{"id":12927,"date":"2021-09-13T22:58:59","date_gmt":"2021-09-13T19:58:59","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=12927"},"modified":"2021-09-24T22:31:23","modified_gmt":"2021-09-24T19:31:23","slug":"antik-misir-sanati-ve-mimarisi","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/antik-misir-sanati-ve-mimarisi.html","title":{"rendered":"Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi"},"content":{"rendered":"

Antik M\u0131s\u0131r sanat\u0131 ve mimarisi d\u00fcnyada pop\u00fcler konulardan biridir. Bir \u00e7ok filme konu olmu\u015f eski M\u0131s\u0131r k\u00fclt\u00fcr\u00fc bir\u00e7ok insan\u0131n dikkati \u00e7ekmi\u015ftir.<\/p>\n

Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi<\/h2>\n

Eski Krall\u0131k d\u00f6neminde M\u0131s\u0131r Sanat\u0131, Eski M\u0131s\u0131r sanat\u0131, M\u00d6 3000 ile MS 100 y\u0131llar\u0131 aras\u0131nda yarat\u0131lan resim, heykel, mimari ve papir\u00fcs \u00fczerindeki \u00e7izimler gibi di\u011fer sanat t\u00fcrlerini i\u00e7erir. Bu sanat\u0131n \u00e7o\u011fu olduk\u00e7a stilize ve sembolikti. Hayatta kalan formlar\u0131n \u00e7o\u011fu mezarlardan ve an\u0131tlardan gelir ve bu nedenle \u00f6l\u00fcmden sonraki hayata ve bilginin korunmas\u0131na odaklan\u0131r. Sembolizm, firavunun k\u0131yafetlerinde veya belirli renklerin kullan\u0131m\u0131yla g\u00f6sterilen d\u00fczen anlam\u0131na geliyordu. M\u0131s\u0131r sanat\u0131nda, bir fig\u00fcr\u00fcn b\u00fcy\u00fckl\u00fc\u011f\u00fc onun g\u00f6receli \u00f6nemini g\u00f6sterir. Resimler genellikle ta\u015f \u00fczerine yap\u0131ld\u0131 ve mezarlarda \u00f6b\u00fcr d\u00fcnyaya ait ho\u015f sahneler tasvir edildi. Eski M\u0131s\u0131rl\u0131lar, bat\u0131k kabartma tekni\u011fini kullanarak hem an\u0131tsal hem de daha k\u00fc\u00e7\u00fck heykeller yaratt\u0131lar. Fayans, bir\u00e7ok renkte nispeten ucuz k\u00fc\u00e7\u00fck nesneler olu\u015fturmak i\u00e7in kullan\u0131lan y\u00fczey vitrifikasyonlu sinterlenmi\u015f kuvars seramikti.<\/p>\n

Cam ba\u015flang\u0131\u00e7ta l\u00fcks bir \u00fcr\u00fcnd\u00fc, ancak daha yayg\u0131n hale geldi ve mezarlara yerle\u015ftirilecek parf\u00fcm ve di\u011fer s\u0131v\u0131lar i\u00e7in k\u00fc\u00e7\u00fck kavanozlar yapmak i\u00e7in kullan\u0131ld\u0131. Vazo, muska ve tanr\u0131lar\u0131n ve hayvanlar\u0131n resimleri steatitten yap\u0131lm\u0131\u015ft\u0131r. \u00c7anak \u00e7\u00f6mlek bazen, \u00f6zellikle mavi renkte emaye ile kapland\u0131. Papir\u00fcs, yaz\u0131 ve resim yapmak i\u00e7in kullan\u0131ld\u0131 ve M\u0131s\u0131r ya\u015fam\u0131n\u0131n her y\u00f6n\u00fcn\u00fc kaydetmek i\u00e7in kullan\u0131ld\u0131. Mimarlar, binalar\u0131 g\u00fcnd\u00f6n\u00fcmleri ve ekinokslar gibi astronomik a\u00e7\u0131dan \u00f6nemli olaylarla hizalayarak dikkatlice planlad\u0131lar. \u00c7o\u011funlukla g\u00fcne\u015fte pi\u015fmi\u015f kerpi\u00e7, kire\u00e7ta\u015f\u0131, kumta\u015f\u0131 ve granit kulland\u0131lar. Amarna d\u00f6nemi (M\u00d6 1353-1336), eski M\u0131s\u0131r sanat tarz\u0131ndaki bir kesintiyi temsil ediyor, konular daha ger\u00e7ek\u00e7i bir \u015fekilde temsil ediliyordu ve sahneler kraliyet ailesi aras\u0131nda sevgi tasvirlerini i\u00e7eriyordu.<\/p>\n

Eski M\u0131s\u0131r sanat\u0131, M\u00d6 3000 ile MS 100 y\u0131llar\u0131 aras\u0131nda olu\u015fturulan papir\u00fcs \u00fczerindeki \u00e7izimler gibi resim, heykel, mimari ve di\u011fer sanat t\u00fcrlerini i\u00e7erir. Bu sanat\u0131n \u00e7o\u011fu olduk\u00e7a stilize ve sembolikti. Hayatta kalan formlar\u0131n \u00e7o\u011fu mezarlardan ve an\u0131tlardan gelir ve bu nedenle \u00f6l\u00fcmden sonraki hayata ve bilginin korunmas\u0131na odaklan\u0131r.<\/p>\n

Antik M\u0131s\u0131r Sanat\u0131nda Sembolizm<\/h3>\n

Eski M\u0131s\u0131r sanat\u0131ndaki sembolizm, bir d\u00fczen duygusu ve do\u011fal unsurlar\u0131n etkisini iletti. Firavunun h\u00fck\u00fcmdarl\u0131\u011f\u0131, onun evrenin d\u00fczenini y\u00f6netme ve s\u00fcrd\u00fcrme g\u00fcc\u00fcn\u00fc sembolize ediyordu. Mavi ve alt\u0131n, nadir olduklar\u0131 ve de\u011ferli malzemelerle ili\u015fkilendirildikleri i\u00e7in kutsall\u0131\u011f\u0131 g\u00f6sterirken, siyahlar Nil Nehri’nin verimlili\u011fini ifade ediyordu.<\/p>\n

Hiyerar\u015fik \u00d6l\u00e7ek<\/h3>\n

M\u0131s\u0131r sanat\u0131nda, bir fig\u00fcr\u00fcn b\u00fcy\u00fckl\u00fc\u011f\u00fc onun g\u00f6receli \u00f6nemini g\u00f6sterir. Bu, tanr\u0131lar\u0131n veya firavunun genellikle di\u011fer fig\u00fcrlerden daha b\u00fcy\u00fck oldu\u011fu anlam\u0131na geliyordu, bunu y\u00fcksek g\u00f6revliler veya mezar sahibi fig\u00fcrleri izliyordu; en k\u00fc\u00e7\u00fck fig\u00fcrler hizmetkarlar, e\u011flenceler, hayvanlar, a\u011fa\u00e7lar ve mimari detaylard\u0131.<\/p>\n

Boyama<\/h3>\n

Bir ta\u015f y\u00fczeyi boyamadan \u00f6nce beyaz badanal\u0131yd\u0131 ve bazen \u00e7amur s\u0131va ile kapland\u0131. Pigmentler mineralden yap\u0131lm\u0131\u015ft\u0131r ve minimum solma ile g\u00fc\u00e7l\u00fc g\u00fcne\u015f \u0131\u015f\u0131\u011f\u0131na dayanabilir. Ba\u011flanma ortam\u0131 bilinmiyor; boya kurumu\u015f s\u0131vaya \u201cfresco a secco\u201d tarz\u0131nda uyguland\u0131. Daha sonra M\u0131s\u0131r’\u0131n kuru iklimi ile birlikte resmi \u00e7ok iyi koruyan koruyucu bir kaplama olarak bir vernik veya re\u00e7ine uyguland\u0131. Mezar resimlerinin amac\u0131 \u00f6len ki\u015fi i\u00e7in, \u00f6b\u00fcr d\u00fcnyada yolculuk etmek veya koruma sa\u011flayan tanr\u0131lar gibi temalarla ho\u015f bir \u00f6l\u00fcmden sonraki ya\u015fam yaratmakt\u0131. Genel olarak ki\u015finin veya hayvan\u0131n yandan g\u00f6r\u00fcn\u00fc\u015f\u00fc g\u00f6sterilmi\u015f ve resimler genellikle k\u0131rm\u0131z\u0131, mavi, ye\u015fil, alt\u0131n, siyah ve sar\u0131 renklerde yap\u0131lm\u0131\u015ft\u0131r.<\/p>\n

Eski Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi’nde Heykel<\/h3>\n

Eski M\u0131s\u0131rl\u0131lar, bat\u0131k kabartma tekni\u011fini kullanarak hem an\u0131tsal hem de daha k\u00fc\u00e7\u00fck heykeller yaratt\u0131lar. Bu teknikte g\u00f6r\u00fcnt\u00fc, r\u00f6lyef heykelin g\u00f6r\u00fcnt\u00fcn\u00fcn etraf\u0131nda \u015fekillenen bat\u0131k bir alan i\u00e7erisine yerle\u015ftirilmi\u015f d\u00fcz bir y\u00fczeye kesilmesi ile yap\u0131l\u0131r. G\u00fc\u00e7l\u00fc g\u00fcne\u015f \u0131\u015f\u0131\u011f\u0131nda, bu teknik \u00e7ok g\u00f6r\u00fcn\u00fcr olup, ana hatlar\u0131 ve formlar\u0131 g\u00f6lgeyle vurgular. Fig\u00fcrler g\u00f6vde \u00f6ne bakacak \u015fekilde, ba\u015f yandan g\u00f6r\u00fcn\u00fc\u015fte ve bacaklar ayr\u0131k olarak g\u00f6sterilmektedir, erkekler bazen kad\u0131nlardan daha koyu renktedir. B\u00fcy\u00fck tanr\u0131 heykelleri (firavun d\u0131\u015f\u0131nda) yayg\u0131n de\u011fildi, ancak tanr\u0131lar genellikle resimlerde ve kabartmalarda g\u00f6steriliyordu. B\u00fcy\u00fck Gize Sfenksi \u00f6l\u00e7e\u011findeki devasa heykel tekrarlanmad\u0131, ancak tap\u0131nak komplekslerinde daha k\u00fc\u00e7\u00fck sfenksler ve hayvanlar bulundu.<\/p>\n

\"\"

Eski Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi’nde Heykel<\/p><\/div>\n

Bir tap\u0131na\u011f\u0131n tanr\u0131s\u0131n\u0131n en kutsal k\u00fclt imgesi, s\u00f6zde naosta k\u00fc\u00e7\u00fck teknelerde tutuldu, de\u011ferli metallerden oyulmu\u015ftu, ancak hi\u00e7biri hayatta kalmad\u0131. Ruhun ka k\u0131sm\u0131na dinlenme yeri sa\u011flamas\u0131 ama\u00e7lanan Ka heykelleri, IV. Hanedan (M.\u00d6. 2680-2565) tarihinden itibaren mezarlarda bulunmaktayd\u0131. Bunlar genellikle ah\u015faptan yap\u0131lm\u0131\u015ft\u0131r ve d\u00fcz, t\u00fcys\u00fcz ve nat\u00fcralist olan yedek kafalar olarak adland\u0131r\u0131l\u0131rd\u0131. \u0130lk mezarlar \u00f6teki d\u00fcnyada \u00f6lenlere ya\u015fam sa\u011flamak i\u00e7in k\u00fc\u00e7\u00fck k\u00f6leler, hayvanlar, binalar ve nesneler modellerine sahipti. Daha sonra, uhabti fig\u00fcrleri, \u00f6len ki\u015finin \u00f6b\u00fcr d\u00fcnyada el eme\u011fi yapmas\u0131 i\u00e7in \u00e7a\u011fr\u0131lmas\u0131 durumunda \u00f6len ki\u015finin hizmet\u00e7isi olarak hareket edecek cenaze fig\u00fcrleri olarak mevcuttu.<\/p>\n

Fayans, \u00c7\u00f6mlek\u00e7ilik ve Cam<\/h3>\n

Fayans, bir\u00e7ok renkte, ancak en yayg\u0131n olarak mavi-ye\u015fil olmak \u00fczere, nispeten ucuz, k\u00fc\u00e7\u00fck nesneler olu\u015fturmak i\u00e7in kullan\u0131lan y\u00fczey vitrifikasyonu ile sinterlenmi\u015f-kuvars seramik<\/a>ti. Genellikle m\u00fccevherler, bok b\u00f6cekleri ve fig\u00fcrinler i\u00e7in kullan\u0131lm\u0131\u015ft\u0131r. Cam ba\u015flang\u0131\u00e7ta l\u00fcks bir \u00fcr\u00fcnd\u00fc, ancak daha yayg\u0131n hale geldi ve mezarlara yerle\u015ftirilecek k\u00fc\u00e7\u00fck kavanozlar, parf\u00fcm ve di\u011fer s\u0131v\u0131lardan yapmak i\u00e7in kullan\u0131ld\u0131. Vazo, muska ve tanr\u0131lar\u0131n ve hayvanlar\u0131n resimleri steatitten yap\u0131lm\u0131\u015ft\u0131r. \u00c7anak \u00e7\u00f6mlek bazen, \u00f6zellikle mavi renkte emaye ile kapland\u0131. Mezarlarda, \u00e7anak \u00e7\u00f6mlek, mumyalama s\u0131ras\u0131nda \u00e7\u0131kar\u0131lan bedenin organlar\u0131n\u0131 temsil etmek veya \u00f6len ki\u015finin efsaneleriyle oyulmu\u015f yakla\u015f\u0131k on in\u00e7 uzunlu\u011funda koniler olu\u015fturmak i\u00e7in kullan\u0131lm\u0131\u015ft\u0131r.<\/p>\n

Papir\u00fcs<\/h3>\n

Papir\u00fcs \u00e7ok hassast\u0131r ve yaz\u0131 ve resim i\u00e7in kullan\u0131lm\u0131\u015ft\u0131r; ancak mezarlara g\u00f6m\u00fcld\u00fc\u011f\u00fcnde uzun s\u00fcre ayakta kalabilmi\u015ftir. M\u0131s\u0131r ya\u015fam\u0131n\u0131n her y\u00f6n\u00fc, edebi belgelerden idari belgelere kadar papir\u00fcse kaydedilmi\u015f olarak bulunur.<\/p>\n

Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi Mimari<\/h3>\n

Mimarlar, binalar\u0131, g\u00fcnd\u00f6n\u00fcmleri ve ekinokslar gibi astronomik a\u00e7\u0131dan \u00f6nemli olaylarla hizalayarak dikkatlice planlad\u0131lar ve \u00e7o\u011funlukla g\u00fcne\u015fte pi\u015fmi\u015f kerpi\u00e7, kire\u00e7ta\u015f\u0131, kumta\u015f\u0131 ve granit kulland\u0131lar. Ta\u015f, mezarlar ve tap\u0131naklar i\u00e7in ayr\u0131lm\u0131\u015fken, saraylar ve kaleler gibi di\u011fer binalar tu\u011fladan yap\u0131lm\u0131\u015ft\u0131r. Evler g\u00fcne\u015fte sertle\u015fen Nil Nehri’nin \u00e7amurundan yap\u0131lm\u0131\u015ft\u0131r. Bu evlerin \u00e7o\u011fu sel nedeniyle y\u0131k\u0131ld\u0131 veya s\u00f6k\u00fcld\u00fc; Korunan yap\u0131lar\u0131n \u00f6rnekleri aras\u0131nda Deir al-Medinah k\u00f6y\u00fc ve Buhen’deki kale say\u0131labilir. D\u00f6rd\u00fcnc\u00fc Hanedan d\u00f6neminde in\u015fa edilen M\u0131s\u0131r Piramitleri<\/a>; Giza Nekropol\u00fc, Khufu Piramidi (B\u00fcy\u00fck Piramit veya Cheops Piramidi olarak da bilinir), Khafre Piramidi ve Menkaure Piramidi ile birlikte daha k\u00fc\u00e7\u00fck “krali\u00e7e” piramitleri ve B\u00fcy\u00fck Sfenks. Karnak Tap\u0131na\u011f\u0131 ilk olarak M\u00d6 16. y\u00fczy\u0131lda in\u015fa edilmi\u015ftir. Binalara yakla\u015f\u0131k 30 firavun katk\u0131da bulunarak son derece b\u00fcy\u00fck ve \u00e7e\u015fitli bir kompleks yaratt\u0131. Amon-ra, Montu ve Mut B\u00f6lgelerini ve Amehotep IV Tap\u0131na\u011f\u0131’n\u0131 i\u00e7erir. Luksor Tap\u0131na\u011f\u0131, M\u00d6 14. y\u00fczy\u0131lda III. Amenhotep taraf\u0131ndan, \u015fimdi Luksor olan Thebes antik kentinde, M\u00d6 13. y\u00fczy\u0131lda II. Ramesses taraf\u0131ndan b\u00fcy\u00fck bir geni\u015fleme ile in\u015fa edildi. 79 fit y\u00fcksekli\u011findeki \u0130lk Pilonu, frizleri, heykelleri ve s\u00fctunlar\u0131 i\u00e7erir.<\/p>\n

\"\"

Antik M\u0131s\u0131r Mimarisi<\/p><\/div>\n

Amarna D\u00f6nemi (M\u00d6 1353-1336)<\/h3>\n

Eski M\u0131s\u0131r sanat\u0131 ve mimarisi tarz\u0131nda bir kesintiyi temsil eden bu d\u00f6nemde, konular daha ger\u00e7ek\u00e7i bir \u015fekilde temsil edildi ve sahneler kraliyet ailesi aras\u0131nda sevgi tasvirlerini i\u00e7eriyordu. Resimlerde \u00fcst \u00fcste binen fig\u00fcrler ve b\u00fcy\u00fck kalabal\u0131klarla birlikte bir hareket duygusu vard\u0131. Tarz olarak, Akhenaten’in tektanr\u0131c\u0131l\u0131\u011fa ge\u00e7i\u015fini yans\u0131t\u0131yor, ancak \u00f6l\u00fcm\u00fcnden sonra ortadan kayboldu.<\/p>\n

Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi \u00d6zellikleri
\n<\/b><\/h3>\n

Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi, antik mimari an\u0131tlar, heykeller, tablolar, ve uygulamal\u0131 el sanatlar\u0131 ilk \u00fc\u00e7 bin hanedan d\u00f6nemlerde a\u011f\u0131rl\u0131kl\u0131 olarak \u00fcretilen M\u00d6 Nil vadisi b\u00f6lgelerinde M\u0131s\u0131r ve Nubia. M\u0131s\u0131r’da sanat\u0131n seyri b\u00fcy\u00fck \u00f6l\u00e7\u00fcde \u00fclkenin siyasi tarihine paraleldi, ancak ayn\u0131 zamanda do\u011fal, ilahi olarak buyurulmu\u015f d\u00fczenin kal\u0131c\u0131l\u0131\u011f\u0131na olan k\u00f6kl\u00fc inanca da ba\u011fl\u0131yd\u0131. Hem mimaride hem de temsili sanatta sanatsal ba\u015far\u0131, d\u00fcnyan\u0131n m\u00fckemmelli\u011fini ilk zamanlarda yans\u0131tmak i\u00e7in d\u00fczenlenen formlar\u0131n ve konvansiyonlar\u0131n korunmas\u0131n\u0131 ama\u00e7lamaktad\u0131r. Yarat\u0131l\u0131\u015f an\u0131 ve insanl\u0131k, kral ve tanr\u0131lar\u0131n panteonu aras\u0131ndaki do\u011fru ili\u015fkiyi somutla\u015ft\u0131rmak. Bu nedenle M\u0131s\u0131r sanat\u0131, geli\u015fmeye ve bireysel sanatsal yarg\u0131lar\u0131n uygulanmas\u0131na d\u0131\u015fa kar\u015f\u0131 diren\u00e7li g\u00f6r\u00fcnmektedir, ancak her tarihsel d\u00f6nemin M\u0131s\u0131rl\u0131 zanaatk\u00e2rlar\u0131, kendilerine getirilen kavramsal zorluklara farkl\u0131 \u00e7\u00f6z\u00fcmler bulmu\u015flard\u0131r.<\/p>\n

Antik m\u0131s\u0131r sanat\u0131 ve mimarisi \u00f6zel karakterini olu\u015fturmada co\u011frafi etkenler bask\u0131nd\u0131. M\u0131s\u0131r’a antik d\u00fcnyadaki en \u00f6ng\u00f6r\u00fclebilir tar\u0131m sistemini sa\u011flayan Nil nehri<\/a>, sanat ve zanaat\u0131n kolayca geli\u015fti\u011fi bir ya\u015fam istikrar\u0131 sa\u011flad\u0131. Ayn\u0131 \u015fekilde, M\u0131s\u0131r’\u0131 d\u00f6rt bir yandan koruyan \u00e7\u00f6ller ve deniz, yakla\u015f\u0131k 2000 y\u0131ld\u0131r ciddi i\u015fgalden koruyarak bu istikrara katk\u0131da bulunmu\u015ftur. Genel olarak, yararl\u0131 ve de\u011ferli malzeme aray\u0131\u015f\u0131 , d\u0131\u015f politikan\u0131n y\u00f6n\u00fcn\u00fc ve ticaret yollar\u0131n\u0131n kurulmas\u0131n\u0131 belirledi ve nihayetinde M\u0131s\u0131r maddi k\u00fclt\u00fcr\u00fcn\u00fcn zenginle\u015fmesine yol a\u00e7t\u0131.<\/p>\n

Hanedanl\u0131k \u00d6ncesi D\u00f6nem<\/h3>\n

Vadeli hanedan \u00f6ncesi ortaya \u00e7\u0131kan d\u00f6nemini ifade eder k\u00fclt\u00fcrlerin kurulmas\u0131ndan \u00f6nceki hanedan\u0131n\u0131n M\u0131s\u0131r’da. M\u00d6 6. Biny\u0131lda. M\u0131s\u0131r olarak adland\u0131r\u0131lmay\u0131 hak eden \u00f6zellikler sergileyen medeniyet kal\u0131plar\u0131 ortaya \u00e7\u0131kmaya ba\u015flad\u0131. Hanedanl\u0131k \u00f6ncesi k\u00fclt\u00fcrlerin kabul edilen s\u0131ralamas\u0131, \u0130ngiliz arkeologun kaz\u0131lar\u0131na dayanmaktad\u0131r. Sir Flinders Petrie deNaqadah , enAl-Amirah (El-Amra) ve Al-Jizah (El-Giza). Hanedanl\u0131k \u00f6ncesi k\u00fclt\u00fcr\u00fcn bir ba\u015fka erken a\u015famas\u0131 ,El-Badari , Yukar\u0131 M\u0131s\u0131r’da. Al-Badari, Dayr Tasa ve Al-Mustaqiddah’daki mezarlardan nispeten zengin ve geli\u015fmi\u015f bir sanatsal ve end\u00fcstriyel k\u00fclt\u00fcr\u00fcn kan\u0131t\u0131 elde edildi. \u00dcstleri kararm\u0131\u015f ince k\u0131rm\u0131z\u0131 cilal\u0131 bir maldan yap\u0131lm\u0131\u015f \u00e7anak \u00e7\u00f6mlek, halihaz\u0131rda belirgin M\u0131s\u0131r \u015fekillerini g\u00f6stermektedir. Bak\u0131r k\u00fc\u00e7\u00fck s\u00fcslemelerde i\u015flendi ve steatit boncuklar (sabunta\u015f\u0131) cam izleri g\u00f6steriyor. Daha sonra Naqadah 1 ve Naqadah 2 a\u015famalar\u0131, hanedanl\u0131k \u00f6ncesi uygarl\u0131k istikrarl\u0131 bir \u015fekilde geli\u015fti. \u00c7\u00f6mlek\u00e7ilik, tekni\u011fin inceliklerini ve maceral\u0131 dekorasyonun geli\u015fimini g\u00f6steren ay\u0131rt edici bir \u00fcr\u00fcn olmaya devam etti. Badarian mezarlar\u0131nda zaten bulunan \u015fekiller, Naqdah I’de \u00fcst\u00fcn bir beceriyle \u00fcretildi ve beyaz dolgulu \u00e7izgilerden olu\u015fan geometrik tasar\u0131mlarla ve hatta hayvan tasvirleriyle s\u00fcslendi. Daha sonra, yeni killer kullan\u0131ld\u0131 ve koyu k\u0131rm\u0131z\u0131 pigmentte, gemi sahneleri, fig\u00fcrler ve \u00e7ok \u00e7e\u015fitli sembollerle s\u00fcslenmi\u015f ince devet\u00fcy\u00fc renkli \u00fcr\u00fcnler kullan\u0131ld\u0131.<\/p>\n

Sert ta\u015flar\u0131n i\u015flenmesi de hanedanl\u0131k \u00f6ncesi d\u00f6nemin sonlar\u0131nda ciddi bir \u015fekilde ba\u015flad\u0131. \u0130lk ba\u015flarda zanaatkarlar, mevcut \u00e7anak \u00e7\u00f6mlek formlar\u0131na dayal\u0131 olarak ince kaplar\u0131n bi\u00e7imlendirilmesine ve yar\u0131 de\u011ferli ta\u015flardan olu\u015fan tak\u0131lar\u0131n yap\u0131m\u0131na adanm\u0131\u015flard\u0131.<\/p>\n

\u0130ki boyutlu sanat\u0131n temel teknikleri, \u00e7izim ve boyama Yukar\u0131 M\u0131s\u0131r kaya \u00e7izimlerinde ve art\u0131k kaybolmu\u015f olan Hierakonpolis’teki boyal\u0131 mezarda \u00f6rneklenmi\u015ftir. Hayvanlar\u0131n, teknelerin ve avlanma sahneleri (kaya \u00e7izimlerinin ortak konular\u0131) mezarda boyayla daha ince i\u015flendi ve hanedan sanat\u0131nda bulunanlar, muhtemelen fetihle ilgili ek temalar oldu.<\/p>\n

\"\"

M\u0131s\u0131r Heykelleri, Hanedanl\u0131k D\u00f6nemi<\/p><\/div>\n

Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi Hanedanl\u0131k D\u00f6nemi M\u0131s\u0131r<\/h3>\n

Kan\u0131tlar, Yukar\u0131 ve A\u015fa\u011f\u0131 M\u0131s\u0131r’\u0131n birle\u015fmesinin, M\u0131s\u0131r k\u00fclt\u00fcr\u00fcn\u00fcn zengin duvar hal\u0131s\u0131 olacak \u00e7e\u015fitli iplikleri bir araya getirdi\u011fini ve zaman\u0131n dokuma tezgah\u0131nda karma\u015f\u0131k dokumay\u0131 ba\u015flatt\u0131\u011f\u0131n\u0131 g\u00f6steriyor. Yeni sanatsal geli\u015fmelerin \u00e7o\u011fu \u015f\u00fcphesiz Nakade 2. d\u00f6nemine kadar uzanmaktad\u0131r; ancak Abydos ve aqqarah’daki 1. hanedan\u0131n b\u00fcy\u00fck mezarlar\u0131ndan elde edilen bol miktarda kan\u0131t, \u00f6nceki zamanlar\u0131n m\u00fctevaz\u0131 mezarlar\u0131nda bulunanlardan \u00e7ok daha a\u011f\u0131r basmaktad\u0131r. Bu izlenim kesinlikle medeniyetin ola\u011fan\u00fcst\u00fc bir \u00e7i\u00e7eklenmesinden biridir. Fetih motifi, resimde g\u00f6sterilen sahnelerde dramatik bir \u015fekilde karakterize edilir. Narmer Palette , muhtemelen hanedanl\u0131k \u00f6ncesi M\u0131s\u0131r’\u0131n son h\u00fck\u00fcmdar\u0131 olan Narmer’in (daha \u00e7ok Menes olarak bilinir ) muzaffer h\u00fck\u00fcmdar olarak tasvir edildi\u011fi yerdir.<\/p>\n

Narmer tasvirleri, Hanedan d\u00f6neminin M\u0131s\u0131r sanat\u0131n\u0131n tipik \u00f6zelliklerinin \u00e7o\u011funu sergiliyor. \u0130\u015fte M\u0131s\u0131r’\u0131n iki boyutlu sanat\u0131n\u0131 birbirinden ay\u0131ran konvansiyonlarla tasvir edilen, d\u00fc\u015fman\u0131na vuran kral\u0131n karakteristik g\u00f6r\u00fcnt\u00fcs\u00fc. Ba\u015f profilde g\u00f6sterilir, ancak g\u00f6z dolu; omuzlar \u00f6nden temsil edilirken g\u00f6vde d\u00f6rtte \u00fc\u00e7\u00fc g\u00f6r\u00fcn\u00fcmdedir; bacaklar yine profilde. \u0130nsan formunun her bir par\u00e7as\u0131n\u0131 en karakteristik bak\u0131\u015f a\u00e7\u0131s\u0131ndan sunmak, sanat\u00e7\u0131n\u0131n temel niyetiydi ve sadece tek bir perspektiften g\u00f6rebildi\u011fini de\u011fil, orada oldu\u011funu bildiklerini g\u00f6stermek.<\/p>\n

Sanatsal konulardaki muhafazakarl\u0131k, g\u00f6receli bir k\u00fclt\u00fcr tutarl\u0131l\u0131\u011f\u0131ndan beslendi, g\u00fc\u00e7l\u00fc bir yaz\u0131 e\u011fitimi gelene\u011fiyle g\u00fc\u00e7lendirildi ve bir kanon taraf\u0131ndan yumu\u015fat\u0131ld\u0131. \u0130nsan fig\u00fcr\u00fcn\u00fcn temsili i\u00e7in oran, Eski Krall\u0131k’ta dekorasyon i\u00e7in haz\u0131rlanan duvarlar k\u0131rm\u0131z\u0131 yatay \u00e7izgilerle i\u015faretlenmi\u015fti; daha sonraki zamanlarda dikey \u00e7izgiler eklendi. Hanedan d\u00f6neminin b\u00fcy\u00fck b\u00f6l\u00fcm\u00fcnde, ayakta duran bir adam fig\u00fcr\u00fcn\u00fc tutmak i\u00e7in 18 s\u0131ra kareden olu\u015fan bir \u0131zgara kullan\u0131ld\u0131; 26 hanedandan, 21 s\u0131ra kare ayn\u0131 ama\u00e7 i\u00e7in kullan\u0131ld\u0131. Farkl\u0131 d\u00f6nemlerde, belirli v\u00fccut \u00f6zelliklerinin yerle\u015ftirilmesindeki farkl\u0131l\u0131klar ilgin\u00e7 ve ince n\u00fcanslar \u00fcretti.\u00a0Antik M\u0131s\u0131r sanat\u0131 ve mimarisi.<\/em><\/p>\n

Mimari<\/h4>\n

Eski M\u0131s\u0131r’da kullan\u0131lan iki ana yap\u0131 malzemesi pi\u015fmemi\u015f kerpi\u00e7 ve ta\u015ft\u0131. Eski Krall\u0131k’tan itibaren ta\u015f genellikle mezarlarda \u00f6l\u00fclerin ebedi konutlar\u0131nda ve tap\u0131naklarda tanr\u0131lar\u0131n ebedi evleri i\u00e7in kullan\u0131lm\u0131\u015ft\u0131r. \u00c7amur tu\u011flas\u0131, kraliyet saraylar\u0131 i\u00e7in bile kullan\u0131lan yerli malzeme olarak kald\u0131; ayn\u0131 zamanda kaleler, tap\u0131nak b\u00f6lgelerinin ve kasabalar\u0131n\u0131n b\u00fcy\u00fck duvarlar\u0131 ve tap\u0131nak komplekslerindeki yard\u0131mc\u0131 binalar i\u00e7in de kullan\u0131l\u0131yordu.<\/p>\n

Mezar mimarisi<\/h4>\n

M\u0131s\u0131r’daki morg mimarisi olduk\u00e7a geli\u015fmi\u015ftir ve genellikle g\u00f6rkemliydi. Themezar, bir cesedin sayg\u0131s\u0131zl\u0131ktan korunabilece\u011fi ve \u00f6l\u00fcmden sonra varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcrmesini sa\u011flamak i\u00e7in maddi nesnelerin sa\u011flanabilece\u011fi bir yerdi. Mezar\u0131n bir k\u0131sm\u0131, bireyin d\u00fcnyevi varolu\u015funa uygun ve benzer bir \u00f6l\u00fcmden sonra ya\u015fam\u0131 sihirli bir \u015fekilde takip etmesini sa\u011flayacak sahnelerle s\u00fcslenmi\u015f olabilir. Bir kral i\u00e7in beklentiler olduk\u00e7a farkl\u0131yd\u0131; onun i\u00e7in mezar, g\u00f6ksel bir ahirette tanr\u0131larla birlikte \u00f6zel kaderine ula\u015fabilece\u011fi bir ara\u00e7 haline geldi.<\/p>\n

Ge\u00e7 D\u00f6nem Yeni Krall\u0131k<\/h4>\n

\u0130\u015f\u00e7ili\u011fin m\u00fckemmelli\u011fi, Orta Krall\u0131k’\u0131n en iyi geleneklerinin yeniden canlanmas\u0131nda 18.hanedan heykelinin alamet-i farikas\u0131d\u0131r. \u0130nan\u0131lmaz derecede hassas heykeller Hatshepsut ve Thutmose, b\u00fcy\u00fck i\u015flerin ba\u015far\u0131ld\u0131\u011f\u0131n\u0131 do\u011frulad\u0131.<\/p>\n","protected":false},"excerpt":{"rendered":"

Antik M\u0131s\u0131r sanat\u0131 ve mimarisi d\u00fcnyada pop\u00fcler konulardan biridir. Bir \u00e7ok filme konu olmu\u015f eski M\u0131s\u0131r k\u00fclt\u00fcr\u00fc bir\u00e7ok insan\u0131n dikkati \u00e7ekmi\u015ftir. Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi Eski Krall\u0131k d\u00f6neminde M\u0131s\u0131r Sanat\u0131, Eski M\u0131s\u0131r sanat\u0131, M\u00d6 3000 ile MS 100 y\u0131llar\u0131 aras\u0131nda yarat\u0131lan resim, heykel, mimari ve papir\u00fcs \u00fczerindeki \u00e7izimler gibi di\u011fer sanat t\u00fcrlerini i\u00e7erir. Bu […]<\/p>\n","protected":false},"author":1,"featured_media":12941,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[124],"tags":[],"class_list":["post-12927","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-tarihi"],"yoast_head":"\nAntik M\u0131s\u0131r Sanat\u0131 ve Mimarisi - Arthipo<\/title>\n<meta name=\"description\" content=\"Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi resim Fayans, \u00c7\u00f6mlek\u00e7ilik ve Cam Mezar mimarisi Papir\u00fcs \u00d6zellikleri Hanedanl\u0131k D\u00f6nemi M\u0131s\u0131r Amarna D\u00f6nemi\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/antik-misir-sanati-ve-mimarisi.html\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi - Arthipo\" \/>\n<meta property=\"og:description\" content=\"Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi resim Fayans, \u00c7\u00f6mlek\u00e7ilik ve Cam Mezar mimarisi Papir\u00fcs \u00d6zellikleri Hanedanl\u0131k D\u00f6nemi M\u0131s\u0131r Amarna D\u00f6nemi\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/antik-misir-sanati-ve-mimarisi.html\" \/>\n<meta property=\"og:site_name\" content=\"Arthipo\" \/>\n<meta property=\"article:published_time\" content=\"2021-09-13T19:58:59+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-09-24T19:31:23+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2021\/09\/antik-misir-sanati-ve-mimarisi-ozellikleri-heykel.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"799\" \/>\n\t<meta property=\"og:image:height\" content=\"674\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Arthipo\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Yazan:\" \/>\n\t<meta name=\"twitter:data1\" content=\"Arthipo\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tahmini okuma s\u00fcresi\" \/>\n\t<meta name=\"twitter:data2\" content=\"14 dakika\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/antik-misir-sanati-ve-mimarisi.html#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/antik-misir-sanati-ve-mimarisi.html\"},\"author\":{\"name\":\"Arthipo\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/#\\\/schema\\\/person\\\/6e6d44de4da80cf3bf805d0e1c9d7ed8\"},\"headline\":\"Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi\",\"datePublished\":\"2021-09-13T19:58:59+00:00\",\"dateModified\":\"2021-09-24T19:31:23+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/antik-misir-sanati-ve-mimarisi.html\"},\"wordCount\":2834,\"image\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/antik-misir-sanati-ve-mimarisi.html#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/antik-misir-sanati-ve-mimarisi-ozellikleri-heykel.jpg\",\"articleSection\":[\"Sanat Tarihi\"],\"inLanguage\":\"tr\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/antik-misir-sanati-ve-mimarisi.html\",\"url\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/antik-misir-sanati-ve-mimarisi.html\",\"name\":\"Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi - Arthipo\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/antik-misir-sanati-ve-mimarisi.html#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/antik-misir-sanati-ve-mimarisi.html#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/antik-misir-sanati-ve-mimarisi-ozellikleri-heykel.jpg\",\"datePublished\":\"2021-09-13T19:58:59+00:00\",\"dateModified\":\"2021-09-24T19:31:23+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/#\\\/schema\\\/person\\\/6e6d44de4da80cf3bf805d0e1c9d7ed8\"},\"description\":\"Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi resim Fayans, \u00c7\u00f6mlek\u00e7ilik ve Cam Mezar mimarisi Papir\u00fcs \u00d6zellikleri Hanedanl\u0131k D\u00f6nemi M\u0131s\u0131r Amarna D\u00f6nemi\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/antik-misir-sanati-ve-mimarisi.html#breadcrumb\"},\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/antik-misir-sanati-ve-mimarisi.html\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/antik-misir-sanati-ve-mimarisi.html#primaryimage\",\"url\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/antik-misir-sanati-ve-mimarisi-ozellikleri-heykel.jpg\",\"contentUrl\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/antik-misir-sanati-ve-mimarisi-ozellikleri-heykel.jpg\",\"width\":799,\"height\":674,\"caption\":\"Eski Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi \u00d6zellikleri\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/sanat-tarihi\\\/antik-misir-sanati-ve-mimarisi.html#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Anasayfa\",\"item\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/#website\",\"url\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/\",\"name\":\"Arthipo\",\"description\":\"Arthipo modern sanat resim galerisi ya\u011fl\u0131 boya tablo reprod\u00fcksiyon satmak klasik soyut eser kanvas bask\u0131 yapt\u0131rma poster sat\u0131\u015f\u0131 sat\u0131n almak\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"tr\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/#\\\/schema\\\/person\\\/6e6d44de4da80cf3bf805d0e1c9d7ed8\",\"name\":\"Arthipo\",\"url\":\"https:\\\/\\\/www.arthipo.com\\\/artblog\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi - Arthipo","description":"Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi resim Fayans, \u00c7\u00f6mlek\u00e7ilik ve Cam Mezar mimarisi Papir\u00fcs \u00d6zellikleri Hanedanl\u0131k D\u00f6nemi M\u0131s\u0131r Amarna D\u00f6nemi","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/antik-misir-sanati-ve-mimarisi.html","og_locale":"tr_TR","og_type":"article","og_title":"Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi - Arthipo","og_description":"Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi resim Fayans, \u00c7\u00f6mlek\u00e7ilik ve Cam Mezar mimarisi Papir\u00fcs \u00d6zellikleri Hanedanl\u0131k D\u00f6nemi M\u0131s\u0131r Amarna D\u00f6nemi","og_url":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/antik-misir-sanati-ve-mimarisi.html","og_site_name":"Arthipo","article_published_time":"2021-09-13T19:58:59+00:00","article_modified_time":"2021-09-24T19:31:23+00:00","og_image":[{"width":799,"height":674,"url":"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2021\/09\/antik-misir-sanati-ve-mimarisi-ozellikleri-heykel.jpg","type":"image\/jpeg"}],"author":"Arthipo","twitter_card":"summary_large_image","twitter_misc":{"Yazan:":"Arthipo","Tahmini okuma s\u00fcresi":"14 dakika"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/antik-misir-sanati-ve-mimarisi.html#article","isPartOf":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/antik-misir-sanati-ve-mimarisi.html"},"author":{"name":"Arthipo","@id":"https:\/\/www.arthipo.com\/artblog\/#\/schema\/person\/6e6d44de4da80cf3bf805d0e1c9d7ed8"},"headline":"Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi","datePublished":"2021-09-13T19:58:59+00:00","dateModified":"2021-09-24T19:31:23+00:00","mainEntityOfPage":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/antik-misir-sanati-ve-mimarisi.html"},"wordCount":2834,"image":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/antik-misir-sanati-ve-mimarisi.html#primaryimage"},"thumbnailUrl":"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2021\/09\/antik-misir-sanati-ve-mimarisi-ozellikleri-heykel.jpg","articleSection":["Sanat Tarihi"],"inLanguage":"tr"},{"@type":"WebPage","@id":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/antik-misir-sanati-ve-mimarisi.html","url":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/antik-misir-sanati-ve-mimarisi.html","name":"Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi - Arthipo","isPartOf":{"@id":"https:\/\/www.arthipo.com\/artblog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/antik-misir-sanati-ve-mimarisi.html#primaryimage"},"image":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/antik-misir-sanati-ve-mimarisi.html#primaryimage"},"thumbnailUrl":"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2021\/09\/antik-misir-sanati-ve-mimarisi-ozellikleri-heykel.jpg","datePublished":"2021-09-13T19:58:59+00:00","dateModified":"2021-09-24T19:31:23+00:00","author":{"@id":"https:\/\/www.arthipo.com\/artblog\/#\/schema\/person\/6e6d44de4da80cf3bf805d0e1c9d7ed8"},"description":"Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi resim Fayans, \u00c7\u00f6mlek\u00e7ilik ve Cam Mezar mimarisi Papir\u00fcs \u00d6zellikleri Hanedanl\u0131k D\u00f6nemi M\u0131s\u0131r Amarna D\u00f6nemi","breadcrumb":{"@id":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/antik-misir-sanati-ve-mimarisi.html#breadcrumb"},"inLanguage":"tr","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/antik-misir-sanati-ve-mimarisi.html"]}]},{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/antik-misir-sanati-ve-mimarisi.html#primaryimage","url":"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2021\/09\/antik-misir-sanati-ve-mimarisi-ozellikleri-heykel.jpg","contentUrl":"https:\/\/www.arthipo.com\/artblog\/wp-content\/uploads\/2021\/09\/antik-misir-sanati-ve-mimarisi-ozellikleri-heykel.jpg","width":799,"height":674,"caption":"Eski Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi \u00d6zellikleri"},{"@type":"BreadcrumbList","@id":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/antik-misir-sanati-ve-mimarisi.html#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Anasayfa","item":"https:\/\/www.arthipo.com\/artblog\/"},{"@type":"ListItem","position":2,"name":"Antik M\u0131s\u0131r Sanat\u0131 ve Mimarisi"}]},{"@type":"WebSite","@id":"https:\/\/www.arthipo.com\/artblog\/#website","url":"https:\/\/www.arthipo.com\/artblog\/","name":"Arthipo","description":"Arthipo modern sanat resim galerisi ya\u011fl\u0131 boya tablo reprod\u00fcksiyon satmak klasik soyut eser kanvas bask\u0131 yapt\u0131rma poster sat\u0131\u015f\u0131 sat\u0131n almak","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.arthipo.com\/artblog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"tr"},{"@type":"Person","@id":"https:\/\/www.arthipo.com\/artblog\/#\/schema\/person\/6e6d44de4da80cf3bf805d0e1c9d7ed8","name":"Arthipo","url":"https:\/\/www.arthipo.com\/artblog\/author\/admin"}]}},"_links":{"self":[{"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/posts\/12927","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/comments?post=12927"}],"version-history":[{"count":0,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/posts\/12927\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/media\/12941"}],"wp:attachment":[{"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/media?parent=12927"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/categories?post=12927"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arthipo.com\/artblog\/wp-json\/wp\/v2\/tags?post=12927"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}