiptir. Mahzenin tavan\u0131ndaki resimler \u0130ncil’in Yeni Ahitinden sahnelerin yan\u0131 s\u0131ra 12. Y\u00fczy\u0131l\u0131n k\u0131rsal ya\u015fam\u0131ndan baz\u0131 sahneleri tasvir ediyor. \u0130spanya’da g\u00f6rebilece\u011finiz di\u011fer benzer \u00f6rnekler aras\u0131nda San Baudelio de Berlanga ve Santa Cruz de Maderuelo<\/a>‘daki freskler yer al\u0131yor.<\/p>\n

\"Romanesk,

Romanesk, \u0130spanyol Sanat Tarihi<\/p><\/div>\n

Gotik<\/h3>\n

Gotik resim, MS 1200 civar\u0131nda ba\u015flayarak mimarideki emsal tarz\u0131ndan \u00e7ok daha ge\u00e7 ba\u015flad\u0131. Dahas\u0131, Romanesk geleneklerden kurtulmak zordu. Romanesk tarz\u0131 duvar resimleri kiliselerde Gotik d\u00f6nemde kullan\u0131lmaya devam etti. Bununla birlikte, Gotik resimlerdeki fig\u00fcrler daha fazla ifade ve harekete sahip olmaya ba\u015flad\u0131 ve ayn\u0131 zamanda resimlerin arka plan\u0131na g\u00f6re k\u00fc\u00e7\u00fcld\u00fc. Bununla birlikte, \u0131\u015f\u0131kl\u0131 el yazmalar\u0131, Gotik resmin en yayg\u0131n bulunan par\u00e7alar\u0131d\u0131r ve \u015fu anda Avrupa genelinde bulunabilen farkl\u0131 stillerin iyi bir kayd\u0131d\u0131r. Di\u011fer Gotik sanat eserleri aras\u0131nda panel resimleri, freskler ve vitraylar da vard\u0131. Gotik d\u00f6nemin en sonunda ve R\u00f6nesans d\u00f6neminin ba\u015flang\u0131c\u0131nda, 15. ve 16. y\u00fczy\u0131llarda tuval \u00fczerine ya\u011fl\u0131 boya ile boyama \u00e7ok daha pop\u00fcler hale geldi.<\/p>\n

\u0130spanyol Sanat\u0131, Kubizm<\/h3>\n

Pablo Picasso, bir\u00e7oklar\u0131 taraf\u0131ndan modern sanat tarz\u0131n\u0131n, K\u00fcbizmin Babas\u0131 olarak kabul edilen b\u00fcy\u00fck \u0130spanyol sanat\u00e7\u0131lardan biriydi. Picasso, Georges Braque ve Juan Gris gibi di\u011fer \u00f6nemli K\u00fcbist ressamlar\u0131n etkisiydi. Antoni Gaudi, kendi tarz\u0131nda devrimci olan ba\u015fka bir \u0130spanyol sanat\u00e7\u0131yd\u0131. Gaudi, 19. ve 20. y\u00fczy\u0131llarda Katalan Modernist hareketini ilerleterek, sonraki y\u00fczy\u0131l\u0131n di\u011fer bir\u00e7ok gen\u00e7 Katalan \u0130spanyol mimar\u0131n\u0131 etkiledi. Bir\u00e7ok ressam, sanat eserlerini \u0130spanyol tarihindeki belirli olaylara kar\u015f\u0131 bir protesto olarak kulland\u0131. Picasso, \u0130spanya \u0130\u00e7 Sava\u015f\u0131 s\u0131ras\u0131nda k\u00fc\u00e7\u00fck Guernica kasabas\u0131n\u0131n bombalanmas\u0131na kar\u015f\u0131 \u00f6fkesini ‘Guernica’y\u0131 boyayarak g\u00f6sterdi.<\/p>\n

\"\"

K\u00fcbizm Ak\u0131m\u0131n\u0131n \u00d6nde Gelen Ressam, Heykeltra\u015f ve Sanat\u00e7\u0131lar\u0131, Pablo Picasso, Cezayirli Kad\u0131nlar<\/p><\/div>\n

 <\/p>\n

R\u00f6nesans \u0130spanyol Resmi<\/h3>\n

R\u00f6nesans b\u00fcy\u00fck bir de\u011fi\u015fimin zaman\u0131 yan\u0131 s\u0131ra b\u00fcy\u00fck sanat ve resimler oldu. 14. y\u00fczy\u0131ldan 17. y\u00fczy\u0131la kadar yakla\u015f\u0131k \u00fc\u00e7 y\u00fczy\u0131l s\u00fcrd\u00fc. Sanatsal odak esas olarak \u0130talya \u00fczerinde olmas\u0131na ra\u011fmen, \u0130spanya da R\u00f6nesans<\/a> ressamlar\u0131ndan pay\u0131n\u0131 ald\u0131. R\u00f6nesans d\u00f6nemine ait resimler, bilim ve teknolojideki geli\u015fmeler gibi o d\u00f6nemde d\u00fcnyada meydana gelen yenili\u011fi yans\u0131t\u0131yor. \u015e\u00f6vale’nin geli\u015ftirilmesi, ressamlar\u0131n \u00e7al\u0131\u015facaklar\u0131 kendi ara\u00e7lar\u0131na sahip olduklar\u0131 ve bu nedenle art\u0131k boyayacaklar\u0131 alanlar i\u00e7in mimarlara ba\u011fl\u0131 kalmad\u0131klar\u0131 anlam\u0131na geliyordu. 15. ve 16. y\u00fczy\u0131llar, evin i\u00e7inde kolayl\u0131kla as\u0131l\u0131p hareket ettirilebilen daha portatif panel resimlerinin pop\u00fclaritesinin artt\u0131\u011f\u0131n\u0131 g\u00f6rd\u00fc. Y\u00fcksek R\u00f6nesans d\u00f6nemi, 1490 y\u0131l\u0131 civar\u0131nda, Maniyerizm olarak bilinen sanatsal hareketi de do\u011furdu . Bu tarz \u0130spanya’da \u00f6zellikle \u00f6nemli bir stil oldu\u011fundan, a\u015fa\u011f\u0131da kendi b\u00f6l\u00fcm\u00fc verilmi\u015ftir.<\/p>\n

Maniyerist<\/h3>\n

Maniyerizm, esas olarak \u0130talya’da ve \u00f6zellikle Roma’da, 1510 ve 1520 y\u0131llar\u0131 aras\u0131nda sanat\u00e7\u0131lar, heykelt\u0131ra\u015flar ve mimarlar taraf\u0131ndan geli\u015ftirilen bir tarzd\u0131. Maniyerizm, \u00f6zellikle entelekt\u00fcel bir sanat tarz\u0131yd\u0131 ve bu nedenle daha y\u00fcksek \u0130spanyol s\u0131n\u0131flar\u0131ndan insanlara hitap ediyordu. Bununla birlikte, Maniyerizm \u00f6nceki stillere g\u00f6re daha abart\u0131l\u0131yd\u0131, \u00e7\u00fcnk\u00fc Maniyerist resimler, \u00f6nceki R\u00f6nesans d\u00f6nemindeki resimler kadar do\u011fal de\u011fildi, bunun yerine yapay ve dengesiz olmay\u0131 ama\u00e7l\u0131yordu. \u0130talya’daki Sistine \u015eapeli’nin tavan\u0131n\u0131 boyayan Michelangelo da dahil olmak \u00fczere bir\u00e7ok \u00fcnl\u00fc Maniyerist sanat\u00e7\u0131 var. En \u00fcnl\u00fc \u0130spanyol Maniyerist ressam, asl\u0131nda Yunan olan El Greco’dur. El Greco, hayat\u0131n\u0131n \u00e7o\u011funu \u0130spanya’n\u0131n Toledo kentinde ya\u015fayarak ve \u00e7al\u0131\u015farak ge\u00e7irdi\u011fi i\u00e7in \u0130spanyol k\u00fclt\u00fcr\u00fcne kabul edilmi\u015ftir. Toledo ayn\u0131 zamanda ‘Orgaz Kontunun Mezar\u0131 (El entierro del Conde de Orgaz) ve ‘\u0130sa’n\u0131n Kesilmesi’ (El Espolio) gibi en iyi eserlerini \u00fcretti\u011fi yerdi.<\/p>\n

Barok, \u0130spanyol Sanat Tarihi \u0130\u00e7in Etkileri<\/h3>\n

Barok sanat da Roma, \u0130talya’da ortaya \u00e7\u0131kt\u0131 ve geli\u015fimi 1590’dan 1720’ye kadar iki y\u00fczy\u0131la yay\u0131ld\u0131. Barok tarz\u0131 resim, heykel ve mimaride mevcuttu. Barok sanat eserleri, geni\u015fleyen Katolik Kilisesi’nin varl\u0131klar\u0131n\u0131 geli\u015ftirmek i\u00e7in \u00e7o\u011funlukla Katolik h\u00fck\u00fcmdarlar taraf\u0131ndan g\u00f6revlendirildi. Bu nedenle Barok sanat, Kar\u015f\u0131 Reform hareketinin de \u00f6nemli bir par\u00e7as\u0131 haline geldi. Barok resim, \u00f6nceki R\u00f6nesans d\u00f6neminin rasyonel resimlerinden farkl\u0131 olarak, resmin izleyicilerinde bir t\u00fcr duygu uyand\u0131rmak i\u00e7in tasarland\u0131. En \u00fcnl\u00fc Barok ressam elbette Carvaggio’dur. Ancak Diego Velazquez \u015f\u00fcphesiz bu tarz\u0131n en iyi bilinen \u0130spanyol ressam\u0131d\u0131r. Diego Velazquez, \u0130spanyol Alt\u0131n \u00c7a\u011f\u0131 d\u00f6neminde aktif olan \u0130spanyol bir ressamd\u0131. Velazquez bir saray ressam\u0131yd\u0131 ve bu nedenle Madrid’deki \u0130spanyol Kraliyet Ailesi’nin bir\u00e7ok portresini yapt\u0131 ve en \u00fcnl\u00fcs\u00fc ilgin\u00e7 tablo olan ‘ Las Meninas ‘ idi.<\/p>\n

Romantizm \u0130spanyol Resim<\/h3>\n

Romantizm, 18. Y\u00fczy\u0131l\u0131n sonunda tam anlam\u0131yla geli\u015fmi\u015f bir sanat haline geldi. Romantik resimler, do\u011fa, kahramanl\u0131k, insanl\u0131k ve duygu unsurlar\u0131n\u0131 i\u00e7erir. Romantizm, resme bilimsel yakla\u015f\u0131mdan uzakla\u015farak daha etkileyici bir bi\u00e7ime do\u011fru bir hareketi i\u015faret ediyordu. Romantist resimler, ressam\u0131n resim ve renkleriyle \u00f6zg\u00fcrle\u015fmesini sa\u011flad\u0131. Romantik ressamlar da duygular\u0131n\u0131 kendi hayatlar\u0131na aktarmak i\u00e7in sanatlar\u0131n\u0131 kulland\u0131lar. Francisco Goya, \u0130spanyol Romantik ressamlar\u0131n ustas\u0131yd\u0131. Goya, karanl\u0131k, \u00e7arp\u0131k duygular\u0131n\u0131 aktaran birka\u00e7 resim, bask\u0131 ve grav\u00fcr serisi \u00fcretti. Goya’n\u0131n ‘Los desastres de la guerra’ (Sava\u015f\u0131n Felaketleri), 2 May\u0131s 1808’deki ya da Dos de Mayo ayaklanmas\u0131 s\u0131ras\u0131nda \u015fiddete kar\u015f\u0131 bir protesto olarak yap\u0131ld\u0131 . ‘Siyah Resimler’ (Las pinturas negras ) da Goya’n\u0131n karanl\u0131k i\u00e7sel duygular\u0131n\u0131n ve s\u0131k\u0131nt\u0131lar\u0131n\u0131n bir ifadesiydi. \u0130spanyol Sanat Tarihi<\/em>.<\/p>\n

\"\"

Romantizm \u0130spanyol Sanat Tarihi, El Tres de Mayo, Francisco de Goya<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

\u0130spanyol Sanat Tarihi \u0130spanyol sanat tarihi ressamlardan, mimarlara, heykelt\u0131ra\u015flara y\u00fczy\u0131llar boyunca bir\u00e7ok \u00fcnl\u00fc sanat\u00e7\u0131y\u0131 kapsar. \u0130spanyol sanat\u0131, \u0130spanya’da ve yurt d\u0131\u015f\u0131nda \u0130spanyolca e\u011fitimi alanlar taraf\u0131ndan \u0130spanyol k\u00fclt\u00fcr\u00fc ve tarihinin \u00f6nemli bir par\u00e7as\u0131 olarak uluslararas\u0131 alanda tan\u0131nmaktad\u0131r. \u0130spanya, co\u011frafi ve tarihi konumu nedeniyle y\u00fczy\u0131llar boyunca pek \u00e7ok farkl\u0131 sanatsal etkinin al\u0131c\u0131s\u0131 olmu\u015ftur. Yedi as\u0131rl\u0131k Ma\u011fribi egemenli\u011fi, […]<\/p>\n","protected":false},"author":1,"featured_media":13315,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[124],"tags":[],"class_list":["post-13308","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-tarihi"],"yoast_head":"\n\u0130spanyol Sanat Tarihi - Arthipo<\/title>\n<meta name=\"description\" content=\"\u0130spanyol Sanat Tarihi Tarih \u00d6ncesi \u0130spanyol Resmi Maniyerist Gotik Romantizm Kubizm heykel Romanesk R\u00f6nesans ispanya m\u00fcze galeri tablo mimari\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/ispanyol-sanat-tarihi.html\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0130spanyol Sanat Tarihi - 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