{"id":12773,"date":"2021-09-12T20:23:46","date_gmt":"2021-09-12T17:23:46","guid":{"rendered":"https:\/\/www.arthipo.com\/artblog\/?p=12773"},"modified":"2022-02-21T04:15:51","modified_gmt":"2022-02-21T01:15:51","slug":"nemrut-dagi-heykelleri","status":"publish","type":"post","link":"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/nemrut-dagi-heykelleri.html","title":{"rendered":"Nemrut Da\u011f\u0131 Heykelleri"},"content":{"rendered":"

Nemrut Da\u011f\u0131 Heykelleri ve <\/b>Kommagene Krall\u0131\u011f\u0131 <\/b><\/b><\/h2>\n

Nemrut Da\u011f\u0131, K\u00fc\u00e7\u00fck Asya’n\u0131n arkeolojik hitlerinin aras\u0131nda yer alan ve ayn\u0131 zamanda hala bir\u00e7ok s\u0131r saklayan bir arkeolojik sit alan\u0131d\u0131r. \u015eimdiye kadar, da\u011f\u0131n zirvesindeki yapay setin neyi gizledi\u011fini kesin olarak belirlemek m\u00fcmk\u00fcn olmad\u0131. Nemrut Da\u011f\u0131’ndaki devasa heykeller, dini senkretizmin ve Antiochus’un Yunan, Pers ve Ermeni etkilerini birle\u015ftiren yeni bir devlet k\u00fclt\u00fcn\u00fc tan\u0131tma giri\u015fiminin m\u00fckemmel bir \u00f6rne\u011fidir.<\/p>\n

Nemrut Da\u011f\u0131 Heykelleri Tarihi ve Sanat<\/b><\/h3>\n

T\u00fcrkiye’nin g\u00fcneydo\u011fusundaki Do\u011fu Toros s\u0131rada\u011flar\u0131n\u0131n en y\u00fcksek zirvelerinden birini ta\u00e7land\u0131ran Nemrut Da\u011f\u0131, Kommagene’nin ge\u00e7 Helenistik Kral\u0131 I. Antiochos taraf\u0131ndan (M\u00d6 69-34) in\u015fa edilen Hierotheseion’dur (tap\u0131nak-mezar ve tanr\u0131lar\u0131n evi). \u0130skender’in imparatorlu\u011funun da\u011f\u0131lmas\u0131ndan sonra Suriye’nin ve F\u0131rat’\u0131n kuzeyinde kurulan bir krall\u0131k olan Kommagene \u00fczerinde h\u00fck\u00fcm s\u00fcren I. Antiochus’un (M\u00d6 69-34) mozolesi, Helenistik d\u00f6nemin en iddial\u0131 yap\u0131lar\u0131ndan biridir. Yunan ve Fars\u00e7a olmak \u00fczere iki efsane dizisi ile izlenebilen panteonunun senkretizmi ve krallar\u0131n\u0131n soyu, bu krall\u0131\u011f\u0131n k\u00fclt\u00fcr\u00fcn\u00fcn ikili k\u00f6keninin kan\u0131t\u0131d\u0131r.<\/p>\n

145 m \u00e7ap\u0131nda, 50 m y\u00fcksekli\u011findeki ta\u015f yonga h\u00f6y\u00fc\u011f\u00fcn\u00fcn \u00fc\u00e7 taraf\u0131 do\u011fu, bat\u0131 ve kuzey y\u00f6nlerinde teraslarla \u00e7evrilidir. Do\u011fu ve bat\u0131 teraslar\u0131ndan iki ayr\u0131 antika t\u00f6ren yolu yay\u0131l\u0131r. Bunlar\u0131n her iki yan\u0131nda bir \u00e7ift koruyucu hayvan heykeli, bir aslan ve kartal bulunur. Heykellerin ba\u015flar\u0131, her stelin \u00f6n\u00fcnde bir sunak bulunan kaidelere monte edilmi\u015f iki s\u0131ra kumta\u015f\u0131 steli bar\u0131nd\u0131ran alt kata d\u00fc\u015fm\u00fc\u015ft\u00fcr. Bir s\u0131ra, Antiochos’un babas\u0131 taraf\u0131ndan Pers atalar\u0131n\u0131n, di\u011ferinin ise Makedon atalar\u0131n\u0131n kabartma heykellerini ta\u015f\u0131yor. Dikilita\u015f\u0131n arkas\u0131ndaki yaz\u0131tlar, \u015fecere ba\u011flant\u0131lar\u0131n\u0131 kaydeder. Do\u011fu teras\u0131n do\u011fu taraf\u0131nda kare bir sunak platformu yer almaktad\u0131r. Bat\u0131 teras\u0131nda, Nemrut’un \u00f6zel \u00f6nemini temsil eden ek bir s\u0131ra stel, Antiochos’un bir tanr\u0131 ile el s\u0131k\u0131\u015fmas\u0131n\u0131 g\u00f6steren tokala\u015fma sahneleri (dexiosis) ve k\u00fclt alan\u0131n\u0131n yap\u0131m tarihini g\u00f6sterdi\u011fine inan\u0131lan aslanl\u0131 y\u0131ld\u0131z fal\u0131na sahip stel . Kuzey teras uzun, dar ve dikd\u00f6rtgen \u015feklindedir ve bir dizi kumta\u015f\u0131 kaideye ev sahipli\u011fi yapar. Kuzey terastaki kaidelerin yan\u0131nda yer alan stellerde kabartma veya yaz\u0131t yoktur. K\u00fclt alan\u0131n\u0131n yap\u0131m tarihini g\u00f6sterdi\u011fine inan\u0131l\u0131yor. Kuzey teras uzun, dar ve dikd\u00f6rtgen \u015feklindedir ve bir dizi kumta\u015f\u0131 kaideye ev sahipli\u011fi yapar. Kuzey terastaki kaidelerin yan\u0131nda yer alan stellerde kabartma veya yaz\u0131t yoktur.<\/p>\n

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Nemrut Da\u011f\u0131 Heykelleri<\/p><\/div>\n

Antiochos’un Mezar\u0131<\/h3>\n

Antiochos I Hierotheseion, Helenistik d\u00f6nemin en iddial\u0131 yap\u0131lar\u0131ndan biridir. Karma\u015f\u0131k tasar\u0131m\u0131 ve muazzam \u00f6l\u00e7e\u011fi, antik d\u00fcnyada e\u015fi benzeri olmayan bir proje olu\u015fturmak i\u00e7in bir araya geldi. Devasa heykelleri ve ortostatlar\u0131 (steller) in\u015fa etmek i\u00e7in olduk\u00e7a geli\u015fmi\u015f bir teknoloji kullan\u0131ld\u0131 ve bunlar\u0131n e\u015fiti bu d\u00f6nem i\u00e7in ba\u015fka hi\u00e7bir yerde bulunamad\u0131. Yunan ve Fars\u00e7a olmak \u00fczere iki efsane dizisi ile izlenebilen panteonunun senkretizmi ve krallar\u0131n\u0131n soyu, bu krall\u0131\u011f\u0131n k\u00fclt\u00fcr\u00fcn\u00fcn ikili k\u00f6keninin kan\u0131t\u0131d\u0131r. Kommagene I. Antiochos’un mezar\u0131 e\u015fsiz bir sanatsal ba\u015far\u0131d\u0131r. Nemrut Da\u011f\u0131 do\u011fal sit alan\u0131n\u0131n peyzaj\u0131, Helenistik d\u00f6nemin en devasa te\u015febb\u00fcslerinden biridir (kullan\u0131lan ta\u015f bloklar\u0131n bir k\u0131sm\u0131 dokuz tona kadar \u00e7\u0131kmaktad\u0131r). Nemrut Da\u011f’\u0131n mezar\u0131 veya Hierothestion’u, Kommagene krall\u0131\u011f\u0131n\u0131n medeniyetine e\u015fsiz tan\u0131kl\u0131k ediyor. Antiochos, babas\u0131 Mithridates taraf\u0131ndan Darius’un soyundan ve annesi Laodice taraf\u0131ndan \u0130skender’in soyundan gelen bu an\u0131tta temsil edilmektedir. Bu yar\u0131 efsanevi soy hem Do\u011fu’nun hem de Bat\u0131’n\u0131n g\u00fc\u00e7lerinden ba\u011f\u0131ms\u0131z kalmaya \u00e7al\u0131\u015fan bir hanedan\u0131n h\u0131rs\u0131n\u0131 \u015fecere terimleriyle terc\u00fcme eder.<\/p>\n

Nemrut Da\u011f\u0131 T\u00fcm\u00fcl\u00fcs\u00fc<\/h3>\n

Nemrut Da\u011f’daki t\u00fcm\u00fcl\u00fcs, Karaku\u015f ve Eski Kahta’daki mezarlardan \u00e7ok orijinal bir panteonun liberal senkretizmi arac\u0131l\u0131\u011f\u0131yla \u00f6nemli, tarihi bir d\u00f6nemi g\u00f6stermektedir. Zeus’un Oromasdes (\u0130ran tanr\u0131s\u0131 Ahuramazda) ve Herakles’in Artagnes (\u0130ran tanr\u0131s\u0131 Verathragna) ile asimilasyonu, heykel ve kabartmalardaki Yunan, Pers ve Anadolu esteti\u011finin samimi bir kar\u0131\u015f\u0131m\u0131nda sanatsal kar\u015f\u0131l\u0131\u011f\u0131n\u0131 bulur.<\/p>\n

Nemrut Da\u011f b\u00fcy\u00fck \u00f6l\u00e7\u00fcde bozulmam\u0131\u015f ve onu do\u011fru ve inand\u0131r\u0131c\u0131 bir \u015fekilde \u00dcst\u00fcn Evrensel<\/p>\n

De\u011fer olarak ifade ediyor. Kommagene’nin \u00f6nemli k\u00fclt alanlar\u0131 hala var, yap\u0131lar orijinal yap\u0131lar ve orijinal ili\u015fkileri hala g\u00f6zlemlenip alg\u0131lanabiliyor. M\u00fclkiyet s\u0131n\u0131r\u0131 t\u00fcm\u00fcl\u00fcs ile do\u011fu, bat\u0131 ve kuzey teraslar\u0131n\u0131 i\u00e7ermesine ra\u011fmen t\u00f6ren yollar\u0131n\u0131n tamam\u0131n\u0131 kapsamamaktad\u0131r. M\u00fclk\u00fcn b\u00fct\u00fcnl\u00fc\u011f\u00fcne y\u00f6nelik en b\u00fcy\u00fck tehdit, ciddi mevsimsel ve g\u00fcnl\u00fck s\u0131cakl\u0131k de\u011fi\u015fimleri, donma ve \u00e7\u00f6z\u00fclme d\u00f6ng\u00fcleri, r\u00fczgar, kar birikimi ve g\u00fcne\u015fe maruz kalma gibi \u00e7evresel ko\u015fullar\u0131n neden oldu\u011fu maddi hasard\u0131r. Ayr\u0131ca, bu b\u00f6lge birinci derece deprem ku\u015fa\u011f\u0131nda yer almakta olup sismik olarak aktif olan Do\u011fu Anadolu Fay\u0131’na \u00e7ok yak\u0131nd\u0131r. Bu nedenle t\u00fcm\u00fcl\u00fcs, heykeller ve steller depreme kar\u015f\u0131 hassast\u0131r.<\/p>\n

Kral Antiochos<\/a>, vasiyetini bildirdi\u011fi nomos (yaz\u0131t) yaz\u0131lmas\u0131n\u0131 emretti. Nomos, Nemrut Da\u011f\u0131 \u00fczerinde hiyerotezin (kutsal alan) yarat\u0131lmas\u0131n\u0131n yasal ve tarihi y\u00f6nleri ve yeni bir dini k\u00fclt\u00fcn kurulmas\u0131yla ilgili ayr\u0131nt\u0131l\u0131 bilgiler i\u00e7erir. Yaz\u0131t hem Do\u011fu hem de Bat\u0131 Teras\u0131’nda yer almaktad\u0131r ve k\u00fc\u00e7\u00fck yaz\u0131m farkl\u0131l\u0131klar\u0131n\u0131n yan\u0131 s\u0131ra ayn\u0131 ifadelere sahiptir. Antiochus’un yaz\u0131t\u0131n\u0131n tonu ve mesaj\u0131 hakk\u0131nda genel bir fikir edinmek i\u00e7in yapman\u0131z gereken tek \u015fey \u015fu al\u0131nt\u0131y\u0131 okumak, \u2018\u2019\u00d6l\u00fcms\u00fcz bir yarg\u0131n\u0131n onaylad\u0131\u011f\u0131 \u015ferefler, ona cinlerin ve t\u00fcm tanr\u0131lar\u0131n gazab\u0131n\u0131 hem kendisi hem de soyundan gelenler, her t\u00fcrl\u00fc cezayla uzla\u015fmaz bir \u015fekilde kovalayacakt\u0131r.”<\/p>\n

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Nemrut Da\u011f\u0131 Heykelleri Kim Taraf\u0131ndan Yap\u0131ld\u0131, Tarihi, Sanat, \u00d6zellikleri<\/p><\/div>\n

Nomos’un t\u00fcm metni terc\u00fcme edildi\u011finde, t\u00fcrbenin kral\u0131n\u0131n “uzun y\u0131llar\u0131n hayat\u0131n\u0131” ya\u015farken in\u015fa edildi\u011fi ortaya \u00e7\u0131kt\u0131. Nomos ayr\u0131ca yeni k\u00fclt\u00fcn Krall\u0131k genelinde, \u00f6zellikle de Nemrut Da\u011f\u0131’nda kutlanmas\u0131 gerekti\u011fine dair bir talimat i\u00e7eriyor. Yaz\u0131t\u0131n metni, Antiochus’un kendisi de dahil olmak \u00fczere, tanr\u0131lar\u0131n onuruna festivallerin nas\u0131l kutlanaca\u011f\u0131na dair talimatlar da veriyor. \u00d6zel olarak belirlenmi\u015f g\u00fcnler, “kral\u0131n bedeni” ve ta\u00e7 giyme t\u00f6reninin do\u011fum g\u00fcn\u00fcd\u00fcr. Antiochus bu iki g\u00fcn\u00fc iblislerin if\u015falar\u0131na adad\u0131.), krall\u0131\u011f\u0131n ba\u015far\u0131l\u0131 h\u00fck\u00fcmdarl\u0131\u011f\u0131 s\u0131ras\u0131nda onu y\u00f6nlendirdi. Bu noktada, eski zamanlarda “iblis” teriminin ikircikli oldu\u011funu ve hem olumlu hem de olumsuz insan\u00fcst\u00fc varl\u0131klar\u0131 tan\u0131mlad\u0131\u011f\u0131n\u0131 belirtmekte fayda var; bu anlamda, iblisler genellikle koruyucu ruhlar olarak hizmet ettiler ve Antiochus’un a\u00e7\u0131k\u00e7a at\u0131fta bulundu\u011fu rol.<\/p>\n

Nemrut Da\u011f\u0131 Heykel Kimleri Temsil Ediyor<\/h3>\n

Nemrut Da\u011f\u0131<\/a>‘nda an\u0131tsal heykeller oturan fig\u00fcrler grubuna soldan sa\u011fa bak\u0131ld\u0131\u011f\u0131nda bunlar \u015funlard\u0131: Kommagene tanr\u0131\u00e7as\u0131 Antiochus, Zeus-Orosmasdes-Ahura Mazda, Apollo-Mithras-Helios-Hermes ve Artagnes-Bahram-Herakles-Ares.<\/i> Bu tanr\u0131lar\u0131n karma\u015f\u0131k isimlendirmesi, Zerd\u00fc\u015ftl\u00fck ve klasik Yunan panteonunun<\/i> unsurlar\u0131n\u0131 birle\u015ftiren Antiochus taraf\u0131ndan desteklenen dinin senkretik karakterinden kaynaklanmaktad\u0131r. Tanr\u0131lar\u0131n heykelleri oturur pozisyonda, devasa tahtlar \u00fczerinde ve ayaklar\u0131 tahtlar\u0131n bacaklar\u0131 aras\u0131ndaki ayakl\u0131klara dayan\u0131r. Heykellerin v\u00fccutlar\u0131n\u0131n g\u00f6rece beceriksiz performans\u0131 ile kafalar\u0131n\u0131 karakterize eden hassasiyet ve \u00f6zen aras\u0131ndaki z\u0131tl\u0131\u011f\u0131 belirtmekte fayda var. Tanr\u0131lar\u0131n fig\u00fcrleri, yatay olarak d\u00fczenlenmi\u015f kire\u00e7ta\u015f\u0131 blok katmanlar\u0131ndan olu\u015fur.<\/p>\n

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An\u0131tsal heykellerin k\u0131yafetleri zorlukla i\u015faretlenmi\u015ftir ve detaylardan yoksundur. Erkek fig\u00fcrler oryantal tarzda kost\u00fcmler giyerler: ayakkab\u0131lar, pantolonlar, uzun kollu tunikler ve paltolar; Kommagene tanr\u0131\u00e7as\u0131 ise Chiton ve himation ile Yunan tarz\u0131nda giyinmi\u015ftir. Tanr\u0131\u00e7an\u0131n sa\u00e7\u0131 ayr\u0131kl\u0131d\u0131r ve geriye taran\u0131r ve ba\u015f\u0131 \u00f6rg\u00fcl\u00fc ha\u015fha\u015f ve meyve \u00e7elengi ile s\u00fcslenmi\u015ftir. Antiochus, Zeus ve Apollon, Zerd\u00fc\u015ftl\u00fckte rit\u00fcel ama\u00e7lara hizmet eden barom ad\u0131 verilen dal demetlerini sol ellerinde tutarlar. Herakles, omzunda bir sopay\u0131 destekliyor ve Kommagene berekete sahip. An\u0131tsal heykellerin \u00f6n\u00fcnde muhtemelen k\u00fclt ama\u00e7l\u0131 bir teras vard\u0131. Boyutlar\u0131, \u00f6nemli bir toplant\u0131 yapabilece\u011fini g\u00f6steriyor. Yanlar\u0131, her birinin \u00f6n\u00fcnde sunaklar bulunan ta\u015f kaidelere yerle\u015ftirilmi\u015f blok dizileriyle i\u015faretlenmi\u015ftir. Do\u011fu Teras\u0131’n\u0131n kuzey s\u0131n\u0131r\u0131n\u0131 s\u0131n\u0131rlayan s\u0131ra, Kral Antiochus’un Pers, Ermenistan ve Kommagene atalar\u0131n\u0131 tasvir eden al\u00e7ak kabartmalarla s\u00fcslenmi\u015f 15 bloktan olu\u015fuyordu. \u00d6te yandan, g\u00fcney s\u0131ras\u0131, atalar\u0131n\u0131n Yunan k\u00f6kenli tasvirlerinin yer ald\u0131\u011f\u0131 17 stelden olu\u015fuyordu.<\/p>\n

Bat\u0131 Teras\u0131<\/h3>\n

Bat\u0131 Teras\u0131’n\u0131n g\u00f6r\u00fcn\u00fcm\u00fc asl\u0131nda Do\u011fu Teras\u0131’n\u0131 neredeyse yans\u0131t\u0131yordu. Ayr\u0131ca en \u00f6nemli unsur, her iki tarafta bir kartal ve bir aslandan olu\u015fan bir \u00e7ift taraf\u0131ndan korunan, oturmu\u015f tanr\u0131lar\u0131n an\u0131tsal fig\u00fcrleri grubuydu. Heykellere yak\u0131ndan bak\u0131ld\u0131\u011f\u0131nda, g\u00f6r\u00fcn\u00fcmlerinde ve k\u0131yafetlerinde birka\u00e7 k\u00fc\u00e7\u00fck farkl\u0131l\u0131k g\u00f6rmek m\u00fcmk\u00fcnd\u00fcr. Zeus ve Herakles al\u0131nlar\u0131n\u0131 k\u0131r\u0131\u015ft\u0131r\u0131r ve etkileyici sakallar\u0131 ile onlara gen\u00e7 bir \u015fekilde tasvir edilen ve \u00f6zenle tra\u015f edilen Apollon ve Antiochus’tan \u00e7ok daha ya\u015fl\u0131 ve asil bir g\u00f6r\u00fcn\u00fcm verir. Ayr\u0131ca Bat\u0131 Teras\u0131’nda, Kral Antiochus’un atalar\u0131n\u0131n resimlerinin bulundu\u011fu iki s\u0131ra stel vard\u0131r. 15 bloktan olu\u015fan g\u00fcney s\u0131ras\u0131, Antiochos’un do\u011fu atalar\u0131n\u0131 g\u00f6steriyordu. Teras\u0131n bat\u0131 s\u0131n\u0131r\u0131n\u0131 belirleyen ikinci s\u0131ra, kral\u0131n atalar\u0131n\u0131 Bat\u0131’dan tasvir ediyordu. Teras\u0131n kuzey taraf\u0131, Kuzey ve Do\u011fu teraslar\u0131na eri\u015fim sa\u011flamak i\u00e7in a\u00e7\u0131k kald\u0131. Ek olarak, Bat\u0131 Teras\u0131’nda, Arsameia y\u00f6n\u00fcnden ana ge\u00e7it yolu ile gelen konuklar i\u00e7in hiyerotezin alan\u0131na ana giri\u015f vard\u0131. \u0130kincil t\u00f6ren rotas\u0131 do\u011frudan Do\u011fu Teras\u0131’na gidiyordu. Bat\u0131 Teras\u0131’ndan Do\u011fu Teras\u0131’na giden yol boyunca ek bir Kuzey Teras\u0131 vard\u0131r. Ziyaret\u00e7iler yama\u00e7ta yatan 42 bitmemi\u015f blo\u011fu g\u00f6rebilirler. Onlara muhtemelen orijinal olarak sabitlendikleri 57 \u00fcs e\u015flik ediyor. Bu bloklar tamamen p\u00fcr\u00fczs\u00fcz oldu\u011fundan ve herhangi bir dekorasyona sahip olmad\u0131\u011f\u0131ndan, ara\u015ft\u0131rmac\u0131lar, hac\u0131lar i\u00e7in bir r\u00fczgar siperi g\u00f6revi g\u00f6rd\u00fcklerini varsayma e\u011filimindedirler.<\/p>\n

Ancak Nemrut Da\u011f\u0131’ndaki t\u00fcm\u00fcl\u00fcs\u00fcn bulunmas\u0131ndan bu yana ara\u015ft\u0131rmac\u0131lar\u0131 ve amat\u00f6r astrologlar\u0131 en \u00e7ok b\u00fcy\u00fcleyenler, Antiokhos’un, atalar\u0131n\u0131n ve tanr\u0131lar\u0131n fig\u00fcrleri de\u011fildir. V\u00fccudu on dokuz y\u0131ld\u0131zla s\u00fcslenmi\u015f bir aslan\u0131 tasvir eden ve b\u00fcy\u00fck olas\u0131l\u0131kla Aslan tak\u0131my\u0131ld\u0131z\u0131n\u0131 yans\u0131tan r\u00f6lyef, dikkatlerini \u00e7ekti. Aslan\u0131n boynuna as\u0131l\u0131 bir orak, muhtemelen ay\u0131 simgelemektedir. Dahas\u0131, hayvan\u0131n arka taraf\u0131nda \u00fc\u00e7 y\u0131ld\u0131z daha g\u00f6r\u00fclebiliyor ve bunlar \u00e7o\u011funlukla soldan bak\u0131ld\u0131\u011f\u0131nda \u00fc\u00e7 gezegenin bir \u00f6rne\u011fi olarak yorumlan\u0131yor: Mars, Merk\u00fcr ve J\u00fcpiter. R\u00f6lyefte tasvir edilen diyagram\u0131n, g\u00f6ky\u00fcz\u00fcndeki ger\u00e7ek durumu yans\u0131tabilece\u011fi fikri, uzun zamand\u0131r \u00f6l\u00e7\u00fclemez bir heyecana neden olmu\u015f ve bir\u00e7ok spek\u00fclasyon, tahmin ve yoruma konu olmu\u015ftur.<\/p>\n

Kullan\u0131lan Malzeme<\/b><\/p>\n

Nemrut Da\u011f\u0131’ndaki an\u0131tlar iki ana tip kaya malzemesi kullan\u0131larak yap\u0131lm\u0131\u015ft\u0131r; bunlardan ilki, \u00f6nemli miktarda tortul malzeme kar\u0131\u015f\u0131m\u0131 i\u00e7eren piroklastik bir malzemeden olu\u015fan, tufit ad\u0131 verilen gri-ye\u015fil bir kayayd\u0131. Bunlar, iki ana terasta atalar\u0131n resimlerinin bulundu\u011fu steller, birka\u00e7 k\u00fc\u00e7\u00fck heykel ve k\u00fc\u00e7\u00fck mimari unsurlar\u0131 i\u00e7erir. Di\u011fer malzeme ise, ana yap\u0131 malzemesi de olan, devasa heykeller ve sunaklar\u0131n oyuldu\u011fu \u00e7ok daha dayan\u0131kl\u0131 beyaz ve sar\u0131 renkli kire\u00e7ta\u015f\u0131 kayayd\u0131.<\/p>\n","protected":false},"excerpt":{"rendered":"

Nemrut Da\u011f\u0131 Heykelleri ve Kommagene Krall\u0131\u011f\u0131 Nemrut Da\u011f\u0131, K\u00fc\u00e7\u00fck Asya’n\u0131n arkeolojik hitlerinin aras\u0131nda yer alan ve ayn\u0131 zamanda hala bir\u00e7ok s\u0131r saklayan bir arkeolojik sit alan\u0131d\u0131r. \u015eimdiye kadar, da\u011f\u0131n zirvesindeki yapay setin neyi gizledi\u011fini kesin olarak belirlemek m\u00fcmk\u00fcn olmad\u0131. Nemrut Da\u011f\u0131’ndaki devasa heykeller, dini senkretizmin ve Antiochus’un Yunan, Pers ve Ermeni etkilerini birle\u015ftiren yeni bir […]<\/p>\n","protected":false},"author":1,"featured_media":12785,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[124],"tags":[],"class_list":["post-12773","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-tarihi"],"yoast_head":"\nNemrut Da\u011f\u0131 Heykelleri - Arthipo<\/title>\n<meta name=\"description\" content=\"Nemrut Kommagene Krall\u0131\u011f\u0131, nemrut da\u011f\u0131 heykelleri kim yapm\u0131\u015f anlam\u0131 isimleri t\u00fcm\u00fcl\u00fcs neredir ka\u00e7 y\u0131l\u0131nda yap\u0131lm\u0131\u015flar neden nas\u0131l gidilir\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arthipo.com\/artblog\/sanat-tarihi\/nemrut-dagi-heykelleri.html\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nemrut Da\u011f\u0131 Heykelleri - 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